Showing posts with label graphic storybook. Show all posts
Showing posts with label graphic storybook. Show all posts

Monday, June 13, 2022

GAY GIANT, a graphic memoir from Chile about being Different in a place at a time where that was Bad


GAY GIANT
GABRIEL EBENSPERGER

Street Noise Books
$19.99 trade paper, available now

Rating: 4* of five

The Publisher Says: A child who feels like an outsider in a world that’s set against him. A boy who sings on the playground instead of playing soccer, who likes Barbies, and whose secretly favorite car is the one called Tutti Frutti. Gabriel Ebensperger shares with us his struggles with his own inadequacy, his feelings of guilt, and above all, his fear that his “difference” will be discovered. The vibrant bright pink pages of Gay Giant paint a picture of what it was like to grow up being gay in the ’90s, through the voice of an endearing character, who on the way to becoming an adult realizes that the rejection of the world is never over, and that true acceptance comes from within yourself.

A gay giant can't hide. This charming coming-of-age and coming-to-terms with oneself story shows us what it feels like to grow up queer in a heteronormative society in the 1990s.

Filled with pop culture touchstones from Cher to Steven Tyler, from Jurassic Park to Grey's Anatomy, this book navigates both the joy and the pain of puberty surrounded by ignorance and homophobia. How do you love yourself if you've learned so well to hate yourself? For all of us who've ever felt bizarre, damaged, or strange, we are shown that all is full of love, and that true acceptance must come from within yourself.

I RECEIVED A DRC FROM THE PUBLISHER VIA EDELWEISS+. THANK YOU.

My Review
: Chile isn't exactly famous for its history of QUILTBAG rights protections. The country legalized same-sex, um, relations in 1999. But like everywhere else on Earth, at every time since there have been humans on Earth, people been usin' what they got to get their groove on since forever.

What Author Ebensperger experienced, then, as a youth in a macho culture, wasn't external affirmation or even acceptance. He was, well, weird. And weird kids suffer at the hands of their peers. It's the hands of their parents that do the most damage, though it looks like Author Ebensperger's parents were either remarkably chill, if significantly out of their depth, or he glossed over some stuff. Frankly I don't think that is the case because he and I share a favorite car: The godlike Citroën CX. He prefers the first year, 1974; where I idolize the 1978 Pallas model. Probably because I drove one and had A Crisis. *shiver*
How do I know this about him? He draws all of his cars very carefully, so I can see them vividly. (I confess I don't understand why his parents' 1967 Peugeot was evil; but I totally support his assessment of the W114 Mercedes-Benz as the Vehicle of the Antichrist.) And at a crucial moment, the aforementioned Citroën CX does a Back-to-the-Future-esque cameo. And that explains why I rated this graphic memoir a full four stars when 1) I HATE PINK and b) I ain't wild about sequential-art storytelling in general.

Look:



Under normal circumstances, I'd struggle to find something polite to say about the pinkness of the exercise, despite the really wonderfully clear message of self-acceptance and a dropping of one's internalized homophobia about "nelly queens" or "femmes" or, generally, men who don't fit the masculine stereotype. I mean, no one's asking you to marry the guy! Just don't sneer at him, or belittle him, or even (if you simply can not keep your heteronormative judgments to yourself) pollute his air with your breath. (Pink was the only color my mother could really love so I was surrounded by it. I hate it for that reason.)

But let me say again for the rare newcomer to my ambit: I am always looking for ways to challenge my habits and patterns and prejudices because I am hell-bent on not dying above the neck before I do below it. I get lovely rewards, like reading this charming essay in knowing your true self and working until you're in a love relationship with that self. I get to look at people from countries so very far away from my own perch in the Northestern US tell stories that were true for me, thirty years before these stories took place. I am not alone; neither is the author; we are connected in an experience of the world as outsider other unwanted and, as a result, damaged in ways no one should be.

Here we are, in a new century, in a world that keeps trending towards a better, brighter future (if you ignore climate change) and yet there are always people who don't fit and whose pain is crippling. Yes, Our Flag Means Death was renewed, and there's a lovely clap-back against the vile racism recrudescing in the Star Wars stewpot, and still we hear the lunatic right-wing idiots braying their teeth out about pedophile faggots (almost exclusively a heterosexual crime, pedophilia, but we all know how much that crowd respects facts). I am still gruntled and kempt as I contemplate Street Noise Books's list in all its truth-telling glory. I am still wreathed in happy smiles as I leaf again through this 256-page bath of pinkness, because it tells me that my story is shared...right down to the survival and thriving of its main character.

Who has awesome taste in cars.

Saturday, June 19, 2021

TWO XENA: WARRIOR PRINCESS GRAPHIC NOVELS


XENA: WARRIOR PRINCESS, Volume 1: All Roads
GENEVIEVE VALENTINE (Author); Ariel Medel, Jenny Frison (artists)

Dynamite (non-affiliate Amazon link)
$15.99 Kindle edition, available now

Rating: 4.9* of five

The Publisher Says: To the thrill of rabid fans the world over, television's Xena: Warrior Princess is back for swashbuckling new adventures!

After the Twilight of the Gods, the world is precariously uncertain, and Xena and Gabrielle have been missing for twenty-five years. The power of Rome is growing; Caesar is determined to conquer by lies what he can't conquer by force, and the people at its edges know what's coming.

Our heroines return to stop him before they have to wage war against a man they once called a friend... but along the way, Xena will have to confront her past against a rogue band of women warriors, and Gabrielle, whose secret visions are becoming prophecy, will have to protect her partner at any cost.

I RECEIVED A DRC FROM THE PUBLISHER VIA EDELWEISS+. THANK YOU.

My Review
: I'm not a native comic-book reader. It wasn't A Thing, I just wasn't offered them by anyone I knew until (apparently) too late in my development of story-acquiring techniques. In my ongoing quest to remain mentally flexible, though, I determinedly seek out graphic novels to challenge my preconceived notion that they're somehow lesser-than and unequal to text story presentations.

Xena, OTOH, has never once since she showed up in The Adventures of Iolaus and that other jackanapes I don't like, failed to amuse, entertain, delight, or just generally please me. So what could be better than a freebie look at a Xena story? No risk, decent possibility of reward.

Rewarded. I can't reproduce the artwork from this lovely story, sorry, but good gawd is it lush and smooth and expertly emotion-tweaking. It's clearly meant for adults, and by adults I mean mental ones if not necessarily chronological ones.

Everything about the artwork as relates to the story made all my hairs stand up. I kept going back a few pages to see where *this* little detail turned into that pretty focus. I love that paintings of Hieronymus Bosch for this same effect on my attention, though I'm no way no how comparing the capable artists here to The Great Master Bosch. Don't, fellow comic-book snobs, make the mistake of thinking you're in for a lesser storytelling experience. Different, yes; lesser, no.

+++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++



XENA: WARRIOR PRINCESS, Road Warrior
VITA AYALA (Author), OLYMPIA SWEETMAN (artist)

Dynamite (non-affiliate Amazon link)
$15.99 Kindle edition, available now

Rating: 4* of five

The Publisher Says: In a time of ancient gods, warlords and kings...a land in turmoil called out for a hero! She was XENA, a mighty princess forged in the heat of battle! In this all-new series, writer VITA AYALA (Black Panther, Shuri, Wonder Woman, The Wilds) and artist OLYMPIA SWEETMAN throw Xena and her companion Gabrielle headfirst into a mysterious adventure. Can Xena discover the secrets of a village full of super-strong children, before jealous and petty GODS get involved?

I RECEIVED A DRC FROM THE PUBLISHER VIA EDELWEISS+. THANK YOU.

My Review
: The very best thing about this storyline is that Xena and Gabrielle are very, very firmly A Couple. There is not hinting, or hairpin dropping, or waffling: The ladies are together and they are not making any bones about it. As it goddamned well always should have been.

There is a risk in doing something unfamiliar and not entirely to one's taste twice in a row. That is what happened here. It's not just the artists weren't quite as aesthetically to my personal taste as the ones above...it was that the illustrations were uneven in quality.

I'm still very, very impressed that the storytelling is so well mated to the ideas and images. I'm just not quite as blown away. Still, I remain open to the pleasures this visual storytelling medium has to offer a very textual person. That's quite a thing for an artform to be able to do.

Saturday, May 1, 2021

HEARTSTOPPER VOL. ONE, a graphic novel YA coming-of-age coming-out story


HEARTSTOPPER vol. 1
ALICE OSEMAN

Graphix (non-affiliate Amazon link)
$9.99 on Kindle

Everyone else on the planet luuuvs these stories and, on 20 May 2022, Netflix viewers (including me, actually) are getting two more seasons with two cute-enough English boys playing the leads. Enjoy!

Rating: 3.5* of five

The Publisher Says: (from the author's site) Boy meets boy. Boys become friends. Boys fall in love. An LGBTQ+ graphic novel about life, love, and everything that happens in between - for fans of The Art of Being Normal, Holly Bourne and Love, Simon.

Charlie and Nick are at the same school, but they've never met ... until one day when they're made to sit together. They quickly become friends, and soon Charlie is falling hard for Nick, even though he doesn't think he has a chance.

But love works in surprising ways, and Nick is more interested in Charlie than either of them realised.

Heartstopper is about love, friendship, loyalty and mental illness. It encompasses all the small stories of Nick and Charlie's lives that together make up something larger, which speaks to all of us.

This is the first volume of Heartstopper, with more to come.

(from Goodreads) Charlie, a highly-strung, openly gay over-thinker, and Nick, a cheerful, soft-hearted rugby player, meet at a British all-boys grammar school. Friendship blooms quickly, but could there be something more...?

Charlie Spring is in Year 10 at Truham Grammar School for Boys. The past year hasn't been too great, but at least he's not being bullied anymore. Nick Nelson is in Year 11 and on the school rugby team. He's heard a little about Charlie - the kid who was outed last year and bullied for a few months - but he's never had the opportunity to talk to him.

They quickly become friends, and soon Charlie is falling hard for Nick, even though he doesn't think he has a chance. But love works in surprising ways, and sometimes good things are waiting just around the corner...

MY GOODREADS FRIEND STEVEN LOVED IT TO BITS AND IT WAS CHEAP SO WHY NOT?

My Review
: The reasons why not:
1) YA...how often have I bemoaned the depressing prevalence of YA books in publishing? It seems that what ain't Fifty Shades of Ptui is Twiphlegm.
2) Coming-of-age...hated that mess in 1972, no fonder of it 49 years on.
3) Coming out...never having been convincingly *in* I'm less emotionally invested in coming *out*.
4) Graphic novel...comic books weren't part of my childhood. My sisters are more like aunts, I have no memories of them before they were teens so, to me, adults. The boys I hung around with weren't comic-booky sorts, they were playscripts and Asimov readers, Star Trek fanfic writers...not superhero-worshipping guys. They could, however, decline the nouns in Elvish from Lord of the Rings and draw maps of Mordor from memory.

So what the hell was this oh-so-precious overbred individual doing here? Making a concerted effort not to die above the neck before dying below it. Must examine and challenge those prejudices lest they clog my mental arteries too far.

It was fun, in a weird way, to make it through the story in 25 minutes, then go back and really look at the art.
They meet after a random seating assignment:

















They get interested in each other:
















Things move along, Nick discovering that he's got Feelings for another guy and...liking it:

















...and Life goes on.

That's where I start moving with the times. I LOVE the message of this story, I think the presentation of the big sporty boy who's really just never so much as thought about boys sexually finding out that falling in love means it's with the guy wearing the body, not the body alone.

Yeah. Absolutely perfectly in tune with the way I think about the world of sex and love. So very much what I'd've given my son!

So, on balance, a yes from me with the caveat that I wouldn't read more at the regular $9.99 price because of my own tastes...and I'd say the art is, at best, serviceable. I always knew at whom I was looking, and had a vague sort of feel for where the scenes were set, but...if I was wearing socks, they wouldn't be blown off. Again, that's a personal taste matter, and the pages above should tell you what you think of the art for yourself.

Smiles, not wreaths of joy, are more than good enough in the Plague Year.

Thursday, April 30, 2020

Three new illustrated books: LEWSER!; BOG BODIES; I WISH


LEWSER!: More Doonesbury in the Time of Trump
GARRY B. TRUDEAU
Andrews McMeel Publishing
$16.99 oversized paperback, available for pre-order

Rating: 3.75* of five

The Publisher Says: A mirthful and merciless skewering of the Trump administration from the senior statesman of political cartooning, Garry Trudeau.

From the Pulitzer Prize-winning cartoonist whose acclaimed Yuge!: 30 Years of Doonesbury on Trump blew up the bestseller list, G.B. Trudeau's third (and final?) collection of Doonesbury Trump cartoons takes readers through the dark heart of Trump's presidency and into 2020 election mania. Including two years' worth of original Doonesbury Sundays, full-color spreads, and 18 previously unpublished strips, the completion of Trudeau's Trump trilogy arrives just as the 2020 election is in full swing.

I RECEIVED A DRC OF THIS TITLE FROM THE PUBLISHER VIA EDELWEISS. THANK YOU.

My Review
: You already know if this book is for you. If you voted for 45 (why are you reading my reviews, for a start) you shouldn't even acknowledge it exists. If you didn't vote at all, pre-order it immediately for July delivery. If you didn't vote for 45, but voted, well...do you like banging your fingers in filing-cabinet drawers? Do you laugh at car wrecks? Your jam awaits.

For my part, I'm just thrilled that Garry Trudeau still has the mental and visual acuity to mirror that which is painfully obvious in terms both amusing and enlightening. Even though it's a bit much taken all together. Maybe space out the read.


In a cartooning career spanning decades of political chicanery, I don't think Garry Trudeau's ever had a target-rich environment like this one. Even Nixon, as horrendous a person and a president as he was, couldn't match this "administration" for vileness. His appointees, while evil, weren't incompetent and downright stupid like 45's are. Well, you either know that or reject knowing that already; this isn't a sophistic enterprise but a tendentious one. You've been informed. Decide according to your prejudices what to do about buying the book.

++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++


BOG BODIES
DECLAN SHALVEY (writer); GAVIN FULLERTON (artwork); REBECCA NALTY (colorist)

Image Comics
$12.99 oversized paperback, available for pre-order

Rating: 4* of five

The Publisher Says: An Irish gangster on the run after a job gone wrong stumbles upon a young woman lost in the Dublin mountains. Injured and unarmed, the unlikely pair must try to evade their pursuers and survive the desolate bog that has served as a burial ground for unspeakable murder throughout history. DECLAN SHALVEY (INJECTION, SAVAGE TOWN) and GAVIN FULLERTON (Bags) deliver a cold and poignant story of crime, survival, and regret.

I RECEIVED A DRC OF THIS TITLE FROM THE PUBLISHER VIA EDELWEISS. THANK YOU.

My Review
: This May 20, 2020, release from Image Comics is deeply Irish, using lots of Irish cuss words and ones we in the US think of as swear words...ladies in the audience, "cunt" does not mean the same thing in Ireland!...which you'd do well to consult the Urban Dictionary about as you run across them.

The flat, brutal art and the dark, flat colors are a fine tonal match for the story of Killian, a small-time wise guy and a major fuck-up whose rope has finally run out. The son of a murdered gangster, he followed in his dad's footsteps without the talent for it. It has led to the moment in this story, a brutal life's summation and judgment; it's a morality tale, of course, but it's got a few little grace notes. Is there some hope for Killian in the afterlife, after the major cock-up that's led him to his end?

Mad Maureen, the old woman who lives in a conveniently remote place, is a sheer delight. Her weird world, the one her nephew Keano...aging in an unforgiving world as "the Bishop"'s enforcer...has made for her. It suits. It really suits. Madness is always lonely; Maureen's isn't. She has plenty of company courtesy of Keano and the Bishop.

So at the end of the story, all the chickens come home to roost. There's closure. It's like the closure of a coffin lid, yes, but it's not less satisfying for all that. What it isn't is, well, conventional.

If you're up for a dark and cruel story of consequences and simple but brutal endings, this is your noir jam. Apart from the Irish-slang issues, it's a good solid crime read.

++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++


I WISH
TOON TELLEGEN (poetry); INGRID GODON (artwork); DAVID COLMER (translation)

Elsewhere Editions
$14.00 ebook, $22.00 hardcover, available now

Rating: 4* of five

The Publisher Says: Bestelling Dutch children's author Toon Tellegen matches 33 imaginative prose-poems prompted by the statement "I wish" with luminous, old-fashioned portraits by Ingrid Godon in this beautiful, unique volume perfect for thoughtful young readers.

I Wish pairs writing with a gallery of portraits inspired by old-fashioned photographs - faces staring out at us with the serious, veiled expressions of a bygone time. Scattered among the paintings are young children, men and women, and babies, speaking through Toon Tellegen's yearning language. Like dozens of confessions poured from the page, the writing presents a glittering kaleidoscope of wishes, from imagined feats of heroism to reciprocated human love.

I RECEIVED A DRC OF THIS TITLE FROM THE PUBLISHER VIA EDELWEISS. THANK YOU.

My Review
: Toon Tellegen is a Dutch poet whose work I've liked (Letters to Anyone and Everyone was a hit with me, illustrated by Jessica Ahlberg instead of Ingrid Godon's artwork inspiring Tellegen as in this book), aimed at younger readers though it is. Permaybehaps that's why I liked it from the moment I discovered it, come to think on it; unlike most poetry, it isn't gawdawful pit-sniffing slef-absorbed and -referential narcissism and condescension. It conveys its message simply and directly, though that message is subject to the reader's interpretation. The two pieces below will demonstrate that the knowledge one brings to the read will shape the poem's meaning.
CARL
I have a little list of conditions I have to fulfill to be satisfied with myself. When I read that list, I think, there are two things I can do: either make a list that's even shorter or never be satisfied with myself. What should I do?

JULIA
When I'm sad I always think: and the saddest is yet to come... Then, besides being sad, I'm scared too.
Why do I do that?
When I'm happy I never think:
and the happiest is yet to come...
When I'm happy, I'm always just
happy.

An adult reader will sense different layers of meaning; your twelve-year-old niece will feel understood, most likely, and thus happily seen and heard. It's a wonderful gift to be given at that age. Feeling seen is a jolt, an emotional high, for adults who can command it in so many more ways than a tween can. This book is for that tween, to elicit the joyous sense of release that is Existing in the World.

Don't hesitate: This moment, this quarantined and isolated moment, is the perfect time to give this gift to the young person in your life.

And, if I'm fully honest, yourself as well.

Sunday, September 29, 2019

THEY CALLED US ENEMY, a graphic memoir superior to almost every text-only memoir I've ever read


THEY CALLED US ENEMY
GEORGE TAKEI; illus. Harmony Becker

Top Shelf Comix
$19.99 trade paper, available now

Rating: 5* of five


The Publisher Says: A stunning graphic memoir recounting actor/author/activist George Takei's childhood imprisoned within American concentration camps during World War II. Experience the forces that shaped an American icon -- and America itself -- in this gripping tale of courage, country, loyalty, and love.

George Takei has captured hearts and minds worldwide with his captivating stage presence and outspoken commitment to equal rights. But long before he braved new frontiers in Star Trek, he woke up as a four-year-old boy to find his own birth country at war with his father's -- and their entire family forced from their home into an uncertain future.

In 1942, at the order of President Franklin D. Roosevelt, every person of Japanese descent on the west coast was rounded up and shipped to one of ten "relocation centers," hundreds or thousands of miles from home, where they would be held for years under armed guard.

They Called Us Enemy is Takei's firsthand account of those years behind barbed wire, the joys and terrors of growing up under legalized racism, his mother's hard choices, his father's faith in democracy, and the way those experiences planted the seeds for his astonishing future.

What is American? Who gets to decide? When the world is against you, what can one person do? To answer these questions, George Takei joins co-writers Justin Eisinger & Steven Scott and artist Harmony Becker for the journey of a lifetime.

THIS WAS AN INTERLIBRARY LOAN THROUGH MY LOCAL LIBRARY. THANKS, Y'ALL!

My Review
: A graphic memoir? Me? And give it five stars?!? Never. Will not happen.

Yet here we are:

The horror of interning United States citizens based solely on the color of their skins!

Oh wait...we do that now..."interning" being synonymous with "incarcerating"...well, anyway, it's appalling and abominable. The Takei family is rousted out of their Los Angeles home by Executive Order 9066. They're shipped as far away from the Pacific Ocean as they can get: The Great State of Arkansas! *shudder* A swampy bit, as well...the Takeis weren't familiar with the climate, hot and humid summers with cold and snowy winters; the worst of all possible worlds for Mediterranean-climate natives!

George, brother Henry, and sister Nancy are lucky, however, as their father is a take-charge kind of a guy with a glad-handing streak as well as organizational capabilities, patience in abundance, and a generous heart. Mama Takei is sure her family will be okay despite everything because she is going to by-god *make* things okay. Her efforts to clothe and entertain her family, her strenuous work ethic keeping the children clean and as healthy as she can, mean that they're better off than many...so the Takeis help them. Because of course...those with nothing find a way to share with those who have even less.

There were good times as well as bad. Takei senior, as a helpful and useful inmate, got the family occasional privileges, like the use of a Jeep for a day out:

Not everyone in Arkansas thought the Japanese belonged in the camps. Not everyone in the US agreed with this vile act, this blot on the national escutcheon.

But tell that to the men who were young and patriotic enough to want to serve their country in the global war against fascism.

Their mistreatment at the hands of the democratic institutions designed to defend a citizen's life, liberty, and ability to pursue an existence that will make them happy radicalized them, leading to protests and horrors of oppression still worse than internment at Federal penitentiaries.

The tale ends, as we all know, when the war is over...but the country's wounds aren't healed so much as papered over. Now the returning African Americans, veterans and war workers, would need to gain civil rights...and there were injustices against the Japanese Americans unaddressed...and so on and so forth, to this good day, with others now in the victim role. Takei specifically draws parallels with the Muslim refugee crisis and the Hispanic emigration atrocities. He lived it. His voice carries authority: What we-the-people are allowing, even (I am nauseated to say) enjoying, to occur to Hispanic families is unconscionable, inexcusable, and proof that the lessons of history are lost on far too many of us.

Takei's journey took him into our living rooms on Star Trek: The Original Series, and its many sequels. He's spent his many years since riding that amazing introduction back into our lives advocating for positive social changes and fairer, more equal access to the USA's immense and unprecedented benefits for all. His life has been very well-lived and spent generously working to bring the American Dream into reality, only for *all* Americans.

Be like George, as the meme says.

(Only I like this one better.)

Sunday, December 3, 2017

MOONCOP, a quiet gentle and uncompromising look at loneliness



MOONCOP
TOM GAULD

Drawn & Quarterly
$19.95 hardcover, available now

Rating: 4* of five


All cops in noir stories eat donuts and drink coffee.


Of course they buy them from the local shop.

Mooncop is 96 pages of Gauld's quiet storytelling. He isn't aiming for humor and he doesn't shy away from silence. It is deeply satisfying to be taken by the hand and led to the place that Gauld wants to go: Human hearts that are quieter than most fiction lets on. What happens between peaks is only a valley by comparison.

Paying $20 for this book would, I admit, make me panther-screechingly furious. The library gets my thanks for having a graphic novel section. I enjoyed this gently sad exploration of endings and their occasional happy discoveries.

Tuesday, March 21, 2017

SUPERZELDA, an early canary in the Zelda resurgence mines

SUPERZELDA: The Graphic Life of Zelda Fitzgerald
Tiziana LoPorto and Daniele Marotta

One Peace Books
$16.95 trade paper, available now

Rating: 3.5* of five

The Publisher Says: Dancer, painter, writer, muse, passionate lover, and freethinker, Zelda Fitzgerald is one of the most iconic figures of the Jazz Age. Born in Alabama in 1900, she was only 18 when she met F. Scott Fitzgerald, an ambitious young writer who would turn into one the greatest American authors of all time. Beautiful, talented, irreverent, extravagant, and alcohol-driven, the newly married couple took New York's high society and the whole literary world by storm. They traveled to France, Italy, and Africa; hung out with Ernest Hemingway, Dorothy Parker, and Gertrude Stein; managed to both charm and enrage most of the people they were acquainted with; and ended up destroying their love and themselves-Zelda was diagnosed with schizophrenia and spent more than a decade in psychiatric clinics, tragically dying at 48 in a fire. Superzelda is a thoroughly researched work based on period photographs and documents, as well as on Zelda and Scott's writing. It is a biography, a love story, and a travelogue all wrapped into one. The beautiful two-color illustrations bring to life one of the most fascinating women, as well as eras, of the early 20th century.

My Review: Twitter made me do it.

No, for real. I saw a tweet of a reviewlet for Superzelda and, well, I was too curious not to look into the book itself. Baz Luhrmann's adaptation of The Great Gatsby, the publication of Z, and now this! An embarrassment of riches in Fitzgeraldry. What can a comic book add to the merriment, I wondered, that something more meaty and textual couldn't do better?

Well now, given my overall lack of appreciation for comic books, the answer you're expecting now is either a grumbling "not a lot" or a shrieking "NOTHING!" Nanny nanny boo-boo! I liked this comic book condensed history of Zelda Sayre Fitzgerald a good deal.

The illos are, well, they're what I'd expect. I think they're okay. The fact that they're printed on comic-book paper, uncoated and not very thick and pretty rough, added to the charm of the thing. It even smells the way I expect a comic book to smell! I like the two-color printing, black and various screens of a lovely slate-meets-turquoise blue. I like the choices of subjects to illustrate and the sense I get that Marotta, the illustrator, had about six zillion photos tacked up and piled on tables and propped against books in his studio and he alchemically schlurgled them around in his visual cortex and blew them out his hands in a fury of creation.

LoPorto's writing I can't comment on, because of necessity it's been translated and that means I have no idea how this compares to her original since I haven't read all of it. The story is already familiar to me, so I'm not reading to be informed, only entertained. I was, at least enough to finish the book.

Which leads me to the heart of the matter for me: What is the point of these things? They're not violent or prurient, previously the two reasons that comic books existed; they're not in-depth, they're not glitteringly witty or lushly lovely; they're sort of limbic creations, in a twilight zone of fact meeting imagination that just makes no sense to me. This is a book that resembles Zelda, Nancy Milford's excellent biography of Zelda Fitzgerald, the way Wikipedia resembles the Encyclopedia Britannica. Did I enjoy it? Yeah, in a browsing-the-porn-sites way; nothing much not to like, but nothing to get my teeth (!) into.

Plus it's too hard to read.