THE FIST OF MEMORY
WOLE TALABI
DAW Books (non-affiliate Bookshop.org link)
$17.99 ebook, available now
Rating: 5* of five
The Publisher Says: A strange alien spacecraft suddenly appears in the sky in this electrifying, action-packed first contact novel set in near-future Nigeria from award-winning author Wole Talabi
A hard science-fiction novel featuring an assassin-for-hire, a witchdoctor, and an astronomer, this fast-paced thriller is perfect for fans of Arrival.
When a non-communicative alien spacecraft suddenly appears in the sky, global powers are thrown into turmoil.
But for Tope, a principled Nigerian assassin with a talent for lethality in the employ of the mysterious witchdoctor known as "Baba," it’s all just business as usual. At least until a job goes wrong, and Tope is caught in the scramble—a high stakes game of power and politics for the future that is to come. Joined by Itumeleng, a South African astronomer plagued by mysterious dreams, they must find a way to survive, navigate their complicated pasts, and come to understand how they, and all of humanity, are connected to the alien craft before it lands and the world changes forever. But it won’t be easy. There are sinister forces marshalled against them, including a strange assassin obsessed with a single memory.
The Fist Of Memory is a first contact thriller unlike any other; a meditation on the nature of reality, memory and connectedness.
I RECEIVED A DRC FROM THE PUBLISHER VIA EDELWEISS+. THANK YOU.
My Review: I enjoy hearing an author's idea of alienness directly from the aliens, à la Leckie's Radch. I didn't think Leckie's books were worthy of their worshipful hype. Author Wole intruduces his aliens, the Irunmole, as they are in the Kuiper Belt en route to Earth:
The Irunmole awaken to the glorious, manifold touch of the universe.It's a terrific way to put me mise-en-scène. I'm fresh to this story, don't know what my PoV voices are about yet, need to be led into this reality before I can feel connected to the story so I get time in the Irunmole ship/being(s) to hear them, to feel their immense difference from monadic me.
Rousing, they take stock of themselves; the curve of their stone-skinned cylindrical hull, the emitters and sensors and thrusters, the steady hum of their zero-point engine as it hungrily consumes the vibrational energies from the infinite ocean of fundamental wave fields around them. They are the ship, embodied in its every circuit and panel and processor. A cosmic altar, an interstellar archive, an immortal memory. As responses in the affirmarive come in, myriad signals dancing electric along a variety of signal waveforms, the Irunmole gradually increase the level of their active consciousness, projecting it outward, certain that nothing has been damaged on the long voyage.
What are the Irunmole doing? We only know they're in the Kuiper Belt because the chapter title says so, they could be anywhere, anytime, on their way or arriving to or from any location in the universe. But two words..."Kuiper Belt"...pin us into a place albeit one we humans have never seen, not in any detail, not to need or to generate mental images, like the Irunmole themself we're only oriented because we're aware but not familiar with a space by title.
It's subtle. It fixes the subject of the book. Technology sufficiently advanced, all that jazz, meeting the numinous, the stuff of magic itself, in "consciousness." And so we begin with imaginations tempted, lured into firing our sparkplugs igniting primitive fuel producing power and pollution that obscures the reality of what's occurring. We don't know what that is but feel its immanence.
Now, cruelly, I need to stop telling you about this read because I found it crucial to my experience of this story to enter it only knowing we're going into First Contact territory, we're going into that with an enlightened soul who wants the enlightenment to leave him alone, and it's happening in Africa.
I *hate* when reviewers do that coy thing of "find out for yourself so you'll get the rush, the enlightenment will pound your head on the sands and leave you gasping." If you want to cheat, find out a little too much, here's the author on YouTube so you can click your chance at experiencing the Moment for yourself.
I'll note that I'm disappointed in you for being greedy, and that *I* watched Agranoff's podcast *after* I read the book; you do you, though.
Exploring the spiritual roles of seers and the practical roles of doers, the way that societies apportion attention and what that does to what is and can be seen, what violence used to do something (Ahanna) not simply get something (Tope), is what makes the human parts of the unfolding First Contact so deeply compelling to read for my "colonial empires were still a thing in my teens" self. Even "wrong" serves...the Irunmole, in arriving at Earth and choosing to form contact with a Nigerian sets the culture of SF on its ear...this most resolutely colonizer-centered genre of writing seen in the US as by and for white men follows a Nigerian hitwoman and a Nigerian astrophysicist as well as seer in close third person through a technothriller I crave seeing on a big screen while the Irunmole are...where? how do we know they're there from astronomical data? Because Itumeleng is not only an astrophysicist he's an ancestral line of seers' scion and try as he might he can't unsee.
It's heady philosophical stuff. I think telling the story in alternating third-person PoVs is as good a choice as was available for a story this kinetic, this visual, with a very seriously brain-bending ending. I'm proffering five stars the same way award shows proffer statuettes or bouquets of exquisite color and size.







