A COIN FOR THE FERRYMAN, interesting exploration of timeless male arrogance

A COIN FOR THE FERRYMAN
MEGAN EDWARDS
Imbrifex Books (non-affiliate Bookshop.org link)
$17.95 paperback, available now

Rating: 3.9* of five

The Publisher Says: The story can now be told.

In 1999, an elite interdisciplinary team headed by Nobel laureate Andrew Danicek gathered in California to carry out a ground-breaking time-travel experiment. While the rest of the world remained unaware, Julius Caesar was successfully transported from the last day of his life to a specially-constructed covert facility. Four days of conversation with historians and Latin scholars were planned, followed by Caesar’s return to the moment from which he was extracted. But despite the team’s meticulous efforts to maintain secrecy and plan for all possible exigencies, a kidnap attempt plunges Caesar into peril. Fully aware that the future of civilization may hang in the balance, one team member must summon strength she didn’t know she possessed to return Caesar to the Ides of March.

The shocking details of Caesar's visit and its effect on subsequent events have been protected by draconian nondisclosure agreements....until now.

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My Review: I'd wondered, as I set out to read this time-travel/alternate history story, if I was instead going to get an academia/tech sector skulduggery thriller-lite. In a way I did; but that's how the author seduced me into investing in the characters. Sneaky sneaky, you storytelling devil you...but also very clever.

I got invested in the people, their desires and foibles, before I was confronted with the disbelief hurdle of physical time travel. (It's not possible until our energy budget expands multiple times current (!) limitations.) I might've never finished this quite enjoyable book had that not been the order of operations. I'm willing to go into fantasyland if I'm following people I've become interested in.The infighting and interpersonal politicking kept me invested and ready for more.

Then Caesar, a man born into pinnacles of privilege the Proud Boys can only dream of, arrives on the scene.

Never mind the technology is unrealistic...this is fiction. I was clangingly dropped to the decking by the man's apparent mental flexibility, of which there was no sign in history. See Commentarii de Bello Gallico if you doubt this. His own words, admittedly written for an audience, condemn him for a chauvinist Roman-centric genocidal maniac...out-Hitlers Hitler all day every day. Trump and his clown-car of cynical sycophants are the rankest...term used advisedly...of amateurs (kidnapping the sitting president of another country?! what could possibly go wrong?) in comparison.

Yet this era-defining man of destiny accepts the technology and the social reality...conversing with a woman he's neither related to, nor married to, nor a common whore without a blink!...of this century with apparent ease.

I don't buy it.

It caused a long hiatus in my reading. I was not best pleased by the very detailed and slightly overdone explanatory elements of the storytelling signally failing to reveal the massive cognitive shock anyone would experience in these circumstances not being addressed at all; I can certainly see not foregrounding it given the story the author wants to tell.

Hubris and overweening self-regard are blatantly on display in every era's politics and technology sectors. No progress ever made has been free of them; no disaster ever inflicted on the world and her people has ever not stemmed from them. They are present in, are central to, this narrative. It's what ultimately drew me back to finish the read in 2025. I can't say I'm over the moon or ecstatic with the read, but I liked a lot about it...Cassandra being a classicist, really, was both sticking point and advantage as the Latin bits being translated went from implausibility trap to logical extension of the character's expertise. But it was a knife's edge. That pretty much sums up my experience of the read: always on a knife's edge between a low three stars and touching the ragged edge of four stars.

You see where I settled. You'll do your own thinking about what it means, decide whether or not to include this tale of hubris and arrogance through time on your own TBR.

TEJU COLE'S PAGE: KNOWN AND STRANGE THINGS; TREMOR; EVERY DAY IS FOR THE THIEF

KNOWN AND STRANGE THINGS: Essays
TEJU COLE
Random House (non-affiliate Bookshop.org link)
$5.99 ebook, available now

Rating: 4* of five

The Publisher Says: A blazingly intelligent first book of essays from the award-winning author of Open City and Every Day Is for the Thief

With this collection of more than fifty pieces on politics, photography, travel, history, and literature, Teju Cole solidifies his place as one of today’s most powerful and original voices. On page after page, deploying prose dense with beauty and ideas, he finds fresh and potent ways to interpret art, people, and historical moments, taking in subjects from Virginia Woolf, Shakespeare, and W. G. Sebald to Instagram, Barack Obama, and Boko Haram. Cole brings us new considerations of James Baldwin in the age of Black Lives Matter; the African American photographer Roy DeCarava, who, forced to shoot with film calibrated exclusively for white skin tones, found his way to a startling and true depiction of black subjects; and (in an essay that inspired both praise and pushback when it first appeared) the White Savior Industrial Complex, the system by which African nations are sentimentally aided by an America “developed on pillage.”

Persuasive and provocative, erudite yet accessible, Known and Strange Things is an opportunity to live within Teju Cole’s wide-ranging enthusiasms, curiosities, and passions, and a chance to see the world in surprising and affecting new frames.

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My Review: Teju Cole says clearly and distinctly: "I am a novelist, and my goal in writing a novel is to leave the reader not knowing what to think. A good novel shouldn't have a point." This is true; though he does not say a word about a novel not being pointed. All of his very much are; so are his essays collected here.

Fragments might be a better term for the shrapnel in this collection. None of them dig into their topic, develop a theme to a conclusion. It's more postmodern than that. I was "treated" to the horrors of mob justice in Nigeria; the fact of colorism, a strain of racism, in Brazil; the shame that's missing from the US's reckoning with its sin of racism and its ugly consequences; the horrors of Israeli apartheid (pre-2025):

The reality is that, as a Palestinian Arab, in order to defend yourself against the persecution you face, not only do you have to be an expert in Israeli law, you also have to be a Jewish Israeli and have the force of the Israeli state as your guarantor…Israel uses an extremely complex legal and bureaucratic apparatus to dispossess Palestinians of their land, hoping perhaps to forestall accusations of a brutal land grab.

An unsparing gaze, always roving, roaming wherever he is. Quite a bit of the shards are centered on the photographic, framed for visual images, moments and techniques. He is making himself Isherwood's camera: "I am a camera with its shutter open, quite passive, recording, not thinking," only adding the thinking back, more in the vein of James Baldwin.

It is, I suppose, unsurprising that Author Cole expends a lot of his energy on thinking about race in the US, as the Obama years were recent as this collection was taking shape. As those years radicalized the lowest of the low into the actions whose disgusting fruits we're being served now, his meditations on Obama's shortcomings as president feel...true, but not really the point. (He was, in my estimation, the best Republican president since Eisenhower. Measured as a Democrat, he was abysmal.) The fact that Author Cole lived half his life in Nigeria (at the point he was writing these pieces) meant he was looking at the US reaction to a Black man as our president with detached, slightly bemused, incomprehension.

More to my own personal taste was the selection of literarians Author Cole engaged with, eg Naipaul and Walcott. Both men were still living, both were being fêted, and both are now receding from the popular literary conversation into more academic renown. It is the course things take, so I can't say "boo hoo" very convincingly. It was a pleasure to re-engage with them through the author's intense, admiring (on balance) gaze.

I'm not that confident this is a collection of enough enduring insight to survive the long test of time. It was enjoyable to me, an adult in the Aughties, an Obama voter, a reader of Naipaul; it might not reach too much lower on the age ladder to find a large audience.

Erudite, pleasant reading, in a vein of early-internet pieces that don't go as deep as the old-fashioned word "essay" implies. Solidly four stars for me; maybe different for younger folk.

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EVERY DAY IS FOR THE THIEF
TEJU COLE
Random House (non-affiliate Bookshop.org link)
$5.99 ebook, available now

Rating: 3.75* of five

The Publisher Says: A young Nigerian writer living in New York City returns to Lagos in search of a subject—and himself.

Visiting Lagos after many years away, Teju Cole's unnamed narrator rediscovers his hometown as both a foreigner and a local. A young writer uncertain of what he wants to say, the man moves through tableaus of life in one of the most dynamic cities in the world: he hears the muezzin's call to prayer in the early morning light, and listens to John Coltrane during the late afternoon heat. He witnesses teenagers diligently perpetrating e-mail frauds from internet cafes, longs after a woman reading Michael Ondaatje on a public bus, and visits the impoverished National Museum. Along the way, he reconnects with old school friends and his family, who force him to ask himself profound questions of personal and national history.

Over long, wandering days, the narrator compares present-day Lagos to the Lagos of his memory, and in doing so reveals changes that have taken place in himself.

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My Review: A personal story of alienation, of reckoning with social and societal change, and the shifting bonds of family, we're in Lagos in the Aughties. We're following an unnamed narrator as reacclimates to life in Lagos after years spent in New York City.

It's autobiographical, or I'll eat my hat. Details have likely been massaged...reality doesn't often lend itself to this level of dramatic tension...but it's a roman à clef for his scoobygroup and autofiction for us on the outside. The level of social critique involved in observing his homeland, for it still very much is that to him, is all-consuming. Nothing, and I mean nothing, is done in Lagos to benefit anyone but the self. It's a prescient, if unintentional, alarm klaxon for the world of 2026's kakistocratic enshittification of the US: "What the trip back from the airport makes me think, and what is confirmed over the course of the following days, is the extent to which Lagos has become a patronage society". Everything old is new again....

Author Cole views this hypercapitalist dystopia with a level of humorous detachment that floats on a deeper pool of disillusionment. In many ways I felt I was reading a journalist's too-long think piece about homegoing, rejected by an editor who wanted 1000 words not 30,000. It's a novella-length work of self-analysis, working through the hurts inflicted by choosing outsiderhood over ill-fitting conformity. In no way is this Manhattanite going to submerge without a ripple back into the pool he climbed out of. Having experienced this myself, I was completely in tune with the narrative's driving force and direction.

I can't offer a fifth star because the double whammy of brevity, lack of space to develop the others in the story beyond foils for narrative reflection and amplification as outlines not rounded people, and an outsider-plus sense of superiority inherent in this return from a wealthier world.

It's an enjoyable story, if not a full novelistic reading experience.

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TREMOR
TEJU COLE
Random House (non-affiliate Bookshop.org link)
$6.99 ebook, available now

Rating: 4.75* of five

The Publisher Says: A powerful, intimate novel that masterfully explores what constitutes a meaningful life in a violent world—from the award-winning author of Open City

Life is hopeless but it is not serious. We have to have danced while we could and, later, to have danced again in the telling.

A weekend spent antiquing is shadowed by the colonial atrocities that occurred on that land. A walk at dusk is interrupted by casual racism. A loving marriage is riven by mysterious tensions. And a remarkable cascade of voices speaks out from a pulsing metropolis.

We’re invited to experience these events and others through the eyes and ears of Tunde, a West African man working as a teacher of photography on a renowned New England campus. He is a reader, a listener, a traveler, drawn to many different kinds of stories from history and epic; stories of friends, family, and strangers; stories found in books and films. Together these stories make up his days. In aggregate these days comprise a life.

Tremor is a startling work of realism and invention that engages brilliantly with literature, music, race, and history as it examines the passage of time and how we mark it. It is a reckoning with human survival amidst “history’s own brutality, which refuses symmetries and seldom consoles,” but it is also a testament to the possibility of joy. As he did in his magnificent debut Open City, Teju Cole once again offers narration with all its senses alert, a surprising and deeply essential work from a beacon of contemporary literature.

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My Review: Rejecting tradition..."{I} wanted to give myself a chance to make something that could fail. I don’t know that people are doing enough with their freedom as writers—to keep doing this 19th-century thing bores me"...is often risky, even when you work inside the established alternatives to "the 19th-century thing" like modernism and its cousins. Here Tunde, our PoV character, is followed through a format I'd call braided stories around a stream-of-consciousness heart. Tunde's PoV third-person narrative shifts to fourth-wall-breaking first person at times, then into the satanic-second person as he addresses someone over our shoulder somewhere.

It's a complex read. It does little heavy lifting for you. It's your job as The Reader to supply your own thoughts about the purpose of Tunde's telling us his stories, giving us a story-mooning of his ass as we decide how to feel about that..."Tunde is startled out of these thoughts by {his wife}'s's return from work. They talk for a moment. She remains downstairs. He moves upstairs to her study. The room is lit by a single lamp and he continues reading" tells its own punch of a story about intimacy's failures and his failings in an introductory moment...we're launched into Tunde's trenchant observations: "It was in a shop among the unrelated treasures white people had collected by fair means or foul from across the globe. In the West a love of the "authentic" means that art collectors prefer their African objects to be alienated so that only what has been extracted from its context becomes real. Better that the artist not be named, better that the artist be long dead. The dispossession of the object's makers mystically confers monetary value to the object," on the eternal nexus of culture, cultural appropriation, and colonialism.

Without a guide.

Tunde tells you what's what. From his position inside the colonizer/appropriators' world. Is he aware he's not reckoning with his own foothill of privilege adjacent to and causally connected to the mountains of privilege he's commenting on? I don't know. We're not told.

If you're going to experiment with style, do it interestingly. Build the maze and trust me to find a way out. Notice: A not The. I think this sums up the experience of reading this novel:

On his return he thought he was thinking of a photograph but he realized that he was thinking of a photographic negative, the colors inverted and left and right flipped. But it became clear to him that what he was actually thinking of was a photographic negative that had been made but had gone missing before it could be printed. And finally he realized that no, the negative had not even ever existed, it was all in the imagination or it was all in the future and he was thinking of a picture that existed only in the mind of the one who was thinking it. The more he tried to describe it the more elusive it was. It was there but it could not be looked at directly. At best it could only be seen out of the corner of the mind's eye and this was the way one might begin to speak of the city.

You're going to think this is a more interesting read after you've developed the negative, the text on the page, in your mind's developer bath. You're participating in framing the shot, in selecting the size...north-south, east-west, all or nothing on these meanings for a city's future (this only makes sense after reading the book)...and saturation of the print.

It's not easy but it's involving, it's exciting in the right mood, and it's using the 19th-century thing to mold a 21st-century object, a European art to draw an African subject. Did it fail?

Only a little around the middle saggy bits. Overconfidence in the reader leads some parts to feel unsatisfyingly undeveloped; untrusting of the readers' cultural background leaves other a mucky slog through extremely specific details that were not mission critical.

So, no full-five from me; but a half-star above "good" is "very good" and my three-quarters star is "very good indeed." It will be a read you invest in or bounce hard off; make your acquisition decisions carefully, try a sample or use the library; I hope you'll at least give it a try.

AUDITION, Kiwi social SFF-lite that sets a tendentious trap of prose

AUDITION
PIP ADAM
Coffee House Press (non-affiliate Bookshop.org link)
$17.99 ebook, available now

Rating: 4.8* of five

The Publisher Says: A genre-defying novel—part science fiction, part social realism—from one of the most powerful voices in New Zealand literature today.

A spaceship called Audition is hurtling through the cosmos. Squashed immobile into its largest room are three giants: Alba, Stanley and Drew. If they talk, the spaceship keeps moving; if they are silent, they resume growing.

Talk they must, and as they do, Alba, Stanley and Drew recover their shared memory of what has been done to their former selves—experiences of imprisonment, violence and misrecognition, of disempowerment and underprivilege.

Pip Adam’s uncategorisable new novel, part science fiction, part social realism, asks what happens when systems of power decide someone takes up too much room—about how we imagine new forms of justice, and how we transcend the bodies and selves we are given.

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My Review: Like Stand on Zanzibar a half-century ago, this story is making a point along multiple fronts of effort. Stylisically it's resolutely avant-garde, modernist, and uses that tradition of liberation from centuries old linear narrative convention to oppose itself as completely as possible. Oppose from what? That verb needs a subject!

It takes the opportunity to set oppositional positions to, well, modernity; the way the modern world steadily relentlessly inexorably shrinks the essential liberty, autonomy, self-determination of Humanity. This is a powerful theme to pursue. It leads into some dark meditations on confinement.

It is most evidently a story in support of the anticarceral abolitionism gaining ground among progressives. More quietly it enables, encourages, examination of the ways individuals accept labels and thus limitations, even when the labels aren't very good fits. It's not foregrounded the way opposition to the carceral state is. It's there for you to consider.

I enjoy novels that expect me to bring my own ideas and knowledge to bear on reading them. I enjoy being asked to hold a thought more than a page or two before the thought pays off, hooks into another thought to make a distinctive picture. It is a pleasure to be exercised and entertained and experience elucidation of a viewpoint while immersing oneself in lovely phrasemaking.

Alba searches around her body and there is not an ounce of homesickness. She misses nothing. She was born into the world and it was not happy to see her. This isn’t her home. She doesn’t want to take advantage or be any more of a burden than she already is here. They hadn’t asked her to come, she hadn’t asked to be there. It isn’t a welcome—it’s an extremely advanced form of attack and defence.

I think that, in its compactness and its rhythm, carries more than surface meaning. Alba's is a point of view I think many could and should attend to. Her sense of...wrongness...is it all external? Is it self-recognition without self-acceptance? Is Alba...are Drew and Stanley as well...forced to keep talking as the means of propelling their starbound prison moving away from Earth in order to get their pasts out of their heads? What does the taking up of physical space have to do with the implied relationship to psychic...emotional...space? All the way into eternal exile and utter Othering in order to get permission to be ecstatically oneself. A price paid without any kind or sort of reward is rare, if one becomes an other self in response to it. A different self, an intentional self, a truthful self.

The ending of this story offers that future of selfness to the giants. It's not found the way a lot of readers will be comfortable with. But if you can read about people told they are too much for this world being thrust out of that world by being squashed into sealed containers and hurled into lethal vacuum, you really should look at why this particular ending bothers you (if it does..I found it the most liberating part of the story).

Pip Adam is a writer who reckons with ideas in her fiction. It's not always clear to me that I'm on the same train of thought as she is. That is, for me as a reader, very interesting and gives a dynamism to the words I'm reading. I experience the need to consider, "did I read that sentence and change my view of the story I thought I was reading by Pip Adam's design or my own?" very involving.

It's a story I felt repaid my attention with well-honed ideas I'd had in duller forms before that. I'd wished, during the read, for...ornamentation...flourishes...a bit of zhuzhery. I can't say the directness of prose was unpleasant or uninvolving, so I can't call it a flaw. I can say that me, reader me, the id that devours Story, wanted it; so I can't offer a perfect five but I can't take much away from that height. It's a cruel place to land:

It’s a strange feeling to know that they will never have to explain this to any of their kind. They will never return. They had been sent to die. That’s clear now. Maybe they had been sent to take over this world, as some kind of front guard or maybe no one that sent them could imagine this. But they are lost to their own world now. They don’t belong where they have have come from and they don’t belong here. They are the only ones of their kind who will make it.

Pip Adam made it.

Happy Incoming 2026

↟↟↟↟↟↟↟↟↟What I want to say to 2025's ghosts, ghouls, and gross old pedophiles. I've already said elsewhere that I won't be focusing attention on the number of books I've read, or any of the rest of the numbers game, because it feels like bragging. I have none of the pressures on me that normal people have. I've got my datastick of notes from reads as much as thirteen years old, never written into reviews for any number of reasons. I have a huge hoard of rage at the kakistocracy fueling a desire to do something, a disability that doesn't allow that something to be kinetic, and so I write.

It's what I can do, so it's what I will keep doing until ICEstapo starts coming for domestic enemies of the kakistocracy. Emptying that data stick of the backlog of more-or-less coherent notes taken might last me the year, if I get even close to 2025's levels of success in writing away my emotional pain. My reviewing schedule for 2026 will begin on the second...there will be hashtag events during the year that I'll announce the weekend before they begin...I still won't post reviews on Tuesdays (traditional book-release day in the US) until publishing slows down the new-books firehose in December as #Booksgiving hots up. The most exciting books of 2025's reading were translations so I'm definitely continuing my focus on reading translated literature in 2026.

Y'all already know about my six-stars-of-five read for 2025 (the whole list is at the bottom of this post): THE REMEMBERED SOLDIER by ANJET DAANJE, and translated from Flemish by David McKay via the estimable tastemakers at New Vessel Press (Support an excellent indie press!). My review should say it all about the layered, subtle evocation of memory's centrality to identity, about the effort love takes, about the nature of desire and its propulsive projective power. It's the kind of (long!) read that I want to put in peoples' hands to explain themselves -to- themselves.

It is a New York Times 100 Notable Books designee, it was a finalist for the National Book Award for Translated Fiction, on lists from Publishers Weekly and LitHub and the Wall Street Journal...it deserves the patient companionship and compassion of readers seeking a window into forming...discovering...identity through its loss and rebuilding Trauma does not have to be war, you know. The world can, and does, do similar devastating things to us callously and carelessly in the course of Life. Buy one, tree book or ebook, ask your library for one so they'll know people want it, get on their wait list for it, or get one via their ILL program. It is a good, impactful story told the best way a story can be: carefully, caringly, with the cares and the needs of its characters and its readers at its heart.


Since the entirety of 2026 is looking politically unstable, I'm making a point to review books that treat that instability as a chance to reflect on how we got here, so we can get out...and stay out. I'm not a bit sure anyone will enjoy it. It is urgent not to lose sight of the reality that our right to read and think and behave like, about, and what we think is best is very much under attack. 6870 times in the 2024-2025 school year alone. Guess whose identities were targeted most often. "Books by authors of color, by LGBTQ+ authors, by women. Books about racism, sexuality, gender, history. PEN America pushes back against censorship and the intolerance and exclusion that undergird it." I recommend joining PEN America to support a key player in the fight to oppose and reverse the school bans.

𝗠𝗔𝗥𝗞 𝗥𝗢𝗧𝗛𝗞𝗢, Untitled, 1968 Oil on paper mounted on canvas Pace Gallery, London Photo by Chris Weekes

I'll end on the image of a Rothko that evokes my sense of peaceful hope, optimism, and faith in humanity. I wish all of those things to every living one of us. No matter who; no matter where; no matter what.
ALL MY 6*-OF-FIVE REVIEWS

1994. MONTANA 1948...the original; the perfect read!

2013. THE SONG OF ACHILLES
2014. MATTERHORN
2015. EUROPE IN AUTUMN
2016. MARGARET THE FIRST
2017. MISSIONARY
2018. CIRCE
2019. BLACK LIGHT
2020. YOU EXIST TOO MUCH
2021. COVE
2022. KIBOGO
2023. THE WORDS THAT REMAIN
2024. GLORIOUS EXPLOITS
2025. THE REMEMBERED SOLDIER

December 2025's Burgoine and Pearl-Rule reviews

Author 'Nathan Burgoine posted this simple, direct method of not getting paralyzed by the prospect of having to write reviews. The Three-Sentence Review is, as he notes, very helpful and also simple to achieve. I get completely unmanned at the idea of saying something trenchant about each book I read, when there often just isn't that much to say...now I can use this structure to say what I think is the most important idea I took away from the read and not try to dig for more.

Think about using it yourselves!

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Dream Count by Chimamanda Ngozi Adichie

Rating: 3* of five

The Publisher Says: Chiamaka is a Nigerian travel writer living in America. Alone in the midst of the pandemic, she recalls her past lovers and grapples with her choices and regrets. Zikora, her best friend, is a lawyer who has been successful at everything until—betrayed and brokenhearted—she must turn to the person she thought she needed least. Omelogor, Chiamaka’s bold, outspoken cousin, is a financial powerhouse in Nigeria who begins to question how well she knows herself. And Kadiatou, Chiamaka’s housekeeper, is proudly raising her daughter in America—but faces an unthinkable hardship that threatens all she has worked to achieve.

In Dream Count, Adichie trains her fierce eye on these women in a sparkling, transcendent novel that takes up the very nature of love itself. Is true happiness ever attainable or is it just a fleeting state? And how honest must we be with ourselves in order to love, and to be loved? A trenchant reflection on the choices we make and those made for us, on daughters and mothers, on our interconnected world, Dream Count pulses with emotional urgency and poignant, unflinching observations of the human heart, in language that soars with beauty and power. It confirms Adichie’s status as one of the most exciting and dynamic writers on the literary landscape.

I RECEIVED A DRC FROM THE PUBLISHER VIA NETGALLEY. THANK YOU.

My Review: I give up. I've read Purple Hibiscus, about 50 pages of Half of a Yellow Sun, and now this four-hundred-page story. I have disliked the stories and the storytelling voice in each of them. No more.

The weird part is that I do not comprehend why I simply do not like this writer's stories. It makes no sense to me; she is not deficient on any craft level, she is writing about women in genuinely important and interesting situations...and I just can not enjoy these words. Third strike, I'm out.

Alfred A. Knopf (non-affiliate Bookshop.org link) will grant you access to the ebook for $14.99. You'll like it better than me for sure.

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StreetWhys: A Dickie Cornish Detective Mystery by Christopher Chambers

Rating: 3.25* of five

The Publisher Says: Washington, DC’s notorious detective, former street denizen Dickie Cornish, faces off with bloodthirsty cops and the justice department in the latest thrilling release by award-winning noir author Christopher Chambers.

In StreetWhys, underground detective Dickie Cornish faces a vindictive murder rap from his past if he doesn’t agree to help prove that the fentanyl ravaging the streets of DC is bankrolled by shadowy donors of a certain former president. Broke and desperate, Cornish soon finds himself on a collision course with shady public defenders and corrupt police officers, forcing him to use his street connections to flip their plan. Or die.

Chambers’s Dickie Cornish series has met with widespread critical acclaim. Publishers Weekly dubbed the series debut, Scavenger, “[A] no-holds-barred crime novel...a 21st-century twist on traditional hardboiled noir.” The Strand Magazine selected Standalone, the second book in the series, as one of the “Top 25 Mystery Novels of the Year,” adding “It’s apparent that the modern heir to Chandler, Woolrich, and Cain is Christopher Chambers, enough said.” And renowned crime author George Pelecanos raves that the series "really nails Washington, DC in the current environment."

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My Review: Third Dickie Cornish mystery, first that I've read; I think I'd need to get the first two before I really felt the buzz of connection with the characters I require to fully invest in a series mystery. I liked the noir edges of the setting and the prose.

Might end up retroactively promoted if I get the first two as much into my good graces as this one. I won't urge you to start here but it's worth considering going back for Scavenger.

Three Rooms Press (non-affiliate Bookshop.org link) wants $18.00 for a paperback. Pricey.

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LIES OF A TOYMAKER by KELLY ANN JACOBSON

Rating: 3.5* of five

The Publisher Says: In this retelling of the classic Pinocchio, Paige, a queer teen and wooden-toy maker’s daughter is slowing turning into wood, must cross the demonic Land of Toys to stop the evil Deathsprites before they destroy her world.

Award-winning author Kelly Jacobson (Tink and Wendy) delivers her latest fairytale retelling in LIES OF A TOYMAKER, a cross between the classic Pinocchio and a Stephen King novel like The Gunslinger, Paige (a queer eighteen-year-old girl) is a wooden-toy maker’s daughter dragged from state to state as her mother, Petta Vitaly, hawks her creations from their caravan. When they finally return to Petta’s hometown, Paige discovers Toy Palace, her family’s animatronic toy business, but she keeps the discovery from her mother—only to find that she has begun to turn into a wooden marionette.

With the help of two girls who use Paige’s interest in them to pull off the heist, Paige breaks into Toy Palace and finds out some of the family history her mother has been hiding from her. Though Paige is abandoned by the two girls, she discovers a captive fairy in one of the upper rooms of Toy Palace, Prince Alexio, who shows her that an entire realm, the Land of Toys, has been destroyed by fairies called the Deathsprites—and that her family has been using Prince Alexio’s powers to help the evil fairies gain power through the animatronic toys they are selling for the last eighteen years.

Unable to cope with this new information, Paige runs away from Toy Palace and the captive prince, but her mother and a Toy Palace manager end up rescuing Prince Alexio instead. He finds Paige and takes her to the Land of Toys, where the Deathsprites have been turning sweet toys into terrible monsters determined to kill everything in their path. With the help of the talking cricket and Paige’s newfound strength as a marionette, the two must cross the realm of piled toy parts and frightful creations to stop the Deathsprites from making a portal to Earth that will bring destruction on that planet, too.

LIES OF A TOYMAKER is a queer feminist YA retelling of the classic that reexamines what it means to “lie” for the benefit of others, and how the lines between truth and fiction are not always as clear as they seem. The book is told from several different perspectives, but follows Paige’s journey most centrally. Many classics from the original story make an appearance, such as the whale, the talking cricket, the fox and the cat, and the Fairy with Azure Hair.

I RECEIVED A DRC FROM THE PUBLISHER VIA EDELWEISS+. THANK YOU.

My Review: I'm not a big booster of the Pinocchio story, it has always made me bit...uneasy...in some basal-ganglia ways. I'm no less squicked out by this retelling. It's possible my feeling that this story, after all the other stories retold by her I've carried on about was not of the same caliber.

It's really not reasonable that I can't separate a story I don't like from its interpertation by a storyteller I very much do, but here we are.

Three Rooms Press (non-affiliate Bookshop.org link) asks for $9.99 to let you read the ebook, which...of course...is entirely up to you.

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The Trial of Anna Thalberg by Eduardo Sangarcía (Tr. Elizabeth Bryer)

Rating: 3.5* of five

The Publisher Says: Does evil lurk in the shadows of the forest, or in the human heart? Eduardo Sangarcía’s tale of one woman’s witch trial opens the door to deeper horrors.

Anna Thalberg is a peasant woman shunned for her red hair and provocative beauty. When she is dragged from her home and accused of witchcraft, her neighbors do not intervene. Only Klaus, Anna’s husband, and Father Friedrich, a priest experiencing a crisis of faith, set out to the city of Würzburg to prove her innocence. There, Anna faces isolation and torture inside the prison tower, while the populace grows anxious over strange happenings within the city walls. Can Klaus and Friedrich convince the church to release Anna, or will she burn at the stake?

Set in the Holy Roman Empire during the Protestant Reformation, The Trial of Anna Thalberg is a story of religious persecution, superstition, and human suffering. While exploring the medieval fear of witches and demons, it delves into enduring human concerns: the historical oppression of women, the inhumanity of institutions, and the existence of God. Frantic in pace and experimental in form, this is an unforgettable debut from Mexican author Eduardo Sangarcía.

I RECEIVED A DRC FROM THE PUBLISHER VIA EDELWEISS+. THANK YOU.

My Review: It is astonishing to me that this is a debut novel. Assured, boldly complex storytelling voice meets trenchant story of a woman's fate being determined by men who only see her surface beauty and project their own sin and evil onto her.

I can't shake the uneasy, repellent lushness of Anna's torture by the churchmen. It is a big hurdle to me when women's suffering is presented in a prurient way; I was also a bit underwhelmed by Klaus's characterization stopping at stoical devotee of Anna's.

Restless Books (non-affiliate Bookshop.org link) requests and requires you surrender $10.99 in US currency to gain morally sound access to this tale.

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Catalina by Karla Cornejo Villavicencio

Rating: 3* of five

The Publisher Says: A year in the life of the unforgettable Catalina Ituralde, a wickedly wry and heartbreakingly vulnerable student at an elite college, forced to navigate an opaque past, an uncertain future, tragedies on two continents, and the tantalizing possibilities of love and freedom

When Catalina is admitted to Harvard, it feels like the fulfillment of destiny: a miracle child escapes death in Latin America, moves to Queens to be raised by her undocumented grandparents, and becomes one of the chosen. But nothing is simple for Catalina, least of all her complicated, contradictory, ruthlessly probing mind. Now a senior, she faces graduation to a world with no place for the undocumented. Her sense of doom intensifies her curiosities and desires. She infiltrates the school’s elite subcultures—internships and literary journals, posh parties, and secret societies—which she observes with the eye of an anthropologist and an interloper’s skepticism: She is both fascinated and repulsed.

Craving a great romance, Catalina finds herself drawn to a fellow student, an actual budding anthropologist eager to teach her about the Latin American world she was born into but never knew, even as her life back in Queens begins to unravel. And every day, the clock ticks closer to the abyss of life after graduation. Can she save her family? Can she save herself? What does it mean to be saved?

I RECEIVED A DRC FROM THE PUBLISHER VIA NETGALLEY. THANK YOU.

My Review: A kind of autofiction, this novel is by one of Harvard's first-ever undocumented graduates. I am absolutely the target reader for this story, totally in support of the author's just clain to live here, to contribute her piece to the greatness of the world; yet I did not care about Catalina, her stand-in. I was repelled by Nathaniel, her love interest, because he simply never came across as more than a tiresome man of no perspective and a lot of blather.

So, despite feeling great eagerness at the start, I was not engaged. YMMV, of course.

One World (non-affiliate Bookshop.org link) charges $12.99 for an ebook edition.

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This space is dedicated to Nancy Pearl's Rule of 50, or "the Pearl Rule" as I've always called it. After realizing five times in December 2021 alone that I'd already Pearl-Ruled a book I picked up on a whim, I realized how close my Half-heimer's is getting to the full-on article. Hence my decision to track my Pearls!

As she says:

People frequently ask me how many pages they should give a book before they give up on it. In response to that question, I came up with my “rule of fifty,” which is based on the shortness of time and the immensity of the world of books. If you’re fifty years of age or younger, give a book fifty pages before you decide to commit to reading it or give it up. If you’re over fifty, which is when time gets even shorter, subtract your age from 100—the result is the number of pages you should read before making your decision to stay with it or quit.

So this space will be each month's listing of Pearl-Ruled books. Earlier Pearl-Rule posts will be linked below the current month's crop.

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Being a Dog: Following the Dog Into a World of Smell by Alexandra Horowitz

Rating: 2.5* of five

The Publisher Says: *A New York Times Bestseller * A Science Friday and Library Journal Best Science Book of the Year *

From the #1 bestselling author of Inside of a Dog and The Year of the Puppy —“an incredible journey into the olfactory world of man’s best friend” (O, The Oprah Magazine), Alexandra Horowitz’s follow-up to her New York Times bestseller explains how dogs experience the world through their most spectacular organ—the nose.

To a dog, there is no such thing as “fresh air.” Every breath of air is loaded with information. In fact, what every dog—the tracking dog, of course, but also the dog lying next to you, snoring, on the couch—knows about the world comes mostly through his nose.

In Being a Dog, Alexandra Horowitz, a research scientist in the field of dog cognition and the author of the runaway bestseller Inside of a Dog, unpacks the mystery of a dog’s worldview as has never been done before.

With her family dogs, Finnegan and Upton, leading the way, Horowitz sets off on a quest to make sense of scents, combining a personal journey of smelling with a tour through the cutting edge and improbable science behind the olfactory powers of the dog. From revealing the spectacular biology of the dog snout, to speaking to other cognitive researchers and smell experts across the country, to visiting detection-dog training centers and even attempting to smell-train her own nose, Horowitz covers the topic of noses—both canine and human—from surprising, novel, and always fascinating angles.

As we come to understand how complex the world around us appears to the canine nose, Horowitz changes our perspective on dogs forever. Readers will finish this book feeling that they have smelled into a fourth dimension—breaking free of human constraints and understanding smell as never before; that they have, however fleetingly, been a dog.

I RECEIVED A DRC FROM THE PUBLISHER VIA NETGALLEY. THANK YOU.

My Review: I noped out at: "It is the brain that knows (or doesn't), and that swoons with the rush of a memory of hot chocolate after a long winter's day playing outside, or balks at a urine smell in the subway, source unseen."

Dim your brights, Doctor Horowitz. That's not the tone I was looking for. YMMV, as always.

Scribner's (non-affiliate Bookshop.org link) ebook costs $12.99. You'll know if that style suits your readerly ear.

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Adrift (A Mer Cavallo Mystery #1) by Micki Browning

Rating: 2.5* of five

The Publisher Says: AGATHA AWARD NOMINEE • In this breathtaking mystery debut, a marine biologist turned divemaster stands accused of a chilling crime after a dive gone wrong. But do the murky circumstances point to an accident, a murder, or a supernatural encounter?

Mer Cavallo thought adjusting to a laid-back life in the Florida Keys would be a breeze. But when she rescues a floundering diver who claims to have seen a ghost, she’s caught in a storm of intrigue. News of the encounter explodes on social media, attracting a team of ghost hunters who want to capture proof that a greenish ghoul haunts Key Largo’s famed USS Spiegel Grove shipwreck.

Mer knows the wreck inside and out, and agrees to act as their safety diver. When Ishmael, the charismatic leader of the group, vanishes during a midnight dive, everyone except Mer is convinced the ghost has claimed another victim. Topside, the tenacious detective in charge of the investigation finds Mer’s involvement in both incidents suspicious, and her enigmatic neighbor resurrects ghosts from her past.

Determined to find a rational explanation, Mer approaches Ishmael’s disappearance as any scientist would—by asking questions, gathering data, and deducing the truth. But the victim’s life is as shrouded in mystery as his disappearance. Still, something happened under the water and before long, she’s in over her head. When someone tries to kill her, she knows the truth is about to surface. Maybe dead men do tell tales after all.

I RECEIVED A DRC FROM THE PUBLISHER VIA NETGALLEY. THANK YOU.

My Review: I'm not in the mood for blandly competent prose and a standard plot. "Mer fell silent for a bit, chewing on the possibilities. Amber probably didn't want to see her. Lindsey definitely didn't want to see her. Detective Talbot had the authority to keep her from a potential crime scene, and apparently had no reservation about exercising said authority. Well, then. She'd just have to get her information another way."

At 25%, I'd already forgotten who Amber and Lindsey were. Not enough to keep me interested.

Alibi / Random House (non-affiliate Bookshop.org link) charges $5.99 for an ebook. Borrow it from the library.

USING GIFT CARDS: Cookbooks...Health, Wellness, Frugality

Now that The Big Day's come and gone, lots of us have some giftcards, or some actual filthy lucre, to spend. There being no better way to spend that haul than on books, here are some reasonably priced options you might not've thought of to get your New Year's resolution-following needs met.
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COMFORT IN ONE: Simple, joyful one pot meals—The Sunday Times Bestseller
HARI BEAVIS
Carnival (non-affiliate Bookshop.org link)
$32.99 all editions, available now

Rating: 5* of five

The Publisher Says: Explore 90 irresistible recipes that call for just one piece of cookware and minimal prep, delivering everyday delight to your kitchen. Whether it’s a one-pan wonder, a hearty traybake, a vibrant salad bowl, or a decadent one-tin cake, each dish promises effortless satisfaction with maximum flavour. Dive into a world of easy comfort food with the latest cookbook from Sunday Times bestselling author Hari Beavis.

Renowned for her down-to-earth approach and irresistible flavours, Hari brings you a collection of heart-warming meals that require just one pan, pot, tray or tin.

Each dish comes with handy alternative ingredient suggestions, allowing you to adapt to what’s already in your store cupboard and tailor your meals to any craving or dietary preference. From speedy suppers to slow-cooked comfort classics, you’ll find inspiration for every mood and occasion.

Recipes include:

Green Goddess Winter Pie—a nourishing, flaky-crusted delight

Rosé Wine Prawn Pasta—effortless elegance in one pan

Chorizo and Manchego Red Pepper Traybake—bold flavours with zero fuss

Slow Cooker Birria Tacos—tender, melt-in-the-mouth goodness

Garlic Butter, Lemon Chicken Orzo—creamy and comforting in a single pot

Pumpkin Risotto with Bacon and Walnut Crunch—seasonal indulgence at its best

Creamy Salmon Salad with Dill and Chive Dressing—a light yet satisfying bowl

Mozzarella, Peach and Prosciutto Salad—sweet, salty perfection

Lemon, Olive Oil and Thyme Cake—tangy and aromatic, all in one tin

With 90 soul-soothing recipes that champion simplicity and flavour, this cookbook invites you to relax, dig in, and discover how easy it is to whip up truly comforting meals. Let Hari Beavis guide you to your new favourite dish—one pot at a time.

I RECEIVED A DRC FROM THE PUBLISHER VIA EDELWEISS+. THANK YOU.

My Review: This is the kind of cookbook you single/two-person householders should buy immediately with your giftcards. Its focus is on how to eat well with minimum fuss on the cooking side and the cleanup side.

I think this is an idea most of us can really get behind. More people live in small households every year across the developed world. It's a great idea to get information and learn tecgniques that will help you navigate this unusual-to-many change of lifestyle. If you or your grands/niblings are just beginning this journey, now is the time to learn the practical realty management needed.

Our journey's organized by the utensil we're using one of. The delights that can be made this way, well, just look:

And, of course, she didn't forget the cake!

A lovely and useful collection of good, practical ideas to make soliary easy to clean up eating fun and pleasant.

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THE PROTEIN ADVANTAGE COOKBOOK: High-Protein, Low-Carb Recipes That Burn Fat, Build Muscle, and Restore Metabolism
CAROLYN KETCHUM
Fair Winds Press (non-affiliate Bookshop.org link)
$27.99 all editions, available now

Rating: 5* of five

The Publisher Says: In The Protein Advantage Cookbook, best-selling author Carolyn Ketchum sets you up for success with the new, higher-protein approach to low-carb eating with science-back advice and 100 delicious recipes.

The Protein Advantage Cookbook is the new template for low-carb eating, filled with the latest science and 100 recipes to help you meet your weight loss, body composition, and health goals.

Authored by best-selling cookbook author, Carolyn Ketchum, The Protein Advantage Cookbook includes step-by-step recipes with full-color photos, the latest research on high-protein, low-carbohydrate eating, and tips and tricks for building your high-protein, low-carbohydrate pantry.

For years, we’ve followed the traditional ketogenic diet formula: high fat, moderate protein, and very low carbs. And it worked—individuals saw the benefits of shifting from being sugar burners to fat burners. However, new science is showing that a low carbohydrate diet with higher protein ratios burns more stored fat and preserves and builds more lean muscle tissue. Recent research also suggests that a large percentage of adults are not consuming enough protein to maintain healthy bodies into middle age and beyond. And numerous experts agree that the RDA or protein for adults over age 50 is too low. High protein, low-carb diets are no longer the purview of body builders and athletes. It is a vital requirement for our health and longevity.

The Protein Advantage Cookbook provides a delicious path to health with recipes like:

Sheet Pan Omelet

Loaded Breakfast Casserole

Protein Bagels

Chocolate Donuts

Turkey Chili Verde

Korean Beef and Broccoli

Spinach Feta Chicken Burgers

Lasagna Stuffed Zucchini Boats

Pork Tenderloin with Dijon Cream Sauce

Easy Protein Chocolate Mousse

Peanut Butter Bars

Protein Cheesecake

Start your high-protein, low-carb journey to optimum health with this game-changing guide.

I RECEIVED A DRC FROM THE PUBLISHER VIA EDELWEISS+. THANK YOU.

My Review: High-protein eating is what turned on my latent gout decades ago. There are squads and fleets of people who need to lose weight for a variety of reasons, whose health will be improved by eating a lot more protein than carbohydrates.

The recipes in this book are simple, easy to follow, and I'll assume very well designed to improve protein deficient dieters' health.

It's obvious the book was designed with tablet-users in mind. It's a very easy to scan and understand design. It's a very well thought out guide to making your transition into a protein-heavy diet.

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SMART YOGURT: New Ways to Make Yogurt that Minimize Prep, Optimize Output, Improve Taste and Texture, Add Natural Flavors, Reduce Intolerance, and Boost Probiotics
MARK SHEPARD
Shepard Publications (non-affiliate Bookshop.org link)
$20.00 paperback, available now

Rating: 5* of five

The Publisher Says: Continuing from his ground-breaking Smart Sourdough, Mark Shepard presents innovative approaches to what may be the world's most popular fermented food.

Yogurt is the quickest and simplest of all the fermented foods you can make at home—or it SHOULD be. More recent methods tend to complicate the process or make it less efficient. Smart Yogurt strips away unnecessary steps and identifies the most practical equipment, so your prep takes no more than a few minutes.

But maybe you have special needs or goals for your yogurt. For those who want to go beyond basics, "Smart Yogurt" presents a wealth of possibilities:

Improving taste and texture without adding to prep time.

Adding natural flavors and colors before incubation, without interfering with firming.

Making your own lactose-free yogurt to increase tolerance.

Boosting your yogurt's probiotic value by starting it from scratch—without any yogurt starter, dried "heirloom" culture, or probiotic tablets.

Making your own non-dairy yogurt without thickeners or stabilizers.

Whether you want to simplify your yogurt making, explore new options, or just understand all the ways milk can be turned into one of the world's most popular foods, Smart Yogurt is your guide.

I RECEIVED A DRC FROM THE PUBLISHER VIA EDELWEISS+. THANK YOU.

My Review: I love this kind of book...simplifying the making of a food that can be quite costly, enabling you to take control of a process traditionally performed at home. It's such a great idea.

All of these are tech discussed in relation to the making of yogurt in the book. The Instant Pot was the most familiar to me, and I'd guess to you as well.

The end products are very familiar, aren't they? Making them yourself is something we can all do pretty easily with this kind of guidance from this author's simple instructions.

USING GIFT CARDS: Cookbooks...weird and witchy

Now that The Big Day's come and gone, lots of us have some giftcards, or some actual filthy lucre, to spend. There being no better way to spend that haul than on books, here are some reasonably priced options you might not've thought of to get your spooky-cake-eating needs met.
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THE LITTLE GOTHIC BAKESHOP: Over 50 Recipes with Sweetness and Shadows in Every Bite
HELENA GARCÍA
Castle Books (non-affiliate Bookshop.org link)
$19.99 all editions, available now

Rating: 4.5* of five

The Publisher Says: The Little Gothic Bakeshop features over 50 deliciously spooky and inventive recipes that bring a gothic twist to everyday baking. Give your baking a wicked, whimsigoth twist with The Little Gothic Bakeshop, featuring sweet and savory treats with a gothic flair.

The Little Gothic Bakeshop showcases over 50 spooky and inventive recipes from The Great British Baking Show star, Helena Garcia, who impressed the judges and audiences alike with her creepy creations. Brewing with mystique, this cookbook is your go-to guide to easily transform ordinary recipes into macabre masterpieces, including devilishly delicious cakes, cookies, pastries, breads, desserts, and drinks.

Covering Bewitching Beverages, Spooky Cookies and Candies, Ghoulish Breads and Pastries, To-Die-For Desserts, and Macabre Cakes and Bakes, unleash your inner goth with recipes like:

Black Cat Mini Swiss Rolls

Spiderweb Sand-witch Cookies

Vampire's Bloody Valentine Lollipops

Flying Broomstick Focaccia Muffins

Skull Boba Bubble Tea

Scary Berry Lemon Tarts

Gothic Arch Peanut Butter Cheesecake

Bat Fougasse

Cemetery Traybake slices

And more!

A combination of tactile illustration and darkened photography throughout the book is a homage to the old Victorian aesthetic of gothic elegance. Step into the dark side of baking and discover recipes that are easy to make, fun and spooky to design, and delicious when devoured. Whether you’re an everyday goth or Halloween-obsessed, The Little Gothic Bakeshop is filled with tricks and treats designed to bring some ghoulish fun to your baking repertoire!

I RECEIVED A DRC FROM THE PUBLISHER VIA EDELWEISS+. THANK YOU.

My Review: The draw here is less unique recipes, these are fairly usual baking-cookbook fare, but GBBO season 10 Helena's design aesthetic.

I thought both Helena and Michelle were robbed that season. I loved Helena's complete willingness to stick to a theme...the vampire's kiss cocktail cake!...went underappreciated by the judges. Her latest baking cookbook is more about how to take ordinary bakes to the next level in theme and decoration. That was Helena's gift, and she's sticking with it.

Small bakes for small crowds, like those above, or big ones for parties like below:

There's all the stuff between, too, like main courses and dinner-do desserts and weird, witch drinks:

Much against my personal taste I'll include some of her chocolate stuff here at the end so I don't have to look at it often:

There. Happy now, chocoholics?

A lovely little lifestyle-enhancer for all y'all Halloweeners who wouldn't buy this unless it was a self-gift.

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BEYOND DELICIOUS COOKBOOK: Recipes & Stories from the Original Ghost Whisperer (2nd Edition, Revised)
MARY ANN WINKOWSKI & David Powers
Clerisy Press (non-affiliate Bookshop.org link)
$22.00 all editions, available now

Rating: 4.5* of five

The Publisher Says: Savor this collection of more than 100 recipes, shared with the Ghost Whisperer by the spirits of several great cooks.

We cook because our connection to food is ever-present. We cook for sustenance and joy. For a culinary experience that’s completely unique, the Beyond Delicious Cookbook tickles your tastebuds while making your paranormal senses tingle. It is half cookbook and half ghost story—two ingredients needed to create meals that are tasty and chillingly unforgettable.

Mary Ann Winkowski (aka “The Ghost Whisperer”) has been communicating with earthbound spirits for most of her life, and she learned that our connection with food is not broken after death. In fact, she has received countless recipes from spirits of great cooks who have passed on. Co-written by David Powers, the Beyond Delicious Cookbook features more than 100 of these recipes, each paired with the ghostly tale of how Mary Ann learned about the dish. The book is divided into sections about soups, sides, main dishes, desserts, and more.

As Mary Ann notes, these recipes are the best home-cooked meals you can find because they came from the kitchens of families who prepared and perfected them over a lifetime. The meals are so beloved that the living asked Mary Ann to get them or so meaningful that a spirit asked her to record them for those left behind. The stories that go along with the recipes are often sweet, sometimes spooky, and always transfixing.

Book Features:

More than 100 recipes passed to Mary Ann from beyond the grave

Ghost stories that explain where each recipe came from

Sections that feature main dishes, sides, desserts, and more

Family favorites that have been handed down from previous generations

I RECEIVED A DRC FROM THE PUBLISHER VIA EDELWEISS+. THANK YOU.

My Review: Believe in ghosts? This cookbook of their remembered favorite recipes is likely to be a hit with you.

Don't believe in ghosts? Bet you like good, basic cooking books to glean new ideas from. And it looks right pretty doing it.

That's as fancy as we get; the Introduction is much more typical of the way information's presented. It's good, basic cooking, and the recipes are not hard to follow.

It's a fun concept for a decent cookbook, presented well. A nice, whimsical self-gift.