Sunday, August 9, 2020

CHASING GOLDMAN SACHS, a ten-year-old alarm bell that we all ignored

CHASING GOLDMAN SACHS: How the Masters of the Universe Melted Wall Street Down... and Why They'll Take Us to the Brink Again
SUZANNE McGEE

Currency
$4.99 ebook platforms, available now

Rating: 4* of five

The Publisher Says: You know "what" happened during the financial crisis ... now it is time to understand why the financial system came so close to falling over the edge of the abyss and "why 'it could happen again.'" Wall Street has been saved, but it hasn't been reformed. What is the problem? Suzanne McGee provides a penetrating look at the forces that transformed Wall Street from its traditional role as a capital-generating and economy-boosting engine into a behemoth operating with only its own short-term interests in mind and with reckless disregard for the broader financial system and those who relied on that system for their well being and prosperity.

Primary among these influences was "Goldman Sachs envy" the self-delusion on the part of Richard Fuld of Lehman Brothers, Stanley O'Neil of Merrill Lynch, and other power brokers (egged on by their shareholders) that taking more risk would enable their companies to make even more money than Goldman Sachs. That hubris–and that narrow-minded focus on maximizing their short-term profits–led them to take extraordinary risks that they couldn't manage and that later severely damaged, and in some cases destroyed, their businesses, wreaking havoc on the nation's economy and millions of 401(k)s in the process.

In a world that boasted more hedge funds than Taco Bell outlets, McGee demonstrates how it became ever harder for Wall Street to fulfill its function as the financial system's version of a power grid, with capital, rather than electricity, flowing through it. But just as a power grid can be strained beyond its capacity, so too can a financial grid collapse if its functions are distorted, as happened with Wall Street as it became increasingly self-serving and motivated solely by short-term profits.

Through probing analysis, meticulous research, and dozens of interviews with the bankers, traders, research analysts, and investment managers who have been on the front lines of financial booms and busts, McGee provides a practical understanding of our financial "utility," and how it touches everyone directly as an investor and indirectly through the power–capital–that makes the economy work.

Wall Street is as important to the economy and the overall functioning of our society as our electric and water utilities. But it doesn't act that way. The financial system has been saved from destruction but as long as the mind-set of "chasing Goldman Sachs" lingers, it will not have been reformed. As banking undergoes its biggest transformation since the 1929 crash and the Great Depression, McGee shows where it stands today and points to where it needs to go next, examining the future of those financial institutions supposedly "too big to fail."

I RECEIVED A REVIEW COPY FROM THE AUTHOR. THANK YOU.

My Review
: My 2010 review stands as written. It's not like Author McGee didn't warn us.

Not to put too fine a point on it, but does the world *really* need another book about The Meltdown That Ate Our Jobs? Do we *really* have anything left to learn about these greedy so-and-sos whose pursuit of their own profits gifted us with a huge expansion of the Federal debt?

In a word, yes.

Suzanne McGee (a good friend of mine) assumes that her readers are smart, savvy, and plugged in, so she hits only the highlights of the WHAT about the crisis. Her brief, as the subtitle of the book "How the Masters of the Universe Melted Down Wall Street...and Why They'll Take Us to the Brink Again" makes clear, is analyzing and explaining WHY.

She does this in as honest and non-judgmental a way as anyone could. She's not pointing fingers at one person per chapter, she's pointing up the systemic and cultural failings that, quite naturally and seemingly inevitably, led to a culture of no-risk gambling that permeated late twentieth century business. It took until the end of the Aughties for the chickens to come home to roost, but as they always do, they did. And who pays? All of us peons, that's who, which is exactly how the system is set up and remains set up to this day.

Her style is spare, unfussy, and dryly witty. Her story provides its own plot, so I can't say whether she's good at plotting. She knows how to give a telling detail!
"When {the New York Stock} Exchange is public, when people are willing to own it, it's a sign of a stable financial system, argues {a Canadian investment-firm billionaire}," who also owns stakes in publicly traded stock exchanges worldwide, from Europe to Latin America...The kind of push that come from shareholder-investors to become more competitive and efficient is the best way to make sure an organization is as effective as possible, he adds."
This comes in a book that traces "efficiency" as the principal author of the megadisaster of 2008...and does anyone remember May 2010, when the "efficient" robo-trading powerslide of the Exchange caused further systemic fantods?

McGee states, makes, and supports her points throughout this book with a lifetime's reportorial experience and a skeptic's "prove it" attitude. She's done the financially semi-literate a huge and signal service in writing this book. It's a good, involving, and deeply frightening read. Recommended to all who still think deregulation of any industry is a good idea.

Saturday, August 8, 2020

LONDON'S OVERTHROW, polemical barely-fiction from 2011 as timely now as then. Dammit.

LONDON'S OVERTHROW
CHINA MIÉVILLE

Saqui Press
Free online, available now

Rating: 5* of five

The Publisher Says: London’s Overthrow is a potent polemic describing the capital in a time of austerity at the beginning of the twenty-first century. Award-winning author and essayist China Miéville cuts through the hyperbole of our politicians to present a view from ordinary London – of the inequality, oppression and indignity and the hidden, subversive sentiment pervading throughout our streets.

My Review: An essay on economic justice, on political reality, and on a leftist's fears for a world slowly being strangled and dismembered by corporate efforts to change the game to phase out all control over and opposition to their eternal pursuit of more more more more more more more. Illustrated with Mr. M's own photos of London at night, the essay makes for some damned good and grim reading, though as always with His Chinaness, the sonority and especially the ubiety of his word choices and similes and metaphors makes the experience of reading the essay much like paying a visit to London yourownself.

There is a major sea-change happening in the world today. The corporate interests are making it ever more difficult for ordinary people to survive, still less make their own worlds better. There is some backlash from the tiny remnants of the left. What there is not is any assurance that the outcome will favor the majority. Read this:

London, buffeted by economic catastrophe, vastly reconfigured by a sporting jamboree of militarised corporate banality, jostling with social unrest, still reeling from riots. Apocalypse is less a cliché than a truism. This place is pre-something.

The Olympics are slated to cost taxpayers £9.3bn. In this time of ‘austerity’, youth clubs and libraries are expendable fripperies; this expenditure, though, is not negotiable. The uprisen young of London, participants in extraordinary riots that shook the country last summer, do the maths. ‘[B]ecause you want to host the Olympics, yeah,’ one participant told researchers, ‘so your country can look better and be there, we should suffer’.

Her Majesty Queen Elizabeth II will celebrate her 60th year on the throne this year, and the Conservative government is making sure that the world she leaves for William to reign over (does anyone believe Charles will say yes to being king if his wife can't be queen?) is vastly worse for the average Briton than it was when Her Majesty ascended the throne:

The pay gap between the highest and lowest paid in the UK has grown faster than in any other developed country, spiking since 2005. In 2008, average income of the top 10 percent was 12 times that of the lowest. Their riches grow. We others are told to tighten belts. Tax rates for the wealthiest have dropped, even as the gap between the merely rich and the utterly wealthy has grown.

One of capitalism’s defences is the outrage-fatigue it engenders.

We’re approaching Victorian levels of inequality, and London’s more unequal than anywhere else in the country. Here, the richest 10 percent hold two thirds of all wealth, the poorest half, one 20th.

It isn't that there are no alternatives, it isn't that no one has another idea, it isn't that there are no voices crying shenanigans out there in the public sphere. Far from it. What there is most decidedly not is any ear turned even slightly away from the more more more more more me me me me me greed that finances government officials' elections and their cushy retirements:

We slump under sado-monetarism. There are other ways. For years Alan Freeman was an economist with the Greater London Authority, working with both mayors. He leans forward in his chair, explaining what’s wrong with London’s still-massive economy, and how to fix it. He bullet points. ‘Build two million homes ... Edufare in the place of workfare ... Invest in innovation. Quintuple government funding of R&D, extend R&D to the arts. ... Put growth back and (it’s easy to show) the tax coffers will overflow.’

But perish forbid that the tax coffers overflow, because then the Scum of the Earth might think they should get some of the swag. Can't have that! Those saggy-pantsed loud-music-listenin' dark skinned creeps better not get the idea that they're as good as old white men:

In 1998, Tony Blair ushered into being ASBOs, Antisocial Behaviour Orders. Sharp laws, the better for society, like Cronus, like a traumatised hamster, to eat its children. These startling civil orders criminalise legalbehaviour, individually, tailor-making offences. A 17-year-old is banned from swearing. Another told he could go to jail if he drops his trousers. A 19-year-old barred by law from playing football in the street.

Catastrophe generates the beasts it needs. In London, in the UK, the term ’feral youth’ is absolutely routine. Media and politicians deploy it without much controversy. As if such a spiteful, shocking, bestialising phrase does not disgrace every mouth from which it spills. Its utterance is not a diagnosis, but a symptom.

And this is how it is in London. It's worse in New York. As for the real America, the mind boggles and the spirit quails upon considering how clueless, how apathetic, and how pusillanimous the typical American is; he sees no need to protest, because 1) won't do any good, 2) things're fine like they are, we have enough to eat, still have the house, leave me in peace, and 3) goddam commie pinko fags from Jew York who needs them tellin' decent folks how to live.

This last is a quote. A quote, mind you. Someone I once thought of as a friendly acquaintance said this to me. She is not alone in her thoughts, though I'd hope others are less thoughtless in expressing them.

Then I watched Fox News, and that hope died. I wonder if my country's ideals will too.

Friday, August 7, 2020

DESTINY OF THE REPUBLIC, an excellent and unexplored alternate-history point of departure, a great President killed too soon

DESTINY OF THE REPUBLIC: A Tale of Madness, Medicine, and the Murder of a President
CANDICE MILLARD

Anchor Books
$17.00 trade paper, available now

Rating: 4* of five

The Publisher Says: James A. Garfield was one of the most extraordinary men ever elected president. Born into abject poverty, he rose to become a wunderkind scholar, a Civil War hero, and a renowned and admired reformist congressman. Nominated for president against his will, he engaged in a fierce battle with the corrupt political establishment. But four months after his inauguration, a deranged office seeker tracked Garfield down and shot him in the back. 

But the shot didn’t kill Garfield. The drama of what hap­pened subsequently is a powerful story of a nation in tur­moil. The unhinged assassin’s half-delivered strike shattered the fragile national mood of a country so recently fractured by civil war, and left the wounded president as the object of a bitter behind-the-scenes struggle for power—over his administration, over the nation’s future, and, hauntingly, over his medical care. A team of physicians administered shockingly archaic treatments, to disastrous effect. As his con­dition worsened, Garfield received help: Alexander Graham Bell, the inventor of the telephone, worked around the clock to invent a new device capable of finding the bullet. 

Meticulously researched, epic in scope, and pulsating with an intimate human focus and high-velocity narrative drive, The Destiny of the Republic will stand alongside The Devil in the White City and The Professor and the Madman as a classic of narrative history.

My Review: I knew next to nothing about this president. I'd sort-of known he was assassinated, but not much about why. “Oh, the one in the 1880s? Didn't some nut kill him?”

What a story this is. What a gargantuan loss to the USA his non-Presidency was. What an interesting, interesting man! We hear reams about presidents significantly less interesting than Garfield was. It's not right. But it makes sense...all he did as president was get killed a couple months after he was sworn in.

Garfield was a self-made man, from a poor family, with a troubled marriage. (Ring any more recent bells?) His wife was a chilly intellectual on whom he cheated once. (PLEASE tell me you've got it now.) And even more like the C-man, Garfield entered the race for the White House with powerful people strongly opposed to his winning. He was thwarted and stymied and made to do battle over things that were deeply entrenched and very wrong with the political culture of the day, and he only sort of won.

I trust my parallel is made.

So I was surprised to learn that Garfield was a Republican, and a populist progressive reforming one. (That sentence gave me vertigo to type. I'm not used to saying nice things about Republicans.) My, how things have changed! And the system he fought against actually, literally ended up costing him his life. In that time, presidents controlled all government jobs, and so the people who wanted to get security got in good with the party and made their case for a job to one harassed man, with maybe a secretary or two to assist him...good people got jobs, I'm sure, but more bad ones got good jobs than the other way around. In denying a very bad applicant a “spoils” job, Garfield signed his own death warrant.

Charles Guiteau, who shot Garfield in the back as he was to board a train in order to visit his recuperating wife, isn't his murderer. That person is the doctor who cared for him in the most backward possible way, Dr. D. Willard Bliss. Of evil memory ptooptoo. Despite Dr, James Lister's empirical proof of the germ theory's truth by means of reducing post-surgical mortality via sterilization of instruments and rooms, Bliss held to the old-fashioned view that it was falderol to say something you couldn't see could kill a man. Bliss, if you can believe this, stuck his finger in the bullet hole in Garfield's back in the train station, on the floor, with no washing!

It's a wonder he didn't die a lot sooner, with this kind of “care,” isn't it? As it is, the almost obnoxiously healthy and virile Garfield was shot on 2 July and didn't die until 19 September. Months of infections, months of idiot Bliss being wrong about everything (he said categorically that the bullet was lodged on the right side...it was on the left, it turned out...and he refused to even investigate the left side), and the potential great president died in agony. His vice-president was Chester Alan Arthur, that monadnock of probity and intellect. Oh dear, I fear my sarcasm gland is dripping again.

Well, okay, so it's clear I liked the story. I also liked the book. The author also wrote a book on Teddy Roosevelt, another Republican progressive and all-around fascinating man, called The River of Doubt. It's a really good story, and a very good read. She has an affinity for real-life drama, Madame Millard, and she has an excellent ear for the phrase that will illuminate it. In Chapter 14, entitled “All Evil Consequences,” this phrase in particular wrung my withers:

Had Garfiled been shot just fifteen years later, the bullet in his back would have been quickly found by X-ray images, and the wound treated with antiseptic surgery. Had he been able to receive modern medical care, he likely would have spent no more than a few nights in the hospital.

Such are the vagaries of history...the good wand worthy die, the evil and vile get new hearts at taxpayer expense.

Candice Millard writes a good yarn. If all you want is an exciting and interesting story, this book will satisfy you. If you're interested in history, it will enrich you. If you're excited by the odd pathways of fate, this could be the best of 2012 for you. I'm all of the above. I was sucked in from the get-go, and came out a happy, happy angry man.

Thursday, August 6, 2020

THE SWERVE, a tendentious, much argued-over social history of the Epicurean effect on Modernity


THE SWERVE: How the World Became Modern
STEPHEN GREENBLATT

W.W. Norton
$16.95 trade paper, available now

Rating: 5* of five

The Publisher Says: One of the world's most celebrated scholars, Stephen Greenblatt has crafted both an innovative work of history and a thrilling story of discovery, in which one manuscript, plucked from a thousand years of neglect, changed the course of human thought and made possible the world as we know it.

Nearly six hundred years ago, a short, genial, cannily alert man in his late thirties took a very old manuscript off a library shelf, saw with excitement what he had discovered, and ordered that it be copied. That book was the last surviving manuscript of an ancient Roman philosophical epic, On the Nature of Things, by Lucretius—a beautiful poem of the most dangerous ideas: that the universe functioned without the aid of gods, that religious fear was damaging to human life, and that matter was made up of very small particles in eternal motion, colliding and swerving in new directions.

The copying and translation of this ancient book-the greatest discovery of the greatest book-hunter of his age-fueled the Renaissance, inspiring artists such as Botticelli and thinkers such as Giordano Bruno; shaped the thought of Galileo and Freud, Darwin and Einstein; and had a revolutionary influence on writers such as Montaigne and Shakespeare and even Thomas Jefferson.

My Review: De rerum natura was a long narrative poem expounding Epicurean philosophy that was written in the first century before the common era. I am told by those possessed of sufficient Latin fluency to appreciate it that it is beautiful. I am not possessed of that level of fluency, and to me it seemed agonizingly impenetrable and obscurantist.

But author Greenblatt, in this fascinating Pulitzer Prize-winning history and analysis of the poem and its influence on the world, focuses not on the merits of the poem but on the genesis, development, survival, and influence of De rerum natura, arguably the foundation text for the mental construct that you and I share, and that diverges widely from the mental construct of earlier times.

Why is this so? Because we accept a material explanation of the existence of things as our prevailing orthodoxy, even in the face of religious challenges to the primacy of logic and evidence and just plain good sense. It's down to Lucretius's poem's astounding clarity of thought, persuasiveness of rhetoric, and miraculous survival and rebirth.

What Greenblatt did was to provide a brief history of Epicurus, his actual philosophy, and the cultural currents that distorted and misrepresented his philosophy, together with the whys and wherefores of that misrepresentation. Then Lucretius, a shadowy figure whose biography is unknown to modern readers except for a calumny heaped on his memory by a man who did not know him and in fact lived centuries after his death, wrote in poetry...a form of expression not to Epicurus's taste or, in his opinion, a good and useful tool of communication, he preferring plain and simple and direct prose...broke down the Epicurean vision of the world, and argued in support of it. Greenblatt then traces the survival of manuscripts from antiquity to the Middle Ages, the resurgent interest in their contents during the run-up to the Renaissance, and the incalculably valuable role of obsessive individuals in hunting down, copying, and disseminating the surviving antique texts to a world then, as now, hungry for more and better and different views and experiences and thoughts and ideas.

I give this book a five-star rating because it has solved a problem of identity for me: I am, as Thomas Jefferson said before me, an Epicurean. Not the debased view held of that noble philosophy thanks to “Saint” Jerome, who in the course of ramming his ignorance-celebrating religion down the throats of humanity, hit on the perfect misstatement of Epicurus's actual materialist philosophy: Hedonism! Hedonism and vice and licentiousness and gluttony! The pursuit of pleasure can only mean these things, shouted Jerome, and the chorus of baying dogs was off after the fox.

We all know how that ends.

Chapter eight of The Swerve, ”The Way Things Are,” breaks out the point-by-point reality of Epicureanism, and is the prime motivating factor for my five-star rating. (In fact, I dislike Poggio Bracciolini, the discoverer of De rerum natura, quite intensely, and suspect that had I met him in life, I would have been repulsed by him.) I list here the bullet points Greenblatt is at pains to provide with clear, concise, and satisfying explication:
➢Everything is made of invisible particles. This is called “atomism.”
➢The elementary particles of matter...are eternal.
➢The elementary particles are infinite in number, but limited in shape and size.
➢All particles are in motion in an infinite void.
➢The universe has no creator or designer.
➢Everything comes into being as a result of a swerve. (Another word for this is collision.)
➢The swerve is the source of free will. If there is no preordained pattern, how can there be a preordained result?
➢Nature ceaselessly experiments. Evolution by natural selection, anyone?
➢The universe was not created for or about humans.
➢Humans are not unique. We are animals, literally not figuratively, like all the others.
➢Human society began, not in a Golden Age of tranquility and plenty, but in a primitive battle for survival.
➢The soul dies. There is no afterlife.
➢Death is nothing to us. It is merely a fact. There is no personal component to death.
➢All organized religions are superstitious delusions. Religions are, invariably, cruel.
➢There are no angels, demons, or ghosts.
➢The highest goal of human life is the enhancement of pleasure and the reduction of pain.
➢The greatest obstacle to pleasure is not pain, it is delusion.
➢Understanding the true nature of things generates deep wonder.

I have never seen in print or heard with my ears a clearer, more concise, or more complete statement of my own personal worldview than this. It rang me like a bell. It sounds like Lucretius was sitting inside my head and copying down my responses to the world. Plenty, plenty disagreement with my agreement to the author's position exists. A lot of it is very well-founded, well-argued, and possibly correct; I will not chime in on those weighty matters because I possess no credentials and no desire to argue. If all the book is worth, in the end, is simply explaining me to myself, I will still give it five stars.

In the brief explications Greenblatt attaches to the bullet points, he makes it clear that these ideas, while they never wholly vanished from the world, were seen by the dominant world-view as a challenge to the idiotic legendary nonsense that had come to replace them, and were thus strongly condemned, to the point of burning people alive as a punishment and a warning to others inclined to think for themselves, to view the world as it is instead of through a warped fantasy construct that demonstrably causes harm and pain and facilitates much evil-doing.

So on that basis...five stars, and a ringing huzzah, to Gentile Signor Poggio Bracciolini; to Greenblatt for digging deeply enough in the humus of scholarly debate and historical records to make these connections for us, in a less scholarly age than the Renaissance, to find and use for ourselves as we see fit (ie, to exercise the free will we've got); and to WW Norton for publishing the resultant text as an under-$30 course in humanism. I am also grateful to the Pulitzer Prize board for awarding this book its non-fiction encomium, and to the Catholic News Agency for remaining consistently wrong by grousing about the book's anti-Catholicism and misinterpretation of the Church's anti-intellectualism. It's kind of hard to misinterpret burning people at the stake, guys. Own up: Your religion requires ignorance and prefers stupidity in its adherents.

(And, while it isn't in the text, I feel this is the place to put Epicurus's refutation of the Problem of Pain that Christians have never refuted:
Is God willing to prevent evil, but not able? Then he is not omnipotent.
Is he able, but not willing? Then he is malevolent.
Is he both able and willing? Then whence cometh evil?
Is he neither able nor willing? Then why call him God?
Pace C.S. Lewis, his answers fail at every fence.)

Books such as this one do nothing to enhance religion's role in human affairs. It is best avoided by those of a conventional religious bent.

Wednesday, August 5, 2020

A FINE LINE, fifth Guido Guerrieri procedural set in Bari, Italy


A FINE LINE
GIANRICO CAROFIGLIO
(Guido Gerrieri #5) {tr. Howard Curtis}
Bitter Lemon Press
$9.99 Kindle edition, available now

Rating: 4.25* of five

The Publisher Says: The fifth in the best-selling Guido Guerrieri series.

When Judge Larocca is accused of corruption, Guerrieri goes against his better instincts and takes the case. Helped by Annapaola Doria, a motorbike-riding bisexual private detective who keeps a baseball bat on hand for sticky situations, he discovers that the judge has links to the mafia. Larocca is blind to the immorality of his actions but Annapaola makes sure that justice is done, perhaps not in the most orthodox way. Of course Guerrieri cannot stop himself from falling for Annapaola's exotic charms.

The novel is a suspenseful legal thriller but it is also much more. It is the story of a judge who, to quote Dostoevsky, "lies to himself and listens to his own lies, so gets to the point where he can no longer distinguish the truth, either in himself or around himself."

Book One reviewBook Two reviewBook Three reviewBook Four review

THIS BOOK WAS BORROWED VIA INTERLIBRARY LOAN. SUPPORT YOUR LIBRARY!

My Review
: As you know by now, this is not the usual legal thriller. I found it just lovely to read, and for someone who's closer to 70 than to 40 I think that will hold true; but I'm sorry to say I do not think it will be of very wide appeal. The author's Italian-Mafia-prosecutor background has given us lots of good moments in the Italian legal system. Believe me, US citizens, it needs the kind of explication that will bore Grisham readers stupid.

Even I wanted things to get moving already, in fact several times flipped ahead two pages to get away from verbosity. So not my highest recommendation...but the pleasures of reading the book are there for the patient and the curious. Whatever you do, do NOT start here! Start at the beginning with Involuntary Witness and get to know Guido. He ages more or less in real time, unlike many (if not most) US series-mystery leads. This makes the Guido of this novel significantly more seasoned, and less approachable if you will, than his earlier self. Don't waver because of that...he's not surly! He's simply...feeling Time's Arrow nudging between his shoulder-blades.

But the pleasures of reading these stories are quite clear, very evident, eg:
Jurists, with rare exceptions, are unconsciously and tenaciously averse to clarity and brevity.
It is worth remembering what the author's career is...trial lawyer...when reading that quote. He's got the insider dope, alrighty all right, and is sharing it with us. In more ways than one, and some are unconscious and unintentional....

This quote should be engraved on the rocks we throw at 45 after he's impeached, convicted, and is being transported to his forever home in prison:
Power – any form of power – is acceptable only if it’s transparent and clean, if it’s exercised in a way that is equal for everybody.
Don't guess that needs belaboring.

Occasionally Author Carofiglio lapses into some sort of brain seizure, a strange and sad misalignment of synapses that produces these odd statements of unnecessary-to-refute error:
The situation had got out of hand, particularly because of the books. Apart from those on the shelves, there were books everywhere. On the floor, on the tables, on the sofas, in the bathroom, in the kitchen—and let's be honest, not all of them were indispensable.
Poor man. So sad, those delusions of...of...well, beats me what you call it, but it's the syndrome when some Satanic imp uses your brain to bring *shudder* book-desacralization disorder into the world. Imagine thinking some books are dispensible! It is to laugh!

TEMPORARY PERFECTIONS, fourth Guido Guerrieri procedural set in Bari, Italy


TEMPORARY PERFECTIONS
GIANRICO CAROFIGLIO
(Guido Guerrieri #4) {tr. Anthony Shugaar}
Rizzoli USA
$11.99 Kindle edition, available now

Rating: 4.5* of five

The Publisher Says: The electrifying best-selling crime thriller from Italy, available for the first time in English. An instant sensation and number-one best seller since its publication, Temporary Perfections is the fourth crime novel by former Italian prosecutor Gianrico Carofiglio to feature Guido Guerrieri. A lawyer practicing in Bari, in southwest Italy, Guido Guerrieri is hired by an old colleague to work a missing-persons case that the police have failed to solve. Manuela Ferraro disappeared six months ago after spending a September weekend at a beach resort; as Guerrieri digs deep into her life and activities, he stumbles into a sinister drug ring and the real truth about why Ferraro vanished.

Simultaneously thoughtful and suspenseful, this is crime fiction at its best.

Book One reviewBook Two reviewBook Three reviewBook Five review

THIS BOOK WAS BORROWED VIA INTERLIBRARY LOAN. SUPPORT YOUR LIBRARY!

My Review
: Fourth in the Guido Guerrieri series of Italian legal thrillers, this entry is not a procedural but a traditional private eye investigation. It is a true noir, set in Bari...a weirdly San Franciscan venue, and my how well its noirness is invoked.

Counselor Guerrieri, as the new translator calls him, is mid-flow on one of his usual if not terribly interesting workdays. He's had to move his law practice into new, American-ish offices because his former secretary has passed the bar and is now of counsel, and the adopted Peruvian daughter of some old friends is in there with him too. Plus a new secretary inherited from a deceased colleague. What was once snug became claustrophobic. So now Guido looks around himself, hating the slickness and the newness, and feeling all at sixes and sevens with his solitary life.

In walks an old colleague, with the zombified parents of a six-months-missing daughter. The Carabinieri, sort of a cross between the sheriffs and the FBI, must have missed something, Guido; you find people, you solve cases, Guido; please, my clients will pay you just to look over the file, Guido, please help them, look at them, they can't function, help them!

What co-dependent with a savior complex could resist such a plea? Not our Guido! No matter that he's a lawyer, not a PI, and no matter that the cop min charge of the case when it was opened is a friend of his, a man he respects, whose investigatory talents he trusts. Someone Needs Guido! And we're off, talking to the friends of vanished Manuela already interviewed, chasing down leads that have grown cold, being seduced and boinked by gorgeous, curvaceous young suspects...all the noir PI tropes are here, and well deployed.

In the end, Counselor Guerrieri solves the tawdry case, as everyone knows he will, but the fact that a Sherlock Holmes short story is the trigger that presents the solution to him is a touch I treasure. That the crime is solved and the guilty punished is a reason to read any fictional mystery, since real life seldom offers such order and satisfaction.

But then there are the dissatisfactions of this outing in the series. It is not a legal procedural thriller. There is no doubt in the mind of anyone at all that the vanished girl is dead from the get-go, so the suspense is only moderate. I am no fan of the sudden sea change in the direction, for all that I like noirs. I want my legal procedural fix!

And then there's the weirdness of the book being published by Rizzoli. ..!!.. That's right, the pretty-pictures people! It's a nice job, and it's not like they printed the book on 100-pound glossy paper and used overly ornamental dingbats on every page, but it's...unsettling...sort of like finding gay porn in your mama's nightstand. Error 404: File Not Found.

So why give it 4.5 stars, if I hate it? I don't hate it, it's quite well written, if translated in a way I'm less happy with that the previous two-book translator Howard Curtis did the job. But the main reason I've rated the book so highly is the portrayal of the bereaved parents.

I've mentioned before that I lost my son when he was two. No worse thing can happen to a person. Manuela's father, heartbreakingly, goes to the train station and waits for his girl to get off the train. He walks up and down the train searching the faces of the arriving passengers, praying hoping believing that one will be his daughter. Guido, who witnesses this, is so powerfully moved that one can feel him suffering for, suffering with, truly having compassion for the mad father. This brief, perfectly imagined, beautifully underplayed scene is worth four stars on its own.

Recommended.

Tuesday, August 4, 2020

INVOLUNTARY WITNESS, first Guido Guerrieri procedural set in Bari, Italy


INVOLUNTARY WITNESS
GIANRICO CAROFIGLIO
(Guido Guerrieri #1) {tr. Patrick Creagh}
Bitter Lemon Press
$13.95, available now

Rating: 4.9* of five

The Publisher Says: The first in the Guido Guerrieri series.

A nine-year-old boy is found murdered at the bottom of a well near a popular beach resort in southern Italy. In what looks like a hopeless case for Guido Guerrieri, counsel for the defense, a Senegalese peddler is accused of the crime. Faced with small-town racism fuelled by the recent immigration from Africa, Guido attempts to exploit the esoteric workings of the Italian courts.

More than a perfectly paced legal thriller, this relentless suspense novel transcends the genre. A powerful attack on racism and a fascinating insight into the Italian judicial process, it is also an affectionate portrait of a deeply humane hero.

"Carofiglio writes crisp, ironical novels that are as much love stories and philosophical treatises as they are legal thrillers."—The New Yorker

"Raises the standard for crime fiction. Carofiglio's deft touch has given us a story that is both literary and gritty—and one that speeds along like the best legal thrillers. His insights into human nature—good and bad—are breathtaking." —Jeffery Deaver

Book Two reviewBook Three reviewBook Four reviewBook Five review

THIS BOOK WAS BORROWED VIA INTERLIBRARY LOAN. SUPPORT YOUR LIBRARY!

My Review:
Avvocato Guido Guerrieri, lawyer of Bari on Italy's southeastern coast, is fast approaching forty, newly separated from his wife of ten lost, bored years, and in the grips of the worst constellation of anxiety symptoms since Mr. Monk on the TV. He's moved into an apartment that he couldn't describe if you held a gun to his head, and he's absolutely unable to muster even a fake interest in his clients' problems. He sits, smiles, nods, files paperwork by rote, and in short lives on autopilot.

And then in walks a woman with a case. No money, but a case.

Non-European citizen Abajaje, Egyptian by birth, wants Guido to defend her...her...co-continental? boyfriend? fellow sufferer from race bias?...Abdou, a Senegalese immigrant and fake handbag selling beach vendor, against charges that he, a multilingual schoolteacher in Africa, with a love for children, did willfully restrain and cause harm to a child. The police are sure he did it; the few witnesses are sure it was him they saw acting strangely and cruising around the beach at the relevant time; what's the big deal here, anyway, he's just a black dude who talked to the kid, must be him who killed little Ciccio.

Except he was in Naples at the time. Guerrieri, in spite of himself, is intrigued by what the case doesn't have, proof, and what it does have, the defendant's improbable, unprovable, but true, alibi. Is truth capable of beating out prejudice in an Italian justice system not known for its love of Veracity, but more for her sister Verisimilitude?

Hmmm.

For 137pp, Carofiglio sets the stage with Guerrieri's craziness, his lackadaisical work habits, his depressed past and anxious present. It's all very nicely written, eg:
"You are intelligent, Avvocato. I have always thought of myself as more intelligent than other people. This is not a lucky thing, but it is hard to understand that.If you think yourself more intelligent than others, you fail to understand a lot of things, until they are suddenly brought home to you. And then it's too late."
Thus Abdou the Non-European citizen to his lawyer in the prison's meeting room. I was regularly able to pause and appreciate the euphony and the accuracy of Carofiglio's writing. It shines through the book that he was a judge, in fact one of the judges who very bravely brought in guilty verdicts against Mafia defendants in the 90s trials that revolutionized the Mezzogiorno (Italy's southern region)'s social structure.

So it's no surprise to anyone that, in the last ~130pp, Carofiglio delivers the best, most complete, court trial I've read between book covers. It's a gem. It's pitch-perfect, and it's so nicely built that I hate to reveal it in detail. It's different than the standard American courtroom drama, because it's about the words, not the deeds, of the players. It's like listening to a fine old radio drama after watching an episode of "Starsky and Hutch" on AntennaTV.

It's a pleasure. I'm delighted to have found Sig. Carofiglio and Avv. Guerrieri at last.