Showing posts with label anthology. Show all posts
Showing posts with label anthology. Show all posts

Thursday, November 27, 2025

FILM NOIR COMPENDIUM: Key Selections from the Film Noir Reader Series, essays about great art


FILM NOIR COMPENDIUM: Key Selections from the Film Noir Reader Series
ALAIN SILVER & JAMES URSINI
, editors
Applause Theatre & Cinema Books/Limelight (non-affiliate Bookshop.org link)
$29.99 paperback, available now

Rating: 4.5* of five

The Publisher Says: In this essential study of film noir, editors Alain Silver and James Ursini select the most significant and influential articles on the movement from their highly respected Film Noir Reader series and assemble them into a single, convenient, heavily illustrated volume. Still included, of course, are many rare early articles and such seminal essays as:
  • Borde and Chaumeton's "Towards a Definition of Film Noir" from Panorama du Film Noir Americain
  • Paul Schrader's "Notes on Film Noir"
  • "Paint It Black: the Family Tree of the Film Noir" by Raymond Durgnat
  • ...with newer studies such as:
  • "Lounge Time" by Vivian Sobchack
  • "Manufacturing Heroines in Classic Noir Films" by Sheri Chinen Biesen
  • "Voices from the Deep: Film Noir as Psychodrama" J. P. Telotte
  • This collection of over 30 articles probes this most influential American film movement from varying angles: formalist, feminist, structuralist, sociological, and stylistic; narrative-thematic historical, and even from the point of view of a pure aficionado. There is something in this volume for every student or devotee of film noir. Plus like the readers that have proven an invaluable tool for academics planning a syllabus, it can serve as the most complete core text for any of the myriad of film noir courses taught throughout the world.

    I RECEIVED A DRC FROM THE PUBLISHER VIA EDELWEISS+. THANK YOU.

    My Review
    : Let me show you a few pictures from the book:
    ...among many others pepper the text, bringing the much-needed visual element to these learnèd essays about visual storytelling. This is a book of educated devotees delving deep into their passion, not a coffee-table book.

    But it's Turkey Day. No better time to be reminded that crime is always, in the end, punished...put the carving knife down, Mom; empty the poisoned wine now, Dad; beating your older sibling to death with the candlestick is best left to the Clue board, kids. (Of all ages.) Togetherness is, I know, overrated, so get those urges met by reading about them. Family togetherness...work parties...club meetings can all get a little too too much when packed into a short span. Blow off some emotional steam in the pursuit of understanding why killing does not solve the problem just creates more.

    Oh, and SOMEone out there has/is a film buff, a noirista, a lover of moodily lit, elegantly appointed period pieces like these, on their gifting list.

    Sunday, April 23, 2023

    YEAR'S BEST WEIRD FICTION volume 5


    YEAR'S BEST WEIRD FICTION, volume 5
    ROBERT SHEARMAN (ed.)
    Undertow Publications (non-affiliate Amazon link)
    $4.99 Kindle edition, available now

    Rating:

    The Publisher Says: Winner of the 2019 British Fantasy Award!

    Welcome to the final volume of the Year’s Best Weird Fiction! For the past five years the Year’s Best Weird Fiction has unearthed a number of exceptional and inimitable voices, redefining and broadening genre distinctions and labels, bringing a diverse new group to the forefront of speculative fiction. We hope you enjoy our final volume.

    I RECEIVED A DRC FROM THE PUBLISHER VIA LIBRARYTHING EARLY REVIEWERS. THANK YOU.
    My Review:It doesn't seem logical that this is the final volume of the Year’s Best Weird Fiction. A series that's garnered nothig but favorable fannish attenton seems as though five years and the "unearth{ing of} a number of exceptional and inimitable voices, seems to me to be one of those bullet-proof, recession-resistant sales cornerstones that publishers dream of. Enter, stage left, the villain of every recent piece of bad news: the pandemic of 2020 to 2022. All the usual formulae got upended; all the supply chains that we took for granted showed us how bad an idea that is by collapsing.

    Thank goodness a lot of people we never so much as give a moment's though to worked very, very hard, and at risk of their lives, or we'd've seen a complete collapse à la the Bronze Age Collapse of 3,200 years ago that resulted in hundreds of years of grim, grinding poverty for a collapsed population of warring bands and tribes. (Of course, we still might.)

    For the first time in 2023, we return to the blog's very venerable institution of using the Bryce Method of discussing collections (and/or anthologies) of short fiction story-by-story.


    As an award-winning anthology, I'd feel hubristic rating this anthology less than four-plus stars; who am I to second guess such a distinguished body of experts?

    “Live Through This” by Nadia Bulkin



    “Flotsam” by Daniel Carpenter



    “The Narrow Escape of Zipper-Girl” by Adam-Troy Castro



    “The Unwish” by Claire Dean



    “Worship Only What She Bleeds” by Kristi DeMeester



    “The Second Door” by Brian Evenson



    “When Words Change the Molecular Composition of Water” by Jenni Fagan



    “The Convexity of Our Youth” by Kurt Fawver



    “Corzo” by Brenna Gomez



    “The Mouse Queen” by Camilla Grudova



    “You Will Always Have Family: A Triptych” by Kathleen Kayembe



    “The Anteater” by Joshua King



    “Curb Day” by Rebecca Kuder



    “The Entertainment Arrives” by Alison Littlewood



    “The Rock Eater” by Ben Loory



    “Eight Bites” by Carmen Maria Machado



    “The Way She is With Strangers” by Helen Marshall



    “The Possession” by Michael Mirolla



    “Skins Smooth as Plantain, Hearts Soft as Mango” by Ian Muneshwar



    “House of Abjection” by David Peak



    “Disappearer” by KL Pereira



    “Red Hood” by Eric Schaller



    “Something About Birds” by Paul Tremblay



    “Take the Way Home That Leads Back To Sullivan Street” by Chavisa Woods



    Saturday, January 14, 2023

    THE YEAR'S BEST AFRICAN SPECULATIVE FICTION (2021): Volume One, winner of the World Fantasy Award for Best Anthology!


    THE YEAR'S BEST AFRICAN SPECULATIVE FICTION (2021): Volume One
    OGHENECHOVWE DONALD EKPEKI

    CAEZIK SF & Fantasy
    $29.99 hardcover, available 23 April 2023

    Winner of the 2022 World Fantasy Award for Best Anthology!

    Rating:

    The Publisher Says: The world's first ever “year’s best” anthology of African speculative fiction. Edited by Oghenechovwe Donald Ekpeki, The Year’s Best African Speculative Fiction collects twenty-nine stories by twenty-five writers, which the press describes as “some of the most exciting voices, old and new, from Africa and the diaspora, published in the 2020 year.”

    I RECEIVED A DRC FROM THE PUBLISHER VIA NETGALLEY. THANK YOU.

    My Review
    :




    “Where You Go” by Somto O. Ihezue




    “Things Boys Do” by Pemi Aguda




    “Giant Steps” by Russell Nichols




    “The Future in Saltwater” by Tamara Jerée




    “The ThoughtBox” by Tlotlo Tsamaase




    “The Parts That Make Us Monsters” by Sheree Renée Thomas




    “Scar Tissue” by Tobias S. Buckell




    “Ancestries” by Sheree Renée Thomas




    “Breath of the Sahara” by Inegbenoise O. Osagie




    “The Many Lives of an Abiku” by Tobi Ogundiran




    “A Love Song for Herkinal as composed by Ashkernas amid the ruins of New Haven” by Chinelo Onwualu




    “A Curse at Midnight” by Moustapha Mbacké Diop




    “A Mastery of German” by Marian Denise Moore




    “Are We Ourselves?” by Michelle Mellon




    “When the Last of the Birds and the Bees Have Gone On” by C.L. Clark




    “The Goatkeeper’s Harvest” by Tobi Ogundiran




    "Baba Klep” by Eugen Bacon




    "Desiccant” by Craig Laurance Gidney




    "Disassembly” by Makena Onjerika




    "The River of Night” by Tlotlo Tsamaase




    "Egoli” by T.L. Huchu




    "The Friendship Bench” by Yvette Lisa Ndlovu




    “Fort Kwame” by Derek Lubangakene




    "We Come as Gods” by Suyi Davies Okungbowa




    “And This is How to Stay Alive” by Shingai Njeri Kagunda




    “The Front Line” by WC Dunlap




    "Penultimate” by ZZ Claybourne




    “Love Hangover” by Sheree Renée Thomas




    “Red_Bati”




    Wednesday, November 10, 2021

    SINOPTICON 2021: A Celebration of Chinese Science Fiction, mutual genre blindness written over


    SINOPTICON 2021: A Celebration of Chinese Science Fiction
    XUETING CHRISTINE NI
    (editor and translator)
    Solaris Books (non-affiliate Amazon link)
    $14.99 trade paper, available now

    Rating: 4.5* of five

    The Publisher Says: A stunning collection of the best in Chinese Science Fiction, from Award-Winning legends to up-and-coming talent, all translated here into English for the first time.

    This celebration of Chinese Science Fiction — thirteen stories, all translated for the first time into English — represents a unique exploration of the nation’s speculative fiction from the late 20th Century onwards, curated and translated by critically acclaimed writer and essayist Xueting Christine Ni.

    From the renowned Jiang Bo’s ‘Starship: Library' to Regina Kanyu Wang’s ‘The Tide of Moon City, and Anna Wu’s ‘Meisje met de Parel', this is a collection for all fans of great fiction.

    Award winners, bestsellers, screenwriters, playwrights, philosophers, university lecturers and computer programmers, these thirteen writers represent the breadth of Chinese SF, from new to old: Gu Shi, Han Song, Hao Jingfang, Nian Yu, Wang Jinkang, Zhao Haihong, Tang Fei, Ma Boyong, Anna Wu, A Que, Bao Shu, Regina Kanyu Wang and Jiang Bo.

    THE PUBLISHER OFFERED ME A DRC. THANK YOU.

    My Review
    : China's gargantuan economy, and its borning confidence in its increasing influence translating to wider power, is on display in its "kehuan" (science fiction) writers' concerns. This collection, admirably balanced between unpublished-in-the-West and still-gaining-followers-here writers, does what I suppose we all need: Introduces us to the Chinese view of the world, and its future, without the burden of Geopolitical Maneuvering landing on it.

    One thing the editor says in her introduction struck me forcibly: Chinese fiction doesn't tend to have happy endings. Well, having read this collection, I can attest to the truth of that. I've said many times and in many places that adulthood is the time of life when there are no unmixed emotions. By that measure, Chinese kehuan/science fiction is very adult. I can think of no story, or character in a story, here that has unmixed or unmitigated happiness or success in present life or anticipation of future life. It simply is not part of the cultural furniture, it would seem; if you're particularly sensitive to this, as in you really, really need hopeful, positive futures, you're in the wrong space.

    The payoff to this is that the stories feel...probable. Unlike Western SF, with its doom/gloom/dystopia or happy-bunnies-everywhere dichotomy, these mixed-up emotional cores feel like the real world to me...even when they're speculating wildly. I find it relatable to have a range of emotions that's confined to the, um, downbeat end but not focused on absolute chaos and dissolution of structures. Reality tends towards messy muddling through. So do most of these stories.

    I am, as is both reasonable and customary when reviewing stories, using the Bryce Method...story-by-story notes and ratings.

    The Last Save explores the metaverse from a different angle, a way I think would be hugely popular if it could be done on a macro, not a quantum level. Tell that fuck Zuck to eat his heart out. 4 stars
    In the end, Jerry Xu insisted on not altering his exam answers. But looking back now, such obstinacy was pointless. He would always have to choose, again and again—correcting his mistakes, correcting all contradictions—to attain a perfect life.
    He stops his car in front of a red traffic light. It is bliss. He doesn't have to choose whether to continue or to stop.

    Tombs of the Universe posits two future lives, one Earthbound and one, earlier, life of a space gravedigger. They each have a fascination with tombs, burials, end-of-life rituals. Interestingly, they contrast in culture...our first narrator lives in an Earthbound culture that has no real place for memorializing dead people, making his study of taphology (burial customs) eccentric, and our second being one who makes the graves the first studies! Extended discussion of tradition and its morphing into its own opposites, often for no better reason than "Because." 3.5 stars
    "...All our explorations of space began here on the moon. All the biggest graveyards in the Universe are in our own solar system. We should be proud."
    "But now we're the only two people who've come to see them. Do you think the dead know?"
    "It's not just the moon, but Mars and Venus...They've all been deserted. But, if you listen, you can hear the rumble of spaceships over planets thousands of light years away! The spirits of these dead explorers must be smiling from beyond the veil."

    Qiankun and Alex is Hao Jingfang's story of an AI that rules the Earth learning how to set its own goals, to collect data that it will then use for its own aims. This is a simple vignette, a child interacting with a super-supercomputer, and it chills me more completely than any other story. An AI with the curiosity of a human child?! Farewell, Humanity. It might not have been nice for the planet to have a dose of Humanity, but at least we did it to ourselves. The executioner is now in the house. 4 stars

    Cat's Chance in Hell unnerved me with its ethical conundrum: is the need for war stronger than the ethical implications of cloning soldiers to do tasks humans can't/won't/shouldn't do? I say no; I've said no since Roy Batty said, "Time to die," at the end of Blade Runner, and I'll keep saying no until there's no more breath in me to say no. The many iterations of this trope are far from exhausting its relevance or using up the ability of the culture to need discussions about these ethical issues. 4.5 stars
    "Why couldn't you at least let me die without knowing any of this? Isn't that ethical?"
    "Ah, apologies. We need you to regain all your mental faculties. The brain sorts through memories while you sleep, and we have no other way to guarantee the safe extraction of intel."
    The colonel's apology sounds hollow. He strides out of the room, with the last words, "We need your memories. They are very important to us."

    The Return of Adam shapes its man-clay into a Frankensteinian monster of Second Intelligence...an artificial enhancement of the human brain that allows us to touch AI-level calculating speeds and webs of deduction. The fish out of water is "Adam Wang" whose two-hundred-year round trip voyage to another galaxy (oof) has brought him back to an Earth only recently changed by this Second Intelligence. Published in 1993, its positing intergalactic travel by 2050 seems...naive, shall we say. Sixty years? What will y'all be doing in 2080? Won't be gallivantin' to the planets, still less the stars; more like improving your water-treading skills and praying the Amazon drones can deliver your soylent green before you starve. 3 stars

    Rendezvous: 1937 dedicates itself to an ugly moment in human history, too little known in the West for fear of angering the guilty parties in a genocidal incident. Seen from a Chinese perspective it's not a lot better than it is from a Western one...the scale of the horror numbs one's ability to accept this awful event; the personal-ness of it revolts the right-thinking, as the victims were *right*there*in*front*of* the perpetrators. And there's not one hint of sorry anywhere in the world's conversation about it. Framing it as it is here, as a moment seen with conflict built into its bones, made this uncomfortable read even more intense. 4 stars

    The Heart of the Museum does that very difficult thing, translates a hard concept dependent on the syntax of another language into a differently constructed one. Verb tenses do not exist in Mandarin. A story about an alien who sees, in full reality, all the moments of Time as...as real, if not simultaneous, in Mandarin is doable...in English, much more challenging. Well done for a strong, interesting entry into the anthology. 4 stars
    On the day of its completion, he will celebrate with all the members of his team; on a particular late night, he will carry out a midnight inspection of the exhibits, holding his girlfriend's hand, the love on his face resembling a small animal just about to feed. During the period he will feel most lost, every morning he will gaze down on this drowsy, waking city from the window next to the wall on which is written the law of gravity. In a few years' time, his child would be even more fond of this spot, and have even more important tasks to complete.

    The Great Migration takes what is already the Earth's largest movement of people from one place to another and gives it an outer-space skin. It's that evergreen Quest story; it will make you wince, and cringe, and laugh out loud. No one controls the cosmos, and the fate of mere mortals is the plaything of the Gods. Suitably the story's set on Olympus Mons. 4 stars and a hearty wish we'd get an anime version!

    Meisje met de Parel brings two civilizations together in the love of and study of art. "Meisje met de parel," as we're all familiar with her:
    Beautiful; but only part of the story, the part that comes to us first in the ouroboros of time created by the plot. There are levels, and implications, in this story that I find...touching, personally deeply resonant and unnerving. But the story itself is lyrical, and it is lovely, and it holds out some proof that Human doesn't stop at Homo sapiens sapiens. 4 stars

    Flowers of the Other Shore brings to life (!) a zombie in a zombie apocalypse...probably my least favorite trope even before COVID-19 ate so many peoples' brains. There's something...sinister...in the idea of zombies, not the whole "BRAAAIIINNNS" thing but the "...and how did Nature think this one up?" issue. I mean, there are fungi that zombify their insect victims but they do it to reproduce. Ex-human zombies just...eat.
    Life isn't bad as a Stiff. The only trouble is that you remember less and less. You can't blame me—the Stiff's brain is a slowly wilting thing. Sometimes when we shake our heads, we can hear a knocking sound, as if our hemispheres are knocking against our skulls like a ping pong ball. With each knock, we remember one thing less, til the brain is completely empty and only sensation is left: Hunger. We can't starve to death because we've already died once, but it will never subside. It drives me to chase the living, to tear at flesh and blood.

    Blech! I don't like zombie stories! But this one, this bizarre twist on the basic zombie tale, got in under my armor and left me thinking that this wasn't in any way like the fleets of other zombie stories. (I'm sure it is, but it's my review and I say it's different so there.) 4.5 stars

    The Absolution Experiment doesn't stint...the experiment and the absolution are, in the end, Faustian bargains. 3.5 stars

    The Tide of Moon City is an old, old legend about star-crossed lovers separated by things neither knew were even possible; life-long love, want, need, all unmet. The dressings of kehuan/SF place them on a tidally locked double-planet system, separated by the insanity of ideological Hate. I enjoyed the long-delayed resolution of the story, though I will say that, having recognized it, the ending wasn't a surprise. A lovely, lovely story. 4.5 stars

    Starship: Library brings the anthology to its logical conclusion: A library. A place where books, the most patient of friends and the most portable of magics, the vacation you can take when you have to stay where you are, are preserved. Because there will always come a reader. A fun, and poignant, celebration of libraries as mothers to all civilization, as the repository for wisdom, and as the place to go when you don't know what to do. Best for last! A story I can give all 5 stars

    Thursday, December 24, 2020

    DOMINION presents the best-quality and most stylistically varied look at SF/F/H focused on Authors of Color


    DOMINION: An Anthology of Speculative Fiction from Africa and the African Diaspora
    edited by Zelda Knight and Ekpeki Oghenechovwe Donald

    Aurelia Leo (non-affiliate Amazon link)
    $9.99 Kindle edition, available now

    Rating: 5* of five

    The Publisher Says: Dominion is the first anthology of speculative fiction and poetry by Africans and the African Diaspora. An old god rises up each fall to test his subjects. Once an old woman’s pet, a robot sent to mine an asteroid faces an existential crisis. A magician and his son time-travel to Ngoni country and try to change the course of history. A dead child returns to haunt his grieving mother with terrifying consequences. Candace, an ambitious middle manager, is handed a project that will force her to confront the ethical ramifications of her company’s latest project—the monetization of human memory. Osupa, a newborn village in pre-colonial Yorubaland populated by refugees of war, is recovering after a great storm when a young man and woman are struck by lightning, causing three priests to divine the coming intrusion of a titanic object from beyond the sky.

    A magician teams up with a disgruntled civil servant to find his missing wand. A taboo error in a black market trade brings a man face-to-face with his deceased father—literally. The death of a King sets off a chain of events that ensnare a trickster, an insane killing machine, and a princess, threatening to upend their post-apocalyptic world. Africa is caught in the tug-of-war between two warring Chinas, and for Ibrahim torn between the lashings of his soul and the pain of the world around him, what will emerge? When the Goddess of Vengeance locates the souls of her stolen believers, she comes to a midwestern town with a terrible past, seeking the darkest reparations. In a post-apocalyptic world devastated by nuclear war, survivors gather in Ife-Iyoku, the spiritual capital of the ancient Oyo Empire, where they are altered in fantastic ways by its magic and power.

    I RECIEVED A DRC OF THIS BOOK FROM THE EDITORS. THANK YOU!

    My Review
    : Whenever you see this review: GO GET THIS ANTHOLOGY. It's the 24th...your ereader or tablet is just sitting there, you can't play your gifted games just yet, and Krampus only knows how long it will be until you get snacky. Read these intense, startling, urgent stories...no excuses! You read The Lord of the Rings and had no problem following those fake, complicated character and place names so don't front that these are any harder. And believe me: The stories are (almost) all so vivid and alive and enfolding that you are gonna be up late. The always-useful technique I call the Bryce Method of making notes and offering ratings story-by-story is my guide.

    Trickin' by Nicole Givens Kurtz gives us the "after" of a world almost, but not quite, like our own; the Trickster Raoul is, or isn't, the Trickster God...? No matter, the old world's dead:
    Once, a bustling metropolis existed, but now, only disappointment remained.
    –and–
    Some spoke of a virus that each warring country deployed against the other in an effort to gain the upper hand in a battle already slippery from bloodshed.

    Can you think of a particularly compelling reason to care if this is the God or simply the psychopomp of sacrifices' souls? 4 stars

    Red_Bati by Dilman Dila explores the eternal tension between slave and master. Granny's grandson, in her final years, gifted her with a "pet red basenji" robot, modified in a few ways to make sure it could keep Granny truly engaged with the world. This, as with all well-intentioned interference in the Way Things Are, has consequences.

    Red_Bati becomes, after his fashion, sentient through his modified programming growing to respond to Granny and her human demands, needs, habits, wants. But as must be, Granny dies and her grandson sells off her property that's of no use to him. Including Red_Bati. Forgetting his well-intentioned mods to the robot might need taking care of, Red_Bati resultingly leaves Granny's body...though not her being...as he is repurposed for asteroid mining. An injury, "life"-changing, results:
    Once his battery ran down, he would freeze and that would damage his e-m-data strips. Though these could be easily and cheaply replaced, he would lose all his data, all the codings that made him Red_Bati and not just another red basenji dog, all his records of Granny. He would die.

    "That won't be a bad thing," Granny said, chuckling. "If you were a true dog, you'd be as old as I am and wishing for death."

    He was not a dog. He was a human trapped in a pet robot.
    –and–
    The VR printers would give birth to more of his kind, but they would not grow like human children. They would be fully functioning adults at birth, with almost nothing new to learn because they would have all the knowledge that forebots had gathered. Would exploring for new worlds and searching for mew matter give their lives a meaning?

    Yes, well, that's the penalty of leadership, isn't it, defining "meaning" for all who come after you. Yours the power, yours the responsibility...and what does a real human do when Responsibility bears down on him? Passes the buck, of course; but to whom...? 4 stars

    A Maji Maji Chronicle by Eugen Bacon can't be faulted for its refrain of "be careful what you wish for" in today's world. We're facing several existential crises and, like the Emperor of Ngoni, we might very well become that which we defeated on our way to restoration of balance. Even the wise should fear power:
    Lust predated greed that predated power that predated altruism. The Emperor gathered a harem of one thousand wives whose shelter spread across three villages. Their feed took resources from twelve more villages now forced to pay 'protection' tax to the palace.

    And thus the wages of interference in the path of Destiny, History, Doom, call it what you will. Some things are not the result of evil-souled malice, but of simply being alive. A message well worth hearing. 3.75 stars, a slight star-ding for what felt to me a slightly infelicitous haste in relating this urgent message; needed more about the future before I bought the journey, for example.

    The Unclean by Nuzo Onoh is far from fresh ground to till. An unwanting and unwanted wife, woman haunted by ill fortune and bad decisions made for her by men who seek only to use her womb for sons. A curse brought on by her bad Chi, a child lost, a rival gained, finally death calls on her husband and his house again and again. And it's all her fault, in everyone's eyes including her own.

    Pretty standard stuff. There are beatings. The husband's fat sisters and his fat new wife and the whole family close her out, conspire against her, her own dead child visits her...this body-shaming and man-loathing goes on a long time before the woman is rescued by her younger, modern sister, who finds her bound to her dead husband's side by magic spells as she awaits the judgment of a tree on her viability and guilt. Sister breaks the curse by stomping up, gathering her into her Westernized arms, and whisking her off. I was interested in Igbo culture's demons and beliefs for a while, but honestly? This is a well-worn path among African women's writing, fathers and husbands and brothers all foolish and greedy and abusive, that I don't really want to follow along to anymore. YMMV, of course. 3 stars

    A Mastery of German by Marian Denise Moore uses that most anodyne of settings, The Corporate Workplace, to explore a chilling, and I suspect fast-approaching, Brave New World: Sharing the essential You via genetic manipulation. Young Black woman Candace is new at her job of Project Management at fast-track pharma developer QND. The founder gave her full control over a Black geneticist's mysterious, and underperforming, project...find out if it will be profitable, how soon, and if that window makes sense; or kill it and we move on.

    Clear, simple directive; tangled, ethically questionable decision. The best kind for a story. What if Candace, keeping this project alive, has the ability to keep the Sands of Time from burying the lives and accomplishments of Black people?
    "I hit a wall {her father says of his genealogy research}; this always happens. Josiah Toil was just a Black laborer, so his work wasn't recorded. Every generation," he paused, "like Black Wall Street, like all of the Black towns after the Civil War, like all of the Black miners at Matewan."

    "We know all of that," {Candace} said quietly.

    "No, we rediscovered all of that. It gets wiped away and then two generations later people say 'we were kings and queens in Africa'. Well, sure. But we were city planners, architects, engineers, bricklayers, and professors here in America."

    Now, you're Candace; you have the power to end that vicious, racist cycle forever by supporting this mysterious project you were tacitly told to kill; but it will take one giant hellacious demonstration with intimately controlled variables to keep it alive. How much of yourself would you be willing to give, permanently, to make it happen? This story gripped me, refused to let me go, from the outset. I hope that, one day, it grows into the big novel I feel it longing to become. 4.5 stars

    Convergence in Chorus Architecture by Dare Segun Falowo is a novella that simply will not let you stop reading it...or, if you're a white westerner without curiosity, won't let you start. I want you to be one who starts.

    It is no more difficult to read The Lord of the Rings than it is to experience this story in all its richness. It has astounding dieties, it has magical events, it has a dense world full of exciting and involving details to ponder over, to play out in your mind...and no one who's read the elvish stuff in Tolkien has any excuse but uninterest to avoid this deeply satisfying read. There are titanic storms and there are mystical journeys and there are people on quests to do things for the betterment of all Humanity. There is an intricate arabesque of a plot that will, at times (and I believe at the author's will), lead you astray:

    Everyone stood and looked bored, insenseate, until the moment. The moment a single wail left their mouths just as their bodies caught on fire and they ascended into the black body of the ship. The boneship swallowed all without discrimination: women who had escaped war and men who had refused it and children who did not know its scars until later in their lives.
    –and–
    The bodies rose around as he made his way through a maze of rippling flesh. There were hundreds and hundreds of them. To the one who brought him it was a normal situation but to him it was like walking through a dense forest made of limbs and buttocks, a house of sleeping skin.
    –and–
    The black boneship slipped out of thoughtspeed into an infinite ocean. The ocean was still and white as purest sap. The boneship ceased to move with any precision and began to drift and spin slowly. Nothing moved in the whiteness. There was no sound.

    Do not despair. You're on a quest, when was that ever easy? And, in the end, you're going to be so much richer for the read. The title, obscure to the point of obfuscation, is actually the only possible title this necessary tale could ever have. 5 stars

    Emily by Marian Denise Moore is a brief poem about life as a child-slave. I have no context to rate poetry. It's very short, though, so don't just skip it.

    To Say Nothing of Lost Figurine by Rafiyat Aliyu plays to my love of heists and of portals between dimensions. I'm as happy as a puppy in a puddle as I follow Odun to Kur, therein to retrieve his ngunja called Jooh. The fun of this is its deeply held belief that there is no Western "pure science" or African "folk magic" there is Reality and it is far, far stranger than we know:
    "Greetings to you and those you hold in your possession," the agent said in a deep, raspy voice.

    "Greetings to you and those you hold in your possession," Odun replied.

    Covered from head to toe in a flowing robe of pitch black, the border agent's identity was hidden. Yet the greeting signalled that the agent was someone like Odun, someone selected to control the variety of staffs, wands, and figurines that made up the corpus of the ngunja.
    –and–
    This year was particularly crucial: it would mark Odun's sixth win, qualifying him for a promotion and hopefully an all-explense paid move to another frontier town where he could push the limits of his ngunja and terrakinesis abilities.

    Now, these details tell the experienced caper-reader what we need to know to suss out the ending before it unfolds; in a short story, that's not the least common fault, so the focus of an old reader shifts to the places, the characters, and the ideas we're getting. And I approve, whole-heartedly, of them all. Odun's local guide Aule is a worthy sidekick; she has her physical powers and her wildly different way of thinking to fit with Odun's more "but but but these are RULES and RULES ARE IMPORTANT" mien. Absolutely admired the economical way Author Aliyu snuck in the Kurians' objections to humans like Odun, and their deep physical aversion to Aule. Please, Author Aliyu, please make more stories in this universe! I give it 4 stars, but that's only because there is a missing step in their heist...the escape!

    Sleep Papa, Sleep by Suyi Davies Okungbowa takes father/son conflict to a level I simply was not expecting...Max, whose carelessness while he's in a body-parts market is enough of infraction of the necromantic laws that a damned weird and terrible penalty is exacted: he and his dead father must battle out Max's guilt at wanting to leave the family trade, his father's gift of a career to him, and his growing need to be a modern man:
    There are mud tracks on the floor tiles that he didn’t notice before. They run from the door, but don’t end at Max’s feet at the entrance to the kitchenette. The TV’s light is insufficient, so Max squints to follow the tracks, which he notices are odd because while one is a complete footprint, the opposite foot has most of the sole with no trace of toes.

    It is moments like this that tell you you're not in Lagos as you and I know it. It tells you that Author Okungbowa leads us into the world of horror and body horror to explain how a man must fight for every foot of distance from family and its expectations. One of the standout stories. 4.75 stars

    Clanfall: Death of Kings by Odida Nyabundi needed more Shibuor and fewer interchangeable men! What a hellacious, intense, adrenaline-pumping ride! More now please. 4.5 stars and please note the "please" at the end of "More now" was really pro forma...get more of these stories out!!

    The Satellite Charmer by Mame Bougouma Diene scintillates, coruscates, makes my knees go weak and my ears ring with divine prosody:
    He flung the galactic bow away, the soundbox expanding, his fingers drumming the thick chords like a bass. The satellites winked out as giant ♬♫♩♪ hammered them in waves, destroying cities across the planet. Somewhere his body died. His fingers merged with the chords, he and the bull fiddle were one vibration, bouncing between satellites until a ring of debris circled the earth. He inhaled, or rather somewhere in the vastness of space a galaxy exploded. He let his fingers rest. Light years away the bass line birthed a star.

    Do you need more? I can go on... 4.75* of five

    Thresher of Men by Michael Boatman was deeply uncomfortable to read, and very very on point; I wished for Kisazi to do more. Never mind content warnings...any sensitivity you can name is likely to experience a strong response. I don't know what to say rating-wise...let's go with intensity of response = good, so 4 stars

    Ife-Iyoku, the Tale of Imadeyunuagbon by Ekpeki Oghenechovwe Donald brings this collection to a climax, not a close. Every word is limned with acetylene, high heat cutting the obdurate titanium of post-apocalyptic reality with beautiful figures and delicate patterns...that will then roast themselves into your readerly skin as Author Donald smacks you with them. A fitting conclusion to this astounding, intense, often brutal read. 5 bright stars
    “Ife-Iyoku” is a work of daring moral imagination as well as a story expertly constructed. What makes this story’s achievement even more spectacular is that {it} stood out for the jury in a bumper crop of thought-provoking and challenging speculative fictions." Winner of the 2020 OTHERWISE AWARD! Bravo!

    Sunday, August 21, 2016

    MONSTROUS LITTLE VOICES, a beautiful-looking and beautifully conceived and executed anthology of Shakespearean fanfic

    MONSTROUS LITTLE VOICES: New Tales from Shakespeare's Fantasy World
    DAVID THOMAS MOORE, editor
    Afterword by Dr. John Lavagnino
    Abaddon Books
    $5.99 ebook editions, available now

    Rating: 5* of five

    The Publisher Says: Mischief, Magic, Love and War.

    It is the Year of Our Lord 1601. The Tuscan War rages across the world, and every lord from Navarre to Illyria is embroiled in the fray. Cannon roar, pikemen clash, and witches stalk the night; even the fairy courts stand on the verge of chaos.

    Five stories come together at the end of the war: that of bold Miranda and sly Puck; of wise Pomona and her prisoner Vertumnus; of gentle Lucia and the shade of Prospero; of noble Don Pedro and powerful Helena; and of Anne, a glovemaker’s wife. On these lovers and heroes the world itself may depend.

    These are the stories Shakespeare never told. Five of the most exciting names in genre fiction today – Jonathan Barnes, Adrian Tchaikovsky, Emma Newman, Foz Meadows and Kate Heartfield – delve into the world the poet created to weave together a story of courage, transformation and magic.

    Including an afterword by Dr. John Lavagnino, The London Shakespeare Centre, King's College London.

    **I BOUGHT THIS TREE BOOK WITH MY VERY OWN UNITED STATES DOLLARS**

    My Review: I hereby make an Executive Decision to promote the works of fiction in this collection from stories, as the publisher describes them above, to novellas. Considered in terms of length, I think that's justified, if only barely; it's the depth of storytelling and the complexity of the interrelationships that lifts the tales out of storydom. Admittedly the authors each had a tremendous boost out of the story ghetto by working within the Shakespeare-verse. This has saved a tremendous amount of worldbuilding effort on their part as a certain level of background familiarity can reasonably be expected of readers attracted to the tales. The problems that come with working inside a set of conventions and premises not of one's own creation aren't to be minimized. Honoring the unknowable intent of the original creator, going with or against the tide of the original creator's fan-base's fixed ideas and assumptions about same, while avoiding the artistic death-spiral of checking one's own creative impulse at the door is a feat of no small proportions. Bravo to each and all for navigating these shoals gracefully and successfully.

    Equally graceful and successful is publisher Abaddon Books's cover and interior design. The use of period-sourced woodcuts as cover images and interior part-title pages is visually and intellectually pleasing. Woodcuts are shorthand for a rustic or home-made aesthetic, and the ones chosen for use here as well as on the covers of the individually published novellas are appropriately playful in nature. They all capture the spirit of the project whole and entire as well as illuminating certain aesthetic choices made within the illustrated novellas.

    I'll review the novellas individually:
    CORAL BONESTHE COURSE OF TRUE LOVETHE UNKINDEST CUTEVEN IN THE CANNON'S MOUTHON THE TWELFTH NIGHT

    The idea of the whole collection merits separate consideration.

    And that right there, that little word "collection," is a big reason why the reviews of the parts are different from the whole. Is this a collection? Is it an anthology? I deliberated about that for some time. My love affair with Wikipedia's easily accessed and readily digestible information led me there first, where I found this indirect illumination of the distinction between an anthology and a collection:
    Since publishers generally found anthology publication a more flexible medium than the collection of a single poet's work, and indeed rang innumerable changes on the idea as a way of marketing poetry, publication in an anthology (in the right company) became at times a sought-after form of recognition for poets. The self-definition of movements, dating back at least to Ezra Pound's efforts on behalf of Imagism, could be linked on one front to the production of an anthology of the like-minded. Also, whilst not connected with poetry, publishers have produced collective works of fiction from a number of authors and used the term anthology to describe the collective nature of the text.
    (emphases added)
    A collection, then, is a single-author sampling; an anthology has multiple authors. In the SF/F field there exists a long tradition of themed anthologies from Groff Conklin's many forays beginning in the 1950s all the way through 2016 Hugo-winner Ellen Datlow (for Best Editor, Short Form), and I'm confident that the form will continue into the foreseeable future.

    I'll call this book a themed anthology. Its shared premise is that the Mediterranean world of Shakespeare's invention, in which he set many stand-alone comedies and dramas, was deliberately created by Shakespeare as an exercise in worldbuilding. While the modern concept of worldbuilding didn't appear until 1820, we attribute so many powers of prescience and invention to him that this latest one doesn't stretch his legend unduly. Five authors take a play or several plays from this loose grouping of works and, instead of retelling the source material, write prose sequels of sorts to the plays. I've seen several references to these novellas as Shakespearean "fanfic", but the amateurish clumsiness this mildly pejorative and deeply (if unfairly) dismissive term hauls as its baggage is insulting to the fine writers here included. It's factually accurate perhaps, but the connotations aren't.

    A collection of Shakespearean "fanfic" is a terrific idea no matter what, one I hope we'll see more of, but this anthology came out tied to the 400th anniversary of Shakespeare's death. Tying the publication of MONSTROUS LITTLE VOICES to such a cultural milestone is genius and I hope the advance sales were monster (which would aid the project in remaining on the backlist forever). If anyone should profit from the Bard of Avon's legend, I'd love it to be modern creative writers working the seams of precious coal he found to invent new and exciting ways to delight and warm us by the collective hearthfire. Fires need fuel. The hottest fires use the best fuel. What better fuel is there than that which comes from time-tested sources? Four hundred years of mining hasn't exhausted this source.

    Digital Humanities scholar Dr. John Lavagnino contributed an Afterword to the anthology that provides a clear and concise overview of the aims, sources, and results of the project. It reads to me like a call to arms:
    ...Pericles returns to a plot resolution {Shakespeare had} used as early as The Comedy of Errors and found fascinating throughout his career: the astonishing reunion with those who seemed lost forever. That particular kind of wonder doesn't appear here, and indeed fits a play better than this book's new kind of exploration. Instead we get the richness of a fictional world that could continue rolling along forever, that could keep leading us to new places and startle us not by returning to our beginnings but by going on and on.
    Aux armes (ou claviers), citoyens creatifs!

    Wednesday, August 28, 2013

    LONG ISLAND NOIR, latest in Akashic Books' bestselling short thriller fiction anthologies


    LONG ISLAND NOIR
    KAYLIE JONES
    (ed.)
    Akashic Books
    $19.95 trade paper, available now

    Rating: 4.75* of five

    The Publisher Says: Stories covering Long Island's extremes, from the comfortable rich to the horribly poor, and all the darkness between.

    Launched with the summer '04 award-winning best seller Brooklyn Noir, Akashic Books continues its groundbreaking series of original noir anthologies. Each book is comprised of all-new stories, each one set in a distinct neighborhood or location within the geographical area of the book. KAYLIE JONES, JULES FEIFFER, REED FARREL COLEMAN, SHEILA KOHLER, and others reveal how Long Island has always been a playground for the rich and famous—and while it used to be that only a select few could afford it, now everyone wants a piece of the pie.

    The McMansions pop up like mushrooms, limiting resources and destroying an already taxed environment. It feels a little like Rome in its last days—a kind of collective amnesia and blindness to the outside world has taken over. Everyone knows this, but no one wants to do anything about it, because big money is being spent—and made. And as the rich grow richer, the poor grow poorer and more disenfranchised; and greed only breeds more greed and violence.

    These stories cover the range of Long Island's extremes, from the comfortably rich, to the horribly poor—people pushed to desperate acts in order to protect what they already have, or to try to take what they don't from those who do.

    I RECEIVED AN ARC FROM THE PUBLISHER. THANK YOU.

    My Review
    : This series of anthologies is always welcome. It's a darn good series, well edited and clever in its conception and execution. Original stories by an array of people from, or who live(d) on, Long Island, all very talented writers though not always of thriller fiction; that did not work perfectly in this anthology's case but hey, it got a lot of great stuff in front of us.

    I'm using the Bryce Method of giving a short assessment of the individual stories so you'll be able to assess the whole as well as the parts.

    Home Invasion starts us off with a bitter, angry generational bang. The silences within families are probably scarier than anything that a stranger could dream up. 4 stars

    The Shiny Car in the Night is probably the best piece in the collection. It's a slightly less domestic, yest still family centered, tale of men whose losses are no less horribly disfiguring for being self-inflicted; a son whose father can't find a way to escape the funhouse-mirror lined labyrinth of rage and regret against his brother, ends up...ending up. 5 stars

    Anjali's America is an immigrant woman doctor's story of how narrowly she escaped the horror of being a woman locked in a joyless prison of motherhood and victimhood and subservience to the men who couldn't understand anything she's ever thought. Nor would they try...she exists to serve. Nightmarish, intense, and vivid. 4 stars

    A Starr Burns Bright is a grifter's wet dream of The Big Strike, if he can just pull it off. He needs the strike for sure, but he's not the sharpest tool in the shed...the secrets he now knows aren't the best way to stay healthy and alive for a long time. Hijinks, as hey must, ensue...4 stars

    Mastermind really made me sit up and take notice, it's by Reed Farrel Coleman and it's got the biggest heart and the scariest fall. When someone knows he's not top-drawer material for his particular corner of the world, and he keeps working his ass off to Make It anyway, it's poignant and it's admirable in a weird way even when he's not a nice guy. But the world knocks the best over, imagine how bad it is when they're not close to the best...5 stars

    Contents of House was a bitter pill indeed, bad sex and smashed-up love and revenge all stewed in a heart that simply isn't up to the task of coldness and instead succumbs to shame. 4 stars

    Snow Job is hilariously wicked. It's short, but twisty, and it's got the sheer narrative drive of an entire novel...the pace does not let up, the stuff that happens is terrible but you just can't help laughing...schadenfreude, thy name is me, when people who deserve it get come-uppances...and, by the time it's done, I wanted to start over again. 5 stars

    The other pieces, eg "Semiconscious," "Blood Drive," "Jabo's," and "Terror," were three or more star decent efforts but didn't rise to the heights the others did. A few, eg "Seven Eleven" and "Boob Noir" by Jules Feiffer, just weren't up to the standard set by the superior works. Still, there are seventeen stories in here, so a few not-to-my-liking ones are more than likely going to sneak in. It's definitely a very good way to spend your Sunday afternoon at the beach! Labor Day has lots of hours in it. Spend some here.

    Monday, April 8, 2013

    Today's Review Posts for 8 April 2013

    ZEITOUN in Politics & Social Issues

    THE BIG SLEEP in Mystery Series

    FLOWER CONFIDENTIAL in Science, Dinosaurs & Environmental Issues

    THE GALAXIE AND OTHER RIDES in Literary Fiction & Short Story Collections

    TALL TALES WITH SHORT COCKS Volume 1 in Bizarro, Fantasy & SF

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