REBELS AND OUTLIERS: Real Stories of the American West, collected essays with more ideas than words

REBELS AND OUTLIERS: Real Stories of the American West
JOHN M. GLIONNA
University of Nevada Press (non-affiliate Bookshop.org link)
$27.95 paperback, available now

Rating: 4.75* of five

The Publisher Says: Rebels and Outliers: Real Stories of the American West shines a spotlight on the unforgettable characters that author and journalist John M. Glionna has encountered during his more than 30 years crisscrossing the western United States for some of the nation’s top newspapers. With sharp insights, Glionna captures the essence of the modern West through the lives of its most intriguing, unconventional inhabitants.

From the struggles of a Navajo Nation police officer grappling with the tension of enforcing laws among her own people to the quirks of a pig farmer who feeds his livestock with leftovers from Las Vegas’s extravagant buffets, Glionna fearlessly delves into topics that reveal the complexities of life on the fringes. Each showcases Glionna’s remarkable talent for uncovering the universal truths that connect us all.

This vibrant collection invites readers to journey through the rugged landscapes and tight-knit communities that define the American West. Along the way, you’ll meet individuals whose grit, resilience, and pioneering spirit embody the heart of this region’s legacy.

A captivating follow-up to Glionna’s 2022 book, Outback: Real Stories of the Silver State, Rebels and Outliers is a testament to the untamed, enduring character of the people who call the West home.

I RECEIVED A DRC FROM THE PUBLISHER VIA EDELWEISS+. THANK YOU.

My Review: I was born as far west as it's possible to get without being in the Pacific Ocean, raised in Texas, and now live as far East as it's possible to get without being in the North Atlantic Ocean. I have a pretty good vantage point, then, to view the self-mythologizing that goes on in the US West.

It's really entertaining, always; but it's often...skewed...by the framework of "The West" wild or otherwise that this country *insists* comes with distinctive character traits. Writers and other creative souls go far out of their way to find reinforcing examples of whatever they're looking for and use them as normalizing examples of the myth they're perpetuating.

Very much what's happening here. And done quite well. As long as one's aware of the larger purpose of the stories, they're very well-reported pieces of creative (in expression, not in factuality) journalistic writing. I'll be clear and say it again: I'm not claiming to know the author knowingly distorted or misrepresented or invented any facts, ideas, opinions, or statements in this collection of articles previously published. I am saying that he selected the subjects to illustrate a point he wanted to make. I do not think of that as a fault.

The mythology of "The Westerner" is pretty pervasive already, so one might wonder with me why this needs or merits reinforcement. I think the author's purpose was to find and hone into gleaming points stories that are entertaining and informative to read, that exemplify the laudable angles of "The Westerner" myth that exist.

I was always, in the eight weeks I dipped in and out of the book, ready to come back for more. I enjoyed, was enlightened and moved by, the stories themselves, the characters, the way the author used postscripts to answer my personal burning question so often unanswered in collections like this: "...and then what happened?" He tells me!

Maybe the most moving piece for me, as an old queer gent, is the story of the gender-nonconforming straight married man with adult children who categorically refused ever to leave his home in what he bitterly called "the Mississippi of the West"—Wyoming, ironically labeling itself as "The Equality State" because women were given (note verb they chose) the vote there first. He taught farmhands about using heavy machinery...in a dress...and some came so far around on him as out and queer that they showed up to class in pink hair and wearing ribbons. His son, past 40 now, says in the piece that his dad was mentally stronger than anyone else he knows. I so deeply agree with him; I wish he'd been my dad. In this piece's postscript, I learned the gent has died of brain cancer. Vale good sir. I hope there's an afterlife so I can meet you there. I'd offer all five stars to this, and a few other, essays, except they're not all quite such thuds in the feels. All, however, were worth reading to me.

This one's emblematic of the stories in here that they all contain more ideas than words. I'm always down for that, and as we enter peak reading-spot usage season, this sort of browsing book with rewarding short hits that hit home is a welcome addition to your, or a gifting-close friend's, library.

AMELIA BLOOMER: Journalist, Suffragist, Anti-Fashion Icon, a woman of moral certainty and impeccable rectitude who rebelled hard

AMELIA BLOOMER: Journalist, Suffragist, Anti-Fashion Icon
SARA CATTERALL
Belt Publishing (non-affiliate Bookshop.org link)
$11.99 ebook edition, available now

Rating: 5* of five

The Publisher Says: A fascinating look at an underappreciated woman in American history whose newspaper fostered a national conversation on women's issues.

Those who recognize the name Amelia Bloomer usually do so because of bloomers, the clothing item named after her. While she was a rational dress advocate for a time—calling on women to abandon rigid corsets and heavy petticoats and opt for long trousers, shorter skirts, and sensible boots—it was "but an incident" in the larger story of her life and impact.

Bloomer edited and published The Lily, the first newspaper for and by women. Much like Bloomer herself, it started as a temperance rag before broadening to include some of the most important issues to women in that day, including the right to vote, and included contributions from thinkers like Elizabeth Cady Stanton. The groundbreaking paper brought the conversation from Seneca Falls right to the doorsteps of women across the expanding nation.

Guided by a rigid sense of morality and a Puritan work ethic, Bloomer remained open-minded to new ideas. She refused to be swayed by social norms and wrote cutting responses to those who tried to intimidate or shame her and her friends, a group that included Stanton and Susan B. Anthony. This deeply researched biography by Sara Catterall follows the many chapters of her life: her humble upbringing in upstate New York, her role in the temperance movement (and its true legacy as a wellspring of the women's rights movement), her years at The Lily, her groundbreaking position as deputy postmaster in Seneca Falls, her troubled health, and her eventual move to Council Bluffs, Iowa, where she continued to move the needle on women's suffrage in the more flexible new governments of the West.

I RECEIVED A DRC FROM THE PUBLISHER VIA EDELWEISS+. THANK YOU.

My Review: It had never creased my cranium that Amelia Bloomer was a temperance crusader before I read this book. Given that my mother the abuser never drank, and I had one boyfriend in my life who ever raised a hand to me and that never happened while he was drunk, temperance just did not ever cause me to think "good idea". All my associations with Mrs. Bloomer were around her ideas regarding the idiotic way women were caged inside their clothing during this era. Corsets really are the bound feet of Western culture.

I was utterly unprepared to meet this wildly different Bloomer. She was a woman of her time, in many ways moreso than the more famous ladies like her friends Stanton and Anthony...both of whom she knew from living in Seneca Falls, New York, and each of whom influenced her increasingly radical thinking about women's suffrage...as she was married with children and required to earn her living alongside her husband as best she was able while still raising children. Dexter and she were co-workers, as he hired her to work alongside him as a postmaster after his stint as a Whig-supporting newspaper editor landed him the job. A government salary for a woman no less!

Her position as a temperance crusader led her to make the connection that the only way to stop the unregulated flow of alcohol was to exert political pressure to regulate it. That was impossible, on a practical level, absent votes for women. (She didn't live to see Prohibition and its horrifying unintended consequences.) So her rational dress and votes for women all owe their influence on US culture to her christian temperance-movement work. It was spread wider than Seneca Falls by her opening The Lily, a newspaper for and by women that she, despite raising children, suffering chronic illness, and a complete lack of training except by Dexter's example from his newspaperman days. I am *gobsmacked* by her rigidly moral outlook leading her so far in opposition to the stupid cultural norms of "appropriate" behavior for women in a time where they were so very much more entrenched and enforced than they are now.

At this moment in US, and more broadly Western, political history, the example of a woman who looks at the world as she finds it, judges it harshly for its failings, and—at considerable personal cost to herself and her family—sets about opposing that world continuing down its present path, is invaluable. I'd also like to point out her starchy morality was inspired by an upbringing conventionally religious yet her response to it was radically, vocally, and consistently to apply its moral precepts in full and without exceptions.

If more christians were like Amelia Bloomer, the world would be a better place.

I did indeed just say that. Her acerbic wit, another surprise this book held for me, was deployed against obtuse and obnoxious followers of orthodoxy. Yet Mrs. Bloomer's touch with connecting to people who genuinely did not understand the stakes she saw so clearly in the direction society was heading was exemplary. She met those people on their own ground, without preaching or hectoring. I can only envy that skill; I myownself climb onto my ever-present high horse because I'm Right, that ever-losing strategy. Mrs. Bloomer's tone was always respectful...until she sensed ill-will or disingenuousness.

I knew exactly nothing of the substance of her life until Belt Publishing brought out this book. (I also now know that Dexter Bloomer wrote a biography of her in 1896, so I'll Gutenberg that up here directly.) Author Catterall and her publisher are to be praised, and I hope supported with purchases, for telling this unjustly neglected monadnock of probity and moral clarity's story to a needy new generation of readers. All five stars for bringing modern attention to this person from our past with so much to teach us for our future. It's involving prose, built on solidly shown foundations of information.