OUR JACKIE: Public Claims on a Private Life, stealth take-down of modern celebrity culture by looking deeply into its past

OUR JACKIE: Public Claims on a Private Life
KAREN M. DUNAK
NYU Press (non-affiliate Amazon link)
$30.00 ebook edition, available now

Rating: 4* of five

The Publisher Says: Tells the story of Jacqueline Kennedy Onassis through her evolving public persona, from campaign wife to First Lady to fallen idol to treasured national icon

When Jacqueline Kennedy Onassis became First Lady of the United States over sixty years ago, she stepped into the public spotlight. Although Jackie is perhaps best known for her two highly-publicized marriages, her legacy has endured beyond twentieth-century pop culture and she remains an object of public fascination today.Drawing on a range of sources—from articles penned for the women’s pages of local newspapers, to esteemed national periodicals, to fan magazines and film—Our Jackie evaluates how media coverage of Jacqueline Kennedy Onassis changed over the course of her very public life. Jackie’s interactions with and framing by the American media reflect the changing attitudes toward American womanhood.

Over the course of four decades, Jackie was alternatively praised for her service to others, and pilloried for her perceived self-interest. In Our Jackie, Karen M. Dunak argues that whether she was portrayed as a campaign wife, a loyal widow, a selfish jetsetter, or a mature career woman, the history of Jackie’s highly publicized life demonstrates the ways in which news, entertainment, politics, and celebrity evolved and intertwined over the second half of the twentieth century.

Examining the intimate chronicles of this famous First Lady’s life, Our Jackie suggests that media coverage of this enigmatic public figure revealed as much about the prevailing views of women in America– how they should behave and whom they should serve– as it did about Jacqueline Kennedy Onassis as an individual.

I RECEIVED A DRC FROM THE PUBLISHER VIA EDELWEISS+. THANK YOU.

My Review: How ghastly it must be to be famous. Nothing, not even your underwear preferences, is personal and private. Mrs. Kennedy was the first media celeb to experience this in the television age...though TV was most assuredly not the worst offender in depriving this upper-class woman of her private life (looking at you, recently-twitching corpse of The Saturday Evening Post).

The fact is, we never knew the elegant, cultured woman, comfortable in her own skin, that wore masks to keep the hoi polloi from knowing how very much of the haut ton she was. And the best thing about it all is, she knew what she was doing. She was a very careful curator of her, and her family's, image. She was a participant in this game, and a victim of it; the ways she worked to contain the access of an intrusive forcee of curiosity onto her private life were defensive, effective, and after a certain learning curve, collaborative.

Author Dunak has gone into what feels like every archive of 1960s media there is to find the scraps and bits that illuminate American ideas about this icon of our culture. I'm deeply impressed at the sources! It seems the author has synthesized the opinions of the entire spectrum of the US media landscape...what a grisly task that'd be, thank all the goddesses she didn't have social media to grapple with!...into several archetypes of sorts. Mrs. Kennedy as Grieving Widow-in-Chief. Jackie O. as selfish traitor who abandoned her country to run away with an ugly old rich Greek guy. Jackie Kennedy as aspirational American homemaker-cum-style icon. JKO, the book editor at Viking...until they published a book about the Kennedys that was a hatchet job, when she moved to Doubleday...the erudite, late-life Career Woman. None of them was the woman herself, though that's outside the scope of this book. We have here a chance to grapple with the essential issue of celebrity culture: These are people, and we as consumer-celebrity units, treat them as property. Our responses of pleasure, when the icons are well-behaved, to outrage when we think they are not, is not new, though the outrageous extreme of cancel culture is worse now than in, say, Ingrid Bergman's day, but it's still not new.

Author Dunak offers us a thorough and deftly presented categorization and analysis of this strain in US popular culture. It affords the reader the clarity in distance to think about the ways in which we individually play along with, support, and/or amplify the idea that we "own" those we admire. We're asserting control over women, particularly, but in fact over all those who dare to be tall poppies in our field of vision.

It was a sobering take-away but one that felt omnipresent if never shouted at me by Author Dunak.

It's not quite a five-star read, as it is definitely academic if more accessibly so than most.

September 2022's Burgoine Reviews & Pearl Rule Reviews

Author 'Nathan Burgoine posted this simple, direct method of not getting paralyzed by the prospect of having to write reviews. The Three-Sentence Review is, as he notes, very helpful and also simple to achieve. I get completely unmanned at the idea of saying something trenchant about each book I read, when there often just isn't that much to say...now I can use this structure to say what I think is the most important idea I took away from the read and not try to dig for more.

Think about using it yourselves!

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Husband Material (London Calling, #2) by Alexis Hall

Rating: 2.5* of five, rounded up because I'm soft-headed

The Publisher Says: Wanted:

One (very real) husband

Nowhere near perfect but desperately trying his best

In BOYFRIEND MATERIAL, Luc and Oliver met, pretended to fall in love, fell in love for real, dealt with heartbreak and disappointment and family and friends…and somehow figured out a way to make it work. Now it seems like everyone around them is getting married, and Luc’s feeling the social pressure to propose. But it’ll take more than four weddings, a funeral, and a bowl full of special curry to get these two from I don’t know what I’m doing to I do.

Good thing Oliver is such perfect HUSBAND MATERIAL.

This Summer 2022, you’re invited to the event(s) of the season.

I GOT A SAMPLE FROM THE PUBLISHER, THEN CHECKED THE WHOLE BOOK OUT OF THE LIBRARY TO BE SURE IT WASN'T A GOOF. IT WASN'T A GOOF.

My Review: Mean-spirited instead of snarky; cruel instead of incisively observed; slightly distasteful because the men aren't even in the same language family, let alone on the same page of the same book. (The Moomin references and the jigsaw scene probably got both whole stars.)

It had a tough act to follow, it's true. I expected much more from Boyfriend Material's sequel. But the only scene that had the same touch as that book was when Luc and Bridget talk through his options before the last chapter.

Saddens me to find the heart of Luc and Oliver's strange brew missing.

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David and Goliath: Fantasy M/M Spider Erotic Romance by Edie Montreux

Rating: 3.5* of five

The Publisher Says: This story was originally written for a defunct submission call. This is your chance to read the story for free! Please join my newsletter, confirm your email address, and on the follow-up email, select the fantasy romance option as your reward when signing up for my newsletter!

MY GREED IS INSATIABLE...I FOLLOW AUTHORS' NEWSLETTERS FOR FREE READS.

My Review: Spider sex? What I knew about the topic was 1) I'm SOOOOO glad I'm not a spider 2) Charlotte's Web.

I know more now.

Hm.

Well, what I *can* say is that my w-bomb aversion has reached capable-of-detonation heat. I can deal with a spider fucking a man. I can even see what that could do for someone's libidinous lexile activity, though not mine.

But FOUR EYES W-VERBING is an image that will give me nightmares for months!

Visit the website to sign up for numerous promotions, good deals, and fun fantasy fiction picks.

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A Dance of Cranes (Birder Murder Mystery #6) by Steve Burrows

Rating: 3.5* of five

The Publisher Says: A trail of murder leads Domenic Jejeune across a vast continent.

Newly estranged from his girlfriend, Inspector Domenic Jejeune returns to Canada, where he soon receives news that his brother has gone missing in Wood Buffalo National Park while conducting field research on Whooping Cranes. Jejeune immediately heads out West to try to find him.

Meanwhile, back in the U.K., Jejeune’s plan to protect his ex-girlfriend from a dangerous adversary has failed, and she has also gone missing. In Jejeune’s absence, it falls to his trusty sergeant, Danny Maik, to track her down. But there is far more to the situation than either of them anticipated. And time is running out for all of them.

I RECEIVED AN ARC FROM THE PUBLISHER VIA LIBRARYTHING. THANK YOU.

My Review: The sixth book in an ongoing series, this entry has two things I enjoy...Canadian setting, birding events...and two things I really don't...family dynamics that are absurd and coercive, and a woman-in-jeopardy driving the plot.

Domenic's brother Damien is TSTL and has needed rescuing a LOT in the series. This time he simply does not take reasonable precautions! He does careless things a lot and Domenic always scrapes up the mess. Why? No excuse works for this frequency of use. Not for this reader, anyway.

Lindy, who is notionally Domenic's ex at this point, gets kidnapped, and that is of course a huge deal...but she's back in the UK not in Canada so Domenic isn't involved in the search...but of course is upset by it. This is called "fridging" in the comics genre, and it makes me nutso.

This explains my under-four-star rating, and honestly the wide-open place the book stops felt like a cheat not an ending, so permaybehaps I won't be among the crowds moving on to book seven.

Oneworld Publications will cheerfully accept your $4.99 in exchange for access to a Kindle edition. The series is very interesting, or I wouldn't've been reviewing #6!

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Celebrity Werewolf by Andrew Wallace

Rating: 3.75* of five

The Publisher Says: Sally Wisniewski (21) was jogging in a park in Kent when she was attacked by John Fonting (37), who had been stalking her for a year. Fonting was interrupted in his attempts to rip off Wisniewski’s clothes by ‘this massive grey thing that was like a gorilla, but taller and more pointy’. The creature hurled Fonting against a tree, incapacitating him.

Ms Wisniewski said of her rescuer, “His voice was very deep and posh, and his eyes were sad and kind of lovely.”

Fonting, released on bail, said: “Frankly I think immigration is totally out of control if they’re letting werewolves in. I mean, how’s he going to get a job?”

Suave, sophisticated, erudite and charming, Gig Danvers seems too good to be true. He appears from nowhere and sets about promoting humanitarian causes and revolutionising science, using his growing influence for the good of all humankind; but are the cynics right to be cautious? Is there a darker side to this enigmatic benefactor? One that is more in keeping with his status as the CELEBRITY WEREWOLF?

Andrew Wallace masterfully blends horror with high concept science fiction, in a short novel of first contact that is both moving and funny, yet plumbs the darkness of the human soul. The result is a story of surprises, wonder, and of hope.

I RECEIVED A DRC FROM THE PUBLISHER VIA LIBRARYTHING. THANK YOU.

My Review: Much fun to be had in this silly romp. The deeper, and darker, meanings are perfectly possible to ignore if you just want a slightly absurd, very suave novella to pass some time; but the entire exercise, taken as a whole, is a tale of primal conflict.

The titular celebrity werewolf winks into existence with no prior memories. So why would he have earned himself a truly determined nemesis? And what does it say about the world that a genuinely generous and other-directed guy is so easily and repeatedly foiled by a profit-driven and selfish turd?

And how cynical am I that I found this so unremarkable as not to question it even once until I'd finished the whole read?

NewCon Press offers Kindle editions (non-affiliate Amazon link) for $4.49.

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The Upstairs Wife: An Intimate History of Pakistan by Rafia Zakaria

Rating: 4* of five

The Publisher Says: For a brief moment on December 27, 2007, life came to a standstill in Pakistan. Benazir Bhutto, the country’s former prime minister and the first woman ever to lead a Muslim country, had been assassinated at a political rally just outside Islamabad. Back in Karachi—Bhutto’s birthplace and Pakistan’s other great metropolis—Rafia Zakaria’s family was suffering through a crisis of its own: her Uncle Sohail, the man who had brought shame upon the family, was near death. In that moment these twin catastrophes—one political and public, the other secret and intensely personal—briefly converged.

Zakaria uses that moment to begin her intimate exploration of the country of her birth. Her Muslim-Indian family immigrated to Pakistan from Bombay in 1962, escaping the precarious state in which the Muslim population in India found itself following the Partition. For them, Pakistan represented enormous promise. And for some time, Zakaria’s family prospered and the city prospered. But in the 1980s, Pakistan’s military dictators began an Islamization campaign designed to legitimate their rule—a campaign that particularly affected women’s freedom and safety. The political became personal when her aunt Amina’s husband, Sohail, did the unthinkable and took a second wife, a humiliating and painful betrayal of kin and custom that shook the foundation of Zakaria’s family but was permitted under the country’s new laws. The young Rafia grows up in the shadow of Amina’s shame and fury, while the world outside her home turns ever more chaotic and violent as the opportunities available to post-Partition immigrants are dramatically curtailed and terrorism sows its seeds in Karachi.

Telling the parallel stories of Amina’s polygamous marriage and Pakistan’s hopes and betrayals, The Upstairs Wife is an intimate exploration of the disjunction between exalted dreams and complicated realities.

I RECEIVED AN ARC FROM THE PUBLISHER VIA LIBRARYTHING. THANK YOU.

My Review: I read this book in a dazed state, slightly revolted that a man *can* take a second wife without ridding himself of the first one; utterly stunned that the first wife, unconsulted and apparently not so much as considered in this life-altering decision, has no recourse; and appalled at religion's foul, slimy fingers choking yet another country's people into darkness and despair.

What I thought I would read was a memoir tied explicitly to historical developments in Pakistan's life as a country. Instead the author's family's turmoils were centered, and the times in which they occurred...a war in 1962 was the impetus for her family to up sticks from their Bombay home, Prime Minister Benazir Bhutto's assassination signaled darker political days but her aunt's betrayal bit deeper...were the depressingly appropriate backdrop for the erosion of their collective happiness.

What this read lacked in propulsive plotting it more than made up for in food for fruitful mulling and turning and examining in one's mind. Most definitely a pleasure to have encountered this unique angle on the Rights of Woman honored in the breach not the observance.

Beacon Press offers Kindle editions (non-affiliate Amazon link) for $13.99.

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Tehran at Twilight by Salar Abdoh

Rating: 4* of five

The Publisher Says: The year is 2008. Reza Malek's life is modest but manageable—he lives in a small apartment in Harlem, teaches "creative reportage" at a local university, and is relieved to be far from the blood and turmoil of Iraq and Afghanistan where he worked as a reporter, interpreter, and sometime lover for a superstar journalist who has long since moved on to more remarkable men.

After a terse phone call from his best friend in Iran, Sina Vafa, Reza reluctantly returns to Tehran. Once there, he finds far more than he bargained for: the city is on the edge of revolution; his friend Sina is embroiled with Shia militants; his missing mother, who was alleged to have run off with a lover before the revolution, is alive and well—while his own life is in danger.

Against a backdrop of corrupt clerics, shady fixers, political repression, and the ever-present threat of violence, Abdoh offers a telling glimpse into contemporary Tehran, and spins a compelling morality tale of identity and exile, the bonds of friendship, and the limits of loyalty.

I RECEIVED AN ARC FROM THE PUBLISHER VIA LIBRARYTHING. THANK YOU.

My Review: The politics of a thriller...evil done by good people, bad ones not so much redeemed as explained, Systems always, always regressing to the mean...the pace of a literary novel...we open in New York where a college professor begins speaking...and the domestic concerns of "women's fiction" as family, both born and made, center the action of the entire story.

When Professor Reza, an American emigrant, hears from his childhood friend Sina with an urgent request to return to Iran, he dithers briefly but acquiesces. This sets in motion family reunions, with Reza's long-lost mother; endings for others, Sina's mother suffers a shocking (to me) betrayal; and the end of a lot of comfortable lives in service of rooting through the mucky, sinful past for nuggets of Truth.

No Honor is to be found, though. Nothing comes out of the past unsullied. Reza, leaving New York and a comfortable life, bargained a lot away for the chance to find a few brummagem gauds that I wouldn't dignify with the name "facts," simply "data points."

An incontrovertible fact I *did* glean, and felt richer for knowing, was the existence of a sizable Polish refugee community in Tehran. They fled the USSR (for obvious reasons) and fetched up in this distant place, welcomed and settled. I was deeply heartened by their lifetime's-worth of respite in a place I don't associate with refuge. Or generosity of spirit.

What the read offered to me was a set of characters I recognized, and could invest in; a series of interwoven stories (except the Polish refugees one, that doesn't fit well) that resonate with and enhance each other; and a biittersweet ending that, like actual life, isn't tidy but is fruitful.

Akashic Books offers Kindle editions (non-affiliate Amazon link) for $2.99.

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Love and Other Ways of Dying: Essays by Michael Paterniti

Rating: 4* of five

The Publisher Says: In this moving, lyrical, and ultimately uplifting collection of essays, Michael Paterniti turns a keen eye on the full range of human experience, introducing us to an unforgettable cast of everyday people. In the seventeen wide-ranging essays collected for the first time in Love and Other Ways of Dying, he brings his full literary powers to bear, pondering happiness and grief, memory and the redemptive power of human connection.

In the remote Ukranian countryside, Paterniti picks apples (and faces mortality) with a real-life giant; in Nanjing, China, he confronts a distraught jumper on a suicide bridge; in Dodge City, Kansas, he takes up residence at a roadside hotel and sees, firsthand, the ways in which the racial divide turns neighbor against neighbor. In each instance, Paterniti illuminates the full spectrum of human experience, introducing us to unforgettable everyday people and bygone legends, exploring the big ideas and emotions that move us. Paterniti reenacts François Mitterrand’s last meal in a rustic dining room in France and drives across America with Albert Einstein’s brain in the trunk of his rental car, floating in a Tupperware container. He delves with heartbreaking detail into the aftermath of a plane crash off the coast of Nova Scotia, an earthquake in Haiti, and a tsunami in Japan—and, in searing swirls of language, unearths the complicated, hidden truths these moments of extremity teach us about our ability to endure, and to love.

Michael Paterniti has spent the past two decades grappling with some of our most powerful subjects and incomprehensible events, taking an unflinching point of view that seeks to edify as it resists easy answers. At every turn, his work attempts to make sense of both love and loss, and leaves us with a profound sense of what it means to be human. As he writes in the Introduction to this book, “The more we examine the grooves and scars of this life, the more free and complete we become.”

I RECEIVED AN ARC FROM THE PUBLISHER VIA LIBRARYTHING. THANK YOU.

My Review: You expect essays to be inward-gazing, thought-provoking exercises in the acquisition of knowledge. What that often entails is also a certain claustrophobia, a kind of psychic noli me tangere above-it-all-ness. Author Paterniti avoids this fatally separate sense of insulation with the evergreen tactic of humor...but also of, in most of his essays, compassion. He tells us his stories without making either himself the star or himself the omniscient narrator of the foolish doings of Them.

It's a deft trick to pull off, this being part of, apart from, moved by yet not moving, the action and actors of daily life in many different places. Ukrainian farm life, Chinese urban life, US long-haul travel...all without leaving scars or enemies behind you. Quite a trick to sustain and more impressive to pull off as a career.

Obviously things are quite different in all the places and parts that Paterniti wrote about fifteen-plus years ago. In a certain sense I felt I was reading histories given the vantage point post-COVID and post-Ukrainian invasion. When the collection of previously published work first appeared in 2015, reading these essays was less evocative of a distant and receding past. Revisiting the collection from today's greatly altered worldscape made it feel disturbingly disconnected from our reality...in just seven years, the world of the late 1990s and early 2000s went from recent events to receding history!

The inflection points of recent times have been that powerful. I had not fully realized this until I read "The American Hero (in Four Acts)" from 1998 and thinking, "this is a different world entirely." While I found that a surprising reflection, it wasn't entirely unexpected. Essays are, by their nature, prone to the reader having the sense of them being artifacts of a moment in time. None of these essays are so personal as to make them timeless; nor are they about politics as practiced at the time they were written, or they would simply be irrelevant and/or uninteresting. Paterniti's essays touched, moved, and even amused me inside their own frame of reference. A high-satisfaction reading experience.

The Kindle edition (non-affiliate Amazon link) is $12.99.

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This space is dedicated to Nancy Pearl's Rule of 50, or "the Pearl Rule" as I've always called it. After realizing five times in December 2021 alone that I'd already Pearl-Ruled a book I picked up on a whim, I realized how close my Half-heimer's is getting to the full-on article. Hence my decision to track my Pearls!

As she says:

People frequently ask me how many pages they should give a book before they give up on it. In response to that question, I came up with my “rule of fifty,” which is based on the shortness of time and the immensity of the world of books. If you’re fifty years of age or younger, give a book fifty pages before you decide to commit to reading it or give it up. If you’re over fifty, which is when time gets even shorter, subtract your age from 100—the result is the number of pages you should read before making your decision to stay with it or quit.

So this space will be each month's listing of Pearl-Ruled books. Earlier Pearl-Rule posts will be linked below the current month's crop.

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September 2022 came and went without any books being Pearl Ruled! I am amazed, and not a little delighted, that this was the case.

LONELYHEARTS, a dual bio of a Depression-era golden couple

LONELYHEARTS: The Screwball World of Nathanael West and Eileen McKenney
MARION MEADE
Houghton Mifflin Harcourt
$22.95 trade paper, available now

Rating: Reviewing this book, I am more grateful than ever to the innovator who thought up the decimal-star system. No way could I rate this four stars, and three-and-a-half is a little mingy, so I really give it 3.8 stars.

The Publisher Says: NATHANAEL WEST—novelist, screenwriter, playwright, devoted outdoorsman—was one of the most gifted and original writers of his generation, a comic artist whose insight into the brutalities of modern life proved prophetic. He is famous for two masterpieces, Miss Lonelyhearts (1933) and The Day of the Locust (1939). Seventy years later, The Day of the Locust remains the most penetrating novel ever written about Hollywood.

EILEEN MCKENNEY—accidental muse, literary heroine—was the inspiration for her sister Ruth’s humorous stories, My Sister Eileen, which led to stage, film, and television adaptations, including Leonard Bernstein’s 1953 musical Wonderful Town. She grew up in Cleveland and moved to Manhattan at 21 in search of romance and adventure. She and her sister lived in a basement apartment in the Village with a street-level window into which men frequently peered.

Husband and wife were intimate with F. Scott Fitzgerald, Dorothy Parker, Katharine White, S.J. Perelman, Bennett Cerf, and many of the literary, theatrical, and movie notables of their era. With Lonelyhearts, biographer Marion Meade, whose Bobbed Hair and Bathtub Gin earned accolades from the Washington Post Book World ("Wonderful") to the San Francisco Chronicle ("Like looking at a photo album while listening to a witty insider reminisce about the images"), restores West and McKenney to their rightful places in the rich cultural tapestry of interwar America.

My Review: It's a good story...hot young honey who's famous for being famous marries screwed-up weirdo writer of unsalable novels, they end up dead. Kinda like the Joe Orton story, only no one here's a real man.

Nathanael West comes out worst in this dual bio. He sounds like a self-loathing closet queer and anti-Semitic Jew, with a talent for cruelty and impeccable, phony manners. (Sure could write, though.) Eileen McKenney sounds like someone we all know today, the fifteen-minutes' wonder...Joe the Plumber, Sarah Palin...who would've spent the rest of her life trying to cash in on her fleeting moment of celebrity.

Dreadful people, actually, ones I'd pay not to know, and I am double glad that I didn't buy this book. Meade does a solid job reporting the facts, and even goes so far as to avoid calling West a closet case...but really, ma'am, you reported that the trog had gonorrhea of the ANUS, now does that not suggest something to you? Google the phrase "lucky Pierre" and stand back.

One of the bitterest ironies of the whole book is that Eileen's sister Ruth, the author of My Sister Eileen, became a very wealthy woman starting four days after Eileen's death...the Broadway show "My Sister Eileen" was a huge, huge hit, and spawned numerous revivals and reworkings, supporting its author all the rest of her life. I wonder if she'd've shared the gelt with Eileen. We'll never know, of course, but I suspect not. Ruth is not a likable character at all, per Meade, inclined to manic depressive episodes and a Communist True Believer (how tedious).

So why rate the book so highly? Because...these are REAL people, not airbrushed whitewashed celebrified people. They come across as, well, fascinating in their very, very, very flawed selves. Meade's made some dim corners of American celebrity life quite a lot brighter, and I suspect the likes of Kato Kaelin are busily dusting the corners of their lives.

I don't think I'll recommend this book to anyone not fascinated by Nathanael West. Really, it's just too far to go for someone just browsing around, and probably too tedious for anyone not already familiar with the time-period (1900-1940) in BOTH New York and Hollywood.

THE RAGING STORM, third Matthew Venn mystery from Ann Cleeves

THE RAGING STORM (Two Rivers #3)
ANN CLEEVES
Minotaur Books
$29.00 hardcover, available tomorrow

Rating: 4* of five

Listen to Author Cleeves read the beginning of the book!

The Publisher Says: Ann Cleeves—New York Times bestselling and award-winning author of the Vera and Shetland series, both of which are hit TV shows—returns with the extraordinary third in the Two Rivers series.

Fierce winds, dark secrets, deadly intentions.

When Jem Rosco—sailor, adventurer, and legend—blows into town in the middle of an autumn gale, the residents of Greystone, Devon, are delighted to have a celebrity in their midst. But just as abruptly as he arrived, Rosco disappears again, and soon his lifeless body is discovered in a dinghy, anchored off Scully Cove, a place with legends of its own.

This is an uncomfortable case for Detective Inspector Matthew Venn. Greystone is a place he visited as a child, a community he parted ways with. Superstition and rumor mix with fact as another body is found, and Matthew finds his judgment clouded. As the winds howl, and Venn and his team investigate, he realizes that no one, including himself, is safe from Scully Cove’s storm of dark secrets.

“A friend of mine once joked that the work of Ann Cleeves is the closest the crime fiction genre comes to evoking ASMR—the euphoric, pleasant, spine-tingling sensation that’s all the rage on YouTube. The books never get too dark, never venture too far into dangerous territory, but aren’t outright cozy, either.”—The New York Times

I RECEIVED A DRC FROM THE PUBLISHER VIA NETGALLEY. THANK YOU.

My Review: Matthew Venn, Ross, and Jen go to the aptly named village of Greystone to investigate the murder of a has-been celebrity sailor. What happens as the investigation progresses is exemplary of why series mysteries appeal to so many of us: the characters do foolish things we know they're going to do and then need each other to fix the problems appertaining thereto; they confront their separate pasts in ways that both expand the seriesverse and explain the case; they think about their spouses, kids, parents, friends, dinner, what they will and won't do to fix the rent in society that murder represents (tracksuit pants? really?). So the reader who's been here with these people before now is definitely in a better position to appreciate the nuances and to find the little signposts the author leaves for us as to how things will play out.

A LOT of people I know would prefer to eat raw frog embryos rather than read a series out of order. I myownself don't care a whole lot these days, as spoilers are a matter of indifference to me so moving back and forth in a series isn't going to cause my circuitry to fry. Also, there aren't that many plots in the storyverse. Once you've read a few thousand books it pays to turn off the analytical part of your brain. Not everyone can.

Lucky me, I can.

So at {a late-ish point past halfway} into this read when the lightbulb went on and the reasons the murder took place got clear I wasn't unhappy but rather very, very impressed because the one thing Matthew needed to know was carefully kept hidden in plain sight. Well done indeed, Author Cleeves.

Should people who haven't read the first two books start here? I think those people would miss some very pleasure-enhancing nuances in the relationships among the team. It would not affect the solution of the puzzle in a serious way but it might reduce the emotional impact of a very big twist late in the story and that would be a shame. The gentrification of the North Dorset coast and its ramifications plays no small part in the puzzle's solution. That was very enjoyable to me. Seeing the way Jen, a single mother, copes with the pressures of motherhood-v-career is vintage Cleeves. It's all tied in to the way the case develops. Matthew's life with his husband Jonathan isn't neglected or foregrounded in this outing (!), but his loving musings about needing Jonathan (warts and all) ring true to me. For any eww-ick homophobes who somehow or another found themselves reading this review, you should really set your search terms to exclude me but also don't fear. Of sexual intimacy there is none. The focus is on the interrelationship of these men who're very different yet very lovingly connected. Not to say that there aren't worries and issues because that'd be really boring. I don't find these stories boring, in large part because Matthew Venn's background reminds me of a dialed-up version of my own, with a cold, judgmental religious-nut mother. That does increase my willingness to invest in the proceedings. This one was no exception.

The character I love to hate, Ross, just never gets out of the nasty, Babbitty little bro-dawg box he's been drawn inside. Thank goodness. I don't want to have to like him after three books learning to despise him, thanks.

A series-reader's pleasure. I think that, if Jimmy Perez and Vera Stanhope are your jam, Matthew Venn might be, too. He's quieter than Vera, more patient than Jimmy, happier than either.

NOTORIOUS, a major Hollywood star's life of being her own damn self in the unforgiving spotlight

NOTORIOUS: The Life of Ingrid Bergman
DONALD SPOTO
Da Capo Press
$22 trade paper, available now

Rating: 3.5* of five

The Publisher Says: The life of Ingrid Bergman (1915–1982) is as compelling as that of any of the women she portrayed in dozens of unforgettable movies and plays—a list that includes Casablanca, Intermezzo, Gaslight, The Bells of St. Mary's, Notorious, Anastasia, and Hedda Gabler. Hers is a story that begins with a tragic childhood in Sweden, then moves on to the nightmare of Germany under the Nazis and later to Hollywood in its golden age. From her position as America's most beautiful, admired, and loved actress, she was plunged into national disgrace and branded "an apostle of degradation" for her adulterous love affair with Roberto Rosellini in the late 1940s. But her independent spirit triumphed in the end, winning her honors and accolades even as she fought an eight-year battle with cancer. Donald Spoto, who knew Ingrid Bergman and had unprecedented access to her husbands, friends, lovers, directors, and costars, as well as to her papers, letters, and diaries, has written a biography that the San Francisco Chronicle called "mesmerizing" and "deeply moving"—the definitive account of a consummate actress who dared to live the truth.

My Review: The subtitle says it all. For those who might be unfamiliar with Planet Earth, Ingrid Bergman was a stunningly beautiful film and stage actress of the 1930s to the 1980s. Donald Spoto, the author, will celebrate his 76th birthday this year (2017); he was a monk, a teacher, and then a pop-culture apologist/celebrist/analyst with some 20-plus celebrity biographies to his credit, plus several books on Christian/mystical themes.

Preston Sturges. Alfred Hitchcock. Grace Kelly. Miss Bergman. Diana, Princess of Wales. All subjects of Spoto's apparently unstoppable urge to biographize, expressed over the past 35-plus years. So look at that list: Is this author gay? Oh my goodness, yes. Gladly and openly so.

I start out each book, then, with a very strong connection to the author. He's One Of Mine. Small moments that might slip past a non-gay reader are here, smirking at me. I *love* that sense of being in on the joke. And that right there? That's the reason people read celebrity bios. They're in the know, they're totally equipped with gossip material, they are Inquiring Minds that are now sated. It's fun. It's harmless. It's hugely profitable.

Well....

IS it fun? For readers of the better quality books about figures of their personal interest, yes...for the fussbudgetty writers, probably...for the cooperative subjects, maybe. At any point in that chain, whether it be a writer whose passion for organizing and categorizing gives out before the job is done, finishing this type of fact-checking nightmare of a book can be awful, and not to mention the bliss and heaven of a source recanting important testimony! Or a cooperative subject who turns uncooperative!

Harmless? Hardly. Harmful in the extreme. We The People do *not* have the right to know what, for example, Ingrid Bergman felt in her last days on this earth as she slowly and painfully died of metastatic breast cancer. That her friends and family cooperated with Spoto, as Bergman herself had in a different context (a series of interviews about Alfred Hitchcock gave birth to this bio of Bergman, because she was very forthcoming with the author), does not absolve the reader of such a book as this of a defensible charge of prurience, and passive or active participation in a cultural trend that leaves those who are not resolutely anonymous with no zone of privacy anywhere ever. Contemplate that for a few seconds. What a horrifying thought. So spend that $30 and feel entitled to ALL THE DIRT!! The dirtier, the better. Then imagine that it's *your* life under this scrutiny.

Profits are made in stacks, for sure and certain, because the books keep a-comin'. Spoto alone has published 29 books to date. The publishers aren't in the charity game, so they're minting the spondulix or there wouldn't be any more.

Okay, all that said...this book was a blast! It gossiped my ears off for two whole days and the pictures were so cool! I loved the evocation of some of my favorite actors and movies and learned interesting new stuff about them all.

I admit it: I am part of the problem. But I have a smile on my face!

ADELE IS LIFE: A Superfan's Guide to All Things We Love about Adele, clever, cute, informative for juvenile readers

ADELE IS LIFE: A Superfan's Guide to All Things We Love about Adele
KATHLEEN PERRICONE (illus. Lauren Mortimer)
Epic Ink (non-affiliate Bookshop.org link)
$19.99 all editions, available now

Rating: 4.5* of five

The Publisher Says: Adele Is Life is a beautifully illustrated guide to the singer’s all-encompassing music and incredible life. Welcome Daydreamers to this all-encompassing superfan book on everything there is to know and love about the modern icon that is Adele.

From being raised by a superwoman single mother in South London who introduced her to music, to when she discovered her favorite blues singer, Etta James, to recording her first album 19, to becoming the Queen of Heartbreak, Adele is one of the most popular soulful performers of her time. Gathering her incredible life story, music, and fan culture all in one place, Adele Is Life details everything you need to know and cherish about her.

This Daydreamer’s essential guide includes:

A full biography, encapsulating her early life through becoming a mother and one of the most soulful singers of her generation.

A full discography of Adeles’s music, including tours, and inspirations for her songwriting for some of her most popular songs like “Rolling in the Deep,” “Someone Like You,” and “Hello.”

A very Adele A to Z, covering her alter ego, famous fans, tattoos, music videos, hair secrets, and more.

Other incredible details and unfiltered moments, including her love for simple things such as wine and McDonald’s and her love for Queen Bey.

Her favorite music and playlist go-tos.

Hold on to your hearts as biographer Kathleen Perricone takes you on a fan-tastic journey through everything Adele.

The Modern Icons series takes you on a journey through the lives and legacies of cultural icons who have shaped our world, from fashion to music to media. With original illustrations and meticulously crafted prose, this series captivates and enlightens, offering a glimpse into the personalities whose unparalleled charm and authenticity have left an indelible mark on popular culture.

I RECEIVED A DRC FROM THE PUBLISHER VIA EDELWEISS+. THANK YOU.

My Review: It had not occurred to me even once that there were very young fans of Adele. I can hear her songs in my head just by reading the titles; I assumed that meant she was utterly uncool to teens.

Apparently I'm wrong. I'm glad to be wrong in this case because I really like Adele, the performer and the persona. As a role model for young women, and as training for what to expect from women in life for boys, the culture hasn't served up many more honest than this one.

The book is illustrated with art by Lauren Mortimer instead of photos as I'd've expected. That might be an issue for some readers/purchasers; I found the art pleasant but no more. At the price, however, a photo book about a celebrity would be impossible.

On to the art:

The phases and stages of Adele's career are all here. There's also a discography for the more obsessive fan. of course...a musician/performer's biography without one would be a travesty:

A book geared toward a young fan of a terrific musician and positive celebrity presence. Recommended gifting, so long as you're clear it's about her and her music not about the concerts and the performing parts in art or photos.

JAYNE MANSFIELD: The Girl Couldn't Help It, massive research, pretty pictures to sweeten the deal

JAYNE MANSFIELD: The Girl Couldn't Help It
EVE GOLDEN
University Press of Kentucky (non-affiliate Bookshop.org link)
$34.95 all editions, available now

Rating: 4* of five

The Publisher Says: Jayne Mansfield (1933–1967) was driven not just to be an actress but to be a star. One of the most influential sex symbols of her time, she was known for her platinum blonde hair, hourglass figure, outrageously low necklines, and flamboyant lifestyle.

Hardworking and ambitious, Mansfield proved early in her career that she was adept in both comic and dramatic roles, but her tenacious search for the spotlight and her risqué promotional stunts caused her to be increasingly snubbed in Hollywood.

In the first definitive biography of Mansfield, Eve Golden offers a joyful account of the star Andy Warhol called "the poet of publicity," revealing the smart, determined woman behind the persona. While she always had her sights set on the silver screen, Mansfield got her start as Rita Marlowe in the Broadway show Will Success Spoil Rock Hunter?. She made her film debut in the low-budget drama Female Jungle (1955) before landing the starring role in The Girl Can't Help It (1956). Mansfield followed this success with a dramatic role in The Wayward Bus (1957), winning a Golden Globe for New Star of the Year, and starred alongside Cary Grant in Kiss Them for Me (1957). Despite her popularity, her appearance as the first celebrity in Playboy and her nude scene in Promises! Promises! (1963) cemented her reputation as an outsider.

By the 1960s, Mansfield's film career had declined, but she remained very popular with the public. She capitalized on that popularity through in-person and TV appearances, nightclub appearances, and stage productions. Her larger-than-life life ended sadly when she passed away at age thirty-four in a car accident.

Golden looks beyond Mansfield's flashy public image and tragic death to fully explore her life and legacy. She discusses Mansfield's childhood, her many loves—including her famous on-again, off-again relationship with Miklós "Mickey" Hargitay—her struggles with alcohol, and her sometimes tumultuous family relationships. She also considers Mansfield's enduring contributions to American popular culture and celebrity culture. This funny, engaging biography offers a nuanced portrait of a fascinating woman who loved every minute of life and lived each one to the fullest.

I RECEIVED A DRC FROM THE PUBLISHER VIA EDELWEISS+. THANK YOU.

My Review: I was a young boy when Jayne Mansfield died. It was stunning how insensitive the chatter around the tragedy was...my mother vocally disapproved of the demeaning way she was talked about as a "sex kitten" and bringing up her nude photos and scenes. I've been interested in her ever since, as my judgmental mother was *defending* her, so something had to be interesting about her.

the most famous photo...Sophia Loren disapproves

More interested in being a star than an actress, the lady was quite a handful as a person—ramping up the public persona that would've made her zillions in the Aughties, fighting, undressing, taking risqué to its apotheosis in the days when Marilyn Monroe, Diana Dors, and she were working the blonde bombshell vein in the publicity mine.

how she made her millions

Like those ladies, Jayne Mansfield was an intelligent, troubled person with a hot ambitious streak in her that her face and body were able to fuel. She never hesitated to use her sex appeal...and sex...to get her name in front of the public. It worked; she was famous.

Mickey and Jayne in mid-act

She was not respected, as no woman in that era was really respected; but certainly no frankly, openly sexual anyone, still less a woman, was going to be highly regarded in the film or television industry. Thus when fashions changed and gamines became The Next Thing, she had no baseline of support in the industry she'd made so much money for.

Las Vegas was ready for her

Turbulent, addiction-haunted personal lives were, are, always have been back into pop-culture history all too common among the famous. Jayne Mansfield was no different than so many others with messy personal lives. She did seem to get married a lot and ended up with five children born between 1950 and 1965.

the family side

The terrible tragedy of a life cut so very short is that her potential, her development, her impact on the world is frozen at a moment; not a moment I suspect, reading about her in this book, she would have stayed in forever. Author Golden has come in for criticism in her supposed inaccurate information about what, when I poked into it a little bit, looked to me like pretty insignificant dates and details about trifles. Looking at the notes...all fiftyish pages of 'em!...Author Golden *lived* in newspaper archives for a good while. Where the issue seems to arise is in the slightly too-prominent tone of disapproval some have seen in the text. It did not feel moralizing to me. I was more interested in the trajectory of a proto-Kardashian sibling.

either of these could have Kim Kardashian in them and be the same publicity campaign

When Yule gifting is the point, the life and times of bygone stars make very instructive reading. We're in fame hyperdrive thanks to a level of mass communication unknown in Jayne Mansfield's life, but the exploitive outlines are still there. Your budding feminist film scholar might enjoy seeing how we got where we are; your brodawg cousin might just like seventy-plus pictures of Jayne Mansfield. The Fifties and Sixties exert fascination that will peak in the late 20s and early 30s as the TCM crowd starts watching the silly innocent farcically "naughty" work of the era. A book like this will please those audiences.

She might not have received the Good Housekeeping Seal of Approval, but this family is very much a testament to the fact she did something right.

I MAKE MY OWN FUN, a title you'll look at differently after the read

I MAKE MY OWN FUN
HANNAH BEER
House of Anansi Press (non-affiliate Bookshop.org link)
$19.99 paperback, available now

Rating: 4.5* of five

The Publisher Says: An unhinged romp through fame, obsession, and fandom

Everyone knows Marina, the A-list movie star. But very few know Marina, the absolute monster.

Years at the top have proved that whatever Marina wants, she gets. But when she meets bartender Anna, Marina discovers something that can't be Anna's affection. As Anna remains unmoved, Marina's advances become more desperate, and her obsession more dangerous.

The price of fame is heavy—and someone will have to pay for it …

I RECEIVED A DRC FROM THE PUBLISHER VIA EDELWEISS+. THANK YOU.

My Review: Mmmkay...so...see it's like this. There is not one shred of realism in this weirdness. Marina has five Oscars and she got them when not yet thirty.

Five. OSCARS.

Park them carpin' natterin' nabobs of emotional negativity in the punchbowl, y'all. Go with it. So Marina's in London for...something, I forgot what, doing her "Miss Relatable Superstar oh I'm just plain folks" shtik that sells out theaters, bored with the fact it keeps working, but nothing gonna change her runnin' the con, because a superstar girl's gotta feed the hordes of hangers-on. Marina goes out, worn out after another day of faking sincerity in search of booze and babes (the hot PR-inspired boyfriend is with his little sidequest lad—everybody's bi). (Oh, Marina? She likes girls too.)

And there SHE is: Anna the food-service worker, starstruck and ripe for the plucking. Marina plucks, well tries to anyway. Anna is...not impressed.

This cannot be allowed. You just know the whole world, from the folks Marina catfishes on various dating apps to the fellow A-lister "friends" she's secretly fed to the internet wolves for shits and giggles, has always fallen right into or back into her orbit at the merest crook of a pinky from Marina. Anna, though, declines the part she's been cast to play.

I hope you saw Tár. Marina's the Hollywood version of her, very very sure she is worth all the trouble and pain she causes all around her because she is A Star. There is more than a little of the Fatal Attraction thing goin' on with the way Anna keeps ducking out and trying to get away, which Marina's sure is just playing hard to get. Not so much Marina...Anna sees your real face and wants no part of looking into the abyss of selfishness and self-regard you represent. You're running out of time, passing the line of 30 aka career death, and Anna is failing to hide your desperation and trappedness from you...how dare she?! You *deserve* Anna's utter devotion! You're YOU!

Bitter, angry celebrity-obsessed woman caught in what she knows inside is the beginning of the end refuses to examine her actual reality to see what she wants to try next. Told in a headlong, obsessive rush, maybe even too much of one, Author Beer's debut novel is a howl of outrage that the /marinas of the world get as far as they do, that what the Marinas of the world do to others is only partial repayment and charged to the wrong account for what's done to them. The ending, honestly rushed and abrupt, works because there are unreliable narrators like Christie's Dr. Sheppard, and then there are the Marinas. This ending, abrupt as it is, makes the sheer awfulness of Marina fluoresce. It's so so sad, and so so appropriate, and just truly satisfying for what it subtextually points to.

There is not one soul in this book I felt like I wanted to rescue, teach sense to, or even get to know better. I know it's a novel but it truthfully made me look askance at everyone involved in the celebrity-influencer world again.

Summer sudsy thriller fun! I say feed your inner cynic a story to keep it from gluing you to the next season of The Traitors.

RAMESSES, LOVED BY PTAH: The History Of A Colossal Royal Statue, deep beautifully illustrated dive into a very famous statue

RAMESSES, LOVED BY PTAH: The History Of A Colossal Royal Statue
SUSANNA THOMAS
The American University in Cairo Press
$24.95 paperback, available now

Rating: 5* of five

The Publisher Says: The dramatic story behind the 3,200-year-old colossal Grand Egyptian Museum Ramesses statue
King Ramesses II ruled Egypt for an extraordinary sixty-six years (1279–1213 BC) during the Nineteenth Dynasty. A great warrior and lavish builder, he fathered dozens of children and is widely regarded as the most celebrated and powerful pharaoh of the New Kingdom.

This wonderfully clear, engaging book recounts the dramatic history of the famed red granite colossal statue of Ramesses II now residing in Egypt’s Grand Egyptian Museum. One of the biggest statues ever made and part of the urban landscape of modern Cairo, the statue lent its name to Ramses Square and the city’s mainline train station, and was so much a symbol of Cairo that it featured in countless Egyptian films. Susanna Thomas recounts the full history of the statue’s creation and installation in the Great Temple of Ptah at Memphis during the reign of Ramesses II, its reuse by Ramesses IV, and the later history of the statue during the Greco-Roman and Islamic Periods.

The book also provides an overview of how statues were made in ancient Egypt and includes a brief discussion of the statue cults of Ramesses II, kingship, temples, and the expansion of the New Kingdom capital city of Memphis and its temples. The final section covers the history of the statue since its rediscovery and subsequent rescue in the mid-nineteenth century until its installation in the entrance hall of the Grand Egyptian Museum in Giza.

Written by a New Kingdom specialist and curatorial expert and illustrated with over 130 images, Ramesses, Beloved by Ptah tells the fascinating story of this magnificent statue within the wider context of statue cults and the reign of Ramesses II, and its subsequent rescue and restoration in modern times.

I RECEIVED A DRC FROM THE PUBLISHER VIA EDELWEISS+. THANK YOU.

My Review: I am so very grateful for the internet when I get knowledge of, and access to, wonderful books like this. No way would the American University in Cairo Press's catalog ever have crossed my path if we didn't have services like Edelweiss+ and NetGalley to aggregate offerings from publishers everywhere. Bloggers and reviewers have a huge increase in the field of operations for their choices.

Now that I have been down this very temptingly baited, deep rabbit hole, I am glad I made the trip. This statue is famous for being famous, if you see what I mean; lots of people see it and think "Egypt" and never consider its history, or who it's of, or why it matters.

Moving the Pharoah to a new, permanent home in Cairo was quite a feat

A god-king's work is never done

Quite a stylish cartouche, don't you think?
I was absolutely amazed and riveted at how very much is known about this glorious work of art, and about Egyptian art in general. The great statue of this pharaoh, grandiose braggart that he was, fittingly has embedded itself in the world's mental eyes as an image of Egypt with the Pyramid of Khufu and the "Sphinx". Pharoah Ramesses II was very keen that he should be the ONE face associated with his kingdom and that all people should know who he is and remember how very powerful he was. Have to say it worked.

The art that the author has shown us in this book does a much better job than I could at convincing you to pick up this book for #Booksgiving perusal, possibly to be regifted if you have an Egyptology fan among you, or possibly someone who is interested in the idea of Celebrity...Ramesses is one of the very first Celebrity faces in the history of the world.

Enjoy this selection of beautiful ancient Egyptian artwork chosen from the book's many, many images.

Pharoah as style icon
I do not expect that too many of us will have the opportunity to visit Cairo and tour its glorious museums while the world is as unsettled as it is. I hope you'll get this beautiful book and dream over it as winter's nights get longer. If you're in the global south, staying inside while the a/c blasts you and dreaming of a winter holiday is equally lovely use of the pages.

AIN'T NOBODY'S FOOL: The Life and Times of Dolly Parton, a fine book about an amazing woman

AIN'T NOBODY'S FOOL: The Life and Times of Dolly Parton
MARTHA ACKMANN
St. Martin's Press (non-affiliate Bookshop.org link)
$15.99 ebook, preorder now for delivery on 30 December 2025

Rating: 5* of five

The Publisher Says: A larger-than-life new biography of country music legend and philanthropist Dolly Parton.

In Ain't Nobody's Fool: The Life and Times of Dolly Parton, Martha Ackmann chronicles the life of an American Original. From her impoverished childhood in the Smoky Mountains to international stardom as a singer, songwriter, actress, businesswoman, and philanthropist, Dolly Parton has exceeded everyone's expectations except her own. During a time when the Beatles set the standard for contemporary music, Dolly appeared on a local country music television show that her high school classmates thought was pure cornpone. The day after her high school graduation, she boarded a bus for Nashville, but record executives turned her down. One said her voice sounded like a screech owl.

When Dolly finally got her foot in the door, her talent and focus catapulted her to the top of country charts, the pop world, and movie stardom. Yet her success came at a price. Shunned by many in Nashville who saw her ambition as a betrayal of her country music roots, Dolly became the target of death threats, lawsuits, and a judge who threatened to throw her in jail. She nearly collapsed on-stage and later succumbed to depression that pushed her to the brink, but she refused to be counted out and came back stronger than ever developing Dollywood, the amusement park that became the economic engine of East Tennessee, and founding the Imagination Library that provides free books to children around the world. Her philanthropy to health organizations led to creation of the Moderna COVID vaccine. And, finally, she returned to her roots, recording bluegrass albums that became the most celebrated of her unparalleled 60-year career.

Ain't Nobody's Fool is a deep dive into the social, historical, and personal forces that made Dolly Parton one of the most beloved and unifying figures in public life and includes interviews with friends, family members, school mates, Nashville neighbors, members of her band, studio musicians, producers, and many others. It also features never before seen photographs and unearthed documents shedding light on her family's hardscrabble life. More than anything, Martha Ackmann's fresh and animated new book proves Dolly Parton knows just who she is and she ain't nobody's fool.

I RECEIVED A DRC FROM THE PUBLISHER VIA NETGALLEY. THANK YOU.

My Review: Author Ackmann, she of The Mercury 13, knows how to present the stories of women in powerful positions without triumphalizing or trivializing their struggles, obstacles, and successes. Miss Dolly deserves no better biographer.

As a longtime fan of the woman, and one who came to appreciate her musical talents despite not much liking the genre she's performed in for decades, I enjoyed my time spent here. It was a lot like renewing my acquaintance with someone once dear who's been out of touch. A couple years ago I reviewed an illustrated book about her career, DOLLY PARTON: 100 Remarkable Moments in an Extraordinary Life, with a similar degree of pleasure.

What I most enjoy about reading the life and times of Miss Dolly in this book is the context, the societal setting of her triumphs and her struggles. The way the book is written is to offer a fan a history lesson sweetened by a favorite celebrity's life experiences. This is, to me, a strength...I'm alway interested in why and how before what. The greatest stregth of the read is the very clear-eyed assessment of the whys and hows...overcoming misogyny to make a huge mark in the music and entertainment industry, overcoming depression and isolation to turn notoriety into lasting fame...all while using her celebrity to serve, to help, to lift others higher than they could have reached on their own.

It is inspiring, humbling, enlightening.

What an ordinary person would've done when faced with those obstacles is...surrender, collapse, give up. It's a mark of Miss Dolly's indomitable spirit and drive that she collapsed but rebounded; failed but got up to do it again, only better; got rejected, but went where she was wanted, instead of curling up in a ball and crying until the cows came home. It's not luck alone that makes someone successful, and this book makes that so very clear you can see it from space.

As a biographer of a living person Author Ackmann took full advantage of the mountains and mountains of information our modern age makes available. The notes are copious, but you can ignore them if you like. I myownself was delighted to see them because the force of nature that is Miss Dolly deserves all the ink spilled on her doings in television production, literacy programs, the music and theme-park industries...the list is impressive.

What you won't get in this work is celebri-tea. There's nothing breathlessly revealed, no salacious little gossipy nuggets. This is a biography about a very serious, focused, driven person whose successes span more than sixty years and counting.

It is respectful. That is refreshing, warranted, and welcome.

I left the read more uplifted than entertained. Again, to me, a feature not a bug. i think it's a great Yule gift for your Dolly fan, for anyone who feels ground down and needs uplift without treacle, for someone who admires women's success stories.

Pretty much anybody not into toxic masculinity, then.

TURNING TO BIRDS: The Power and Beauty of Noticing, inspiring readers to mindfulness practice

TURNING TO BIRDS: The Power and Beauty of Noticing
LILI TAYLOR
Crown Publishing (non-affiliate Bookshop.org link)
$1.99 ebook, available now

Rating: 4.5* of five

A LIBRARY JOURNAL BEST BOOK OF 2025

The Publisher Says: Accessible essays about searching for peace in the cacophony of birds and discovering a world of meaning in small moments—from award-winning actress Lili Taylor.

Most people don’t really know birds—or rather, they aren’t aware of them. Lili Taylor used to be one of those people. She knew birds existed. She thought about them, maybe even more than the average person. But she didn’t know them. And then something happened.

During a break from her work as an actor, Lili sought silence and instead found the bustling, symphonic world of birds that had always existed around her. Since then, she has kept a keen eye pressed to her binoculars in search of vivid stories that elevate the everyday, if only one pays attention.

Through a series of beautifully crafted essays, Taylor shares her intimate encounters with the birds that have captured her heart and imagination—from tracking flitting Zorros through oak trees to spotting majestic Bluejays perched on a Manhattan fire escape; from the exhilaration of chasing a migratory flock up the Empire State Building to the quiet joy of observing a nest of hatchlings in her own backyard.Through simply paying attention to birds, Lili has been shown a parallel world that is wider and deeper, one of constant change and movement, full of life and the will to survive.

This book is part-memoir, part-love letter to the beauty and resilience of the natural world—a reminder of the profound connections that exist between all living things. Taylor's lyrical prose and thoughtful meditations on both the art we make and the art we discover around us create a sense of intimacy and wonder, inviting readers to see the world through new eyes and to find joy in the most unexpected places.

I RECEIVED A DRC FROM THE PUBLISHER VIA NETGALLEY. THANK YOU.

My Review: Essays are tricky to recommend...they depend so much on how something is said, but possibly even more on who's saying it; never, of course, forgetting the all-important what the essays are about. These essays succeed, for this reader, at least in part because Author Taylor is an indie-film darling with a very clear body of work behind her, thus has solid credibility; and also stays busy by acting in shows like Outer Range and the Lincoln's assassination series Manhunt as Mrs. Lincoln.

In the midst of that, and raising a child, she's been active in conservation organizations like the Audubon Society...her work for them, her work life, her busy-ness, led her to seek time to spend enjoying the natural world she was working to protect.

Birding offered a way to do that while still working. Bird census, anyone? This collection is clearly by a deeply committed person, one with a lot of integrity, who does not simply sit and wait for things to change but stands up and gets into the fray.

The humor, the anecdotes, offer her acting-life fans the little jolts of familiarity that make books by celebrities so appealing. Those who came for the Mystic Pizza or the I Shot Andy Warhol girl will feel satisfied catching up to her; those who love her TV work will too. Both can get their fixes with a side of gentle encouragement to seek solace in the unhuman world we exist inside but so seldom look around at. The birding is a joy to her, it feels as though she's telling us her secret to long life abnd happiness (she's younger than I am, so I hope it works but won't be around to find out).

A novice birder's delight; a celebrity-follower's browsing garden; an example of how to be multifaceted in a world that would prefer you do one thing and shut up about everything else. What it isn't is a how-to, or a guide to the world of birding. It's meditating on the benefits of time in nature, not giving a how-to. Organizing the book by species watched with the whys and the hows of that moment in her life made me feel I was along with her...woodcocks, bluebirds, those awful house sparrows...and what happened while she was doing the watching...well, it worked for me.

As a reminder to seek a mindfulness practice, all five stars; as a birding book, four and three-quarters...but as a celebrity tell-all, three stars. Hence my weighted average of four and a half stars and a smile.