jacket of my mother's 1961 Viking Press edition
CHINA COURT
RUMER GODDEN
Open Road Media (non-affiliate Amazon link)
$1.99 sale price! Go get one!
Rating: 3.875* of five
The Publisher Says (flap copy of my mother's 1961 Viking Press edition): In this intricately plotted novel of a Cornish country house and the five generations who have peopled it, the story of American-reared Tracy Quin's homecoming is intertwined with the stories of her ancestors. Tracy comes home to visit her grandmother on the day after old Mrs. Quin dies, and becomes involved in the question of what will happen to China Court, the house she loves, which is hopelessly outdated and requires a great deal of repair—repair for which there is no money.
The old stories rise one by one as Tracy's unfolds—the story of lonely, brilliant Eliza; of Jared and Lady Patrick's fragile, bitter marriage; of Borowis and John Henry and old Mrs. Quin herself, when she was beautiful young Ripsie and an outsider to the family. As the lives of those who loved China Court are unfolded, the question of what will happen to the house becomes even more pressing, and soon only Tracy and Mrs. Quin's young tenant Peter St. Omer stand in the way of its destruction.
Serialized in the Ladies' Home Journal in 1960.
My Review: When I was a youngster, my mother had a lot of books from the 1930s to the 1960s on her shelves. I was allowed to roam freely among them, because she said that if I was old enough to want to read something, I should be able to do so.
As one can imagine, the large majority of a mother's bookshelf wasn't all that appealing to a young boy...Taylor Caldwell, Mary Lasswell, Anya Seton, Kathleen Winsor, and Rumer Godden were all well-represented. I called them, collectively, "snoozer biddies." Lots of long-face about loves lost, and noble sacrifices in the name of love, and mothers Doing Their All for Their Children, and blah blah blah blah.
Forty years later, I picked up China Court at the prompting of memory and the LT connection cloud bringing Rumer Godden's name back up to me. I half-remember some plot points, I do remember thinking that the rest of the snoozer biddies shoulda talked to this lady, she knew her onions comes to writin', and this was a good story.
It's a really good story! I think family sagas always appealed to me, and that's why this book snuck past the general opprobrium of youthful disdain heaped on the other books.
Not everyone in this book is likable, in fact most of them are pretty skeevy...motivated by greed, lust, vengeful meanness, thence to do some extraordinarily good things, and some cruel ones too. It reminded me then, and does also now, of my own family.
China Court is a house. It's not some Stately Manor, it's a big, old-fashioned family house. In the early 1960s, big places like this were in a serious period of desuetude in England. This book chronicles the house and the family's intertwined fates at this now-very-distant moment of crisis. It's structured in echo of the Book of Hours that Mrs. Quin, the last nineteenth-century native to live in the house, treasured and apparently read often. A Book of Hours, for the non-Catholic, divides the day into periods of prayer. Most of us have heard the terms "Lauds" and "Prime" (in the non-Amazon sense) and so forth, but these are just words...the idea of them, their purpose, is to give a reverential and spiritual cast to a person's every day and every act.
Speaking as a practicing anti-Christian, I think this is one of the best, most missed, ideas that modernity has rendered obsolete. I think, if this system of spiritual organization were to be reintroduced, the number of people who *actually* understood the religion they profess would rise exponentially, and I am just optimist enough to hope that there would be a corresponding reduction in the amount of loathsome hate-speech emanating from them.
As a narrative force in this novel, I think it's excellent and inspired. I think Rumer Godden deserves the attention of today's readers for her technical talent, her spiritual message, and her ahead-of-the-curve ideas. I recommend this to you.
Pages
- Home
- Mystery Series
- Bizarro, Fantasy & SF
- QUILTBAG...all genres
- Kindle Originals...all genres
- Politics & Social Issues
- Thrillers & True Crime
- Young Adult Books
- Poetry, Classics, Essays, Non-Fiction
- Science, Dinosaurs & Environmental Issues
- Literary Fiction & Short Story Collections
- Sookie Stackhouse/Southern Vampire Books & True Blood
- Books About Books, Authors & Biblioholism
Showing posts with label Cornwall setting. Show all posts
Showing posts with label Cornwall setting. Show all posts
Thursday, December 9, 2021
Sunday, August 31, 2014
THREE ACT TRAGEDY, mystery that lives up to its name

THREE ACT TRAGEDY (Hercule Poirot #11)
AGATHA CHRISTIE
William Morrow
$6.64 Kindle edition, available now
Rating: 4* of five
The Publisher Says: At an apparently respectable dinner party, a vicar is the first to die...Thirteen guests arrived at dinner at the actor's house. It was to be a particularly unlucky evening for the mild-mannered Reverend Stephen Babbington, who choked on his cocktail, went into convulsions and died. But when his martini glass was sent for chemical analysis, there was no trace of poison -- just as Poirot had predicted. Even more troubling for the great detective, there was absolutely no motive!
My Review: This review is of the novel, eleventh in the series, and of the twelfth-season film adaptation for Agatha Christie's Poirot. They earn the same rating.
What a beautiful-looking film this is! The setting in Cornwall is stunning, and the house they chose for Sir Charles is breathtaking! The story is the same in both media, omitting the unnecessary written character of Satterthwaite as a less dimwitted version of Hastings.
Babbington's death is only the first of three apparently utterly unrelated murders. The second murder is horribly upsetting to all the characters. The third is simply incomprehensible to mere mortals...Poirot, of course, sees it in its proper light almost immediately. When the killer is unmasked, it is a bad, bad day for Poirot and a painful and frightening awakening for the younger characters in the story.
But the murders and the motives survive intact between the media. There isn't any need to change all that much in this installment of the series; no one's motives are altered and no action omitted. And that is a very good thing. I really enjoy a puzzler, and this one was. The ending is better on film because of Suchet's pitch-perfect delivery of his last line.
But all in all, the reason I like the story so much is that the older, distinguished gentleman gets the young and comely love-object because he is, simply put, irresistible. As we were watching along, my (absurdly younger) Gentleman Caller started to giggle. He noticed the plot point, and was highly amused that I'd suggested we watch this particular episode. I like that about him, that he sees the humor that I see.
Another delightful outing for the Little Gray Cells. Each version is a treat. Pick one, or do as I do and savor both.
This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 3.0 Unported License.
Subscribe to:
Posts (Atom)