SINGING BONES: An Epic Saga of Loss and Survival in an Ancient Neolithic World, Téuta's World series #2

SINGING BONES: An Epic Saga of Loss and Survival in an Ancient Neolithic World
S.G. ULLMAN
Stuart Ullman (non-affiliate Amazon link)
$5.99 ebook, available now

Rating: 4* of five

The Publisher Says: Nearly 8,300 years ago, a sudden climate collapse reshaped the earth. Winters grew longer and colder, harvests failed, coastlines flooded, and the ground itself became unstable. For the Téuta, a settled Neolithic village that had endured for generations, survival became uncertain.

Eini is born with troubling visions of disaster—warnings her people dismiss as superstition. As the climate worsens and violence spreads among desperate neighbors, Eini spends her lifetime trying to protect her family and preserve the fragile traditions that hold her community together. When catastrophe finally strikes, the Téuta must face the unthinkable: abandoning their ancestral home and redefining who they are in a transformed world.

Told across generations, Singing Bones follows the lives of women whose strength, memory, and resilience shape the fate of their people—from prophecy, to survival, to leadership forged in loss. Song, story, and shared history become tools of endurance in a world where nothing can be taken for granted.

Grounded in real archaeological and climate research, Singing Bones is ancient historical fiction set during the Neolithic era. Its spiritual elements arise from a prehistoric worldview in which nature, belief, and survival are inseparable. Sweeping yet intimate, it explores how early civilizations responded to climate catastrophe, displacement, and change.

Perfect for readers of immersive historical fiction, ancient civilizations, prehistoric survival stories, and epic sagas rooted in humanity’s deep past.

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My Review: Three years ago, I gave Author Ullman's The Téuta's Child four stars. It's a deeply human story of dealing with the hand that's dealt to you, one that patiently invites you to be in a human world long vanished and still, because humans are truly never going to change in basic needs, familiar within its fascinating surface differences.

One basic reality of human life is loss, losing love, losing comfortable certainty; the other angle of view on this is change, that difficult-to-endure condition of uncertainty and adjustment and learning. The world our characters inhabit is changing with relentless momentum. It was a time in human history wherein the very earth beneath people's feet was vanishing, prey animals were simply vanishing, the whole basis of life was unsettled, no longer trustworthy and familiar. The last days of vanished Doggerland brought to vivid life through the story of a woman and her descendants is poignant and very emotionally involving.

I was a little confused about how Eini's visions could be dismissed in a time of supernatural reality being the only way to understand the world. It's necessary, of course, for there to be a story...the hero faces the obstacle of disbelief in order to make the reader invest in their rightness...but rwally, simply being required to question how that could happen made me reflect on how, eg, climate scientists must experience their world. I bear down hard on the concept of "vanishing" because its connotation of helplessness, of cruel inevitability and enforced absence. It is inherent in the idea of seeing the world around you change into something you've never seen before, have no idea how to deal with, can't even imagine what to change in yourself to cause positive adjustment.

There's a lot to be said for that kind of rattling uncertainty to make a story work. This story made me sit still and absorb the fear, the panic, the resolve summoned from one's depths, as these brave human beings took their lives in their hands and...angrily, fearfully...made the changes they needed to in order to survive.

I hope very much we will get more stories in this dynamic world.

A GUARDIAN AND A THIEF, FINALIST FOR THE 2025 NATIONAL BOOK AWARD

A GUARDIAN AND A THIEF
MEGHA MAJUMDAR
Alfred A. Knopf (non-affiliate Bookshop.org link)
$14.99 ebook, available now

The Carol Shields Prize for Fiction’s SHORTLIST nominee! Winner announced 2 June 2026.

LONGLISTED for the 2026 Women’s Prize for Fiction. Shortlist coming on 22 April 2026.

Time's The 100 Must-Read Books of 2025 selection

One of Lit Hub’s 43 Favorite Books of 2025!

A New York Times 100 Notable Books of 2025 selection

On the ALA's 2026 Andrew Carnegie Medals for Excellence longlist.

Rating: 4.75* of five

The Publisher Says: FINALIST FOR THE 2025 NATIONAL BOOK AWARD (Winner announced 19 November 2025) • FINALIST FOR THE KIRKUS PRIZE • Megha Majumdar’s electrifying new novel, following her acclaimed New York Times bestseller A Burning—longlisted for the National Book Award—is a piercing and propulsive tour de force.

In a near-future Kolkata beset by flooding and famine, Ma, her two-year-old daughter, and her elderly father are just days from leaving the collapsing city behind to join Ma’s husband in Ann Arbor, Michigan. After procuring long-awaited visas from the consulate, they pack their bags for the flight to America. But in the morning they awaken to discover that Ma’s purse, containing their treasured immigration documents, has been stolen.

Set over the course of one week, A Guardian and a Thief tells two stories: the story of Ma’s frantic search for the thief while keeping hunger at bay during a worsening food shortage; and the story of Boomba, the thief, whose desperation to care for his family drives him to commit a series of escalating crimes whose consequences he cannot fathom. With stunning control and command, Megha Majumdar paints a kaleidoscopic portrait of two families, each operating from a place of ferocious love and undefeated hope, each discovering how far they will go to secure their children’s future as they stave off encroaching catastrophe.

A masterful new work from one of the most exciting voices of her generation.

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My Review: No better way to explain the world to itself exists than the telling of stories. We do not all create for ourselves stories of consequences and of forces that exact consequences absent any input from ourselves. It's why we have writers, they do this heavy lifting for us.

Author Majumdar does the lifting with a careful design and a powerful effort. Boomba, Ma, Dadu, and Mishti are all very much people in my story-eye. I know why Boomba did what he did; I know why Ma does what she does; I am in each place seeing each reality, feeling the desperation in each action.

Choosing the best of your very bad options is an evergreen storytelling plot. Being a guardian, a thief, a human, is always a moving spot on a spectrum, and highly dependent on the point of view of the observer. Nothing in life is fixed, or at least not for very long; Boomba exemplifies the observer-makes-the-interpretation paradox. No one in this story is going to end up happy. "HappiER" is even a stretch. Yet they all strive, they all do something, no matter how weird to our twice-removed eyes.

It can never, ever be more obvious that the drive to live, the will to go on because on is the only way to go, is the proper material of storytelling. We are creatures of story who require heartening to go on, even though it is the only way To Go. Hearten yourselves. Go on.

It was her duty, as a guardian, to put into action the beautiful ideal of hope. Ma thought harshly: This was what it looked like. Hope for the future was no shy bloom but a blood-maddened creature, fanged and toothed, with its own knowledge of history’s hostilities and the cages of the present. Hope wasn’t soft or tender. It was mean. It snarled. It fought. It deceived. On this day, hope lived in the delivery of gold to a man who might be a scammer, and, perhaps, hope lived also in opening the doors to a thief.

RED FLAG WARNING: Mutual Aid and Survival in California’s Fire Country, a very useful anthology of leaders-by-example

RED FLAG WARNING: Mutual Aid and Survival in California’s Fire Country
DANI BURLISON & MARGARET ELYSIA GARCIA (editors; introduction by Manjula Martin)
AK Press (non-affiliate Bookshop.org link)
$18.00 ebook, available now

Rating: 4* of five

The Publisher Says: Two survivors of California fires compile a guide for living physically, mentally, and emotionally amid ecological destruction.

When warm temperatures, low humidity, and strong winds combine they produce an increased risk of fire danger called a "red flag warning"—a common event in Northern California. Through essays and interviews, Red Flag Warning sheds light on how wildfire impacts our communities and offers wisdom on living with fire from Indigenous Californians, community organizers, mental health care workers, environmentalists, fire analysts, sustainable loggers, parents, and more.

The collection explores the ways these fires take root and impact rural and urban Northern California, it examines our relationships to place and community and to understand the importance of mutual aid, organizing, community care, land stewardship, and resilience. Red Flag Warning covers the stories not frequently found in the often disaster-porn obsessed media and exposes what is lost in the news written by parachute journalists. Readers are invited to examine what fire can and does mean to them, what it means for us to reimagine the world, to prepare for the worst, and to examine flames through different lenses. Contributors include Manjula Martin, Hiya Swanhuyser, Zeke Lunder, Lasara Firefox Allen, Margo Robbins, Kailea Frederick, Redbird Willie, and more.

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My Review: "Victims of climate disaster" is a very effective distancing and Othering way to look at the results of humanity's unbridled greed. It puts the reader, or viewer, outside the horrors enacted for their titillated pity.

This anthology of essays is not about that. It is a series of accounts from the people in the (sometimes literal) trenches; these are the stories that your news source draws from to present its gods'-eye view and enable thereby your hunger for information without the emotional investment of intimacy.

Tear off the bandage, look at the real wound.

We're pretty complacent, us readers. We eagerly feed our heads information. It's the miracle, and I do not use the term lightly, of the internet age. We sit on an IMMENSE information structure, one designed ad hoc. We get to edit what from it we consume, how we consume it...we never need to examine the act of consumption itself. When one consumes a thing it must be processed, broken into needed and not-needed parts, then winnowed to remove the not-needed bits.

Our minds perform this function automatically (thanks to many thousands of hours' training), just like our guts do with sustenance. The main difference is we can train our brains to do different things more readily than our guts. What we put into them is in both cases the determining factor of what we get out.

Consuming more "disaster porn" reportage is not informing you of anything more than some selectively presented bits of fact in a heavy sauce of context, aka distortion. It's not usually done maliciously or with the intent to misinform you, but that is always, inevitably, the effect of choosing an "angle" to report.

This very short anthology, under two hundred pages, is an excellent way to jailbreak your information stream with stories of how people really there, with property at risk and friends/lovers/neighbors to care for, managed the balancing act of keeping themselves safe while taking needed action. What did they lose? Who did they lose? How does the world look to them now? What does taking personal action look like in an overwhelming, immense, uncontrollable apocalypse?

More news coverage will only create a seriously unhelpful sense of remove from what is happening to us. It is not just happening around us. In the voices of those who actually faced this unimaginable horror and still used their learned empathetic response to do something selfless, the essays here give us a gift of example to use and to praise. Not every essay is perfectly polished, or equally carefully thought out; but that's the nature of this format, and they all add their bit to the gestalt: Do something. Help. Serve a greater purpose.

Learn and take inspiration from these stories of what ordinary people, acting on their empathetic promptings, did (and can do) for themselves and each other.

ALL THE WATER IN THE WORLD, good iteration of my delight the "Now what?" post-apocalyptic tale

ALL THE WATER IN THE WORLD
EIREN CAFFALL
St. Martin's Press (non-affiliate Amazon link)
$14.99 Kindle edition, available now

One of Ancillary Review of Books' 2025 Notable Books!

Rating: 4* of five

The Publisher Says: In the tradition of Station Eleven, a literary thriller set partly on the roof of New York’s Museum of Natural History in a flooded future.

All the Water in the World is told in the voice of a girl gifted with a deep feeling for water. In the years after the glaciers melt, Nonie, her older sister and her parents and their researcher friends have stayed behind in an almost deserted New York City, creating a settlement on the roof of the American Museum of Natural History. The rule: Take from the exhibits only in dire need. They hunt and grow their food in Central Park as they work to save the collections of human history and science. When a superstorm breaches the city’s flood walls, Nonie and her family must escape north on the Hudson. They carry with them a book that holds their records of the lost collections. Racing on the swollen river towards what may be safety, they encounter communities that have adapted in very different and sometimes frightening ways to the new reality. But they are determined to find a way to make a new world that honors all they've saved.

Inspired by the stories of the curators in Iraq and Leningrad who worked to protect their collections from war, All the Water in the World is both a meditation on what we save from collapse and an adventure story—with danger, storms, and a fight for survival. In the spirit of From the Mixed-Up Files of Mrs. Basil E. Frankweiler and Parable of the Sower, this wild journey offers the hope that what matters most—love and work, community and knowledge—will survive.

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My Review: I really liked Station Eleven a lot. I'm a sucker for this story: After the Fall, now what? Maybe proof of this enduring fascination is my championing of Earth Abides (now a TV show) and Day of the Triffids. The genre presents a long tail of goodwill, then, as well as wide scope for action set in the present. This story is split between the present crisis...being flooded out of their home on the roof of the American Museum of Natural History...and how things came to be so terrible that this is where their home needs to be.

A really good story idea, one that has a lot of genuine and affecting emotional resonance; then uses up its narrative momentum by structuring the past as flashbacks. Once or twice, okay; more than that it becomes a real drag. Start the story in the past. Trust the reader to invest in the characters, and rip our lungs out by showing us in real time what's happening. It felt to me the author was cushioning the blow by using this method of storytelling.

So no fifth star from me.

Four stars were assured when this happened:

“Hell, it was happening, I saw it happening. But I couldn’t picture it, you know? I couldn’t picture how we’d lose the seasons, how it would be tropical heat in November, but still have blizzards that melted into heat waves. I couldn’t picture the way the storms come and then come back. Not the polar cold fronts in the south. Not the new hurricanes, the hot winters, the king tides, the typhoons going east then west then east again. It should have been easy to see. It was in the data.”

This is exactly and precisely how I've been feeling about others' apparent inability to retain the thread between the past climate events and their all-but-certain genesis. My problem is that I *can* picture it and am cursed with seeing it before my appalled eyes...it's like, in the space of thirty-nine years, I've moved from New York to Maryland. Without moving an inch.

I won't live long enough (I hope) to see this novel's world in the flesh. I expect that, if I'm cursed to do so, it will look a lot like this. It was Author Caffall's gift to me to make me a lot gladder that I'm really old and fairly infirm.

The reason I hope you'll read it, though, is that its sisters Nonie and Bix are the kind of kids we should all strive to raise. They are resilient, they are resourceful, they are respectful of the limited resources they can command and mindful of their good fortune, they are angry enough to work for more and humble enough to know what "enough" means.

They made the issues I had with the structure into cavils. Had I not had them to invest my emotional energy into, I would've enjoyed the story a lot less. As it is, I do recommend it, and hope you'll take this as your nudge to see what a wounded planet will do to heal itself.

THE MARS HOUSE, latest from the ever-delightful Natasha Pulley

THE MARS HOUSE
NATASHA PULLEY
Bloomsbury USA
$15.99 ebook, available now

Rating: 4.8* of five

The Publisher Says: From the author of The Watchmaker of Filigree Street, a queer sci-fi novel about an Earth refugee and a Mars politician who fake marry to save their reputations—and their planet.

In the wake of environmental catastrophe, January, once a principal in London’s Royal Ballet, has become a refugee on Tharsis, the terraformed colony on Mars. In Tharsis, January’s life is dictated by his status as an Earthstronger—a person whose body is not adjusted to Mars’s lower gravity and so poses a danger to those born on, or naturalized to, Mars. January’s job choices, housing, and even transportation options are dictated by this second-class status, and now a xenophobic politician named Aubrey Gale is running on a platform that would make it all worse: Gale wants all Earthstrongers to be surgically naturalized, a process that can be anything from disabling to deadly.

When Gale chooses January for an on-the-spot press junket interview that goes horribly awry, January’s life is thrown into chaos, but Gale’s political fortunes are damaged, too. Gale proposes a solution to both their problems: a five-year made-for-the-press marriage that would secure January’s financial future without naturalization and ensure Gale’s political future. But when January accepts the offer, he discovers that Gale is not at all like they appear in the press. And worse, soon, January finds himself entangled in political and personal events well beyond his imagining. Gale has an enemy, someone willing to destroy all of Tharsis to make them pay—and January may be the only person standing in the way.

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My Review: This has a very "ripped-from-the-headlines" feel, like a big issues-driven Movie of the Week in the 1980s. The playfulness that the author, comme d'habitude, uses to frame her presentation of the Issues made me smile. I am particularly fond of the way she plays with the MM romance trope of a fake marriage that leads to a real relationship, in the context of a serious contemplation of the refugee crisis and the ever-increasing backlash againt gender minorities.

No one ever accused Author Pulley of lacking ambition.

Even inclusivity excludes, when it is a mandate...I am not a they, I am a he, and will resist being "they"d because of the same reasons I ask people what their not-always-obvious pronoun preference is. Like any overarching solution, it will not work for everyone...like absurd wealth disparities don't, like hypercompetition won't. And, as I expect from the author of The Kingdoms and The Secret Life of Valery K., that is the point. She invites us in to have a good, solid storytelling, then the real purpose sort of creeps up behind your chair and slaps some ropes around your wrists so you *need* to know what happens while also getting yor mind wedged open a bit.

Like the surgical "naturalization" of the Earthstrong immigrants that will artificially weaken them to make the like "real" Martians instead of merely imprisoning them in tightly binding suits...oh my goodness, the unpleasant parallels to our culture war over transness and the nature of being a "real" something. "We must PROTECT our weakest from these interlopers!" The eternal cry of the high-control fascist-leaning cultural bully. The Earthstrong immigrants have a terrible social ostracism as threats to the adapted Martians, confined to menial labor that renders their actual physical power differential a big advantage.

January, our main character, is the only character referred to by a masculine pronoun. As a former dancer, he is strong and lithe even by Earth standards. This makes him a scary monster of a beast to the adapted Martians, much less gravity having attenuated their strength and stamina. This is quite a come-down for him since he was once a principal dancer at the Royal Ballet. It does make his masculine pronoun feel simultaneously othering and fetshizing...like all perceived-stronger minorities his gender is hyperemphasized. This makes his union with Martian nativist Senator Gale, whose impromptu soundbite caused January tremendous social trouble, all the more trenchant in its commentary on the social construction of gender and the fetishization of, especially the visible, Others in a society.

Like we do with highly intentionally muscular men, heavy-breasted women whose endowments are clearly artificially augmented, and those whose skin and/or eye colors are not like the resident majority's are.

This, then, is Author Pulley at her tendentious best. The invitation to think through the role of fetishization, or simply enjoyed as the slow, rocky coming-together of two people from opposite sides of an ideological divide, is there. It is up to you which one you wish to foreground as you read the book. The interpersonal stakes are not shorted, or allowed to dominate; they are, as always in this author's œuvre, balanced carefully thus enriching each strand.

What makes the read just less than five stars for me is my rather less than enjoyment experienced by the inclusion of resurrected wooly mammoths. The entire ecological commentary is, for my money, twee and forgettable, though of course well-crafted...I just do not buy the animals' PoV bits, which thankfully are confined to footnotes. This is a facet that will delight some but did not me.

A worldbuilding tour de force, a meet-cute/fake marriage queer love story, a takedown of high-control ideology, and most of all a chance to fall in love alongside two wounded souls who had to travel from literal different planets to find their happiness.