Showing posts with label English history. Show all posts
Showing posts with label English history. Show all posts

Monday, December 1, 2025

THE SIX LOVES OF JAMES I, frankly opposing historical homophobia...and queer-identity appropriation


THE SIX LOVES OF JAMES I
GARETH RUSSELL

Atria Books (non-affiliate Bookshop.org link)
$16.99 ebook, available now

A LIBRARY JOURNAL BEST BOOK OF 2025

Rating: 4.75* of five

The Publisher Says: A groundbreaking and insightful exploration of King James I, enigmatic successor to Queen Elizabeth I, from the “meticulous researcher” (The Wall Street Journal) and author of the “enjoyable and readable” (Philippa Gregory, #1 New York Times bestselling author) The Palace.

From the assassination of his father to the explosive political and personal intrigues of his reign, this fresh biography reveals as never before the passions that drove King James I.

Gareth Russell’s “rollicking, gossipy” (Dan Jones, author of The Plantagenets), and scholarly voice invites us into James’s world, revealing a monarch whose reign was defined by both his public power and personal vulnerabilities. For too long, historians have shied away from or condemned the exploration of his sexuality. Now, Russell offers a candid narrative that not only reveals James’s relationships with five prominent men but also challenges the historical standards applied to the examination of royal intimacies.

This biography stands as a significant contribution to the understanding of royal history, illuminating the personal experiences that shaped James’s political decisions and his philosophical views on masculinity and sexuality.

I RECEIVED A DRC FROM THE PUBLISHER VIA EDELWEISS+. THANK YOU.

My Review
: I'm in two minds about this read. I like the writing; I'm open, if not warmly welcoming, to the subject being included among our queer ancestors; but he was still medieval about religious stuff, and was inimical to "witches" among his subjects. (There were not, and are not, witches in the sense these people used the term. Pace, modern wiccans.) It really, really bothers me that Edward Gorey is co-opted to be One of Us, when he explicitly said he was not. (Go read my review.) So James VI and I? I'm not mad at or about the folks who want to say he was gay.

It's evident to me, after reading this book, that his greatest love was George Villiers. It appears to have been reciprocated, as much as we can know these things about people 400 years dead (as of this year). The extant evidence supports the conclusion that this complicated, traumatized, deeply and passionately emotional man was lucky enough to find some people...his wife Anna of Denmark, the aforementioned George...in his lifetime who met him where he was, who offered him the precious gift of companionship. Inasmuch as a royal can experience such a commoner's thing, more especially then when royal power was less trammeled than today.

Author Russell is scrupulous in making you au fait with his sources. He specifically says, on the occasions he makes a logical leap, that this is what he's doing. Where people in the past used the lens of homophobia to "tar" a man's reputation (viz, Frank Barlow's William II) with the stench of sodomy, much more often than not the "charge" was made absent solid evidence, and for some sort of political or ideological reason. As my best example, in this book Esmé Stewart, 1st Duke of Lennox, frequently accounted as James's first love(r), is shown to have been at most a crush, with no evidence pointing to a more intense relationship.

So I'm happy to accept Author Russell's well-founded and -informed conclusions about the rest of the King's emotional life. As the life of a king, as the lives of us all, is mostly spent outside the bedchamber and away from our intimate partner, the pretext of the book must needs fall away as events demand attention depart Mary and George territory. (Excellent show, Nicholas Galitzine {George Villiers} naked is a most enjoyable view to have.)

The reign of the king was bound to be complex. He succeeded the longest-ruling, to that point, monarch of the country; he was the first ruler to have an explicit, publicly acknowledged right to both British thrones; he was in power at the dawn of the modern world with its marvels and mysteries supplanting the certainties of his own world, the one he was raised in. It was a morass of warring interests, as the world has always been; James was not always the best one to make good, for the time and information he could have, decisions.

An unenviable position as monarch of two countries who had been at war for centuries, and whose mother he never met because she was imprisoned and murdered by his predecessor. Fractious nobles, upstart commoners, churchmen jealous of their vanishing prerogatives (this despite or because of his commissioning if the King James Version of the Bible), kidnappings, assassination attempts...this is the "remember, remember, the Fifth of November" king...it's no wonder he was paranoid and prone to act as if people were out to get him. They all too often were. It still left me wishing he would pull his head out of his medieval ass and get with the modern world borning in his care. It's irrational, unfair, and quite pointless, but it shows how very invested Author Russell got me into King James.

In all, a read I enjoyed more than didn't, that I finished in a very good time, and found more reasonable and more honest about its royal subject than the vast majority of the biographies I've read.

Your royal-watcher should get one this Yule. A strong corrective for the ick-factor fall of Andrew Windsor.

Tuesday, November 25, 2025

BEYOND THE VEIL: The Victorian Obsession With Death and Mourning, lovely to look at, if weird and morbid


BEYOND THE VEIL: The Victorian Obsession With Death and Mourning
PAUL GAMBINO

Frances Lincoln Ltd (non-affiliate Bookshop.org link)
$29.00 all editions, available now

Rating: 4* of five

The Publisher Says: Beyond the Veil is a visual exploration of Victorian mourning, charting the often peculiar and at times macabre ways of how the living memorialize the dead.

Beyond the Veil is a visual tour through the curious history of how we deal with death—the grief and mourning, the funerals, symbols, and ceremonies.

From Victorian England across to the US, learn about the often peculiar and at times macabre ways of how the living memorialize the dead.

Humans have always had ways of marking death, but in Victorian England death became a morbid obsession that went global—death was as much ‘celebrated’ as it was a source of fear and sadness. Queen Victoria herself became a figurehead of grief after the death of her beloved Prince Albert in 1861. Her ensuing fascination with death took many visual forms—from her ritualized embrace of black clothing to the building of ostentatious monuments—and massively influenced cultural norms in both the UK and further afield.

The Victorians built complex cemeteries, collected precious memento mori, commissioned bizarre death portraits, and obsessed over the correct mourning attire and funerary protocol, while turn-of-the century America saw reflections of many of these cultural phenomena. The bestsellers of the period were often about life and death (think Frankenstein and Dracula), while the art, architecture, and style—with its often dark and heavy gothic overtones—revelled in the glamorization of death. Beyond the Veil brings this extraordinarily elaborate and stylised visual culture together while expertly explaining and elaborating on its most peculiar and fascinating aspects.

For example, it explores:
  • The influence of Queen Victoria’s personal mourning on fashion and social custom.
  • The rise of Victorian cemeteries and funerary architecture.
  • The art of memento mori and post-mortem photography.
  • The emergence of spiritualism, seances and afterlife communication.
  • The fascination with gothic literature, symbolism and the romanticization of death.

  • Beautifully illustrated throughout with archival photography, artworks and design,Beyond the Veil is a must-have for lovers of history, art, and the macabre. It invites readers to step into the shadows of the past and discover how Victorian mourning shaped our modern relationship with grief and remembrance.

    I RECEIVED A DRC FROM THE PUBLISHER VIA EDELWEISS+. THANK YOU.

    My Review
    : Lovely, design-heavy gift book, perfect for your history-minded or Victorian-obsessed giftee's coffee table. It's nicely written, easy to read, but...crucially for a book on this subject that depends on the quality of its sources...has no notes or bibliography worth spending time on. I certainly don't expect academic-standard citations, but more than the absolute minimum should've been attainable.

    My longstanding dislike of Queen Victoria...won't someone, anyone, write an alternate history where Princess Charlotte lives through bearing Leopold's son?...hit glowing hot hatred as I read about how her abused-child narcissism totally screwed the entire world while she pouted and shouted about her playtoy...sorry, husband...being taken from her before she was tired of him.

    contents page spread

    English society, and the broader colonial sphere in Scotland and Ireland, out into the wider Anglophone world, began to follow some truly weird death and mourning customs:
    sample of essay; interior spread about hair art

    ...because in the time before effective antibiotics, sanitation, and city planning, there was wide scope for mourning the loss of literally anyone close to you from some unexpected cause.

    This chapter spread says it all:
    Shadow of the Scythe indeed!

    As an illustrated overview of a subject that can easily consume academic careers, this is a successful book. As a beautiful gift object, it also succeeds. As a jumping-off point for looking into the truly obsessive, dysfunctional Victorian worldview, it does a fine job.
    spiritualism rose to prominence in this atmosphere
    sensationalism about murder did, too
    some trivia fragments

    Altogether a book I'd think your serious-minded luxury-item-worthy giftee will like.

    DARK LONDON: A Journey Through the City's Mysterious and Macabre Underworld, for the ghoulish giftee closest to your heart


    DARK LONDON: A Journey Through the City's Mysterious and Macabre Underworld
    DR. DREW GRAY

    Frances Lincoln Ltd (non-affiliate Bookshop.org link)
    $22.99 hardcover, available now

    Rating: 4.75* of five

    The Publisher Says: Dark London brings together the history of the city’s seamier side, picking out the most scandalous, curious and bizarre aspects of London’s shadowy and fascinating underbelly.

    From dark crimes of passion to shocking tales of grave robbing, gruesome murders, dens of iniquity, Victorian séances, and haunted houses—not far beneath London’s everyday bustle and glitter there has long been a fascinatingly rich underworld of criminality, superstition, scandal, and macabre debauchery.

    In Dark London, social historian Dr Drew Gray, a specialist in the history of crime and punishment, delves into the city’s grim yet compelling past, uncovering the people and places that shaped its darker identity.

    Across more than 100 real-life cases and curiosities, he explores how London became both the heart of a growing empire and a stage for vice, greed, and human fallibility.

    Highlights include:
  • The London Burkers, a notorious gang of resurrectionists whose leader confessed to stealing and selling nearly 1,000 bodies to London’s medical schools in the 1830s.
  • The Whitechapel Murders of 1888, still the world’s longest running serial murder mystery.
  • The prisons of Newgate and Pentonville, where shifting attitudes towards justice revealed the tension between punishment, reform, and moral control.
  • The legend of Spring-heeled Jack, the terrifying, leaping figure who caused panic across London’s streets.
  • The Great Stink of 1858, when London’s polluted Thames brought the city to a standstill and forced a revolution in sanitation and public health.
  • Dark London brings together the history of the city’s seamier side, picking out the most scandalous, curious and bizarre aspects of London’s shadowy and fascinating underbelly.

    I RECEIVED A DRC FROM THE PUBLISHER VIA EDELWEISS+. THANK YOU.

    My Review
    : London's been a world city, most of the time, since the Romans lost Colchester in 60CE and moved their colonial government there. Lots of scope for serious weirdness of the supernatural stuff sort, and viciousness (or just misguided trying to help) of the human sort. Both leave separate kinds of stains on the memory of society, locally as well as internationally.

    Author Drew Gray's biography as provided by Frances Lincoln Ltd:
    Dr. Drew Gray is a social historian of the eighteenth and nineteenth centuries who specialises in the history of crime and punishment. Drew is Head of Subject for Culture (Humanities, Media, & Performance) at the University of Northampton and teaches modules on both the History and Criminology programmes. His previous works include Murder Maps: Crime Scenes Revisited; Phrenology to Fingerprint 1811-1911 and London's Shadows: The Dark Side of the Victorian City.
    That's one helluva CV. The gent knows how to present the facts and images in tandem, all illustrated books from him to date, so why would this one fail? Spoiler: It doesn't.

    The history of crime, the historical context of punishment, the social context of these dark patches of London's history aren't exhaustively explored in this handsome gift book. I felt the illustrations were well-chosen and -presented; but sometimes pulled well above their weight in explication of societal details. I can't give full five stars because I was niggled by this, despite this being the book's literal purpose for being an illustrated overview.

    We all have a well-loved ghoul somewhere on our gifting list. Someone who really enjoys the frisson of crime and punishment, who wants that extra thrill of knowing what humans are capable of...and this is the book for them. It's also very much a book for your Londonphile/Anglophile giftee. I think you, faithful reader, might like it for your own coffee table.

    Here, look at some of the more than a hundred images:
    contents
    punishment
    murder
    spooky stuff
    humanitarian harms done

    A very nice gifting idea for Yule...especially suitable for the Goth nibling/grandchild.

    Friday, December 9, 2022

    THE VIKING HISTORY PAGE: THE WOLF AGE, first Scandinavian-authored Viking history in English & CHILDREN OF ASH AND ELM, distinguished archaeologist writes


    THE WOLF AGE: The Vikings, the Anglo-Saxons and the Battle for the North Sea Empire
    TORE SKEIE
    (tr. Alison McCullough)
    Pushkin Press (non-affiliate Amazon link)
    $19.95 trade paper, available now

    Rating: 4.5* of five

    The Publisher Says: Thrilling history provides a new perspective on the Viking-Anglo Saxon conflicts and brings the bloody period vividly to life, perfect for fans of Dan Jones

    The first major book on Vikings by a Scandinavian author to be published in English, The Wolf Age reframes the struggle for a North Sea empire and puts readers in the mindset of Vikings, providing new insight into their goals, values, and what they chose to live and die for.

    Tore Skeie ("Norway's Most Important Young Historian") takes readers on a thrilling journey through the bloody shared history of England and Scandinavia, and on across early medieval Europe, from the wild Norwegian fjords to the wealthy cities of Muslim Andalusia.

    Warfare, plotting, backstabbing and bribery abound as Skeie skillfully weaves sagas and skaldic poetry with breathless dramatization as he entertainingly brings the world of the Vikings and Anglo-Saxons to vivid life.

    In the eleventh century, the rulers of the lands surrounding the North Sea are all hungry for power. To get power they need soldiers, to get soldiers they need silver, and to get silver there is no better way than war and plunder.

    This vicious cycle draws all the lands of the north into a brutal struggle for supremacy and survival that will shatter kingdoms and forge an empire…

    I RECEIVED A DRC FROM THE PUBLISHER VIA EDELWEISS+. THANK YOU.

    My Review
    : This Norwegian historian's viewpoint on the rise and spread of the late-Viking-era North Sea empire. The seeds of this immense stretch of territory coming under one ruler were set in the attacks of Harald Gormsson, King of Denmark, (whom we call "Bluetooth" and yes, he's the source of the name of the wireless connectivity protocol on your phone) on the rich and peaceful (therefore ripe for robbery) Anglo-Saxon Kingdom(s). His wars against the neighboring Saxon Kingdom along the Baltic Sea coast were costly, and even resulted in his loss of control over Norway; much money for rearming and hiring mercenaries was needed and, well, Anglaland ho! Alas, his death came before he could finish a war of conquest in what is today a coastal region of Poland.
    Aethelred the Redeless, who fought Harald and Sweyn his whole life, on his coinage
    We don't see much of Harald in English-language histories, but he was more than the raiding monarch seeking silver to pay for his wars. He was also the one who introduced a centralized coinage for Denmark, guaranteeing its value would always be the same wherever one was paid in it. And one means of assuring that? Go get silver from someone else. The English have lots! And so it came to pass that the immensity of the North Sea became the middle ground between two halves of one empire...in fact, for a brief time, and in imagination for a longer one.

    Harald's son Sweyn (opponent of "Saint" Olaf Haraldsson for the title of King of Norway, who is pictured above), after successfully rebelling against him, continued his father's efforts to unite the coasts of the North Sea under his family. A period of uncertainty in his rule before his first reported raid on the murderers of his kinsfolk in their midst (the appalling St Brice's Day massacre!) beginning a long campaign of looting and terror against the English. This campaign turned into occupation; the occupation turned into becoming the King of the English in 1013. Leaving England in the hands of his second son, he hurried off to fight another war...and died before 1015.
    He was thus not as successful as was his own son, King Canute as he is known in English and Cnut the Great at home (his coin portrait is at the right). He ruled all three kingdoms, Norway from 1028, Denmark from 1018, and England from 1015, for twenty years and made a decent fist of it. What happened, as happened to most all territorially great empires, was just the reality of physics. In an era without motorized transport, the chances of maintaining control over a huge swath of territory are not great. Cnut did not overcome the odds, dying in 1035 with England still barely under his control. His descendants continued to cherish hopes of reacquiring England until Edward the Confessor died in 1066, when Harald Hardrada was killed with his army at the Battle of Stamford Bridge defending his, um, very (very) extended family's claim on the wealthy English realm. This was the last gasp of the North Sea Empire as envisioned by Harald Gormsson a century before.

    The territorial drive of the father, son, and grandsons wasn't out of character; wasn't unusually violently for the era; and is ripe for reconsideration by English-language readers to account for our lamentable tendency to simply unsee the viewpoints of others on our shared histories. This volume is the first translated, for the most part skilfully, into English. I'd say the one concerning lacuna in this rendering into English of a popular history written in Norwegian is the use of colloquially still prevalent "Anglo-Saxon" in reference to the people, not the culture, of England from the 6th through 11th centuries. It's established through the use of genomics that the people of England are still largely Britons. It's a minor cavil in a work of popular history.

    More frustrating to me is the lack of maps in the DRC. There are (see above) very nice black-and-white illustrations at the chapter opens but in my DRC, there weren't maps and, in any history text that discusses battles, that is a serious omission. I am aware that there are indeed maps in your final copies, I hasten to say, but I haven't seen them and can't comment on their effectiveness at conveying information they're meant to. I left off only a half-star in my rating, however, because that lack was both unique to the DRC and somewhat compensated for by the sheer pleasure of reading the skillfully translated text. Alison McCullough deserves much praise. While there is a sense of the original text's depth of scholarship, the primary affect of this book is one of absorbing, intelligent conversation overheard by the reader...not all the references or historical figures will stay in one's mind, available for instant recall, but even at lazier moments when I didn't feel like chasing a reference or an actor in the endnotes, or the "Overview of Persons" as this text charmingly calls the Dramatis Personae, I was carried along by what felt to me like very readable, accessible prose. Enough explanation was offered to my non-specialist brain to enable me to move forward with a real sense of the ethos in which events transpired.

    Overall, the point of a book such as this...a lovely illustrated trade-paper edition of popular history about the pre-Norman Conquest world of England...is to please and intrigue the history buff on your gifting list. (Or you, of course.) I feel confident that it will serve that purpose.

    Pushkin Press continues its streak of fascinating, unusual in the US, points of view presented in beautiful and pleasurable format.

    ++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++


    CHILDREN OF ASH AND ELM: A History of the Vikings
    NEIL PRICE

    Basic Books
    $35.00 hardcover, available now

    Rating: 4.5* of five

    The Publisher Says: The definitive history of the Vikings—from arts and culture to politics and cosmology—by a distinguished archaeologist with decades of expertise

    The Viking Age—from 750 to 1050—saw an unprecedented expansion of the Scandinavian peoples into the wider world. As traders and raiders, explorers and colonists, they ranged from eastern North America to the Asian steppe. But for centuries, the Vikings have been seen through the eyes of others, distorted to suit the tastes of medieval clerics and Elizabethan playwrights, Victorian imperialists, Nazis, and more. None of these appropriations capture the real Vikings, or the richness and sophistication of their culture.

    Based on the latest archaeological and textual evidence, Children of Ash and Elm tells the story of the Vikings on their own terms: their politics, their cosmology and religion, their material world. Known today for a stereotype of maritime violence, the Vikings exported new ideas, technologies, beliefs, and practices to the lands they discovered and the peoples they encountered, and in the process were themselves changed.

    From Eirík Bloodaxe, who fought his way to a kingdom, to Gudrid Thorbjarnardóttir, the most traveled woman in the world, Children of Ash and Elm is the definitive history of the Vikings and their time.

    I RECEIVED A DRC FROM THE PUBLISHER VIA NETGALLEY. THANK YOU.

    My Review
    : Far broader in scope than The Wolf Age reviewed above, this is the most compact (at under 650 pages) and the most comprehensive overview I've ever read of the "Viking Age" Norse as we here to their South call the multiple groups of Scandinavian traders, slavers, warriors, and rapists who burst the seams of their colossally cold homeland in search of new lands and lots of money. Spoiler alert: they got them.
    If the data from the Continental written sources is combined, the protection money paid to the Vikingsduring the ninth century totalled about thirty thousand pounds' weight of silver, most of it in cash: a sum equivalent to seven million silver pennies over a period when the estimated total output of the Frankish mints was in the region of fifty million coins. This equates to approximately 14 percent of the entire monetary output of the Frankish empire—for a century—evaporated in the payment of extortion demands that produced no tangible positive gain, and, in many cases, failed to appease the Vikings anyway.

    (italics in the original)

    There is so much to unpack in that passage...it's shockingly obvious that appeasement is seldom a worthwhile strategy, and is always an expensive one; the reputation of the Norse people as warriors was such that they merely needed to show up to be given boatloads of money to go away again; and the tribute in kind, not just the cash they brought home, kept the balance of hunger on the rightful owners of the land and food not the invaders. The Frankish kingdom, then, was more changed by its experience of Viking invasion than was even England, though both countries saw significant influxes of Norse population, arriving to make the country their home...with variable amounts of success. (See above for St. Brice's Massacre.)

    That is all part of the middle, or "Viking" era that this volume is divided into. The first part of the text is called the "Migration" era. It is the time that saw huge cultural and climatic changes in Europe. There was pressure to find land to farm and patches of sea to exploit during this time, as well as the successor states to the Roman Empire arising and contending with each other for influence and territory. And ending the book is a kind of summation of the influence this phenomenally active and successful force in the world.

    I was delighted to have the maps to help me interpret the movements and stations of Norse cultural expansion. I was also impressed wt the copiousness of the in-line illustrations. It is expensive to make a book this attractive and it's not a terribly pricey purchase at $35 for a hardcover. Basic Books has done a creditable job of this without making it a coffee-table book or a category-gift book.

    Author Neil Price is a professional archaeologist. It is evident from the tone and tenor of his writing that his primary interest is in making you aware of the facts; he doesn't make the same amount of effort with the storytelling aspects of his writing. I've excerpted one of the typical passages where he's clearly making the effort to show the reader how phenomenally effective the Vikings were at their chosen task of redistributing others' wealth back to themselves. It's a fact, presented factually, that conveys a gigantic emotive affect of the Viking warriors. It is laudably clear; it is admirably placed for effect within the text (you'll have to trust me on that one); but it doesn't rise as high into the rhetorical clouds as Author Tore's book does.

    It is, as a gift item, a good value; as a gift received, a real pleasure on all levels. It's a hefty tome, though, so for your friends whose needs are more for thinner reads, the ebook is a dead cheap choice!

    Either way anyone wanting an accessible, enjoyable, and thoroughgoing overview of the Vikings as historical actors is in luck this Yule.

    Saturday, October 3, 2020

    DEATH KEEPS HIS COURT, a Kindle Single about today's White House...I mean, Richard II's court! Heh. Of course I do.

    DEATH KEEPS HIS COURT: The Rule of Richard II 
    ANSELM AUDLEY 
    $2.99 Kindle only, available now 

    Rating: 4 shiny stars of five 

    The Publisher Says: A tyrant on the throne... 

    Richard II was young, handsome, and elegant. Last living child of the brilliant Black Prince, he came to the throne bearing the hopes of his people on his shoulders. His court glittered; his tastes were refined; his portraits shone with gold. Regal, composed, aloof, he was the very picture of majesty. He became a murderous, capricious tyrant. His favourites plotted against his family. He rewrote the laws of England to give himself absolute power. He raised an army against his own subjects. 

     His subjects deposed him. Twice. 

    This is the story of the forgotten civil war of 1387, which saw Richard set against his brave, ill-starred uncle Thomas of Woodstock. Of how a boy’s bright promise turned deadly, provoking his nobles to fear, flight, and finally open war. Of how a humiliated King set out on a course of vengeance which would cost him his life and sow the first fatal seeds of the Wars of the Roses. 

    From royal banquets to battles in the mist, Death Keeps His Court tells a tale of real-life tyranny, treachery and tragedy in the age which inspired A Game of Thrones

    Anselm Audley holds BA and Master’s degrees in ancient history from Oxford, as well as a degree in planetary science from University College London. He is a published fantasy novelist, the author of Heresy, Inquisition, Crusade, and Vespera

    My Review: Never, ever fail to believe a tyrant:
    The King was the revolutionary, twisting law and justice into weapons, setting his own arbitrary whims above the settled custom of the realm, and giving not only protection but honours and riches to men whose conduct had been reprehensible. He had not the slightest respect for the laws of the land or the rights of his subjects, yet he was still the King – great Edward’s grandson and anointed monarch.
    When low, cunning men and women gain power, they bluster and threaten and posture. Good, reasonable people who want to believe the best of them say that they don't mean what they are saying.
    To show his friendship and appreciation for his favourites, Richard had given them everything they had asked for. He had bent laws, misused his power as King for their benefit, made himself the friend of France and the enemy of his own people. He had protected them no matter what they did.
    They do. Always and without fail, they are truthful in their lies. What they intend to do is always in the bluster. And good people will never, ever believe them.
    Thwarted, Richard instead resorted to one breach of faith after another: refusing to turn up to a council meeting, trying to delay the writs for Parliament, using every trick he could think of to keep the Appellants from acting. There could no longer be any doubt; de Vere was coming, and he had an army. All Richard’s delays, all his stratagems, had been attempts to buy time, to keep the Appellants’ eyes fixed on London.
    So, here we are!
    Even now, it seemed, the King believed he had the power to make reality conform to his will. –and– Richard was incapable of forgiving and forgetting. His tender sense of his own regality, still bruised, was one reason.
    Plus ça change, plus c'est la même chose, mes amis.