FEAR AND FURY: The Reagan Eighties, the Bernie Goetz Shootings, and the Rebirth of White Rage

FEAR AND FURY: The Reagan Eighties, the Bernie Goetz Shootings, and the Rebirth of White Rage
HEATHER ANN THOMPSON
Pantheon Books (non-affiliate Bookshop.org link)
$14.99 ebook, available now

Rating: 4.5* of five

The Publisher Says: In this masterful, groundbreaking work, Pulitzer Prize-winning author Heather Ann Thompson reveals how the infamous New York subway shooting of 1984 divided a nation, unveiling the potent cocktail of rage and resentment that ushered in a new era of white vigilante violence.

On December 22, 1984, white New Yorker Bernhard Goetz shot four Black teenagers at point-blank in a New York City subway car. Goetz slipped into the subway tunnels undetected, fleeing the city to evade capture. From the moment Goetz turned himself in, the narrative surrounding the shooting became a matter of extraordinary debate, igniting public outcry and capturing the attention of the nation.

While Goetz's guilt was never in question, media outlets sensationalized the event, redirecting public ire toward the victims themselves. In the end, it would take two grand juries and a civil suit to achieve justice on behalf of the four Black teenagers. For some, Goetz would go on to become a national hero, inciting a disturbing new chapter in American history. This brutal act revealed a white rage and resentment much deeper, larger, and more insidious than the actions of Bernie Goetz himself. Intensified by politicians and tabloid media, it would lead a stunning number of white Americans to celebrate vigilantism as a fully legitimate means for addressing racial fear, fracturing American race relations.

Drawing from never-before-seen and archival interviews, newspaper accounts, legal files, and more, Heather Ann Thompson sheds new light on the social and political conditions which set the stage for these events, delving into the lives of Goetz and his four victims—Darrell Cabey, Barry Allen, Troy Canty, and James Ramseur. Fear and Fury is the remarkable account and searing indictment of a crucial turning point in American history.

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My Review: The most powerful, privileged, cosseted, spoiled class of people in the entire history of the planet feel aggrieved and put-upon by those hugely less fortunate than themselves. It is the single biggest victory ever won by a lie over the truth. This is the story of one of the most important moments in the long campaign to weaponize class struggle...downwards.

A similar, racialized effort has been just as stunningly successful, much of it supercharged by the crime committed by Goetz. There are now "stand your ground laws" in many states, one of which got George Zimmerman off a murder conviction in the case of Trayvon Martin. Zimmerman is now 42; Martin died at seventeen. Goetz is 79. Darrell Cabey is a paraplegic with the functional capacity of an eight-year-old. But Goetz is a hero to a lot of (mostly) white people because he shot a bunch of aggressive, stupid teenagers because he "felt threatened."

In reading this careful, unimpeachably sourced story of how this came to pass and the world that's followed the crime it details, I got angrier and angrier. It was my New York, the one I moved to, that was being described; yet I felt unfamiliar with it, unable to imagine myself in this city. I was admittedly young; I had little more than the rudiments of a social conscience, or an honest awareness of racial injustice; but to learn so very much I absolutely had no idea about or access to? Humbling. Infuriating, because of what I was learning.

If you're willing to go on a long, well-footnoted trip into the ugliest part of US white mens' psyches, if you'd like to know why I cheered and clapped when Hinckley made his attempt to rid us of Reagan, if you weren't even born when these events transpired and just wonder how shit got so fucked up in this country, read this book.

It's not light reading. It's serviceable writing, it never ignited my excitement; but it's not poorly done, not boring, not awkward. It does what this kind of non-fiction is meant to do. That's a good thing, if not a toe-tingling one. I hope you'll keep it in mind, get it from the library, see if you find a sale on it in one format or another. It's well worth your time.

USING GIFT CARDS: Non-Fiction

Now that The Big Day's come and gone, lots of us have some giftcards, or some actual filthy lucre, to spend. There being no better way to spend that haul than on books, here are some reasonably priced options you might not've thought of to get your story needs met. ++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++

QUEEN MOTHER: Black Nationalism, Reparations, and the Untold Story of Audley Moore
ASHLEY D. FARMER
Pantheon Books (non-affiliate Bookshop.org link)
$14.99 ebook, available now

A LIBRARY JOURNAL BEST BOOK OF 2025

2025 National Book Critics Circle Award finalist for Biography!

Rating: 5* of five

The Publisher Says: From an award-winning historian of radical Black politics comes the definitive biography of Queen Mother Audley Moore—foremother of the Black Nationalism movement and trailblazer in the fight for reparations

In the world of radical Black politics, the name Audley Moore commands unquestioned respect. Across the nine decades of her life, Queen Mother Moore distinguished herself as a leading progenitor of Black Nationalism, the founder of the modern reparations movement, and a mentor to some of America's most influential Black activists from her homes in North Philadelphia and Harlem.

And yet, she is far less remembered than many of her peers and protégés—Marcus Garvey, Malcolm X, and Muhammad Ahmad, to name just a few—and the ephemera of her life are either lost or plundered. In Queen Mother, celebrated writer and historian Ashley D. Farmer restores Moore's faded portrait, delivering the first ever definitive account of her life and enduring legacy.

Deeply researched and richly detailed, Queen Mother is more than just the biography of an American icon. It's a narrative history of 20th-century Black radicalism, told through the lens of the woman whose grit and determination sustained the movement.

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My Review: Listen to the author on the Smarty Pants podcast!

Black nationalism. Reparations for slavery's ongoing horrors. A long lifetime of refusing to sit down and shut up, refusing to be a good girl, declining to accept partial and insincere and less-than sops and stop-gaps. "Queen Mother" is a very good title for Audley Moore and a good character analysis of her.

It pains me I knew little about her until now, until someone pulled together threads her proteges had deliberately unpicked and appropriated. She was truly unforgivable to the PTB within and without the Civil Rights movement because she was that powerless victim, a woman; yet her every act and every word gave the lie to that characterization. No one anywhere ever comes across less like a victim than Audley Moore.

She got done wrong to all the damn time, but that did not make her a victim...an identity she rejected, along with mainstreaming, assimilation, and capitalism. It's no wonder she was ignored by historians of the movement until now. She is guaranteed to scare, offend, and even radicalize the very kind of white guy who will commit racist violence. Since those guys are already doing it, empowered by the kakistocracy presently in government in the US, along comes Author Farmer to be introduced to Queen Mother Audley Moore as a child; galvanized by her Presence, her affect on those around her, Author Farmer became her biographer in due course. Outrage at not finding any records cache or archive of her life, the biographer took her considerable powers of persuasion and of study to pull back together the deliberately unpicked threads of an incredible life.

If you care at all about why, how, and at what our country needs to look honestly at itself, use some of your holiday pilf to procure this excellent, easy-to-read, necessary to understand book. Rescuing a major force from calculated desuetude is the act of a true apostle of truth.

+++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++

ENSHITTIFICATION: Why Everything Suddenly Got Worse and What to Do About It
CORY DOCTOROW
MCD x FSG (non-affiliate Bookshop.org link)
$15.99 ebook, available now

WINNER OF the 2026 Locus Award for NON-FICTION!

A LIBRARY JOURNAL BEST BOOK OF 2025

Rating: 5* of five

The Publisher Says: Explaining the process of the “enshittification” of digital platforms over time and what to do about it.

Cory Doctorow's Enshittification takes a witty yet incisive look at the tech landscape, where platforms like TikTok, Facebook, and Google start off great—before they inevitably turn terrible. In this contemporary moment of digital decline, Doctorow explores how tech giants lure users in with convenience and then degrade their services over time, squeezing profit at the cost of user experience. With a mix of sharp humor and deep insight, he unveils the slow creep of "enshittification," turning the online world into a worse place, one algorithm at a time.

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My Review: Enshittification...it's not just for tech anymore. Popularized by Author Doctorow beginning in 2022, the word appeared online in the teens and identified exactly the capitalist endgame of charging you more and delivering less for it.

The model's simplicity is its strength. It is really down to real, enforced regulation to prevent this appalling greed from costing the users huge sums of money.

As the tech scum were willing to share their stolen good with the regulators, guess what didn't happen. Ever. The current spate of online regulation is hunky-dory by the tech scum because it makes them in an even more powerful position, requiring more and more and more data to be collected...that they can use to surveil you,to extract ever more profit from surveiling you. Ten years ago, I reviewed David Brin's THE TRANSPARENT SOCIETY, his prescient 1999 warning about today's reality: NO PRIVACY only profit.

We weren't listening then, aren't listening to Author Doctorow's blaring klaxon now, and look where it's got us. Right about now is the time to read this book and heed its warning.

Please.

+++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++

READ THIS WHEN THINGS FALL APART: Letters to Activists in Crisis
KELLY HAYES (Editor)
AK Press (non-affiliate Bookshop.org link)
$18.00 all editions, available now

The Independent Press Top 40 Bestsellers: Non-Fiction For the week ending May 18, 2026

Rating: 5* of five

The Publisher Says: From the co-author of Let This Radicalize You, a collection of letters to inspire activists to continue the fight

Organizers are well seasoned in defeat. We study movement histories, strategize collectively, and gather strength in direct action, knowing that liberation does not arrive overnight, but that the fight is worth it. But what happens when political and personal crises overlap, and the despair becomes overwhelming? Where do we turn when the process of organizing no longer feels like a site of refuge, but isolating, or even tragic?

Read This When Things Fall Apart is a collection of letters written to organizers in crisis who are struggling with the conflicts, heartbreaks, and catastrophes that activists so often experience. From grief to exhaustion, fractured relationships, state violence and interpersonal violence, the struggle for justice can be tumultuous. Each letter invites the reader to the writer’s particular world in abortion defense, organizing within prison walls, recuperating from state repression after the 2020 uprisings, or as a new parent struggling to find their way in movement spaces, and offers an authentic account of moving through difficult times.

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My Review: Burnout to burning the candle at both ends, every human one of is hits the wall of what we can do eventually. Oftentimes that spells the end of that person's activism. It's hard to invent solutions to problems in yourself and your personal sphere that you've never faced before, all while trying to fix things The World℠ would prefer you left alone...and also shut up about so "They" don't have to hear it.

So what better self-gift than a collection of letters to you, teetering on the edge of or mired deep in the falling-apart of the world, that show you it's happened before and been overcome? Even if no idea in this book resonates with you...that would surprise me a lot...or you've already done it before, just the reminder that you are not the first to face this and it's been overcome before is hugely valuable. Support, understanding, fellow feeling, commiseration, are all available in these pages. It can do you a world of good just to know others are, were, have been where you are now.

We can not afford to let challenges met and surmounted by those who went on this journey of resistance to illegitimate authority before us halt our gift of energy and effort in bettering the world be snuffed out. We have a long way to go...we'll only get to the better, kinder, fairer world we want to see if we use every tool in the world's chest to make ourselves as capable and as forearmed as we can.

I recommend this read for its tonic properties because they worked on me.

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PERFECT VICTIMS AND THE POLITICS OF APPEAL
MOHAMMED EL-KURD
Haymarket Books (non-affiliate Bookshop.org link)
$9.99 ebook, available now

The Independent Press Top 40 Bestsellers: Non-Fiction For the week ending June 9, 2026

Rating: 5* of five

The Publisher Says: Perfect Victims is an urgent affirmation of the Palestinian condition of resistance and refusal―an ode to the steadfastness of a nation.

Palestine is a microcosm of the on fire, stubborn, fragmented, dignified. While a settler colonial state continues to inflict devastating violence, fundamental truths are deliberately obscured—the perpetrators are coddled while the victims are blamed and placed on trial.

Why must Palestinians prove their humanity? And what are the implications of such an infuriatingly impossible task? With fearless prose and lyrical precision, Mohammed El-Kurd refuses a life spent in cross-examination. Rather than asking the oppressed to perform a perfect victimhood, El-Kurd asks friends and foes alike to look Palestinians in the eye, forgoing both deference and condemnation.

How we see Palestine reveals how we see each other; how we see everything else. Masterfully combining candid testimony, history, and reportage, Perfect Victims presents a powerfully simple dignity for the Palestinian.

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My Review: Okay, I realize I'm unlikely to win this battle for your Yule gift card money. I'm gonna try because 2026 is not going to be an easy year for any of the warring parts of the world. In writing this book, Author El-Kurd did not use his polite appeaser voice. He does not pretend he is "reasonable" about the genocide being perpetrated on his people. He asks us to interrogate why this heinous act is not more in the foreground of our awareness. It is not the first time genocide has been perpetrated in this century. What allows that to continue?

How are good little capitalist consumers complicit in this media landscape that fails to condemn the crimes being committed? The mere mention of the crime of genocide is too divisive, is not acceptable discourse because...?

Those who dare to support Palestinians having full equal rights in their homeland are canceled, are required to prove they don't mean Israel should suffer consequences for committing this crime against humanity, and we accept it because...? Why is it The System℠ tells us what we may say about this ongoing crime against humanity and we obey?

It is time to interrogate our own (in)action regarding settler colonialism's record of injustices and crimes all over the world. Yes, that includes the US, Canada, Mexico, etc etc. This reckoning with the crimes committed by our ancestors, white people, will come no matter what. Get your mind ready by reading this book's very specific takedowns of the comfy little lies and ugly misdirections that have prevented a reckoning...but are failing at last, ever faster, ever more publicly to keep the cork in the bottle.

It's never a good idea to go into a discussion without any idea what you're discussing. Ignorance, in today's world, is a choice.

A very bad, stupid choice. Educate yourself before knowledge is thrust on you.

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ISRAEL ON THE BRINK: And the Eight Revolutions that Could Lead to Decolonization and Coexistence
ILAN PAPPÉ
Beacon Press (non-affiliate Bookshop.org link)
$13.99 ebook, available now

Rating: 5* of five

The Publisher Says: A renowned Israeli-British historian argues Israel is fracturing, and considers the issues that must be centered for a peaceful future for Palestinians and Jews alike

In this timely book, historian Ilan Pappé argues that with the 2022 election of the most right-wing government in Israel’s history, the October 7 Hamas attack on Israel, and the subsequent Israeli war on Gaza, political fractures inherent in the Jewish state have expanded dangerously—and will potentially lead to Israel's collapse. With the goal of working towards a transition that is as peaceful as possible, Pappé sets out his thoughts about the risks and opportunities emerging from this historical moment.

Eight “mini-revolutions,” he argues, will be necessary for this more hopeful future to emerge, including:

Relocating the Right of Return of the Palestinian refugees to the center of the future vision

Establishing a new definition for the Jewish collective in historical Palestine

Finalizing a plan for the future of the Jewish settlements built in the West Bank since 1967, and

Creating a new strategy for a united Palestinian national movement

Pappé concretely envisions a more just future—a democratic decolonized state for both Palestinians and Israelis—and how we might get there.

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My Review: Ilan Pappé's PALESTINE IN A WORLD ON FIRE (q.v.) contained temperature-taking interviews with many of the world's eminent progressives on the subject of public perception of Palestine. Now there comes via Beacon Press the proposal for a roadmap out of this quagmire.

Considering more West Bank Jewish settlements were approved this week I don't foresee the proposals herein being enacted or taken seriously by Israeli officials.

Considering the state of the world's opinion of Bibi and his gang of thugs, it feels more like we should be preparing for a collapse of the state.

It is a good idea for honest, morally sound people to get their heads around what eminent and practical thinkers propose as the future course of this extremely troubled part of the world. Much disgusting vitriolic hysteria will be spewed as things change, so have the antidote in your head already so as not to add to the chaos that's coming.

THE SEASON: A Fan's Story, a beautiful gift given out of love

THE SEASON: A Fan's Story
HELEN GARNER
Pantheon Books (non-affiliate Bookshop.org link)
$13.99 ebook, available now

One of Lit Hub’s 43 Favorite Books of 2025!

Rating: 4.5* of five

The Publisher Says: From the beloved master of Australian letters Helen Garner comes a brand new work of nonfiction, exploring boyhood, football, and the quotidian joys of family life.

Helen Garner is one of the most “prodigiously gifted” writers of our time (The New York Times Book Review), best known for her intricate portraits of “ordinary people in difficult times” (New York Times). In The Season, she trains her keen, journalistic eye on the most difficult time of all: adolescence.

Garner and her grandson Amby are deep in the throes of a shared obsession with Australian football—or “footy”—as Amby advances into his local club’s Under-16s. From her trademark remove, Garner documents the camaraderie and the competition on the field: the bracing nights of training, the endurance of pain, the growth of a gaggle of laughing boys into a formidable, focused team.

The Season is part dispatch on boyhood, chronicling the tenderness between young men that so often scurries away under too bright a spotlight, and part love letter to parenthood and family, as Garner becomes enmeshed in the community that gathers to watch their boys do battle. The Season finds Garner rejoicing in the later years of her life, surprised to discover their riches—a bright, generously funny, exuberant book from one of our great living writers.

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My Review: I really like Helen Garner's writing, enjoy her choices of subject matter, and really resonate with the worldview she puts out:

A little rush of desolation. It doesn't matter if I'm not there. No one needs me. I'm not essential after all. I'm only a witness. It's one of the sporadic bursts of reality that grandparents have to bear. You're making a serious mistake if you start to think you're near the centre. You're on the periphery. You're a servant. A hanger-on. And soon you'll be dead.

Preach, my sister.

What hasn't, won't, can't really die is the pleasure of an honest writer facing up to a tough subject (and there is no tougher subject than getting old!) with clear eyes, a willing heart, and a lifetime of practice, just...getting on with it. That is Helen Garner's métier. She speaks of her teenaged grandson with the mingled pride, amusement, and nostalgia for the rapidity of time and change carting away the one you made memories with while leaving a very roughly similar but perilously unfamiliar person in their place. I completely relate. Parents, grands, aging family members all feel a similar way, and what interests us is how much we obliviously assumed about our own pasts. Did we do better than they did? What Aunt Doraflora meant that one time she said the thing that made Dad so damn mad...oh! makes sense now, as we watch our futures doing, learning, figuring out in front of us.

The real matter of the writer is always life. Helen Garner has never once in a long career lost sight of that. Here she grapples with life changed beyond recognition, obsessions incomprehensible, worries she has no way to connect to, while knowing how much she loves; learning how much she is loved; and grappling with The End. "Really I’m trying to write about footy and my grandson and me. About boys at dusk. A little life-hymn. A poem. A record of a season we are spending together before he turns into a man and I die."

It is a gift you leave him, Helen Garner, that he will open many times in his life. And, in his turn, in a world as different from this one you both briefly cohabited in as you and I can't even conjure, he will understand your thoughts and feelings. They will resemble yours...despite the immense gulf between you in time, you will connect on the humanness of being old, being alive without certainty, and...I know you hope, and so do I...feeling loved from ahead and behind.

NICKED, fun and games holy-relic heist comedy

NICKED
M.T. ANDERSON
Pantheon Books
$28.00 hardcover, preorder for delivery on 23 July 2024

Rating: 4.75* of five

The Publisher Says: From the award-winning and bestselling author of Feed comes a raucous and slyly funny adult fiction debut, about the quest to steal the mystical bones of a long-dead saint

The year is 1087, and a pox is sweeping through the Italian port city of Bari. When a lowly monk is visited by Saint Nicholas in his dreams, he interprets the vision as a call to action. But his superiors, and the power brokers they serve, have different plans for the tender-hearted Brother Nicephorus.

Enter Tyun, a charismatic treasure hunter renowned for “liberating” holy relics from their tombs. The seven-hundred-year-old bones of Saint Nicholas rest in distant Myra, Tyun explains, and they’re rumored to weep a mysterious liquid that can heal the sick. For the humble price of a small fortune, Tyun will steal the bones and deliver them to Bari, curing the plague and restoring glory to the fallen city. And Nicephorus, the “dreamer,” will be his guide.

What follows is a heist for the ages, as Nicephorus is swept away on strange tides—and alongside even stranger bedfellows—to commit an act of sacrilege. Based on real historical accounts, Nicked is a wildly imaginative, genre-defying, and delightfully queer adventure, full of romance, intrigue, and wide-eyed wonder at the world that awaits beyond our own borders.

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My Review: I seem to be on an historical-queerness religion-themed heist novels jag. Remember RECITAL OF THE DARK VERSES?...now this fascinating, also ripped-from-the-history-books tale of Saint Nicholas of Myra's hajj to Bari, Italy. Y'know, the Chamber of Commerce never really changes, "bring on the punters and their gelt!" is their mantra no matter the language or the time period. "King Arthur" at Glastonbury? Heck, they needed a new roof and GoFundMe wasn't a thing yet. Now add the attraction of Octavian Nothing's author writing for adults for the first time, and I'm gaffed through the gills.

I loved the Octavian Nothing duology, so it wasn't like I had some hill of ignorance, or resistance, to climb. Author Anderson's got a deft way with words and a sharp eye for the telling detail (the dog-headed man who's actually dog-headed is a great start). The seamless way he weaves the medieval world-view into the actions and conversations of the characters; the unstressed way they assume things like miracles and visions are remarkable but unsurprising; the effectively limned but never foregrounded way the quest to steal the saint's relics gets justified, all make perfect sense despite being quite mad.

By twenty-first century standards.

Sexuality is part of the picture so limned, but there's no sex to speak of. It wouldn't have added a thing to the story. It's not glued on awkwardly to tick a box, and it does have a bearing on how the innocent and quite trusting Brother Nicephorus deals with the way his vision is, erm, repurposed by the roguish dashing thief Tyun, but it is not made up out of nothing. I like thngs like this to make sense, and it does. Our Brother, who sets the plot in motion, rides the waves of others' needs and actions. He changes, he learns about his god-given nature, and he changes those he must surround himself with. And it is, for a wonder, all really fun and funny to read.

The wonders of comedy applied to matters of great religious import are many...the idea of a miracle is, inherently to me anyway, funny. The nature of the "pox" afflicting Bari, and the purported miraculous excretions from Saint Nicholas's bones intended to cure it...well, comedy gold! Resurrection, which we see, just...well...I've had surgeries enough to know that there's a lot involved in resurrection and none of it is supernatural. People can and do wake up when it's supposedly impossible. The way Author Anderson does it is, honestly, so affirming, and so full of the joy of being alive inside a body, that I nearly cried several times. "Never forget that your life is a wonder...Never forget that there are miracles everywhere, and you are only present in this world to see them once." This is exactly true, though the miracles aren't religious in nature.

I'd be remiss if I didn't point out how much fun with wordplay there is. Start with the title: Nick (as in Nicephorus, "bringer of victory"), to nick, Old Nick, Saint Nick...you can find more. These grace notes and the general vocabulary Author Anderson uses all flavor the read with an old-fashioned, yeasty head of foam on this draft of literary ale.

Delighted me; will delight anyone who liked Our Flag Means Death, the Locked Tomb series, and Ocean's Eight and its sequels.

MONKEY GRIP: A Novel, a loud BANG! of brightly-colored paint in a very pale cultural landscape

MONKEY GRIP: A Novel
HELEN GARNER
Pantheon Books
$28.00 hardcover, available now

Rating: 4* of five

The Publisher Says: The novel that launched the career of one of Australia’s greatest writers, following the doomed infatuations of a young, single mother, enthralled by the excesses of Melbourne's late-70s counterculture

The name Helen Garner commands near-universal acclaim. A master novelist, short-story writer, and journalist, Garner is best known for her frank, unsparing, and intricate portraits of Australian life, often drawn from the pages of her own journals and diaries. Now, in a newly available US edition, comes the disruptive debut that established Garner's masterful and quietly radical literary voice.

Set in Australia in the late 1970s, Monkey Grip follows single mother and writer Nora as she navigates the tumultuous cityscape of Melbourne’s bohemian underground, often with her young daughter Gracie in tow. When Nora falls in love with the flighty Javo, she becomes snared in the web of his addiction. And as their tenuous relationship disintegrates, Nora struggles to wean herself off a love that feels impossible to live without.

When it first published in 1977, Monkey Grip was both a sensation and a lightning rod. While some critics praised the upstart Garner for her craft, many scorned her gritty depictions of the human body and all its muck, her frankness about sex and drugs and the mess of motherhood, and her unabashed use of her own life as inspiration. Today, such criticism feels old-fashioned and glaringly gendered, and Monkey Grip is considered a modern masterpiece.

A seminal novel of Australia’s turbulent 1970s and all it entailed—communal households, music, friendships, children, love, drugs, and sex— Monkey Grip now makes its long-overdue American debut.

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My Review: Novels belong to times and places. This novel is absolutely a product of its time...the 1970s...and place, settler-colonial Australia. Now we are fifty years (close enough) on from that time, we see it very differently. The term "settler colonial" as an example had not been articulated in any but the most ardently leftist circles and is now much more a part of the cultural conversation. What Garner has to say about a liberated woman of the 1970s hits very differently now than it did then. Nora’s descent into sexual obsession and drug abuse was transgressive in a different way. Now, in a conservative social landscape developed in reaction to that bright bohemian moment, Nora seems appallingly neglectful, pretty much criminally culpable for her treatment of Gracie as an expendable accessory to her own life. We think that differently about children and their needs. Thank goodness.

A point that was clear then that we of the 2020s often seem to ignore is that Gracie...of necessity...has a dad. Nora is living her own life without so much as a thought for Gracie. And so, I remind is all in our desire to tut over this, is Gracie’s dad. In the 1970s that was so ordinary an outcome that nothing whatever is made of it, nor is Javo’s hostile indifference to anyone’s needs except his own. He is, after all, A Man. Nora, by the end of the tale, is the only sufferer for her actions. Her resentful neglect of Gracie, product of an unhappy stab at marriage, really stood out for me as she simultaneously pined after the job of riding herd on Javo of the wild blue eyes and the clearly terminal smack (heroin, for the youths who might read this) addiction. As always, the inconvenient thing about children is that they need meals, clothes, baths, every day. Junkies like the adult-but-younger Javo, in contrast, can be left in their own mess, and no one does a double-take.

The reason this book sprang out at people back in the day was that it was still very much Not Done for a woman to write about women’s desires for sex, and about the bright shining fact that the reason drug culture took hold was that taking drugs feels really good. It gets a user out of their doubtless boring and routine life. That it also takes them over and ruins that boring tedious necessary engagement with living one’s life slowly emerges as Nora stays focused on herself and her addictions to sex and drugs. The shock value of this, then, was that it was a woman writing about it without stuffy moralizing and overt message-making. Yes, she has been in this out-of-control relaationship but she does come to know it must, and is at the, end. Nora does not ever think about the impact of any of this on Gracie.

I do not pretend to like Nora, or to think I would voluntarily pick up a book about her. I’m glad that I read Monkey Grip because the prose is terrific...elliptical, imprecise, and poetic...and the fact that this is based off Garner’s own life is much better known now. This adds a depth of field to my reading of the nearly plotless events that occur. The fact that Garner spent her energy in this difficult-to-sell way, then transmuted that sort-of wasted life into a work of very loud art in a very beige cultural landscape, made me admire her for her honesty, and for her clarity of purpose in writing it as a novel. She could have written a mea-culpa memoir, and been forgotten in a year.
What we get instead is a book that, for its story and its storyteller, was a loud BANG! of brightly-colored paint in that very beige cultural landscape. It would take over a decade for Australian writers to follow Helen Garner into the Fitzroy Baths and soak some of the settler-colonial stiffness out of their storytelling muscles.

CHAIN-GANG ALL-STARS, first novel is an out-of-the-park home run

CHAIN-GANG ALL-STARS
NANA KWAME ADJEI-BRENYAH
Pantheon Books (non-affiliate Amazon link)
$1.99 Kindle edition, available now

Rating: 4.95* of five

FINALIST FOR THE 2024 LOCUS AWARD FOR BEST FIRST NOVEL!

FINALIST FOR THE ARTHUR C. CLARKE AWARD!

The Publisher Says: Two top women gladiators fight for their freedom within a depraved private prison system not so far-removed from America's own.

Loretta Thurwar and Hamara "Hurricane Staxxx" Stacker are the stars of Chain-Gang All-Stars, the cornerstone of CAPE, or Criminal Action Penal Entertainment, a highly-popular, highly-controversial, profit-raising program in America's increasingly dominant private prison industry. It's the return of the gladiators and prisoners are competing for the ultimate prize: their freedom.

In CAPE, prisoners travel as Links in Chain-Gangs, competing in death-matches for packed arenas with righteous protestors at the gates. Thurwar and Staxxx, both teammates and lovers, are the fan favorites. And if all goes well, Thurwar will be free in just a few matches, a fact she carries as heavily as her lethal hammer. As she prepares to leave her fellow Links, she considers how she might help preserve their humanity, in defiance of these so-called games, but CAPE's corporate owners will stop at nothing to protect their status quo and the obstacles they lay in Thurwar's path have devastating consequences.

Moving from the Links in the field to the protestors to the CAPE employees and beyond, Chain-Gang All-Stars is a kaleidoscopic, excoriating look at the American prison system's unholy alliance of systemic racism, unchecked capitalism, and mass incarceration, and a clear-eyed reckoning with what freedom in this country really means.

I RECEIVED A DRC FROM THE PUBLISHER VIA NETGALLEY. THANK YOU.

My Review: Criminal Action Penal Entertainment, or C.A.P.E., doesn't feel satirical. It feels nauseatingly predictive. This first novel, by the author of the excellent story collection Friday Black (my all-but five star review at the link), is a finalist for the National Book Award for Fiction in presented in less than a week's time.

The horrors of imprisonment aren't new. Neither is it news that African-Americans are disproportionately affected by those horrors. The horrible prevalence of carceral solutions to minor infractions started their rise with the ludicrous "War on Drugs" that was utterly ineffective at its stated goal, but gigantically successful at creating inmates for an increasingly corporatized and profit-driven prison system.

This novel's a shout of outrage, a howl of fury and grief, a klaxon of warning about this facet of the dehumanizing and victimizing of people of color by the racist system of "justice" in place in the US. It's equally effective as an anti-capitalist bellow of rage at the unchecked quest for profit above all other goals that is doing so much to actively destroy the planet's biosphere...that we all live in...with its greed.

We start our visit to a barely-fictionalized present-day US with a violent scene of battle brought to us by the CAPE (Criminal Action Penal Entertainment) program. Take a moment, please, to view this acronym. Look at the cultural tie-backs; the superhero comic-book culture polluting my screens for a decade now gets a brickbat right away, as does the Orwellian alphabet soup so prevalent in modern governmental bowls of gruel served to the needy (SNAP, WIC, AFDC and the like). This is Author Adjei-Brenyah's most well-honed talent: In Friday Black, he invented the slang term "shoelookers" for socially awkward teens unable or unwilling to meet their peers' or anyone else's gaze. This is a writer with an excellent ear serving a flensing-knife of an eye. Nothing in this read has any less sharp a perception or a usage case behind it. That is probably the most discomfiting thing about the novel: As I admired his wordsmithery, I realize the point of the red-hot blade he was forging was aimed squarely at me. Old white man, privileged and pampered by a system designed to coddle and comfort me. Well. That's me told.

So it is...and most of y'all, too. You won't necessarily like this part of your reading experience, if my own is any guide; I don't think it should, in your minds, present an excuse for you not to make the effort to read it. If the world has justice in its sharing-out of cultural kudos, this novel will win the National Book Award for Fiction in a few days' time. The reason I want it to is that it shouts the quiet part out loud in a cultural landscape of politely, passively sleepwalking into a new authoritarian era of unspeakable, horrifying intentions. The people trying to gain control of the world aren't troubling to hide their intentions, either, except to say blandly homogenized inoffensive acronymic things...or exactly what Author Adjei-Brenyah is warning us about so very effectively in Chain-Gang All-Stars.

If I'm honest, that is also a problem with the read. It is a warning. A story that, while I believe in its worldbuilding, is still meant to tell me something uncomfortable about my world. Historically, awards aren't always willing to put their celebratory wreaths on creative projects that poke people hard in their painful spots. I very much don't want that to be the case for Chain-Gang All-Stars, but it could easily lose the public lauding that the National Book Award for Fiction represents just based on what juries often refer to as "controversial ideas." I want all y'all to go get the book and engage with it on the intellectual level; the carrot to that perceived stick is a story that could easily be a superb action flick, unremittingly violent and all with genuinely elevated stakes...no one could ever fight for their literal life and have it be mellow. Reading the story on that level is exciting, as it is when you read the Reacher books that fly off the shelves. That's not my reading sweet spot. I look at it, frankly, as the cheese wrapped around the pill that you need to get down the dog's throat.

If I'm committed to that metaphor, I will say it's a bit like using Roquefort for the purpose. Rich, creamy, power-packed flavorsome stuff. Rare and expensive (in lost illusions). Hard to find the real, genuinely, ethically sourced stuff.

Here it is.

THE CHILDREN'S BACH, reintroducing Helen Garner to the US market

THE CHILDREN'S BACH
HELEN GARNER
Pantheon Books
$25.00 hardcover, available 10 October 2023

Rating: 4.5* of five

The Publisher Says: from Netgalley
Set in suburban Melbourne in the early 1980s, The Children’s Bach centers on Dexter and Athena Fox, their two sons, and the insulated world they’ve built together. Despite the routine challenges of domestic life, they are largely happy. But when a friend from Dexter’s past resurfaces and introduces the couple to the city’s bohemian underground—unbound by routine and driven by desire—Athena begins to wonder if life might hold more for her, and the tenuous bonds that tie the Foxes together start to fray.

A literary institution in Australia, Helen Garner’s perfectly formed novels embody the tumultuous 1970s and 1980s. Drawn on a small canvas and with a subtle musical backdrop, The Children’s Bach is “a jewel” (Ben Lerner) within Garner’s revered catalogue, a beloved work that solidified her place among the masters of modern letters, a finely etched masterpiece that weighs the burdens of commitment against the costs of liberation.

from Goodreads
Helen Garner has been a literary institution in Australia for decades. Her perfectly formed novels embodied Australia’s tumultuous 70s and 80s, and her incisive nonfiction evokes the keen eye of the New Journalists. Dubbed “the Joan Didion of Australia.” Now, the beloved work that solidified her place among the masters of modern international letters, is available in a new US edition.

The Children's Bach follows Dexter and Athena Fox, a husband and wife who live with their two sons in the inner suburbs of early-1980s Melbourne. Dexter is gregarious, opinionated, and old fashioned. Athena is a dutiful wife and mother, stoic yet underestimated. Though their son’s disability strains the family at times, they appear to lead otherwise happy lives.

But when a friend from Dexter’s past resurfaces, she and her cast of beguiling companions reveal another world to Dexter and Athena: a bohemian underground, unbound by routine and driven by desire, where choice seems to exist independent of consequence. And as Athena delves deeper into this other kind of life, the tenuous bonds that hold the Fox family together begin to fray.

Painted on a small canvas and with a subtle musical backdrop, is “a jewel” among Garner’s revered catalog (Ben Lerner), a finely etched masterpiece that weighs the burdens of commitment against the costs of liberation.

I RECEIVED A DRC FROM THE PUBLISHER VIA NETGALLEY. THANK YOU.

My Review: How times have changed in forty years! Athena's bald, bold statement, referring to her "retarded" son, "'I’ve abandoned him, in my heart,' said Athena. 'It’s work. I’m just hanging on till we can get rid of him.'" is so very, very out of step with modern sensibilities that I suspect it will cause some readers to bail out on the read.

I think that's a pity. The writing of this polyvocal récit (yes yes yes, Gotcha Gang, I know so please just put a sock in it) is as modern as Modernism itself, is as pure and imagined with such honesty that it should not be ignored over some nasty, unkind thoughts by a mother about her child.

It WILL bother you. I suspect, without proof, that it's meant to. I know no one in this story is meant to be a comfy PoV character like you fans of Elizabeth Strout's Olive Kitteridge like to have. The Children's Bach is certainly in that domestic story genre. The characters are married, the events of the tale are within the marriage, the tone and tenor take little to no notice of anything outside the interests of the married partners. The others who appear in story are not interested in things outside Athena and Dexter's purview. It's a very closed world.

It doesn't exactly narrate itself to you, either. It's like song lyrics are, or some of the less-unbearable poetry is: Elliptical in the way it leaves you to go on the ride then build the tracks afterward. I really enjoy that in a read, though not in a LONG one, which makes this under-200-page story of domestic reality exactly the best length for the technique to be interesting and involving without overstaying its welcome.

What appeals to me the most about the read is the very unlikeability of Athena and Dexter. I know where I realized, like Rumaan Alam says in her Foreword, that I remember always where I was when I read, "She washed, she washed, she washed," though her moment was different from mine; but this is, like other Helen Garner books, the kind where the quotidian and the internal are polished well past the point of brummagem shininess into the glint of the knife that flenses you.

No, they aren't nice; they aren't pleasant; they aren't, by my standards anyway, good people. They're interesting, they're unbearably shallow and pretentious. Everyone in this story fails as a person in catalogable ways. This is proof if one needs it that the dismissive, condescending label "domestic fiction" is toothless in the face of Helen Garner's violent assault on domesticity, her ramming-into of the delimiting front door od The Family Home with her well-aimed ute/pickup truck.

But what a glorious car-crash it is.

SWEET, SOFT, PLENTY RHYTHM, reckonings are brutal...on everyone involved & I FEAR MY PAIN INTERESTS YOU, young feminist's récit

SWEET, SOFT, PLENTY RHYTHM
LAURA WARRELL
Pantheon Books
Trade Paper $17.00, available now

LONGLISTED for the 2023 Andrew Carnegie Medal for Excellence in Fiction!

One of NPR's Best Books of 2022!

Rating: 2.5* of five

The Publisher Says: It’s 2013, and Circus Palmer, a forty-year-old Boston-based trumpet player and old-school ladies’ man, lives for his music and refuses to be tied down. Before a gig in Miami, he learns that the woman who is secretly closest to his heart, the free-spirited drummer Maggie, is pregnant by him. Instead of facing the necessary conversation, Circus flees, setting off a chain of interlocking revelations from the various women in his life. Most notable among them is his teenage daughter, Koko, who idolizes him and is awakening to her own sexuality even as her mentally fragile mother struggles to overcome her long-failed marriage and rejection by Circus.

Delivering a lush orchestration of diverse female voices, Warrell spins a provocative, soulful, and gripping story of passion and risk, fathers and daughters, wives and single women, and, finally, hope and reconciliation, in answer to the age-old question: how do we find belonging when love is unrequited?

I RECEIVED A DRC FROM THE PUBLISHER VIA NETGALLEY. THANK YOU.

My Review: It depresses me to say this, but this book was...despite truly, deeply impressive writing...

The girl may have been the end for him.

That the wind shifted and sent a chill across her freshly cleaned skin so that she sensed her own solitude in a way that no longer frightened her as she walked bare and unhindered toward what was new.

...lovely and fully sensory-universe-planted but, and this is the crux of the matter for me, it's about a man.

A group of women have different relationships with one man.

Ground-breaking stuff, no? Never read anything like it before! Except about half the Western canon. Women circle Circus, whose name suggested to me clownishness that I found ample evidence for. They *keep* circling Circus no matter what. And, folks, if there ever was a man whose actions and inactions invalidated his Manhood Card℠, it's Circus. He never met a responsibility he didn't shirk.

But his Art! is usually the rallying cry I hear. His art my lily-white one. He's a bog-standard self-absorbed arrested adolescent, probably a libertarian and a religious nut although those are my own interpolations, with a good line of patter and some skills in sexual gratification.

He is, bluntly, the kind of person I look down on and the kind of character I am deeply sickened to see recrudescing on best-of lists and getting all sorts of happy talk said about it. He's a serial cheater, an emotional abuser, and an unworthy object of our cultural attention because his brothers are teeming like maggots on a shit-pile, exuding their spurious shine that so many seem to see as attractive when it's actually the slime they secrete to slip out of any kind or sort of commitment that inconveniences, annoys, or bores them.

Yuck.

++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++

I FEAR MY PAIN INTERESTS YOU
STEPHANIE LaCAVA
Verso Fiction
$19.95 trade paper, available now

Rating: 2.5* of five

The Publisher Says: A punky, raw novel of millenial disaffection, trauma and 1960s cinema

Margot is the child of renowned musicians and the product of a particularly punky upbringing. Burnt-out from the burden of expectation and the bad end of the worst relationship yet, she leaves New York and heads to to the Pacific Northwest. She's seeking to escape both the eyes of the world and the echoing voice of that last bad man. But a chance encounter with a dubious doctor in a graveyard, and the discovery of a dozen old film reels, opens the door to a study of both the peculiarities of her body and the absurdities of her famous family.

A genre-bending, atmospheric and emotionally honest account of a young woman's investigation into her past and the complex reactions of her body.

At once an analysis of the abandoned 1968 Cannes Film Festival and a literary take on cinema du corp, Stephanie LaCava's new novel is an audaciously sexy and moving exploration of culture and connections, bodies and breakdowns.

I RECEIVED A DRC FROM THE PUBLISHER VIA EDELWEISS+. THANK YOU.

My Review: ...and now for something marginally different...

Screwed-up child of famous parents is failing at Life because Trauma and she's got these awful habits that substitute for character and her whole head...this is a récit, not really a novel because the whole point is that we don't leave the lady's head and are reminded of it...is stuffed with shards of images and sounds and they all sort of coalesce into an image of...

...I have no way to finish that sentence. I didn't get an image from Margot's chaotic maunderings.

Yet again there are men at the center of her trauma. Men: Don't have relationships with women. It doesn't go anywhere good. You'll end up blamed for something and quite possibly sued.

That's my main take-away from this mishegas. There's no way for me to pluck a piece of the text out for your perusal because they all rely on each other, in a cumulative-effect way, for their power. I will say that, as little as I enjoyed the story I was quite interested in the way the author assembled the shards into an effective mosaic. Brightness, shadows, saturated colors; a vague grey smog of dissociation surrounding it, getting between the bright moments, eclipsing some of them. It's an interesting effect.

But the problem is it's telling me an oft-told tale of poor-little-rich-girl and I'm just not interested. Handed a life of family connections and a modicum of talent? Use 'em or reject 'em, but wallowing along in the gutter next to the highway and under the sidewalk is a choice for people like Margot. So I don't see the point of empathizing with her. "Make a different choice" is the callous, dismissive response Margot elicits from me.

Yet I read the whole book....

THE ENGAGEMENT: America's Quarter Century Struggle Over Same-Sex Marriage & PROUD BOYS AND THE WHITE ETHNOSTATE: How the Alt-Right Is Warping the American Imagination

PROUD BOYS AND THE WHITE ETHNOSTATE: How the Alt-Right Is Warping the American Imagination
ALEXANDRA MINNA STERN
Beacon Press
$24.95 hardcover, available now

Rating: 4* of five

The Publisher Says: A critical analysis of the intellectual productions of the alt-right—necessary reading for all who seek to counter its appeal and expansion.

The "alt-right" has sadly become a household term. From a loose movement that lurked in the shadows in the early 2000s, it has achieved a level of visibility that has allowed it to expand significantly through America's cultural, political, and digital landscapes. But the alt-right is also mercurial and shape-shifting, encompassing a range of believers and ideas that overlap with white nationalism, white supremacy, and neo-Nazism. It provides a big and porous tent to those who subscribe to varying forms of race and gender-based exclusion.

In Proud Boys and the White Ethno-State, historian Alexandra Stern begins with the premise that alt-right literature, most of which exists online, should be taken seriously as a form of intellectual production that has distinct lineages, assumptions, and objectives. Applying the tools of historical analysis, cultural studies, and other interdisciplinary approaches, she explores its conceptual frameworks, language, and narratives. In doing so, she is able to probe the deeper meanings and underlying constructs, concepts, and frameworks that guide the alt-right and animate its overlapping forms of racism, xenophobia, sexism, and other social hostilities.

Like George Lakoff's Don't Think of an Elephant, Proud Boys and the White Ethno-State is a key tool for combating today's white supremacist ideologies.

I RECEIVED A DRC FROM THE PUBLISHER VIA EDELWEISS+. THANK YOU.

My Review: What?! A four-star political review at Christmas?! That...that's not what you do, Sirrah.

Let's say I've still not learned my lesson. Political stuff is very much not what most people I know want to read, at least at this time of year. Y'all should read it because...never mind. No one's going to eat their spinach because I said to.

What I *will* say to the two or three whose noses are as yet unwrinkled and eyes still open is that the author delves deep into the cesspit of this reprehensible "ideology"'s apologetics. She does so without coming across as minatory or dismissive, as I do. She clearly shows what the "reasoning" is behind this claptrap and, being an academic, points out where it's deficient in its grasp.

What makes that so very valuable is that we, the unconvinced but still engaged, don't have to experience the awfulness of a people trying to talk themselves into believing they are Superior. I can barely type that sentence without wanting to laugh while barfing.

Anyway. The point of me reviewing it is to say you definitely would learn a LOT about the January 6th events if you read this; you would understand a lot more clearly why the movement is moving peristaltically through the Body Politic of the US; and your grasp of what is at stake in 2024 will impel you to action in place of apathy.

Learn what you don't know that you don't know.

++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++

THE ENGAGEMENT: America's Quarter Century Struggle Over Same-Sex Marriage
SASHA ISSENBERG
Pantheon Books (Non-affiliate Amazon link)
$5.99 Kindle edition, available now

A NEW YORK TIMES NOTABLE BOOK FOR 2021!

Rating: 4* of five

The Publisher Says: A NEW YORK TIMES NOTABLE BOOK OF THE YEAR - The riveting story of the conflict over same-sex marriage in the United States—the most significant civil rights breakthrough of the new millennium

On June 26, 2015, the U.S. Supreme Court ruled that state bans on gay marriage were unconstitutional, making same-sex unions legal across the United States. But the road to that momentous decision was much longer than many know. In this definitive account, Sasha Issenberg vividly guides us through same-sex marriage's unexpected path from the unimaginable to the inevitable.

It is a story that begins in Hawaii in 1990, when a rivalry among local activists triggered a sequence of events that forced the state to justify excluding gay couples from marriage. In the White House, one president signed the Defense of Marriage Act, which elevated the matter to a national issue, and his successor tried to write it into the Constitution. Over twenty-five years, the debate played out across the country, from the first legal same-sex weddings in Massachusetts to the epic face-off over California's Proposition 8 and, finally, to the landmark Supreme Court decisions of United States v. Windsor and Obergefell v. Hodges. From churches to hedge funds, no corner of American life went untouched.

This richly detailed narrative follows the coast-to-coast conflict through courtrooms and war rooms, bedrooms and boardrooms, to shed light on every aspect of a political and legal controversy that divided Americans like no other. Following a cast of characters that includes those who sought their own right to wed, those who fought to protect the traditional definition of marriage, and those who changed their minds about it, The Engagement is certain to become a seminal book on the modern culture wars.

I RECEIVED A DRC FROM THE PUBLISHER VIA NETGALLEY. THANK YOU.

My Review: I disagree with the publisher's decision to use the phrase "same-sex marriage" in the sales copy. It's not about the sex organs of the people involved. It's about the equality of access to the benefits of the legal state of marriage to all people who wish to avail themselves of it.

If marriage is a cornerstone of a properly functioning society, then what is the justification for denying access to it to the people who wish to engage in it? If your church doesn't choose to solemnize or recognize marriages between people of different faiths, or skin colors, or the same sex, no one can force you to do so. It's against the law that separates church from state.

Your personal fantasyland has no place in the county clerk's office where marriage licenses are issued.

If that's not how you see it, you're wrong.

This book's almost a thousand pages and there's a LOT to learn in here...the role of activists in changing the public conversation is delightfully thoroughgoing...and there's a lot of good reasons to learn it. What gives me pause is the sheer heft of the tome! I very definitely have a dog in this fight and it was still a serious commitment that I took a long time to fulfill. As the current Supreme Court has shown us, there is no such thing as established law when the scum of the Earth want to resist things changing in ways they're not comfortable with.

Might be time to get your eyes around this well-written and thoroughly sourced and closely argued tale of how Justice was finally served.

The Kindle edition's so cheap and it's SO much easier on your wrists...plus they've made checking endnotes a whole lot simpler in modern Kindles as well. A great bargain!