ISLAND AT THE EDGE OF THE WORLD: The Forgotten History of Easter Island, new data and modern analysis change the game

ISLAND AT THE EDGE OF THE WORLD: The Forgotten History of Easter Island
MIKE PITTS
Mariner Books (non-affiliate Bookshop.org link)
$15.99 ebook, available now

Rating: 4* of five

The Publisher Says: A vital and timely work of historical adventure and reclamation by British archaeological scholar Mike Pitts—a book that rewrites the popular yet flawed history of Rapa Nui (Easter Island) and uses newly unearthed findings and documents to challenge the long-standing historical assumptions about the manmade ecological disaster that caused the island’s collapse.

Rapa Nui, known to Western cultures as Easter Island for centuries, has long been a source of mystery. While the massive stone statues that populate the island’s landscape have loomed in the popular Western imagination since Europeans first set foot there in 1722, in recent years, the island has gained infamy as a cautionary tale of eco-destruction. The island’s history as it’s been written tells of Polynesians who carelessly farmed, plundered their natural resources, and battled each other, dooming their delicate ecosystem and becoming a warning to us all about the frailty of our natural world.

For too long, people have imposed their own theories on this extraordinary place and its inhabitants. Thor Heyerdahl, after his famous Kon-Tiki expedition, claimed the island had been discovered by light-skinned people from South America, believing only they could have been capable of travelling there and building the statues. Erich von Däniken took it to greater extremes, saying the statues had been carved by aliens. More recently, Jared Diamond's theory of ecocide—that Islanders destroyed their world by cutting down all the trees—has become popular as a vital message about the need to conserve our planet's resources.

But what if that history is wrong?

In The Island at the Edge of the World, archaeological writer and scholar Mike Pitts offers a direct challenge to the orthodoxy of Rapa Nui, bringing to light new research and documents that tell a dramatic and surprising story about what really led to the island’s downfall. Relying on the latest archaeological findings, he paints a vastly different portrait of what life was like on the island before the first Europeans arrived, investigating why a Polynesian people who succeeded for centuries throughout the South Pacific supposedly failed to thrive in Rapa Nui. Pitts also unearths the vital story of one of the first anthropologists to study Rapa Nui, an Oxford-trained iconoclast named Katherine Routledge, who was instrumental in collecting firsthand accounts from the Polynesians living on Rapa Nui in the late nineteenth and early twentieth centuries. But though Routledge’s impressive scholarship captured the oral traditions of what life had been like pre-1722, her work was widely dismissed because of her gender, her reliance on indigenous perspectives, and her conclusions which contradicted her historical peers.

A stunning work of revisionism, this book raises critical questions about who gets to write history and the stakes of ignoring that history’s true authors. Provocative and illuminating, The Island at the Edge of the World will change the way people think about Easter Island, its colonial legacy, and where the blame for its devastation truly lies.

I RECEIVED A DRC FROM THE PUBLISHER VIA NETGALLEY. THANK YOU.

My Review: An archaeologist with access to twenty-first century morals and mores and technology is not going to write with kindness towards the previous generations' conclusions. They're rooted in outdated assumptions, using techniques that feel shockingly cursory to modern sensibilities; most shocking is the unquestioning racism of so very much of the analysis made by earlier generations.

A third, the first third, of the book relays those earlier analyses with what felt to me as condign levels of condemnation or disagreement, couched in evocative language. If you're offering a different light on past data with newer data and previously unavailable technology, casting shade is inevitable. Why not begin with tendentious tones? Many cavil at this. I do not.

After bringing attention to, in the second third, an underknown and too-little celebrated Katherine Routledge and her astute observations and contextualizations of the society and culture of the island, Pitts goes into the modern archaeology and emerging understanding of Rapa Nui. It's a paradigm shift, and we're seeing it in its earliest days.

I found the book as a whole fascinating, creating a gestalt of scholarly opinion's mechanisms of change as evidence...and society's changing mores...demand. It is not a simple bowing to the winds of fashion as the reactionaries and recidivists with political axes to grind insist. It is the scientific method at work, correcting its data to account for developments across all fronts of scholarship. No "Truth" is immutable, scary as many people find that fact. Fixing thoughts into cages of ideology is never permanent. Examining data, analyzing orthodoxy's tenets, is how Einstein blew open the ideas of physics...out came cell phones, computers, the entire internet.

I won't pretend I was completely fascinated during the whole read. It was a slog to read the archaeology jargon but it yielded a really fascinating new understanding of a place most of us are intrigued by. More than that, though, this is a perfect example of how science works: take a data set, examine it, add to it, and analyze both the before and after data sets. Present conclusions as "this new data refutes/supports previous data; the current, amended data set supports/refutes the following conclusions."

It's a message I like, I support, and I choose to amplify.

THE JAGUAR'S ROAR, Brazil's Indigenous genocide wasn't always physical

THE JAGUAR'S ROAR
MICHELINY VERUNSCHK (tr. Juliana Barbassa)
Liveright (non-affiliate Bookshop.org link)
$27.99 hardcover, available now

Rating: 4* of five

The Publisher Says: The story of an Indigenous girl’s kidnapping during a colonial expedition intertwines with a young woman’s modern-day search for identity and ancestral truths.

In 1817, explorers Spix and Martius returned from their three-year voyage in Brazil with not only an extensive account of their journey, but also with an Indigenous boy and girl, Iñe-e and Juri. Kidnapped from rival tribes as part of the colonialist trend of collecting “living specimens” on scientific expeditions, the two tragically perished shortly after arriving in Europe. This lyrically rich novel takes their perspective to illuminate their harrowing journey.

Micheliny Verunschk’s fifth novel, the first to be translated into English, powerfully challenges dominant historical narratives by centering the voices of these stolen Indigenous children. Intertwining their story with a narrative set in contemporary Brazil, we meet Josefa, a young woman grappling with her own identity when she encounters Iñe-e’s image in an exhibition. Through its poignant exploration of memory, colonialism, and belonging, this novel stands out in Brazilian literature, offering readers a profound reflection on the enduring impact of history on personal lives.

I RECEIVED A DRC FROM THE PUBLISHER VIA EDELWEISS+. THANK YOU.

My Review: Pay attention! I think that could be the epigraph of this story as told by Author Verunschk. It starts with a lithograph of a stolen Indigenous child that alters someone's internal compass, there must be some reason I'm seeing this thinks Josefa; it continues as the story of the stolen child, Iñe-e, is revealed to Josefa, then the reader; it concludes its course with History being revealed as a polyphonic braid of voices, one we must always realize we are selectively seeing in parts.

One part Josefa, descendant of colonizers, never considered was the cultural arrogance of the colonial project she inherited. It can easily veer into trauma porn, that; it gets away from the dreaded, dreadful inauthenticity of trauma porn by going into the other register of eyebrow-raising Othering, the Holy/Saintly/Betterness of Indigenous exoticization. I can't read Portuguese but I will stake my imaginary bank account on the fact that there are colonizers' descendants in Brazil who feel this book is an accusation, a finger-wagging jeremiad. (In under 200pp, that's a hard feat; it's also not true for all of me.) I've got to acquire Brazilian Portuguese so I can look into the native-language reviews.

While I applaud the inclusion in this story of non-human narrators, I don't think it necessarily makes the read more accessible to general audiences. It's often unclear when PoVs switch, a jarring experience for the uninitiated; I'm not saying it shouldn't be done simply noting that this is not a story to pick up unless you can devote real attention to it. It's quite short, it's really beautifully written, and it's telling a really interesting story. It's not a cocktail-peanut read to be chucked unthinkingly into your eyes, but a glorious spread of literary tapas or sashimi in great variety to be savored bit by bit.

I think it's beautiful, but flawed. It should be read by all interested in books about memory and its edit buttons, focusing on what they elide.

A DOMESTIC ANIMAL, an early gay-themed novel without a tragic ending

A DOMESTIC ANIMAL
FRANCIS KING (intro. Rumaan Alam)
McNally Editions (non-affiliate Bookshop.org link)
$11.99 ebook, available now

Rating: 4* of five

The Publisher Says: Francis King's 1970 novel A Domestic Animal is the story of Antonio Valli, a brilliant young Italian philosopher, who arrives to do a year's research at a well-to-do university. He lodges with Dick Thompson, a successful middle-aged novelist, and his good looks and impulsive yet immensely likeable character soon have Dick captivated.

Valli is someone who needs to be admired and loved and has an insatiable craving for attention from everyone he meets; he needs an audience to perform to and he finds this at the university, but especially in Dick's company. It is not long before Dick Thompson has fallen completely in love with his charming—but very heterosexual—lodger.

What follows is an ill-fated relationship that can only end in disaster, but in A Domestic Animal King has created a novel of bitter longing and painful complexities.

I RECEIVED A DRC FROM THE PUBLISHER VIA EDELWEISS+. THANK YOU.

My Review: Is it easier to fall in love with someone who can't return your feelings, or someone who won't? Unlike the girl who doesn't love you back, Dick Thompson's love object Antonio Valli can't reciprocate his feelings...Antonio Valli is a straight man.

This is how the story frames its unhappy ending, or at the most charitable of my responses, its bittersweet ending: A straight man with a very intense psychological need to seduce and captivate those he's identified as powerful chooses a gay man whose lust is barely concealed to ensorcel. It was written in the 1960s, so this was pretty advanced stuff. Dick Thompson is not presented as sick,or weird, or as a pervert. He's simply made a bad bet on a man...everyone can relate to that.

Nowadays we'd call Dick Thompson "sapiosexual" and Antonio Valli a "queerbaiter". I suspect that, in a novel written on this model in 2026, Antonio would be heteroflexible if only to cement his conquest of Dick. It is a conquest, a thoroughly (though not consciously, I think) intentional act of subjugation for the purposes of the conqueror's ego gratification.

Antonio Valli is an unapologetic bounder...fucks Pam, a loud, vulgar woman despite pretending (in my opinion it's a pretense) not to know how much this hurts his inappropriately-but-consensually emotionally attached host Dick Thompson, despite being married and having a family with the wife left in Italy. He is fully in control of Dick Thompson's emotions. Only when Dick Thompson dares to display some liveliness of spirit in an indirect calling-out of his caddish behavior towards both women does Antonio Valli deign to treat Dick Thompson's feelings as real, as something not deliberately evoked as part of his power-play, his ownership of Dick Thompson's feelings.

Dick Thompson is utterly besotted by Antonio Valli in so many ways. He's queer, knows he's queer, but does nothing to approach sexual activity with Antonio Valli because, in that time, bottoms like women waited to be approached or risked serious consequences...physical, reputational, emotional. Dick Thompson revels in his emotional subjugation for the same reason submissives everywhere enter into Dom/sub relationships: I'll let you hurt me if you'll really choose me, own me, care for me. If this book was ever filmed it would have to be made like Pillion, an exploration of the consuming need some people have to be the full focus of another's attention. It is a deep, and from what I know about it, life-long need that finds a way to get met that can change over time...but is never satisfied. That fact is never clearer than in the ending of this novel.

Antonio Valli, in his lordly disdain for anything not immediately satisfying to his own clawing desperation to be central to the life of someone he actually admires, chooses Pam over Dick as his bedmate...but never lets Dick off his emotional hook, or allows Pam to be more than a sexual obsession. He is a man of his time, the kind we all hope is disappearing: the thoughtless user, convinced he should be able to do just as he likes and you should do just as he likes as well. It was the privilege of maleness at that time. I suspect that 1970 readers of this novel really didn't interrogate that Antonio Valli was perfectly ordinary, at least until they were confronted by Dick Thompson's emotional responses to his arrogance.

Has all that much changed? Heavens yes. Has it changed for the better? Mixed bag on that one. As a member of Dick Thompson's native minority, I'll say mostly yes on his behalf. One thing that's changed is the desuetude of the unrequited love/unhappy ending novel. I think the point of this story stands out in relief against that uglier truth of the ending: Men loving each other the way Ralph and Mervyn do can exist, men can and do fall in love with each other (even relentlessly heterosexual ones), and gay love is fraught, complicated, and very much as interesting as cishet love.

Lest y'all think Francis King was simply talking about the subject, know that he was my fellow AIDS widower. He, much like Dick Thompson, led a quietly queer life in a time where this could easily have led him onto nasty legal troubles à la Alan Turing. I suspect but cannot prove that Pam, Antonio Valli's object of sexual obsession, was modeled after King's friend Anne Cumming (albeit unflatteringly). King was not exoticizing or fetishizing his straight man in love with a man he had no desire to fuck. He was most likely discussing his own life in too-thinly veiled terms.

Brave of him. A major step towards accurate representation of gay life in the days before liberation began. Still not that great, it's centering desire for a cishet man, but definitely honest and in its day quite positive.

FEAR AND FURY: The Reagan Eighties, the Bernie Goetz Shootings, and the Rebirth of White Rage

FEAR AND FURY: The Reagan Eighties, the Bernie Goetz Shootings, and the Rebirth of White Rage
HEATHER ANN THOMPSON
Pantheon Books (non-affiliate Bookshop.org link)
$14.99 ebook, available now

Rating: 4.5* of five

The Publisher Says: In this masterful, groundbreaking work, Pulitzer Prize-winning author Heather Ann Thompson reveals how the infamous New York subway shooting of 1984 divided a nation, unveiling the potent cocktail of rage and resentment that ushered in a new era of white vigilante violence.

On December 22, 1984, white New Yorker Bernhard Goetz shot four Black teenagers at point-blank in a New York City subway car. Goetz slipped into the subway tunnels undetected, fleeing the city to evade capture. From the moment Goetz turned himself in, the narrative surrounding the shooting became a matter of extraordinary debate, igniting public outcry and capturing the attention of the nation.

While Goetz's guilt was never in question, media outlets sensationalized the event, redirecting public ire toward the victims themselves. In the end, it would take two grand juries and a civil suit to achieve justice on behalf of the four Black teenagers. For some, Goetz would go on to become a national hero, inciting a disturbing new chapter in American history. This brutal act revealed a white rage and resentment much deeper, larger, and more insidious than the actions of Bernie Goetz himself. Intensified by politicians and tabloid media, it would lead a stunning number of white Americans to celebrate vigilantism as a fully legitimate means for addressing racial fear, fracturing American race relations.

Drawing from never-before-seen and archival interviews, newspaper accounts, legal files, and more, Heather Ann Thompson sheds new light on the social and political conditions which set the stage for these events, delving into the lives of Goetz and his four victims—Darrell Cabey, Barry Allen, Troy Canty, and James Ramseur. Fear and Fury is the remarkable account and searing indictment of a crucial turning point in American history.

I RECEIVED A DRC FROM THE PUBLISHER VIA NETGALLEY. THANK YOU.

My Review: The most powerful, privileged, cosseted, spoiled class of people in the entire history of the planet feel aggrieved and put-upon by those hugely less fortunate than themselves. It is the single biggest victory ever won by a lie over the truth. This is the story of one of the most important moments in the long campaign to weaponize class struggle...downwards.

A similar, racialized effort has been just as stunningly successful, much of it supercharged by the crime committed by Goetz. There are now "stand your ground laws" in many states, one of which got George Zimmerman off a murder conviction in the case of Trayvon Martin. Zimmerman is now 42; Martin died at seventeen. Goetz is 79. Darrell Cabey is a paraplegic with the functional capacity of an eight-year-old. But Goetz is a hero to a lot of (mostly) white people because he shot a bunch of aggressive, stupid teenagers because he "felt threatened."

In reading this careful, unimpeachably sourced story of how this came to pass and the world that's followed the crime it details, I got angrier and angrier. It was my New York, the one I moved to, that was being described; yet I felt unfamiliar with it, unable to imagine myself in this city. I was admittedly young; I had little more than the rudiments of a social conscience, or an honest awareness of racial injustice; but to learn so very much I absolutely had no idea about or access to? Humbling. Infuriating, because of what I was learning.

If you're willing to go on a long, well-footnoted trip into the ugliest part of US white mens' psyches, if you'd like to know why I cheered and clapped when Hinckley made his attempt to rid us of Reagan, if you weren't even born when these events transpired and just wonder how shit got so fucked up in this country, read this book.

It's not light reading. It's serviceable writing, it never ignited my excitement; but it's not poorly done, not boring, not awkward. It does what this kind of non-fiction is meant to do. That's a good thing, if not a toe-tingling one. I hope you'll keep it in mind, get it from the library, see if you find a sale on it in one format or another. It's well worth your time.

FIXING FAIRNESS: 4 Tenets to Transform Diversity Backlash into Progress for All, well worth the short read

FIXING FAIRNESS: 4 Tenets to Transform Diversity Backlash into Progress for All
LILY ZHENG
Berrett-Koehler Publishers (non-affiliate Bookshop.org link)
$29.95 all editions, available now

Rating: 4.5* of five

The Publisher Says: DEI needs a reset. Discover how to achieve real social change in the workplace that puts everyone ahead through the groundbreaking FAIR framework.

The demand for inclusive workplaces is stronger than ever, with most employees seeking a sense of belonging and fairness at work. Yet traditional diversity, equity, and inclusion (DEI) strategies have faced backlash and stagnation, leaving organizations at a crossroads.

Where common DEI initiatives have failed, this book instead offers a results-based, systems-focused, all-inclusive, and universally beneficial framework to help bring about real social change in the workplace. This can be achieved through the FAIR framework:

Fairness—Promote equitable treatment by addressing systemic barriers and ensuring transparent, just practices for all.

Access—Expand opportunities by removing obstacles and creating pathways for underserved and underrepresented groups.

Inclusion—Foster a sense of belonging where diverse voices are valued, heard, and integrated into decision-making.

Representation—Reflect the diversity of society at all levels, ensuring visibility and participation across demographics.

This book isn’t about the next acronym or rebranding; it’s a call to action for a more effective and resilient approach to social progress. The DEI industrial complex failed to make real change through unchecked growth and performative practices, and far-right antagonists only offer regressive “solutions.” With clarity, urgency, and practicality, Fixing Fairness offers a third option and charts a path forward for those committed to creating better outcomes for all.

I RECEIVED A DRC FROM THE PUBLISHER VIA EDELWEISS+. THANK YOU.

My Review: Tight, compact, and rooted in the author's entire career's-worth of research and—more importantly—practice.

What I appreciated most was Author Zheng's ability to restate points without making me feel I was being given cold leftover oatmel, lumps and all; it is down to the approachable style of their writing. (Author Zheng uses they/them pronouns.) It's clear, from high-powered venues supporting their work with publications and endorsements...this was on Forbes's Best New 2026 Books On Workplace Inclusion And The Future Of DEI list and Author Zheng's work has appeared there, in the New York Times, and Harvard Business Review. Links are all on their website here.

A key realization in this read came from the not-subtle calling-out of the fabrication of noise and chaos surrounding the efforts, flawed and half-hearted as they were, to set up DEI initiatives, by hostile sources supporting an antiquated and no longer prevalent societal paradigm. It's a lot to pack into barely over 160pp. Author Zheng manages! There are notes, and all of them I tested, around half, link to vaild and apparently reputable venues. None were, for example, to weird little fringe outlets...except maybe directorsandboards.com, because what tinier fringe group is there than that...and perhaps tellingly, the author cited on that site was Ted Kennedy, Jr.

I don't think most general readers will care too much about the subject discussed here. It's too bad. After reading this book I understand the opponents of DEI much better, and disapprove of them and their actions even more...plus I've picked up some techniques for opposing their rhetoric effectively. I encourage y'all to go to Author Zheng's website, linked above, to see what their work is all about. Even if your budget is tight, you can always request your library get a copy. These ideas deserve room in your head, your awareness, and your actions.

THE GREAT SHADOW: A History of How Sickness Shapes What We Do, Think, Believe, and Buy, serious subject...serious treatment

THE GREAT SHADOW: A History of How Sickness Shapes What We Do, Think, Believe, and Buy
SUSAN WISE BAUER
St. Martin's Press (non-affiliate Bookshop.org link)
$15.99 ebook, available now

Rating: 4.5* of five

The Publisher Says: From alchemy to wellness culture, from antisemitism to disposable plastic, a gripping account of how getting sick has shaped humanity.

Anti-science, anti-vaccine, anti-reason beliefs seem to be triumphing over common sense today. How did we get here? The Great Shadow brings a huge missing piece to this puzzle—the experience of actually being ill. What did it feel like to be a woman or man struggling with illness in ancient times, in the Middle Ages, in the seventeenth century, or in 1920? And how did that shape our thoughts and convictions?

The Great Shadow uses extensive historical research and first-person accounts to tell a vivid story about sickness and our responses to it, from very ancient times until the last decade. In the process of writing, historian Susan Wise Bauer reveals just how many of our current fads and causes are rooted in the moment-by-moment experience of sickness—from the search for a balanced lifestyle to plug-in air fresheners and bare hardwood floors. We can’t simply shout facts at people who refuse vaccinations, believe that immigrants carry diseases, or insist that God will look out for them during a pandemic. We have to enter with imagination, historical perspective, and empathy into their world. The Great Shadow does just that with page-turning flair.

I RECEIVED A DRC FROM THE PUBLISHER VIA NETGALLEY. THANK YOU.

My Review: It is unbelievably apt that this book was contracted for in 2019. I don't think I need to discuss what happened in 2020. What COVID did was to point up the absolutely amazing progress in medical treatment of disease that we've made...vaccines that have saved tens of millions of lives in the past six years developed in months not years...and how ingrained fallacies are in our species...the social distancing farrago is just miasma theory written in Times New Roman. COVID also caused the author to forego doing in-person research in favor of extensive online research. (If, like me, your eyebrows went up at the mere notion of suchlike in a serious work of nonfiction, cool your jets until you've looked through the over 400 notes and citations that make up a literal quarter of the text.)

As a narrative technique, reconstructions of past actions and attitudes work only as well as the author's ability to convey evidence from the records in appropriate prose. It's a technique I think adds some immediacy to history that otherwise is often dry and tedious. I'm happy to say Author Bauer convinced me to follow her as different events were interpreted as divine wrath, moral turpitude, and individual punishment when most twenty-first century people would see the disease process for the impersonal force it is.

It does lend itself, however, to a discontinuity of time. I followed Author Bauer's conceptual links between topics and strands of evidence without much conscious effort, often thinking "...but what about...?" mere words before she addressed the very question I was still formulating. Others might not find that to be their experience. I mention it as information only. You'll resonate with a less linear presentation in your own way. I can't offer a perfect five because even I was occasionally thrown off the scent of the idea being pursued.

I'm here to tell you I want you to read this book, no matter your beliefs about medicine or science. It is not chiding or minatory to people not in the tent with the believers on either side. It is tendentious; it is not disrespectful. Of course I can say that without hesitation because I agree with Author Bauer. I will offer my main evidence in favor of reading it by saying I was highly resistant to her take on social distancing being modern miasma theory until I read her points about the science for and against it. My mind, in the face of cogently presented and logically mustered evidence, changed.

An author who can get in under my well-entrenched, heavily undergirded arrogant illusion of knowledge deserves your treasure and your eyeblinks.

THE MIDNIGHT CAROUSEL, debut magical novel of loss, grief, and redemption

THE MIDNIGHT CAROUSEL
FIZA SAEED McLYNN
Park Row / Harlequin (non-affiliate Bookshop.org link)
$17.99 paperback, available now

Rating: 3.75* of five

The Publisher Says: The Night Circus meets Water for Elephants in this enchanting, darkly glittering story of grief, obsession, revenge, and enduring love.

Come children, come children from far and near. Come choose your steed, you galloping knights, to enjoy the fun of the carousel . . .

1920, Chicago
Maisie Marlowe has come to America for a fresh start. After discovering an antique fairground carousel, she is seized by the idea of running a glittering amusement park. But little does she know that the wondrous object has a sinister past of its own.

Paris
A decade ago, fairgoers inexplicably vanished riding an extraordinary carousel, and Detective Laurent Bisset closed the case with a suspect behind bars. So when rumors of fresh disappearances in Chicago also linked to a carousel make their way across the Atlantic, Laurent sets out for new answers to an old mystery.

Maisie and Laurent both hold clues to this dark puzzle.

But can they piece it together before the carousel claims someone else?

I RECEIVED A DRC FROM THE PUBLISHER VIA EDELWEISS+. THANK YOU.

My Review: Carnivals are intentional, designed liminal spaces. Carousels, maybe more than most attractions at a carnival, are meeting-places for mundanity...powered separate spaces that go in endless circles like the ritual dances of so many cultures accompanied by endlessly repeating music...and magic.

Magic always demands a price, a sacrifice of treasure. It works like all the other balancing systems in nature. Benefit given, cost exacted...it is the universal law, it functions across time and (on terrestrial scales for sure) space, many cultures have a divinity whose purpose is maintaining or restoring balance: in my case I refer often to Ma'at, the Egyptian goddess of balance and rightness. In this story a terrible painful tragedy rips the balance utterly and without redress...so a perspectiveless human seeks out a powerful way to exact a price for it.

Tragedies ensue, all linked to that loss...though not obviously or directly.

What works best for me in this read is the atmosphere of unreality, made stark by the very quotidian writing. This enhances the surreal events being evoked in the direct prose. It's a debut novel, so I can't say from experience with the author if this is a stylistic trope of hers or not. As a novel, it's got some flaws. There is a great reliance on coincidence, which might or might not have been intended to heighten the sense of mysterious forces in action to redress that balance discussed above; there are dangling threads that could be intended to evoke the certainty that no pattern is ever truly complete.

Debut novels get the charitable interpretation from me. Especially debut novels that evoke similar reading experiences to The Night Circus, a read I adored in the Aughties. I hope some more work of Author McLynn's will come out soon for my delectation.

MISSING SAM, urgently tale urgent told

MISSING SAM
THRITY UMRIGAR
Algonquin Books (non-affiliate Bookshop.org link)
$29.00 hardcover, available now

Rating: 4* of five

The Publisher Says: From bestselling author Thrity Umrigar, a thrilling and haunting story of an Indian-American woman who becomes the prime suspect when her wife goes missing.

When Aliya and Samantha have a fight one night, Samantha goes for a run early the next morning—and doesn’t come back.

Aliya reports her wife Samantha as missing, but as a gay and Muslim daughter of immigrants, she’s immediately suspected by her neighbors in Samantha's disappearance. Scared and furious and feeling isolated as everyone around her doubts her innocence, Aliya makes one wrong choice after another. All the while, Samantha is being held captive, strategizing how to escape before things escalate even more. Meanwhile, Aliya must fight to prove her innocence in the public eye and save her wife. But is safety ever truly possible for these women even after Samantha is rescued?

A provocative examination of suburban mores, Missing Sam captures the terror manifested in today’s political climate, and the real dangers, both physical and psychological, of being Brown and queer in America.

I RECEIVED A DRC FROM THE PUBLISHER VIA NETGALLEY. THANK YOU.

My Review: I was leery of reading this expansion on the "be careful of your words, you do not which will be your last" aphorism. I took the DRC because I like stories by and about my lesbian siblings in Otherhood, and because I'm pretty damned sure we're going to see this kind of horror again in the future so I wanted to get it out there.

Sam and Ali are well-drawn, fully realized people. We see each one's PoV, so we know what Ali doesn't, that Sam is alive. It should diminish the stakes, yet Author Umgar uses the technique well enough that it did not.

I was, for the most part, glad to keep reading the story though as parents and social media and investigators kept becoming more toxic by the page I wanted to say, "Thrity! enough already!" When piling on the trouble the story begins to feel like the artificial construct it is. Never mind that reality does this ad more to people...fiction is different, plays by different rules. When COVID hit, I hit the wall. It took some time for me to come back.

After Sam is rescued, the true horror (for me) began: How do you put yourself...your wife...you entire life...back together after the sheer awfulness of what each of you has been through? What alchemy do you need to work in order to remake bonds that have been, without either one's volition, shattered? This horror was very well, very believably, explored. The ending was the culmination of multiple strands of un/making and remodeling.

What kept me from making a bigger fuss about the book was the dropped and abandoned threads, eg Kabir's development. I loved the challenged queer marriage that had to sustain or fail the spouses...it's the way reality is when you're in a committed relationship. The resolution Author Umrigar presents is pitch-perfect. I think the story of an immigrant, a Muslim, a queer woman, interacting with the power structures that see her as enemy Other, is one we should all reckon with.

It's not like the world is waiting for us to wake up to injustice on our own. It is ringing alarm bells and sounding klaxons and stories like this one are the easy way to see why waking up to it is so important.

TOM PAINE'S WAR: The Words That Rallied a Nation and the Founder for Our Time, cursory look at a moment in history

TOM PAINE'S WAR: The Words That Rallied a Nation and the Founder for Our Time
JACK KELLY
St. Martin's Press (non-affiliate Bookshop.org link)
$15.99 ebook, available now

Rating: 3.75* of five

The Publisher Says: In 1776, one man's words—and the determination of American patriots—allowed our nation to survive its first crisis.

We think of the "Declaration of Independence" as the Revolution's defining document. But two essays appealed even more directly to Americans' feelings in 1776. Thomas Paine—a recent immigrant and self-taught writer—saw that America's rebellion was not simply about taxes and representation. It was a true revolution that could upend the fraud of monarchy and dismantle the aristocratic privilege that had dominated the world for centuries. His pamphlet "Common Sense" convinced Americans that the king had no divine right to rule them—they could rule themselves.

Having inspired patriots to declare their independence, Paine enlisted as a private in the militia. He saw Washington's army suffer defeats. He slogged through the mud with retreating troops to Pennsylvania. There, he wrote "The American Crisis," the most stirring rallying cry in our history. It began: "These are the times that try men's souls . . ." Washington and his men took heart, crossed the Delaware River, and prevailed to fight another day.

A tribute to the Revolution's 250th anniversary, Tom Paine's War is a riveting exploration of the earliest days of our nation's birth. This is a story of the power of words—and the power of belief—and how both speak as well to America's current crisis.

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My Review: I was eager to see how much I could add to my existing store of facts and ideas about the 1776 Revolution, particularly about Paine's role in both crystallizing its justification and fomenting its passions. I got enough interesting analysis regarding the impact, and the centrality, of Paine's expressive writing to find the read involving. Paine himself has left a small footprint in the records we know to exist. There could be others yet undiscovered. Adding new facts to the narrative, then, wasn't on the cards.

This is in no way the author's responsibility, and factors in my rating only very slightly as a tinge of disappointment. I'm not able to offer a higher rating because I found the read felt disorganized, with Paine's words mostly sidelined by accounts of ordinary soldiers' opinions. It's not uninteresting, it's quite involving to see the early days of the Revolution through their eyes. But why say it's "Tom Paine's war" when he's a small part of the larger picture? Is the author attempting to demonstrate that Paine's words ignited revolutionary fervor sufficient to cause the war? In that case, many more examples, or a much deeper dive on the examples included...which frankly feels impossible to me given the paucity of records about ordinary people in eighteenth-century America...would be necessary.

While interesting, this is a shorter, better monograph (honestly, the Author's Note and the Prologue say it all) lurking in a padded read. It would be ideal for a reader new to the topic of the Revolution discussed, or unfamiliar with mass-media's role in igniting war. I think it serves as a decent jumping-off point for other readers, as there are carefully attributed notes throughout as one would expect from this author.

It was not my most successful read, but I can't complain about the prose or the idea animating the book. It's just not quite the book I expected given the title and synopsis.

JACK KELLY'S PAGE: VALCOUR: The 1776 Campaign That Saved the Cause of Liberty; GOD SAVE BENEDICT AROLD: The True Story of America's Most Hated Man

VALCOUR: The 1776 Campaign That Saved the Cause of Liberty
JACK KELLY
St. Martin's Press (non-affiliate Bookshop.org link)
$11.99 ebook, available now

Rating: 4* of five

The Publisher Says: The wild and suspenseful story of one of the most crucial and least known campaigns of the Revolutionary War

During the summer of 1776, a British incursion from Canada loomed. In response, citizen soldiers of the newly independent nation mounted a heroic defense. Patriots constructed a small fleet of gunboats on Lake Champlain in northern New York and confronted the Royal Navy in a desperate three-day battle near Valcour Island. Their effort surprised the arrogant British and forced the enemy to call off their invasion.

Jack Kelly's Valcour is a story of people. The northern campaign of 1776 was led by the underrated general Philip Schuyler (Hamilton's father-in-law), the ambitious former British officer Horatio Gates, and the notorious Benedict Arnold. An experienced sea captain, Arnold devised a brilliant strategy that confounded his slow-witted opponents.

America’s independence hung in the balance during 1776. Patriots endured one defeat after another. But two events turned the tide: Washington’s bold attack on Trenton and the equally audacious fight at Valcour Island. Together, they stunned the enemy and helped preserve the cause of liberty.

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My Review: I've never really understood how very much the existence of the USA is contingent on the deep stupidity of the British before reading this book. It's shocking just how little we're taught about Arnold's real contribution to the existence of the US. Valcourt, without exaggeration, was central to the success of the war effort as it denied the British possession of an extremely strategic fort.

So why is the name of the battle only a dim clang of a memory-bell in my history-loving brain? Because Arnold won it. And the reputation-destroying politicos in the Continental Congress who feared the success of anyone not named "Washington" would result in disruption of their narrative...and threaten their power...knew it. What they did after Valcourt was inexcusable, but only the first of many such slapdowns issued by politicians to military men. (They were all men; History is not satirized as "his story" for no reason.) Denying Arnold a richly merited promotion was pusillanimous.

This story of Valcourt is heavily slanted towards the naval parts of the story, with mountains of details I never knew I didn't know about ships, their functioning, their strengths and weaknesses in battle, their command structures...it's a lot to take in. I wasn't always sure I cared, while being unwilling to skip over the data because the author's sneaky and uses these facts to good effect in battle anecdotes. An old didactic trick that never fails to trip up the facile reader/student. (In college I had an entire letter knocked off my essay grade because I knew the material, but skipped class the day it was applied to a specific place so did not relate it to that place despite that being clearly stated as part of the requirement.)

Author Kelly is clearly setting a course into microhistory, prioritizing deep-but-narrow slices of the giant, continent-spanning contests facing the British and the French in the wake of their first-ever world war (The Seven Years' War, 1756 to 1763). If Valcour had not stopped the British from failing at Saratoga, it is doubtful Louis XVI would have funded the war for the American revolutionaries. It is easy, then, to see why someone with an historian's eye for the results of a conflict and a novelist's sense of story would light on this underknown event with glee.

It is both strength and weakness in this story. If one is not au fait with the Revolution and its roots already, this is not the place to start that journey. Too much will slow the reader's pace that the author's at pains to set...looking people up, finding out who did what to whom before the events described. As it never pretended to be an introductory text to the conflict I'm only mentioning it as a fact for y'all to be aware of in deciding about the read's suitability for your taste. I felt I knew enough to be fully engaged in the material completely new to me without worrying about the background. It is, in fact, a favorite genre of mine. Microhistories suit my own readerly desire to dig into *why* if I already know *what* happened.

I found the author's use of notes added to my interest but didn't point me in new directions for reading further about the subject. It's the reason I stopped at a fourth star. A five-star history read needs to blow me right away and/or point me in new or unexpected directions. None of that happened here. The notes demonstrated the author's superior command of archives, and his selections from those archives definitely were apt and germane.

On balance I'll recommend the read to those already interested in the Revolutionary War, and familiar with its broad strokes, who seek more colorful aspects of its story.

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GOD SAVE BENEDICT AROLD: The True Story of America's Most Hated Man
JACK KELLY
St. Martin's Press (non-affiliate Bookshop.org link)
$14.99 ebook, available now

Rating: 4* of five

The Publisher Says: Benedict Arnold committed treason—for more than two centuries, that’s all that most Americans have known about him.

Yet Arnold was much more than a turncoat—his achievements during the early years of the Revolutionary War defined him as the most successful soldier of the era. God Save Benedict Arnold tells the gripping story of Arnold’s rush of audacious feats—his capture of Fort Ticonderoga, his Maine mountain expedition to attack Quebec, the famous artillery brawl at Valcour Island, the turning-point battle at Saratoga—that laid the groundwork for our independence.

Arnold was a superb leader, a brilliant tactician, a supremely courageous military officer. He was also imperfect, disloyal, villainous. One of the most paradoxical characters in American history, and one of the most interesting. God Save Benedict Arnold does not exonerate him for his treason—the stain on his character is permanent. But Kelly’s insightful exploration of Arnold’s career as a warrior shines a new light on this gutsy, fearless, and enigmatic figure. In the process, the book offers a fresh perspective on the reasons for Arnold’s momentous change of heart.

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My Review: I love this description of Benedict Arnold:

In many ways, he was a typical American—cocky, restless, grasping, perpetually optimistic, quick to take offense. He was a vivid example of the self-reliance and rugged individualism that would be celebrated by Americans from Ralph Wales Emerson to Ronald Reagan. But self-reliance can beget arrogance.

The man behind the victory detailed in the book reviewed above, and the consequential actions he committed later, comes fully alive in Author Kelly's telling of his subject's character. It's not a biography, in the sense that the focus is not on Arnold the man and his life, but a political biography of the deeds he did and the responses of others that impacted him for good and ill.

I was not at all familiar with the details of the very real grievances Arnold harbored against the men who, I agree, wronged and slighted him. I'm caught up with it now. As a person, the picture of Arnold that I got from the extensive quotations from period sources is of an eighteenth-century Elon Musk, someone who can make enemies much more readily than friends while delivering results. I suspect he was as thin-skinned as he comes across in these pages because he really was a better strategist than tactician.

Ultimately his rage-quit of the Revolutionary War was completely understandable, predictable and preventable. The mediocre men who resented him for his strengths handed him the rope he used to hang himself. His own angry demons led him to use it; what he gained was material, what he lost was the lasting capital of reputation.

As I've come to expect of Author Kelly, he uses period sources galore. I'm impressed with his notes because he is scrupulous in citing the sources of opinions not leaving us to wonder if this is his opinion or something considered to be fact in the period. When it's his opinion, I see it presented as such; when it's his analysis of period opinion the same applies.

I don't suddenly like this traitor to the cause of American independence. I do empathize with him, understand "why" better, and still disapprove of his actions. A man of such tremendous capability and capacity for foresight, undone by the niggling ugliness of his character flaws.

Where have we seen that story repeated here lately....

Not a five-star, blow-me-away read, but a much better than average, really interesting story about an unjustly reviled but still critically flawed man.

ANTOINE LAURAIN'S PAGE: An Astronomer in Love; Red Is My Heart; The Readers' Room

THE READERS' ROOM
ANTOINE LAURAIN (tr. Jane Aitken & Emily Boyce, Polly Mackintosh)
Pushkin Press (non-affiliate Bookshop.org link)
$13.99 ebook, available now

Rating: 4* of five

The Publisher Says: When the manuscript of a debut crime novel arrives at a Parisian publishing house, everyone in the readers' room is convinced it's something special. And, when it’s eventually published, the committee for France's highest literary honour, the Prix Goncourt, agrees.

But when the shortlist is announced, there's a problem for glamorous editor Violaine Lepage: she has no idea of the author's identity. As the police begin to investigate a series of murders strangely reminiscent of those recounted in the book, Violaine is not the only one looking for answers. And, suffering memory blanks following an aeroplane accident, she's beginning to wonder what role she might play in the story – as well as how to find the mystery author before the prize is announced.

In the end it will take the combined investigative powers of a detective, a junior editor, and Violaine’s therapist to uncover the truth. They will learn not just about the author of the book, but about the story’s origins, and the novel’s strange power to exact justice for violence done to a young girl decades ago. But when everything comes to light, one question will remain: can Violaine and the other readers of the mystery manuscript put the past to rest, and find happiness in the present?

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My Review: A fun, middlebrow light mystery about bookish people doing not-bookish things to discover the unexpected connection of writer to subject.

What worked best was the mystery of who the PoV character was before the accident that alters her. I found the brevity of the book (under 200pp) militated against it becoming fully integrated between the editor and the subject of police interest.

It's another entertaining story, albeit with less of Author Laurain's customary whimsical humor (feels odd saying that, given the main character awakes to having a chat with Proust), from France's Fredrik Backman. Laurain's comparative anonymity in the US is bewildering to me. I find his stories are pitched directly at my pleasure-read center, unlike Backman's. This cultural exploration, of a bit more serious tone, is also of a bit more serious topic: the murders, and other crimes, in the editor's manuscript received from a source unknown, coming true after the publication of the book suggests something very sinister took place. Her memory is compromised by the very public plane crash; did she ever know (despite consistently denying it) before her accident the truth of this manuscript?

It's a lot to put in a short space but this keeps the pace snappy. I was, as always, struck by Author Laurain's very unamerican way of keeping the violence and ugliness of the crimes either off the page entirely or minimally dealt with and then only in aftermath not in the commission of the crimes. I found it refreshing in a story that is not a conventional US-style cozy.

It's also not much of a mystery, in its resolution it felt rushed and obvious. So why am I giving it four stars? Because it feels like a dreamland, twilight between reality and not-reality throughout. From awakening into that chat with Proust to discovering she's got big memory-holes, the main character is off balance and so we are too. It's a way not to have our realism addiction denied by flying into the fantasy realm but not having it drag our awareness into the cleaning closet of realism there to be doused with the chlorine bleach of literalism.

I enjoy that liminality; I know others don't but always hope they'll be tempted to try something more...French, ambiguous, unbounded by rules of genre.

Can't hang me for hoping. (Yet.)

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AN ASTRONOMER IN LOVE
ANTOINE LAURAIN (tr. Louise Rogers Lalaurie & Megan Jones)
Pushkin Press (non-affiliate Bookshop.org link)
$13.99 ebook, pre-order now for delivery on 3 February 2026

Rating: 4* of five

The Publisher Says: From the best-selling author of The Red Notebook comes the enchanting story of two men, 250 years apart, who find themselves on separate missions to see the transit of Venus across the Sun.

In 1760, astronomer Guillaume le Gentil sets out on a quest through the oceans of India to document the transit of Venus. The weather is turbulent, the seas are rough, but his determination will conquer all.

In 2012, divorced estate agent Xavier Lemercier discovers Guillaume’s telescope in one of his properties. While looking out across the city, the telescope falls upon the window of an intriguing woman with what appears to be a zebra in her apartment.

Then the woman walks through the doors of Xavier’s office a few days later, and his life changes for evermore . . .

Part swashbuckling adventure on the high seas and part modern-day love story set in the heart of Paris, An Astronomer in Love is a time-travelling tale of adventure, destiny and the power of love.

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My Review: Guillaume le Gentil had to feel there was a bullseye on his back and gawd was always aimimg some kind of malign force at it. Nevertheless he persisted; he accomplished more than most will in a lifetime but failed spectacularly to accomplish the fame-bringing prize of observing the Transit of Venus. He was always trying to get where he needed to be, always thwarted by stuff he could not influence or change or avoid. How to get his Transit of Venus on one of the only two chances that come in any human lifetime?

Xavier Lemercier has a void at the center of his life after his divorce. He needs a woman to fill it. His real-estate career is nothing but a way to earn a living. What he wants is what we all want, someone who really *gets* him and whom he *gets* in the same way; someone with that fit between them that is as firm and solid as a lock receiving its key. How to find this, when he's already experienced failure, when he's always doing the business of life...?

The dual timelines aren't separated by chapters, or sections, or other structural tricks. They're separated by your attention. The maguffin here is Le Gentil's telescope that comes into Lemercier's possession via a real-estate transaction. Each man hopes to see his life change through its eyepiece. And both do. Just not ever quite as expected....

Will you resonate to these men's struggles to get to their hearts' desires? I'm guessing so; you'll need to be ready to invest a lot of energy into the under-300pp of fully intertwined life stories. There's a lot going on, yet a curious lack of direct action. This is a character-driven story of accepting limitations and finding a path through them, one that enriches your Self, despite (or because of) never being direct or going the easy route.

It was a satisfying read though lighter on Laurain's whimsical humor than I myownself prefer. It felt as though I was speaking to someone I had not heard from in a while, listening as he caught me up on the unusually packed time he'd been having. It's not perfect...I mentioned it's a bit po-faced for my preference, and a wee bit more action would not come amiss...but it was a rich, mellow mug of chocolate to warm my needing innards exactly when I needed it.

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RED IS MY HEART
ANTOINE LAURAIN (tr. Jane Aitken), illus. Le Sonneur
Pushkin Press (non-affiliate Bookshop.org link)
$13.99 ebook, available now

Rating: 3.75* of five

The Publisher Says: A moving, evocative exploration of heartbreak and healing in Paris, told through words and images in this stunning collaboration with French street artist Le Sonneur

How can you mend a broken heart? Do you write a letter to the woman who left you—and post it to an imaginary address? Buy a new watch, to reset your life? Or get rid of the jacket you wore every time you argued, because it was in some way responsible?

Combining the wry musings of a rejected lover with playful drawings in just three colours—red, black and white—one of France’s best-selling authors has collaborated with renowned street artist Le Sonneur to create a striking addition to the literature of unrequited love, and a moving, evocative exploration of heartbreak in one of the world’s great cities.

In this playful, poignant series of musings, a nameless narrator remembers a love affair just gone, watches the flight they were due to take to New York depart, sends flowers to a woman who died a century ago, smokes ostentatiously in front of No Smoking signs, and takes solace from the endless distractions and beauty of the city he calls home, Paris. If he walks these streets long enough—the streets of the City of Light, City of Love—he may find himself ready to love again.

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My Review: This is as close as I (voluntarily) come to poetry. Reminiscent of the concrete poetry that was popular in the 1960s, this illustrated trip into the psyche of a man processing his grief at loving and losing is evocative, emotionally resonant:

I hasten to say the text isn't arranged in flowers or birds flying, more just that the illustrations are copious in number and the text flows in response to them, reminiscent to me of old-timey concrete poetry. The prose is, of necessity, spare; it is making the points the many illustrations are expanding on and evoking responses from.

I'm not the obvious reader for a melancholic, perhaps under-reflective man's internal monologue. I wanted him to have a name so I could shout it at him to get him to see what was in front of him not merely look at it. Acts of adolescent defiance like the highlighted smoking in front of a "No Smoking" sign don't seem cute to me, just...adolescent.

I'm not making a great case for you to pick it up, am I? It's down to my absence of sympathy with things poetical. If you're not so inclined either, not a read to pursue. If, on the other hand, you're amenable to blank verse with integrated illustrations that are, in my opinion, very attractive indeed, you are exactly who the book is made for.

And consider this: I really dislike poetry, and still read this book, still liked this book...Author Laurain is clearly A Talent.It's very unusual for me to do more than look at poetry and slam the book shut, chuck it into the donation pile, and forget it exists.

On that grading curve, my 3.75* looks almost like a full five.

January 2026's Burgoine and Pearl-Rule reviews

Author 'Nathan Burgoine posted this simple, direct method of not getting paralyzed by the prospect of having to write reviews. The Three-Sentence Review is, as he notes, very helpful and also simple to achieve. I get completely unmanned at the idea of saying something trenchant about each book I read, when there often just isn't that much to say...now I can use this structure to say what I think is the most important idea I took away from the read and not try to dig for more.

Think about using it yourselves!

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Evenings and Weekends by Oisín McKenna

Rating: 3.5* of five

The Publisher Says: For fans of Sally Rooney and Torrey Peters, a taut and profoundly moving debut that follows a cast of intricately linked characters during a heatwave in London as simmering tensions and secrets come to a head over one life-changing weekend.

London, 2019. It’s the hottest June on record, and a whale is stuck in the Thames River. In the streets of the city, four old acquaintances want more from life than they’ve been given. On the summer solstice, the longest day of the year, their paths will intersect at a party that will change their lives forever…

Maggie, a once-hopeful artist turned waitress, is pregnant and preparing to move back to her hometown with her boyfriend and father-to-be Ed, leaving the city she loves and the life she imagined for herself.

Ed, coasting through life as a barely competent bike courier, is ready for a new start with Maggie and their baby, if only to finally leave behind his secret past of hooking up with strange men in train station bathrooms—and his secret past with Maggie’s best friend, Phil.

Phil, who sleepwalks through his office job and lives for the weekends, is on the brink of achieving his first real relationship with his roommate Keith. The two live in an illegal warehouse commune with other quirky creatives and idealists—the site of the party to end all parties.

As the temperature continues to climb, Maggie, Ed, and Phil will have to confront their shared pasts, current desires, and limits of their future lives together before the weekend is over.

Strikingly heartfelt, sexually charged, and disarmingly comic, Oisín McKenna’s addictive, page-turning debut is a mesmerizing dive into the soul of a city and a critical look at the political, emotional, and financial hurdles facing young adults trying to build lives there and often living for their evenings and weekends.

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My Review: A young person's book. Quite steamy. Heatwaves, horniness, the eternal matter of Youth: Discover the city, discover the needs-being-met rapture, look for sateity in satiation, find yourself...and others...in giving grace.

Absolute favorite quality? No one in this story is malicious, only young and needing Life, so sometimes careless and then contrite. I'm just too old, too much over it to fall in more than like.

Mariner Books (non-affiliate Bookshop.org link) asks $10.99 for an ebook. If you're needing something to rev up the libidinous energies, or you're eager to immerse yourself in The Twenties, here you go.

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Grown Ups by Marie Aubert (tr. Rosie Hedger)

Rating: 3.5* of five

The Publisher Says: Exhilarating, funny, and unexpectedly devastating, Grown Ups is for anyone who has ever felt the fear of being overtaken by a sibling, who feels almost—but not quite—grown up, and who's struggled to navigate a new future for themselves.

Ida is a forty-year-old architect, single and starting to panic. She's navigating Tinder and contemplating freezing her eggs, terrified that time has passed her by, silently, without her ever realising it.

All she sees are other people's children, everywhere.

Now stuck in the idyllic Norwegian countryside for a gathering to mark her mother's sixty-fifth birthday, Ida is regressing. She's fighting with her younger sister, Marthe, and flirting with her sister's husband. But when some supposedly wonderful news from Marthe heightens tensions further, Ida is forced to mark out new milestones of her own.

I RECEIVED A DRC FROM THE PUBLISHER VIA EDELWEISS+. THANK YOU.

My Review: It's sharp, pointed, honest and not a little discomfiting:

I hadn’t believed it, not really. My friends have all overtaken me, each and every one of them, but now Marthe too, somewhere inside I had always believed that nothing would come of it, that things wouldn’t ever change, that Marthe would always be there in need of consolation, that she wouldn’t ever overtake me. She can’t overtake me.

Ida's forty, single, in the part of life where nearly everyone asks themselves "Is this it? if it is, am I okay with that?" Ida, like so many unhappy people, answers no. That leads her to behave reprehensibly, to exact a revenge (for Life Being Unfair) on the people she resents. Spoiler: they deserve it. A mordantly amusing midlife crisis novel that's too bleak to be a real comedy.

Pushkin Press (non-affiliate Bookshop.org link) needs you to fork over $9.99 for an ebook. Pretty grim, but the right mood....

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Amphibian by Tyler Wetherall

Rating: 3.5* of five

The Publisher Says: Sissy is used to being on the outside. The new girl in her West Country school, she recently arrived with her troubled mother, prone to letting Sissy fend for herself.

But from the day Sissy fights a boy in front of Tegan, she's no longer alone. Bonded by violence, they grow so close they feel like one wrapped around each other in bed at sleepovers, sending photographs to men they meet online, and scaring each other with reports of the girls being snatched at night in their town.

Over the course of the school year, they find themselves on the threshold of girlhood, with threats gathering thick and fast around them. And as their make-believe worlds bleed into their daily lives, Sissy feels herself transforming into something strange and terrifying.

With deft notes of magical realism and a constant psychological acuity, Amphibian is a tender, haunting coming-of-age debut, about desire, precocity and the intensity of early friendships that have the power to upend our lives.

I RECEIVED A DRC FROM THE PUBLISHER VIA EDELWEISS+. THANK YOU.

My Review: Tegan and Sissy, seemingly not similar people, discover that adolescent enmeshing bond of intimate Otherness that enlivens a lot of adolescents' maturation. Using amphibian-ness as a metaphor for adolescence is a great idea. When it begins to become literal I rather lost interest.

I remain unsure if it *did* become literal or if I simply did not understand the last ~15% of the book. Thus my rating, and my lack of enthusiasm for the story. Endings endure in memory; make sure they flow even if they're off kilter. See Mrs. Caliban for a master class.

Ig Publishing (non-affiliate Bookshop.org link) says "$18.95 please" no matter what edition you choose.

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The Dissenters by Youssef Rakha

Rating: 3.5* of five

The Publisher Says: A transgressive novel by an acclaimed writer that spans seventy years of Egyptian history

Certain as I’ve never been of anything in the world that you have a right or a duty to know, that you absolutely must know, I sail through the mouth of that river into the sea of her life.

Amna, Nimo, Mouna―these are all names for a single Egyptian woman whose life has mirrored that of her country. After her death in 2015, her son, Nour, ascends to the attic of their house where he glimpses her in a series of ever more immersive visions: Amna as a young woman forced into an arranged marriage in the 1950s, a coquettish student of French known to her confidants as Nimo, a self-made divorcee and a lover, a “pious mama” donning her hijab, and, finally, a feminist activist during the Arab Spring. Charged and renewed by these visions of a woman he has always known as Mouna, Nour begins a series of fevered letters to his sister―who has been estranged from Mouna and from Egypt for many years―in an attempt to reconcile what both siblings know about this mercurial woman, their country, and the possibility for true revolution after so much has failed.

Hallucinatory, erotic, and stylish, The Dissenters is a transcendent portrait of a woman and an era that explodes our ideas of faith, gender roles, freedom, and political agency.

I RECEIVED A DRC FROM THE PUBLISHER VIA NETGALLEY. THANK YOU.

My Review: "A truth-seeker, a lover, a revolutionary-I could never be any of those things if I didn't understand that I was an Egyptian woman's son. Only by finding out how the story of her life is the history of this country could I know who I am."

I wanted to be more impressed than I was by this first written-in-English novel from an Egyptian literary light. It's a bit more self-important than I thought was justified. It intrigued me most when Nour, the son, began to blur his identity in with his mother's. I did not eagerly seek the next chance to read the story, but would dutifully record notes of praise after each sitting. Odd.

Graywolf Press (non-affiliate Bookshop.org link) tells you the bill is $9.99 for an ebook.

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The Cartographer of Absences: A Novel by Mia Couto (tr. David Brookshaw)

Rating: 4* of five

The Publisher Says: An atmospheric novel about a father and son in the waning days of colonial Mozambique by the winner of the 2025 PEN/Nabokov Award

Diogo Santiago is a celebrated Mozambican poet and intellectual, a well-known professor at the university in his country’s capital. In 2019, on the eve of a cyclone that will devastate the East African coast, he returns to his hometown of Beira to receive a tribute from his fellow citizens. As he travels across Mozambique, his mind returns to the past—to his own upbringing, and to the history of his country when it was still a Portuguese colony.

Diogo’s father, himself a poet and a journalist, observed a terrible massacre committed during the waning days of the Estado Novo and was persecuted by the PIDE, the Portuguese secret police. Diogo’s reflections on his father’s life are interspersed with found documents—letters, stories, entries in the journal kept by the PIDE agent who oversaw the case. As Cyclone Idai approaches Beira, threatening to wipe away the physical traces of the world in which he grew up, Diogo is forced to confront the impermanence of his own memories, too.

A haunting novel of historical witness, The Cartographer of Absences is one of Mia Couto’s finest works. Drawing on the author’s own life in colonial Mozambique, this book is a significant new entry in the world literature canon.

I RECEIVED A DRC FROM THE PUBLISHER VIA NETGALLEY. THANK YOU.

My Review: Absolutely wonderful tale of destruction—natural, political, emotional; violence—committed or merely engendered; losses resulting from them and their immense power to clarify, to reify purpose from inescapable action.

Knowledge of colonial Portuguese rule and its structures of oppression will help you connect the story's branches to the narrative trunk. It is unfamiliar territory to most in the US, likely the Anglophone world but the rewards are great for investing the effort. I can't offer more stars because the writing felt more obscurantist than atmospheric a bit too often.

Farrar, Straus and Giroux (non-affiliate Bookshop.org link) asks you to deposit $14.99 into their coffers for an ebook. Do it, sez I.

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Ghosted: A History of Ghost Hunting, and Why We Keep Looking by Alice Vernon

Rating: 3* of five

The Publisher Says: A social, historical and scientific exploration of ghost-hunting, and why our fascination with the paranormal is as timeless as the ghosts we hope to find.

The history of ghosts is ancient, but the history of active ghost-hunting is relatively recent, and investigations into the paranormal have developed hand-in-spirit-hand with scientific discoveries, from radio waves to smartphone apps. Now, more than ever, we want to find our own ghosts. Is it to help process grief? Become influencers? Or ease our fears of death?

Ghosted follows the journey of paranormal investigations from the Victorian era to the modern day, examining how our fascination with ghost hunting has changed alongside technology and culture. Where we once gathered around tables, observing and recording every movement of the medium, we now take electronic equipment and app-laden phones around haunted locations to catch ghosts digitally. Where theatres and concert halls held sold-out performances by conjurers recreating the tricks of fraudulent mediums, we now delight in picking apart and exposing the evidence presented on reality television programmes.

In this book, Alice Vernon embarks on a journey to encounter a ghost, travelling to some of the UK's most haunted locations and encouraging readers to interrogate their own scepticism and belief. Ghosted examines what we are looking for, why we are looking for it, and why have we never given up the ghost.

I RECEIVED A DRC FROM THE PUBLISHER VIA NETGALLEY. THANK YOU.

My Review: I don't believe in ghosts as they're presented in popular culture, but am *fascinated* by the why of belief in them; it's incredibly pervasive in most all cultures. I'd hoped Author Vernon would delve into this deeply, but it is more of a survey of some Western cultures' afterlife fantasies with surface-level correlative data presented by a fellow skeptic.

If a deep dive is what you were seeking, this is not that but it was a solidly written read. Just not the one I sought, or thought based on the synopsis it would be.

Bloomsbury Sigma (non-affiliate Bookshop.org link) requests $19.00 for a paperback edition. I'm not sure I myownself would spend that.

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Mega Milk: Essays on Family, Fluidity, Whiteness, and Cows by Megan Milks

Rating: 3.5* of five

The Publisher Says: A sparkling, funny, and often wrenching portrait-in-essays on the dairy industry, queer intimacy, family, fluidity, whiteness, and cows.

For decades, Megan Milks has wondered what it means to share a last name with the classic white American beverage. Now, Milks takes on their namesake subject in all its dimensions, venturing into the worlds of small dairies, bovine genetics, and manure while also turning their eye on their family and themself. The resulting essays connect the dots between human lactation, Big Dairy, being queer and lonely, climate change, transmasculinity, the bull semen industry, the milky roots of white supremacy, and the best practices for giving and receiving a hug. With Mega Milk, Megan Milks confirms their place as one of our most exciting queer thinkers and writers.

I RECEIVED A DRC FROM THE PUBLISHER VIA EDELWEISS+. THANK YOU.

My Review: Milk, some form of it, is our first ever nourishment, and forms our first bonds with caregivers. In that case, what does having it as one's actual name portend, require, cause to occur?

Megan Milks takes her name to its apotheosis by exploring milk the first food of life, milk the metaphor of fluidity and change, milk the industrial product extracted from living beings through her deeply personal lens of Destiny In A Name. Enjoyable; well-made; not terribly profound to my readerly sensitivities. Would gift to any trans person I know.

The Feminist Press (non-affiliate Bookshop.org link) charges $17.95 for all admissions to the read.

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No Rest for the Wicked by Rachel Louise Adams

Rating: 3.25* of five

The Publisher Says: With an expert hand, Rachel Louise Adams’s debut No Rest for the Wicked reads like an edge of your seat, heart-pounding scary movie.

In one Halloween obsessed Midwestern town, everyone’s on red alert after a local politician goes missing. Little do they know it’s only the beginning.

It’s been close to twenty years since forensic pathologist Dolores Hawthorne left her hometown of Little Horton, Wisconsin. The town is famous for its Halloween celebrations, but also its history of violent deaths linked to the holiday. To Dolores, it’s the place she fled, family, bad memories, and all. Until the FBI calls to tell her that her father—the former mayor turned US Senator—is missing under mysterious circumstances.

Some people count to ten to wake up from a nightmare. Dolores always counts the bones of her head sphenoid, frontal, lacrimal. But no matter how many times she counts them, it doesn’t change the fact that her father is missing, that his final words of warning to her were to trust no one, and that now, the rest of her family is giving Dolores a chilling welcome. With Halloween fast approaching, Dolores must face the past she left behind before it’s too late.

I RECEIVED A DRC FROM THE PUBLISHER VIA NETGALLEY. THANK YOU.

My Review: Steady ramping up of the pace is well used in this story of facing up to your past, to your blind spots, and your investments in relationships. I wasn't invested in the story, I think because it's about one thing but presented as a cuter, less compelling thing in the synopsis.

My expectations were set incorrectly so take that into account when I say my attention wasn't particularly compelled. A debut novel that shows promise like this one is more worthy of your taking a chance on it than a failed read by someone more established.

Minotaur Books (non-affiliate Bookshop.org link) requires $14.99 for legal access to the ebook.

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This space is dedicated to Nancy Pearl's Rule of 50, or "the Pearl Rule" as I've always called it. After realizing five times in December 2021 alone that I'd already Pearl-Ruled a book I picked up on a whim, I realized how close my Half-heimer's is getting to the full-on article. Hence my decision to track my Pearls!

As she says:

People frequently ask me how many pages they should give a book before they give up on it. In response to that question, I came up with my “rule of fifty,” which is based on the shortness of time and the immensity of the world of books. If you’re fifty years of age or younger, give a book fifty pages before you decide to commit to reading it or give it up. If you’re over fifty, which is when time gets even shorter, subtract your age from 100—the result is the number of pages you should read before making your decision to stay with it or quit.

So this space will be each month's listing of Pearl-Ruled books. Earlier Pearl-Rule posts will be linked below the current month's crop.

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Joyride: A Memoir by Susan Orlean

Rating: 3* of five

The Publisher Says: “The story of my life is the story of my stories,” writes Susan Orlean in this memoir. Joyride is a ride through Orlean’s life and career, where every day is an opportunity for discovery and every moment holds the potential for wonder. Throughout her storied career, her curiosity draws her to explore the most ordinary and extraordinary of places, from going deep inside the head of a regular ten-year-old boy for a legendary profile (“The American Man Age Ten”) to reporting on a woman who owns twenty-seven tigers, from capturing the routine magic of Saturday night to climbing Mt. Fuji.

Not only does Orlean’s account of a writing life offer a trove of indispensable gleanings for writers, it’s also an essential and practical guide to embracing any creative path. She takes us through her process of dreaming up ideas, managing deadlines, connecting with sources, chasing every possible lead, confronting writer’s block and self-doubt, and crafting the perfect lede—a Susan specialty.

I RECEIVED A DRC FROM THE PUBLISHER VIA NETGALLEY. THANK YOU.

My Review: I noped out at 51%:

I could recall how much fun we'd had when we first fell in love in Portland, and how often we had enjoyed each other, and what a life we'd made—how we had, in a sense, grown up together, became adults together. But those memories were now scorched, indecipherable, as foreign as a language I once spoke fluently but no longer understood. After we signed our divorce agreement, I never saw {him} again for the rest of his life.

That, laddies and gentlewomen, is the sound of the hatchet being buried...in his corpse. I found myself unwilling to keep reading her life story because it felt to me as though we were going to do this kind of thing again and again.

Avid Reader Press (non-affiliate Bookshop.org link) thinks you'll enjoy the read $16.99-worth for the ebook. Borrow it from the library.

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The Last American President: A Broken Man, a Corrupt Party, and a World on the Brink by Thom Hartmann

Rating: 3* of five

The Publisher Says: From bestselling progressive talk show host Thom Hartmann comes an urgent autopsy of American democracy, showing how plutocrats, political cowardice, and systemic rot built the perfect runway for Trump's authoritarian ascent.

The Last American President rips open America's wounded democracy to expose a terrifying Donald Trump isn't an anomaly—he's the inevitable product of a system engineered to fail. This searing investigation reveals how a man forged by childhood trauma, pathological narcissism, and calculated cruelty didn't hijack democracy—he was handed the keys by those who should have been its guardians.

Hartmann uncovers the unholy alliance between Trump's damaged psyche and America's rotted institutions. From Fred Trump's brutal parenting to Roy Cohn's lessons in shamelessness, from a Republican Party that traded principles for power to billionaire donors who treated democracy as a profit center, this book exposes the assembly line that manufactured an authoritarian.

But this is about more than Trump's past—it's about America's future. As climate catastrophe accelerates and fascism spreads globally, Hartmann reveals the nightmare a second Trump term that doesn't just end American democracy but also triggers irreversible planetary damage. Through meticulous research and unflinching analysis, he shows how political cowardice and corporate greed created the perfect storm that could extinguish humanity's last chance at survival.

This isn't just political commentary—it's a last-minute alarm sounding before the point of no return.

I RECEIVED A DRC FROM THE PUBLISHER VIA EDELWEISS+. THANK YOU.

My Review: At 40% I was reading about Giuliani's deceptively edited videos of the Georgia election workers from 2020, and realized, "I am just rehearsing my nuclear-grade hatred of this cabal of rotten-souled kakistocrats," and called the time of death for this read. I was not learning new-to-me facts; the analysis was wanting fresh insights; I was paying attention as it happened, so this was not the read for me.

Younger or less fully engaged readers might not know the facts presented here, so will derive more from reading the book. It is unabashedly tendentious, which I fully approve of and support. Gifting to your freshly jarred into alertness family members is an excellent idea...it has a message and delivers it. Hard.

Berrett-Koehler Publishers (non-affiliate Bookshop.org link) charges $24.95 no matter which edition you buy. Helping someone catch up to the existential threat to the US is worth it in my eyes.