HEARTWOOD: A Novel, A Read with Jenna Pick, takes us with three very strong women to resolutions they did not expect

HEARTWOOD: A Novel (A Read with Jenna Pick)
AMITY GAIGE
Simon & Schuster
$14.99 ebook, available 1 April 2025

Rating: 4* of five

The Publisher Says: Heartwood takes you on a gripping journey as a search and rescue team race against time when an experienced hiker mysteriously disappears on the Appalachian Trail in Maine.

In the heart of the Maine woods, an experienced Appalachian Trail hiker goes missing. She is forty-two-year-old Valerie Gillis, who has vanished 200 miles from her final destination. Alone in the wilderness, Valerie pours her thoughts into fractured, poetic letters to her mother as she battles the elements and struggles to keep hoping.

At the heart of the investigation is Beverly, the determined Maine State Game Warden tasked with finding Valerie, who leads the search on the ground. Meanwhile, Lena, a seventy-six-year-old birdwatcher in a Connecticut retirement community, becomes an unexpected armchair detective. Roving between these compelling narratives, a puzzle emerges, intensifying the frantic search, as Valerie’s disappearance may not be accidental.

Heartwood is a “gem of a thousand facets—suspenseful, transporting, tender, and ultimately soul-mending,” (Megan Majumdar, New York Times bestselling author of A Burning) that tells the story of a lost hiker’s odyssey and is a moving rendering of each character’s interior journey. The mystery inspires larger questions about the many ways in which we get lost, and how we are found. At its core, Heartwood is a redemptive novel, written with both enormous literary ambition and love.

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My Review: What I liked about this read, which on its face is not one I would resonate positively with, is that we're not in doubt about Valerie's disappearance. We're reading her letters to her mom as the search for her unfolds. And yet it's a suspense novel...so how does Amity Gaige pull that off?

Deftly.

Honestly I'm still allergic to the Cult of Mother stuff...you'll have noticed an absence of any part of a fifth star...but the beautiful nature descriptions and the bleeding honesty of the toll that living in times celebrating dehumanizing "values" earned all four the story remaining stars. Leaving out the mother-daughter mealymouthing would've earned at least another half, just for Valerie's impressive if misused commitment to helping. Everyone, except herself...and how'd that little poison pill get in there. We do see that realization come to her. Her early-story-days burnout from nursing nursing nursing during COVID's worst passage means she's in need of time to process and consolidate her new emotional world...that won't include the husband she does't love anymore, but who is her logistical support on this trip....

Beverly the Maine warden tasked with finding Valerie before her week's-worth of supplies runs out is, well, standard. She's a salty salt-of-the-earth supercompetent woman who throws herself into a job she's damned good at...to avoid dealing with her mother's steady decline into death. It's not like this is a groundbreaking idea. It is, however, very relatable; Beverly is rewarded and praised for the good work she does when other work must be neglected to do it. Work she does not want to do. "Women's work." Caring for her mother is...just too hard, given the older woman's dereliction of care for her, and effective devolution of care for Bev's sisters onto her too-young shoulders. Finding strangers who are a lot less competent than she is? Easy; and very much needed in the huge spaces that Maine has never "developed."

Lena is retired, lives a dull life of nothing much except chatting about birds to an unknown-in-meatspace mystery soul after her "useful" existence is done with her. She's sharp; she's savvy; she's got online skills that enable her to help Valerie and Beverly; so she does. I liked her best...I am her, I guess that won't surprise anyone that I think she's a good'un. She's estranged from her only child; she's difficult and spiky; and still can't resist doing something useful in despite of her physical disability. Yup. Thass me. The style of storytelling allows one to follow the developments, even Lena's, in the story's real time. It really worked on me.

How it all fits together is the fun of the read. I won't spoiler it because I am boot-quakingly afraid of the Spoiler Stasi. I'll say that misdirection я Amity. I had a firm opinion about where this was going and, when it got to the Big Reveal, I was correct. It gave me a lovely warm glow of satisfaction.

What makes this good Book Club Fiction™ is this mélange of traits, but most especially the dull mother-daughter conflicts. My own mother was awful; I do my goddamnedest to think around and past her gargoyle-statue-shaped lump in my head. But I've had decades of therapy and most of y'all ain't, so stories told about this feel better to you. I think Jenna Bush Hager picked a great iteration of the undistinguished, indistinguishable mass of Book Club Fiction™ to show y'all.

Buy one to say thank you to a talented author with her finger on The Pulse℠, and a celeb who's Book Club Fiction™ taste is solidly on the side of craft mastery instead of glam glitz and suchlike gubbins.

Not at all mad I read it.

March 2025's Burgoine and Pearl-Rule reviews This review will appear in my blog's end-of-month roundup on 30 March 2025.

Author 'Nathan Burgoine posted this simple, direct method of not getting paralyzed by the prospect of having to write reviews. The Three-Sentence Review is, as he notes, very helpful and also simple to achieve. I get completely unmanned at the idea of saying something trenchant about each book I read, when there often just isn't that much to say...now I can use this structure to say what I think is the most important idea I took away from the read and not try to dig for more.

Think about using it yourselves!

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Something in the Walls by Daisy Pearce

Rating: 3.5* of five

The Publisher Says: Newly minted child psychologist Mina has little experience. In a field where the first people called are experts, she’s been unable to get her feet wet. Instead she aimlessly spends her days stuck in the stifling heat wave sweeping across Britain and anxiously contemplates her upcoming marriage to careful, precise researcher Oscar. The only reprieve from her small, close world is attending the local bereavement group to mourn her brother’s death from years ago.

Then she meets journalist Sam Hunter at the grief group one day, and he has a proposition for her: Thirteen-year-old Alice Webber claims a witch is haunting her. Living with her family in the remote village of Banathel, Alice finds her symptoms are getting increasingly disturbing. Taking this job will give Mina some experience and much-needed money; Sam will get the scoop of a lifetime; and Alice will get better—Mina is sure of it.

But instead of improving, Alice’s behavior becomes inexplicable and intense. The town of Banathel has a deep history of superstition and witchcraft. They believe there is evil in the world. They believe there are ways of…dealing with it. And they don’t expect outsiders to understand.

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My Review: Psychological horror/thriller novels really do scare me. This one, in a lot of ways, was scary; its only issue for full, effective scare factor in my eyes is the journalist/tyro child psychologist tie-up. I'm really oversensitive to that kind of cruel, manipulative relationship, having been abused by jesus freaks with the truly horrific tale of god and the devil making a bar-bet that Job wouldn't buckle under extreme psychological torture. It didn't help that the male journalist scraped her acquaintance in a group for grieving loss sufferers, a true predator move.

For those reasons I could never get all the way into the story, hence my seemingly ungenerous rating. It *is* effective in its creation of a spooky atmosphere, with icksome details and sensory evocations. Lots of body horror that feels very...bodily...so squeamish souls are duly cautioned. Effectively claustrophobic, emotionally sharp-edged horror read that has some serious flaws.

Minotaur Books (non-affiliate Amazon link) wants $14.99 for an ebook. I say it's a good library borrow.

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A Brazen Curiosity: A Regency Cozy by Lynn Messina (Beatrice Hyde-Clare Mysteries Book 1)

Rating: 3.5* of five

The Publisher Says: Nothing ruins a lovely house party like bloody murder.

At the decrepit old age of six-and-twenty, Miss Beatrice Hyde-Clare has virtually no hope of landing a husband. An orphan living off her relatives' charity, her job is to sit with her needlework and to keep her thoughts to herself.

When Bea receives an invitation to an elegant country party, she intends to do just that. Not even the presence of the aggravatingly handsome Duke of Kesgrave could lead this young lady to scandal. True, she might wish to pour her bowl of turtle soup on his aristocratic head—however, she would never actually do it. But a lady can fantasize.

But, when she stumbles upon the dead body of another houseguest, all Bea's good intentions fly out the well-appointed window. Although the magistrate declares it a suicide, she knows better.

Time for some very unladylike behavior.

I CHECKED THIS BOOK OUT FROM THE PRIME LENDING SERVICE. USE THEM OFTEN, THEY PAY AUTHORS FOR OUR USE.

My Review: OLD?! TWENTY-SIX WAS OLD?! I reject this notion whole and entire! I don't reject the series, however, as Beatrice is another anachronistic Regency heroine who does not "know her place" which will always get my attention, as someone who has never known his place either.

I don't rate it more highly because it has other anachronistic touches I found less amusing, eg "The difference between who she perceived herself to be and who she actually was was vast, and if she had any fight left in her, she would resent how easily she’d succumbed to everyone’s low expectations, including her own," very much a twenty-first century kind of a thought. Still well worth your time and treasure if you need a pleasant diversion.

Kindle edition's $2.99. (non-affiliate Amazon link)

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A Scandalous Deception: A Regency Cozy by Lynn Messina (Beatrice Hyde-Clare Mysteries Book 2)

Rating: 3.25* of five

The Publisher Says: As much as Beatrice Hyde-Clare relished the challenge of figuring out who murdered a fellow guest during a house party in the Lake District, she certainly does not consider herself an amateur investigator.

So when a London dandy falls dead at her feet in the entryway of a London Daily Gazette, she feels no compulsion to investigate. It was a newspaper office, after all, and reporters are already on the case as are the authorities. She has her own problems to deal with anyway—such as extricating herself from a seemingly harmless little fib that has somehow grown into a ridiculously large fiction.

Truly, she has no interest at all.

Except the dagger that killed the poor earl seemed disconcertingly familiar… And so Bea is off to the British Museum because she cannot rest until she confirms her suspicion, while trying to allay her family’s concerns and comprehend the Duke of Kesgrave’s compulsion.

For the handsome lord has no reason to waste his time solving a mystery alongside a shy spinster. And yet he turns up everywhere she goes.

I CHECKED THIS BOOK OUT FROM THE PRIME LENDING SERVICE. USE THEM OFTEN, THEY PAY AUTHORS FOR OUR USE.

My Review: I'm increasingly uncomfortable with Beatrice's facile, foolish, ill-considered lying as a source of plot momentum. It's as squicky a trait as it was to me in I Love Lucy when I was a kid. The lies are so silly, too.

That said I got solid laughs between brow-furrowings. Value delivered, even if in mitigated form.

Kindle edition's $3.49. (non-affiliate Amazon link)

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A Pernicious Fabrication: A Regency Cozy by Lynn Messina (Beatrice Hyde-Clare Mysteries Book 13)

Rating: 3* of five

The Publisher Says: Beatrice, Duchess of Kesgrave, will not do the bidding of Hell and Fury Hawes. It does not matter how difficult it is to find new murder mysteries to investigate, especially ones where the victim was stabbed with a chisel. She absolutely refuses to lift a finger to help him figure out who killed one of his associates.

Nothing will persuade her, not even discovering the identity of the victim.

It is the duke’s cousin, son of the wretched Lord Myles, who also met an ugly death—bludgeoned with a candlestick—after going into business with the infamous crime lord, who rules over the worst rookery in London. Mortimer Matlock, a thwarted artist who stopped sculpting after his work was rejected repeatedly by the Royal Academy, was forging artifacts for Hawes’s illegal antiquities scheme.

Joining forces with the King of Saffron Hill, it seems, is frequently fatal.

That is an unfortunate development, then, for Bea, whose husband is determined to find out who slayed his relative. The duke shares her distrust of Hawes, whose avowals of just wanting justice for the fallen man ring hollow to him too. He believes there is more to the situation than meets the eye.

Well, obviously, yes, thinks Bea, who is unable to smother her misgivings.

Surely, they’re walking into a trap.

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My Review: Entertaining. The art-forgery and antiquities-smuggling aspects are what drew me in initially, and while these plot points drive the story they aren't the focus (if you see what I mean) as much as the web woven by and for the Duchess. It's book thirteen in a series, so good lawsy me have I missed a lot.

I'm not sure I'll go get three through twelve. Don't start here, but if like me you're a fan of Regency-set stuff, pick up book one. I enjoyed it more than this one; most likely because I missed so much in the middle.

The Kindle edition's $6.99. (non-affiliate Amazon link)

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Cabinet of Curiosities: A Historical Tour of the Unbelievable, the Unsettling, and the Bizarre by Aaron Mahnke

Rating: 3.75* of five

The Publisher Says: The new book based on the long-running hit podcast by Aaron Mahnke, which has translated into over 120-million downloads to date, and a monthly average of over 2 million listeners.

The podcast, Aaron Mahnke’s Cabinet of Curiosities, has delighted millions of listeners for years with tales of the wonderful, astounding, and downright bizarre people, places, and things throughout history. Now, in Cabinet of Curiosities the book, learn the fascinating story of the invention of the croissant in a country that was not France, and relive the adventures of a dog that stowed away and went to war, only to help capture a German spy. Along the way, readers will pass through the American state of Franklin, watch Abraham Lincoln’s son be rescued by his assassin’s brother, and learn how too many crash landings inspired one pilot to leave the airline industry and trek for the stars.

For the first time ever, Aaron has gathered scores of his favorites in print, and curated them into a beautiful, topical collection for devoted followers and new fans alike.

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My Review: Fun trivia book. I don't listen to Mahnke's podcast but this definitely makes me understand why people do, with his engaging, personable affect, and the combination of infotainment and attractive design.

Sourced anecdotes largely point you to Wikipedia, some are not *quite* as presented here (lookin' at you Saqqara-bird story) but honestly...you'd buy this as a giftie for the nibling who's a Jeopardy!-watcher and they'd enjoy debunking the stuff as much as anything.

St. Martin's Press (non-affiliate Amazon link) requests $14.99 for an ebook.

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The Unworthy by Agustina Bazterrica (tr. Sarah Moses)

Rating: 3.75* of five

The Publisher Says: The long-awaited new novel from the author of global sensation Tender Is the Flesh: a thrilling work of literary horror about a woman cloistered in a secretive, violent religious order, while outside the world has fallen into chaos.

From her cell in a mysterious convent, a woman writes the story of her life in whatever she can find—discarded ink, dirt, and even her own blood. A lower member of the Sacred Sisterhood, deemed an unworthy, she dreams of ascending to the ranks of the Enlightened at the center of the convent and of pleasing the foreboding Superior Sister. Outside, the world is plagued by catastrophe—cities are submerged underwater, electricity and the internet are nonexistent, and bands of survivors fight and forage in a cruel, barren landscape. Inside, the narrator is controlled, punished, but safe.

But when a stranger makes her way past the convent walls, joining the ranks of the unworthy, she forces the narrator to consider her long-buried past—and what she may be overlooking about the Enlightened. As the two women grow closer, the narrator is increasingly haunted by questions about her own past, the environmental future, and her present life inside the convent. How did she get to the Sacred Sisterhood? Why can’t she remember her life before? And what really happens when a woman is chosen as one of the Enlightened?

A searing, dystopian tale about climate crisis, ideological extremism, and the tidal pull of our most violent, exploitative instincts, this is another unforgettable novel from a master of feminist horror.

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My Review: Seemingly alone among readers, I did not like Tender Is the Flesh because its conceit was simply too absurd for me. I was unable take it seriously enough to get into the real story. Not at all the issue with this top-flight idea. "The Enlightened" are so very of the moment, and so perfectly limned as the abuser tech bros and Aynholes they're...parodying? illuminating in 3D, certainly. By gender-flipping the baddies, Author Bazterrica bypasses facile dismissive male critics' inevitable sexist dismissals of the story's, um, Gothic excesses. She's also thereby making a powerful point about women and their missing solidarity. The (female) abusers rise to the top, thereby to use their power in pointlessly sadistic rituals of pain and humiliation.

Hence my lower-than-expected rating. I do not wish to examine women in any remotely sexual light. It's metaphorical here, granted; I still do not enjoy it; so not-quite-four is my rating of a solid five-star story. YMMV, of course, and I very much hope it will.

Scribner (non-affiliate Amazon link) will say "$13.99 please" at checkout.

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Hot Air by Marcy Dermansky

Rating: 3.75* of five

The Publisher Says: A joyfully unhinged story of money, marriage, sex, and revenge unspools when a billionaire crashes his hot air balloon into the middle of a post-pandemic first date.

Joannie hasn’t been on a date in seven years when Johnny invites Joannie and her daughter to dinner. His house is beautiful, his son is sweet, and their first kiss is, well, it’s not the best, but Joannie could convince herself it was nice enough. But when Joannie’s childhood crush, a summer camp fling turned famous billionaire, crash lands his hot air balloon in Johnny’s swimming pool, Joannie dives in.

Soon she finds herself alighting on a lost weekend with Johnny the bad kisser, Jonathan the billionaire, and Julia his smart, stunning wife. Does Joannie want Jonathan? Does Julia want her husband? Or Joannie? Or Joannie’s beautiful little girl? Does Johnny want Julia? Does Jonathan want Joannie, or Julia, or maybe, his much younger personal assistant, Vivian, who is tasked to fix it all? A tale of lust and money and lust for money, Hot Air is as astonishing as it is blisteringly funny, a delirious, delicious story for our billionaire era.

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My Review: Bob & Carol & Ted & Alice for modern times. A bit prim and a lot heteronormative for my taste.

I'm not mad about it, also not mad I read it. Some decent one-liners in here.

Knopf (non-affiliate Amazon link) wants $13.99 for the ebook. *shrug*

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O Sinners!: A Novel by Nicole Cuffy

Rating: 3.5* of five

The Publisher Says: A journalist investigates a seductive and mysterious cult and its leader, an enigmatic Vietnam War veteran, in this not-to-be-missed novel.

Faruq Zaidi, a young journalist reeling from the recent death of his father, a devout Muslim, takes the opportunity to embed in a cult called The Nameless. Based in the California redwoods and shepherded by an enigmatic Vietnam War-veteran named Odo, The Nameless adhere to the 18 Utterances, including teachings such as “THERE IS NO GOD BUT THE NAMELESS,” “ALL SUFFERING IS DISTORTION,” and “SEE ONLY BEAUTY.” Faruq, skeptical but committed to unraveling the mystery of The Nameless, extends his stay over months, as he gets deeper into the cult's inner workings, compassionate teachings, and closer to Odo. Faruq himself begins to unravel, forced to come-to-terms with the memories he has been running from while trying to resist Odo's spell.

Told in three seamlessly interwoven threads between Faruq’s present-day investigation, Odo’s time before the formation of the movement as a Black infantryman during the Vietnam War, alongside three other Black soldiers, and a documentary script that recounts The Nameless’ clash with a Texan fundamentalist church, O SINNERS! examines both longing and belonging. Ultimately the novel What is it that we seek from cults and, inevitably, from each other?

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My Review: I am exactly the right audience for this story: I think cults are reprehensible, predatory horrors; I'm part of the generation defined by the Vietnam War and its aftermath; I'm a strong advocate of novels that tell stories complicated by memories a character needs to repress in order to make sense of their daily life.

After about the fifth time-switch I felt ping-ponged; after the repetitions of the 18 Utterances, I was not able to control my eyerolling. I just liked the story, yet didn't like the storytelling as much.

One World (non-affiliate Amazon link) asks $13.99 for the ebook. I myownself would ask the library to get one.

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The Paris Express by Emma Donoghue

Rating: 3.75* of five

The Publisher Says: Emma Donoghue, the “soul-stirring” (Oprah Daily) nationally bestselling author of Room, returns with a sweeping historical novel about an infamous 1895 disaster at the Paris Montparnasse train station.

Based on an 1895 disaster that went down in history when it was captured in a series of surreal, extraordinary photographs, The Paris Express is a propulsive novel set on a train packed with a fascinating cast of characters who hail from as close as Brittany and as far as Russia, Ireland, Algeria, Pennsylvania, and Cambodia. Members of parliament hurry back to Paris to vote; a medical student suspects a girl may be dying; a secretary tries to convince her boss of the potential of moving pictures; two of the train’s crew build a life away from their wives; a young anarchist makes a terrifying plan, and much more.

From an author whose “writing is superb alchemy” (Audrey Niffenegger, New York Times bestselling author), The Paris Express is an evocative masterpiece that effortlessly captures the politics, glamour, chaos, and speed that marked the end of the 19th century.

I RECEIVED A DRC FROM THE PUBLISHER VIA EDELWEISS+. THANK YOU.

My Review: Of all the (too-many) characters in this story, I liked the train the best.

Quite a change from Room and its claustrophobic one-space, a crowded cast of characters and actions that merely move them around the train to talk at each other some more left me...unsatisfied. I'd've liked Author Donoghue to cut a few, and home in on the ones left. Beautiful sentences, and a fascinating historical background, rescue the story from mediocrity. Make it a movie already!

Summit Books (non-affiliate Amazon link) charges a reasonable $12.99 for an ebook.

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This space is dedicated to Nancy Pearl's Rule of 50, or "the Pearl Rule" as I've always called it. After realizing five times in December 2021 alone that I'd already Pearl-Ruled a book I picked up on a whim, I realized how close my Half-heimer's is getting to the full-on article. Hence my decision to track my Pearls!

As she says:

People frequently ask me how many pages they should give a book before they give up on it. In response to that question, I came up with my “rule of fifty,” which is based on the shortness of time and the immensity of the world of books. If you’re fifty years of age or younger, give a book fifty pages before you decide to commit to reading it or give it up. If you’re over fifty, which is when time gets even shorter, subtract your age from 100—the result is the number of pages you should read before making your decision to stay with it or quit.

So this space will be each month's listing of Pearl-Ruled books. Earlier Pearl-Rule posts will be linked below the current month's crop.

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The Antidote by Karen Russell (64%)

Rating: 3* of five

The Publisher Says: From Pulitzer finalist, MacArthur Fellowship recipient, and bestselling author of Swamplandia! and Vampires in the Lemon Grove. A gripping Dust Bowl epic about five characters whose fates become entangled after a storm ravages their small Nebraskan town

The Antidote opens on Black Sunday, as a historic dust storm ravages the fictional town of Uz, Nebraska. But Uz is already collapsing—not just under the weight of the Great Depression and the Dust Bowl drought, but beneath its own violent histories. The Antidote follows a "Prairie Witch," whose body serves as a bank vault for peoples’ memories and secrets; a Polish wheat farmer who learns how quickly a hoarded blessing can become a curse; his orphan niece, a basketball star and witch’s apprentice in furious flight from her grief; a voluble scarecrow; and a New Deal photographer whose time-traveling camera threatens to reveal both the town’s secrets and its fate.

Russell's novel is above all a reckoning with a nation’s forgetting—enacting the settler amnesia and willful omissions passed down from generation to generation, and unearthing not only horrors but shimmering possibilities. The Antidote echoes with urgent warnings for our own climate emergency, challenging readers with a vision of what might have been—and what still could be.

I RECEIVED A DRC FROM THE PUBLISHER VIA NETGALLEY. THANK YOU.

My Review: I cried "Uncle" at 64% because I just don't care anymore.

I hadn't meant to sound so angry. Nothing about their calm faces in my uncle's kitchen made any sense.

I read that, thought, "I couldn't agree more," and put the book down. I had steadily lost interest, which was a sadness since I really wanted this read to thrill and delight me. It *sounds* great!

Knopf thinks $14.99 (non-affiliate Amazon link) is right and proper. I say use the library.

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The Ego System: The Awakening by René Zografos (51%)

Rating: 2.5* of five

The Publisher Says: Can we afford to stand by as our planet collapses?

In the past 50 years, humanity has wiped out 70% of the world’s wild animals. Our oceans are being emptied, wildlife habitats destroyed, and ecosystems pushed to the brink, all to satisfy an insatiable hunger for meat and animal products.

In The Ego: The Awakening, award-winning journalist René Zografos reveals the devastating consequences of the meat industry on the environment, animal welfare, and our health. With eye-opening insights into factory farming, wildlife crimes, and political inaction, this book challenges us to rethink our choices and their impact on the planet.

Discover how factory farming fuels climate change, deforestation, and biodiversity loss.Animal suffering is hidden by an industry designed to obscure the truth.Plant-based living can lead to a sustainable future and improved personal health.This is more than a wake-up call. It’s a call to action, offering practical steps to create a better world. Zografos blends compelling facts, personal reflections, and a sense of urgency to empower readers to make meaningful changes.

Proceeds from this book support animal welfare, ensuring that every purchase makes a difference. It’s not too late to save our planet. The time to act is now. Will you be part of the solution?

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My Review: More citations, less verbiage.

However much I agree with you, rigorous adherence to standards is even more urgent than ever when you're arguing against the Orthodoxy.

Kindle Unlimited for free (non-affiliate Amazon link), if you must.

THE NIGHT GUEST, deeply unnerving psychological domestic horror novella centers misogyny

THE NIGHT GUEST
HILDUR KNÚTADÓTTIR (tr. Mary Robinette Kowal)
Tor Nightfire (non-affiliate Amazon link)
$11.99 ebook, available now

Rating: 3.5* of five

The Publisher Says: Hildur Knutsdottir's The Night Guest is an eerie and ensnaring story set in contemporary Reykjavík that’s sure to keep you awake at night.

Iðunn is in yet another doctor's office. She knows her constant fatigue is a sign that something's not right, but practitioners dismiss her symptoms and blood tests haven't revealed any cause.

When she talks to friends and family about it, the refrain is the same ― have you tried eating better? exercising more? establishing a nighttime routine? She tries to follow their advice, buying everything from vitamins to sleeping pills to a step-counting watch. Nothing helps.

Until one night Iðunn falls asleep with the watch on, and wakes up to find she’s walked over 40,000 steps in the night . . .

What is happening when she’s asleep? Why is she waking up with increasingly disturbing injuries? And why won’t anyone believe her?

I RECEIVED A DRC FROM THE PUBLISHER VIA NETGALLEY. THANK YOU.

My Review: I'm always down for a psychological horror read. This one has a strong message about misogyny at its core. I think that is what powered me past my disappointing reading experience.

Iðunn's world is a very familiar, quotidian one of tedious work, unfulfilling relationships, and family pressures that might or might not be external. Like so many, maybe every, female of my acquaintance, she's a poor sleeper. This has multiple negative effects on a person's life. Iðunn tries to make changes in her sleeping deficits with a fancy new kind of wearable multiple-axes tracking device.

The promised data on her sleeping patterns tells a story that does not make sleep come any easier. If anything the data scares her more; and the device itself seems to be making her life, not only her sleep deficit, much worse.

Iðunn's sense of crushing responsibility for every single thing in her life is not unfamiliar to me. It's just not something I think is always an external pressure as Iðunn thinks it is. No matter; her responses to the world are the story, so putting aside my sense of her emotional immaturity, I travel down the unhappy trail with her. Why is she, for want of another term, sleepwalking? Why does her body acquire wounds during her unconsciousness? If it isn't sleep, what is this state and why is it part of her nightly experience that is unavailable to her daylight mind?

I was ready to quit the read when animal harm entered the chat. I was perfectly happy to follow the deteriorating sense of control over her body and mind; it seems to me to be an excellent metaphor for being a woman in a misogyny-drenched world. I'm very much not down with harming creatures that can not adequately defend themselves, when it's done for cruelty's sake most especially. In this case it did nit feel to me to be more than an intensifying trope; it did not come from something within Iðunn that was just bursting out of her in a horrible way...see The Wasp Factory for an example of what I mean by that.

I decided to trust the eminent Mary Robinette Kowal, a personal favorite creative talent, whose translation of the text felt very smooth and organic and unlike I was reading a story at an extra remove. That often happens to me, even in excellent translations. This story isn't ever going to be a five-star read to me, thought I, but it's way better than average.

Then...the ending.

Three and a half stars. No more, no less.

YOUR LOVE IS NOT GOOD, exploring queer desire's darker corners

YOUR LOVE IS NOT GOOD
JOHANNA HEDVA
And Other Stories (non-affiliate Amazon link)
$18.95 trade paper, available 15 April 2025

Rating: 5* of five

The Publisher Says: Finalist for the 2024 Republic of Consciousness Prize
An artist of color becomes obsessed with a white model in a novel with the glamour of Clarice Lispector and the viscerality of Han Kang.

At an otherwise forgettable party in Los Angeles, a queer Korean American painter spots a woman who instantly controls the room: gorgeous and distant and utterly white, the center of everyone’s attention. Haunted into adulthood by her Korean father’s abandonment of his family, as well as the specter of her beguiling, abusive white mother, the painter finds herself caught in a perfect trap. She wants Hanne, or wants to be her, or to sully her, or destroy her, or consume her, or some confusion of all the above. Since she’s an artist, she will use art to get closer to Hanne, beginning a series of paintings with her new muse as model. As for Hanne, what does she want? Her whiteness seems sometimes as cruel as a new sheet of paper.

When the paintings of Hanne become a hit, resulting in the artist’s first sold-out show, she resolves to bring her new muse with her to Berlin, to continue their work, and her seduction. But, just when the painter is on the verge of her long sought-after breakthrough, a petition started by a Black performance artist begins making the rounds in the art community, calling for the boycott of major museums and art galleries for their imperialist and racist practices.

Torn between her desire to support the petition, to be a success, and to possess Hanne, the painter and her reality become more unstable and disorienting, unwilling to cut loose any one of her warring ambitions, yet unable to accommodate them all. Is it any wonder so many artists self-destruct so spectacularly? Is it perhaps just a bit exciting to think she could too?

Your Love Is Not Good stuffs queer explosive into the cracks between identity and aspiration, between desire and art, and revels in the raining debris.

I RECEIVED A DRC FROM THE PUBLISHER VIA EDELWEISS+. THANK YOU.

My Review: The way I know queer folk are, for want of a more accurate and inclusive term, assimilated into the Borg Collective straight peoples' overcultural awareness as real, fully human people is the virulence of the Gawd Squad's attacks on our rights, and our young people (by which I mean everyone born from 1984 on) feel it's okay to write about messed-up, creepy, mean, or even evil queer people. In other words, people. Just plain ol' humans. No need to fancy it up with initialisms that help us find each other but become tiger traps of ghettoization over time.

Here's a novel about a mixed-"race" (a term I hate with all my passion mobilizable...we are all humans none of us are neanderthals or antecessors!!) lesbian at the ragged edge of youth shading into middle age finding out how easy it is to fall into obsessive love when your hypercapitalist life starts to spontaneously deconstruct under the weight of expectation. Becoming fixated on someone like you see yourself being, only moreso, someone refined, and just...better...is justifiable to others and yourownself when the object is from the group at the pinnacle of society's desire hierarchy.

The object is then defined by the terrible, reductive term "muse," one definition of which that I think is relevant here is: A muse represents more than a mere subject or source of inspiration; it embodies the very essence of creative energy and inspiration itself. The muse possesses a unique allure that captivates the artist’s senses, provoking emotions, ideas, and a deep connection that fuels their artistic expression. It is not limited to a passive role but actively participates in the artistic process. They stimulate the artist’s vision, evoking a profound response and encouraging the exploration of new artistic territories. And Hanne, the white woman in her current, sold-out (!) painting series, is not her first "muse" nor her first racialized lust object.

In many ways, our unnamed narrator...called "Johanna" as a proxy for the author, but still explicitly stated not to be the author, so not named...painting Hanne (note how similar the beauteous muse's name is to the author's) for a highly prestigious gallery show is falling into the ugly territory that dogged Nabokov when he wrote the bitter, angry, utterly misunderstood Lolita. Inspired by the conventional white-woman prettiness of Hanne, so distinct from the narrator's own constructed "mixed" identity, she's creating beautiful artworks that are (she tells herself) critical of and interrogating the primacy of whiteness in the construction of a concept of beauty.

The art collectors and institutions who will see the show, however, will most likely buy them because she's painting a pretty picture of a pretty woman whose skin is white.

The deep-seated inner conflict between her Korean father's immigrant economic striving and Asianness and her white artist-mother's centrality to everything she's desired to become as well as escape is brought to crisis point when a Black friend issues a manifesto, calling on artists of color to boycott the white-centered art/beauty industry. If she ignores the call, she's made implacable enemies out of longtime friends, but most likely saved her school-debt-ridden, broke-ass economic life. Getting down to the nitty-gritty of this particular story, however, for all the complex and fascinating issues it raises and grapples with, is a simple sentence fragment: "...it takes hours to paint a portrait, and this is who I wanted to spend hours looking at."

There it is. Has the narrator burned out her exoticizing fascination with the women of color who served as muses before Hanne, or is this loudly, argumentatively toxic assumption of control that is the relegation of a person to the role of "a muse" a form of revenge on whiteness like the paintings are? Or, and this seems likely to be true to me, is the artist painting Hanne finally giving in to hypercapitalism's siren song of money, approval, and fame?

Are any of these untrue, or mutually exclusive? Not in my eyes. They're all likely to form part of the mosaic (another word related to the original Muses) of the core truth of this dark, brave narrative. Queer desire is as murky and incomprehensible as all desire is; made up of dark and angry stuff, bright and uplifting stuff, all rolled into the minds of the lovers...though all too seldom examined, or shared, or even acknowledged. Hanne feels the muse's rage and outrage at being Othered; the narrator the desperation of feeling intensely an unshared emotion.

It ends, as great and passionate loves must, in tears and bitterness.

This is exactly why I loved it as much as I did. The prose earns four and a half stars for economy of imagery, just enough not too much. The messy, angry queer desire slipped that extra half-point on for the full five.

PALESTINE IN A WORLD ON FIRE, aptly titled interviews with eminent thinkers

PALESTINE IN A WORLD ON FIRE
KATHERINE NATANEL & ILAN PAPPÉ
Haymarket Books
$9.99 ebook, available now

Rating: 4* of five

The Publisher Says: A collection of interviews with some of the world’s leading progressive thinkers on the movement for Palestinian liberation and its connections to struggles for justice across the globe.

As more and more people align themselves with the Palestinian people, Palestine in a World on Fire provides the global perspective and analysis needed to inform how we forge ahead on this path of newfound solidarity. Editors Ilan Pappé and Katherine Natanel have gathered a collection of interviews that are intimate, challenging, and rigorous—many of them conducted before October 7th but still startlingly prescient. The interviewees connect the struggle for Palestinian liberation to various liberatory movements around the world, simultaneously interrogating and recontextualizing their own positions given the ongoing aggression in Palestine. This incredible group includes Angela Y. Davis, Noam Chomsky, Judith Butler, Nadine El-Enany, Gabor Mate, Mustafa Barghouti, Yanis Varoufakis, Paul Gilroy, Elias Khoury, Gayatri Spivak, and Nadera Shalhoub-Kevorkian.

Palestine in a World on Fire highlights the centrality of Palestine in struggles shared across the capitalism, imperialism, misogyny, neo-colonialism, racism, and more. Each conversation tackles urgent events and unfolding dynamics, and the scholar-activists interviewed here provide invaluable perspectives and insights, illuminating the richness and relevance of recent scholarship on Palestine.

I RECEIVED A DRC FROM THE PUBLISHER VIA EDELWEISS+. THANK YOU.

My Review: Ask yourself why the US media does't have any, or not many, pro-Palestinian voices featured as speakers about the ongoing genocide Israel is perpetrating against the Palestinians. An answer comes when you're ready to look at the roots of bias in a hypercapitalist world undergoing a multi-front fascist takeover across multiple countries. Populist values, such as they are, burn brightly when people are afraid and abused. Tech scum are in charge of huge pots of wealth and using it to forward the abusive, hypercapitalist agenda...the luckiest thing that has happened yet is the dopes from DOGE coming after the data and the money of the jerkoffs who voted the scumbags who can't even run a group chat properly.

Waking up to the threat to yourselves, at last, means we all have a small chance of making some of them see the pattern of abuse being used. It certainly also includes the murder and the eradication of people and cultures "They" do not like.

Palestinians are on the sharp edge of the sword. "They" do not plan to stop swinging it. If you and yours are not in its path, you will be.

Essentially this collection of softball interviews of Progressive figures across multiple scholarly disciplines is evidence that the reason libraries, universities, and "lower" schools are all under attack. The way to stop an idea is not to ban it, but to render it incomprehensible and unrelatable. Physics is doing that very handily and entirely to itself by getting really, really deeply up its own ass. Economics and social sciences are having it done to them by "Them" demanding their supply of new thinkers and believers be cut off from resources to learn about the disciplines. Stupid people are easier to lie to than educated ones.

It is a book that's been overtaken by events in some ways. It's a shame that many who could best benefit from its focus are likely not to read it as "the news" is hard enough to contend with, still less launch on a deep dive into how the Palestinian genocide is part of a larger playbook.

The terrible truth is it is working as it always has. Critics of the machinery of totalitarianism, like Alexei Navalny and Primo Levi, suffer awful fates if they're high enough profile to be threatening. The rest if us, the insignificant ones, are left alone to chatter amongst ourselves, as we can't do "Them" much inconvenience still less harm.

So take this as my considered advice: Learn more about what atrocities are going on right now; think about what will keep happening; get angry and resist. However small it is, act against "Them."

BLOOD ON HER TONGUE, modestly successful Carmilla revamp

BLOOD ON HER TONGUE
JOHANNA van VEEN
Poisoned Pen Press
$9.99 ebook, available now

Rating: 4* of five

The Publisher Says: "I'm in your blood, and you are in mine…"

The Netherlands, 1887. Lucy's twin sister Sarah is unwell. She refuses to eat, mumbles nonsensically, and is increasingly obsessed with a centuries-old corpse recently discovered on her husband's grand estate. The doctor has diagnosed her with temporary insanity caused by a fever of the brain. To protect her twin from a terrible fate in a lunatic asylum, Lucy must unravel the mystery surrounding her sister's condition, but it's clear her twin is hiding something. Then again, Lucy is harboring secrets of her own, too.

Then, the worst happens. Sarah's behavior takes a turn for the strange. She becomes angry… and hungry.

Lucy soon comes to suspect that something is trying to possess her beloved sister. Or is it madness? As Sarah changes before her very eyes, Lucy must reckon with the dark, monstrous truth, or risk losing her forever.

I RECEIVED A DRC FROM THE PUBLISHER VIA NETGALLEY. THANK YOU.

My Review: Messy take on Carmilla, only with twin sisters.

It's at its strongest in conveying the overpowering terror of losing one's mind, of feeling the moorings of consensus reality slipping out of one's grasp. The very introduction to the story's reality is a letter...hi, Bram!...that unquestionably gives us a taste of how that unmooring will play out in the rest of the tale. Lucy worries mightily about Sarah as she learns more about the damage done to Sarah's sense of reality. When she comes to look over the damage to repair what she can, the situation somehow gets worse for her.

Evidence aplenty greets her that Sarah is in the midst of supernatural crisis, vampiric deaths, and quite a lot of relationship toxicity. Sarah's world is full of people dying in creative ways. But the main issue I think most will have is how far Author van Veen (My Darling Dreadful Thing) is willing to push the body horror. No ordinary, sane person, ie Lucy/the reader, is going to see this kind of violence and not skedaddle. At top speed. Lucy is there for her twin so of course she will stay longer than you or I might, but there's an eye-gouging scene that...no matter if one witnesses the event or the aftermath...would cause a celeritous evacuation of self and digestive tract.

I wasn't convinced by the characters. To me, they felt insubstantial, tags placed on dialogue, because they reacted yet never interacted. Lucy, for example, has no reason to get entwined with Michael that I could see; it was a plot contrivance. It's not like this is shocking in the context of a horror novel, but I hoped for more, given my first experience with the author. That, more than any other factor, stalled my rating at four stars. I was really ready to go higher.

If you come to this read expecting body horror and a page-turning, propulsive gorefest, you will like the book. If you're wanting an updated Carmilla with its sapphic overtones and its more interpersonal horror slant, it won't be the most satisfying of reads.

On a personal resonance,the story's twins have the same names as my sapphist grandmas, Sara and Lucy...the very first QUILTBAG people I knew in this life.

So on balance a read aimed at others, not at me.

THE WRETCHED AND UNDONE, dark and spooky Texas-set immigrant family saga

THE WRETCHED AND UNDONE
J.E. WEINER
Htf Publishing
$9.99 ebook, available now

Rating: 4* of five

The Publisher Says: A sweeping Southern Gothic saga unfolds in the Texas Hill Country, where history's silenced voices rise amidst an astonishing tale that defies expectations.

A sinister specter is hell-bent on revenge, and an ethereal woman in white is desperate to repel the menacing force. A battle rages for the hearts, minds, and souls of the Anderwalds and their extended family of immigrant outcasts, Arab camel wranglers, wounded warriors, and a songstress on the verge of madness. A sweeping Southern Gothic saga unfolds in the Texas Hill Country, where history's silenced voices rise amidst an astonishing tale that defies expectations.

On the eve of the Civil War, Polish immigrants Marcin and Agnieszka Anderwald arrive in Bandera, Texas, seeking a new beginning. But when Marcin crosses paths with a vengeful ghost known as the Shadow, their dream quickly turns into a nightmare. The Anderwalds' baby drowns, and Agnieszka is convinced she is to blame. She starves herself to death, returning from the grave as a ghostly Woman in White, determined to protect her family. Marcin and Agnieszka's son, Zacharias, burdened by grief, becomes entangled in a quest for vengeance that threatens his very soul. As he and his wife Liza clash with the relentless Shadow, they cling to hope when blessed with a child, John Marcin Anderwald.

But the curse of the Anderwalds is unyielding. John Marcin grows up amidst murder trials, haunting executions, and the ever-present Shadow that seeks to destroy his family. His love for the troubled singer Anna Schulte leads to further heartache, and his sons, Luke and Junior, inherit a legacy of sorrow and secrets that could tear them apart.

As the Anderwald legacy unfolds, each generation faces its own harrowing ordeal, where love and sacrifice are pitted against an unrelenting evil. Will they break free from the Shadow's curse, or will they remain forever wretched and undone?

I RECEIVED A DRC FROM THE PUBLISHER VIA NETGALLEY. THANK YOU.

My Review: Bandera! Good goddle mitey, y'all, that's just down the road a piece from my home town, Austin. What a surprise to find it in a novel of a cursèd family of Polish immigrants who are purported to be based on real people.

Dunno about all that, but it's cool to read about people I actually know. Or knew...most of the ones I met are bound to be dead by now, they all smoked like chimneys. But a thing most people don't seem to know is just how much the aftermath of the 1848 revolutions affected inbound migration into Texas. The repressions that followed the PTB returning to uncontested power in the Prussian, Austrian, and Russian Empires led to many, many people making their way to Galveston and Indianola to escape repression and reprisals from Bohemia, Poland, and Silesia...most especially Catholics from Poland and Bohemia, Anabaptists from Silesia.

So here's a superstitious Polish family arriving to start a freer, better life in Texas...they'd be so ashamed of their thrice-great grands and the awfulness they're inflicting on those who are seeking the same...and they get tangled up in a curse that travels the generations. Is that because "The Shadow" is supernatural, or because the family's passed it down like a blood feud with the world?

So yes indeed, it's dark, and violent, and misogynistic abuse is rife. Is it a cheery way to wile away a weekend? No. Is it fun? hmmm not all the way sure I'd call it "fun" but I was not about to put it down. Any family as haunted and afflicted as the Anderwalds that somehow staggers from the Civil War of 1860 all the way to the present is, well, tough, stubborn and full of that intangible thing I call "grit." It made me feel invested in the succeeding generations as they succumbed to...whatever "The Shadow" really is.

I'll only give it four stars because I found it so curiously compelling and oddly propulsive. I think many of y'all won't be so tolerant. If historical fiction about the ugly life challenges od immigrant clans that quite literally pull no punches don't send you sprinting for the exit, this read will scratch your dark fiction need. It's borderline supernatural horror without feeling silly to me. That tells you a lot about how deftly Author Weiner handles "The Shadow."

I liked the experience of reading about my old homeplace as well. It's funny...I don't want to live there now, but it's still a weird unwelcoming home to me. Definitely a spooky one to read.

TWIST is Colum McCann's latest, aptly titled, exploration of communication and its breakdowns

TWIST
COLUM McCANN
Random House
$13.99 ebook, available tomorrow

Rating: 4.5* of five

The Publisher Says: A propulsive novel of rupture and repair in the digital age, delving into a hidden world deep under the ocean—from the New York Times bestselling author of Apeirogon and Let the Great World Spin

“Everything gets fixed, and we all stay broken.”

Anthony Fennell, an Irish journalist and playwright, is assigned to cover the underwater cables that carry the world’s information. The sum of human existence—words, images, transactions, memes, voices, viruses—travels through the tiny fiber-optic tubes. But sometimes the tubes break, at an unfathomable depth. Fennell’s journey brings him to the west coast of Africa, where he uncovers a story about the raw human labor behind the dazzling veneer of the technological world. He meets a fellow Irishman, John Conway, the chief of mission on a cable repair ship. The mysterious Conway is a skilled engineer and a freediver capable of reaching extraordinary depths. He is also in love with a South African actress, Zanele, who must leave to go on her own literary adventure to London.

When the ship is sent up the coast to repair a series of major underwater breaks, both men learn that the very cables they seek to fix carry the news that may cause their lives to unravel. At sea, they are forced to confront the most elemental questions of life, love, absence, belonging, and the perils of our severed connections. Can we, in our fractured world, reweave ourselves out of the thin, broken threads of our pasts? Can the ruptured things awaken us from our despair?

Resoundingly simple and turbulent at the same time, Twist is a meditation on the nature of narrative and truth from one of the great storytellers of our times.

I RECEIVED A DRC FROM THE PUBLISHER VIA NETGALLEY. THANK YOU.

My Review: Setting your repair story at the mouth of the Congo River is asking for Joseph Conrad comparisons. On a craft level, Author McCann is *streets* ahead of Conrad. On an imaginitive axis, he's at the fatal disadvantage that time presents us all. Somebody else did it a century-plus ago. That isn't always a problem since, after all, nothing's original after The Tale of Gilgamesh.

This story is focused more on Kurtz, sorry Conway, and his South African actress lover Zanele, than on Fennell the journalist covering Conway's really, really interesting role in maintaining the infrastructure we're so completely dependent on for modern life. I was captivated by the bits of the story that featured the underwater cables and their care, the hazards that beset them, and the clever, dangerous ways we use to maintain and repair them.

This is Colum McCann's métier: Metaphor. Underwater cables carrying all the world's information, all the connections between people, the vast accumulation of meaning enabled by them; the threat to them in the story is natural and requires huge, dangerous effort by multiple people; the man whose job it is to tell us about it is, unsurprisingly, in crisis of the same sort.

Because Fennell is the PoV man doesn't make him the center of the action, necessarily, and the argument that Conway's the main character is possible to make. All the action centers Conway. Every physical thing done of any consequence is done by Conway. His are the skills...freediving! ZOMG...that will repair the vital cable. Fennell has to learn all this data, and so we have an excuse to learn it with him. He is us...Conway is the action hero doing the stuff to make us more comfortanle, safer, in our cocoons. Fennell is there to tell us his story.

And Fennell himself? He's got the whole world in his head. He needs the same repairs as the cables. His ex, and his son, can tell you stories of the man who tells stories and yet has no emotional facility; no facility at moving the emotional data through the wildly pressurized cables of his emotional system out into the places they're needed. On this assignment, he's doing everything he can from miles away to understand and present to his audience the facts of the situation when, in reality, he's trying to explain how communication is invisible until it's broken. This is a central-to-life human fact.

What makes the men at the center of this story do what they do is women. That's a dreary, heteronormative reality. The actress...note her profession's essential artifice...that Conway and, though less blatantly, Fennell desire is a professional dissimulator who presents emotional realities in an unreal, fictional way to illuminate their truth.

Acting is Orwellian...lying to create truth. Like writing, an artifice, an epicyclic system humans have created.

This is McCann's métier. He's operating within nominal parameters. He's found a story to tell that makes its mark by taking all Conrad's colonial-era concerns and trimming them to fit a twenty-first century audience's blind spots. He then uses the people he's created to fulfill the archetypal duties once held by Marlow and his blank-spaces-on-maps fascination, Kurtz, and the largely forgettable women Kurtz acquires. It's got verve, it's stylish, and it's built on foundations that have withstood the test of time. All that is the basis of a five-star rating, surely! Yes, but...the novella length is notably absent. This is a novel in full, not to say a maximalist one; but novels allow a scope that can lead the ambitious into temptation of prolixity. Author McCann's succumbed to this fiction-fever. The ending of the story is not the end of the novel. It goes on a bit. Not long enough to get boring but long enough to feel baggy as an old, well-loved cardigan.

So I'm recommending it to all y'all who want a solid, involving story that is not perfect but is delightful and successful at revivifying a classic story that can never get stale.

SPLINTER EFFECT, watch out St Mary's! New kid is in town

SPLINTER EFFECT
ANDREW LUDINGTON
Minotaur Books (non-affiliate Amazon link)
$14.99 ebook, available now

Rating: 4* of five

The Publisher Says: In this action-packed debut, time traveling archaeologist Rabbit Ward maneuvers through the past to recover a long-lost, precious menorah hiding out in ancient Rome.

Smithsonian archaeologist Rabbit Ward travels through time on sponsored expeditions to the past to secure precious artifacts moments before they are lost to history. Although exceptional at his job, Rabbit is not without faults. In a spectacular failure twenty years ago, he lost both the menorah of the second temple and his hot-headed mentee, Aaron. So, when new evidence reveals the menorah’s reappearance in 6th century Constantinople, Rabbit seizes the chance for redemption.

But from the moment he arrives in the past, things start to go wrong. Rabbit quickly finds out that his prime competition, an unlicensed and annoyingly appealing “stringer” named Helen, is also in Constantinople hunting the menorah. And that’s only the beginning. The oppressed Jewish population of the city is primed for revolution, Constantinople’s leading gang seems to have it out for Rabbit personally, and someone local is interested enough in the menorah to kill for it.

As the past closes in on him and his previous failures compound, will Rabbit be able to recover the menorah before it's once again lost in time?

With new and old dangers alike hiding behind every corner, time might just be up for Rabbit’s redemption—and possibly his life.

I RECEIVED A DRC FROM THE PUBLISHER VIA NETGALLEY. THANK YOU.

My Review: Jodi Taylor's St Mary's series might need to smarten up their extremely British...let's be honest, English...monomania if Rabbit of the Smithsonian catches on. Much as I love Max, Peterson, and Markham, they need some competition, and here they've got it.

Opening at (one of the several events leading to) the burning of the Library of Alexandria was a genius bait-and-switch. By itself that is an event I would, and have, eagerly read a book about, but here it's only a teaser for Rabbit and his relationship to the Smithsonian. Time travel, inherently threatening to powerful people, is here presented as a tech tightly wrapped in rules. Of course these favor the status quo, and the very, very rich. But I repeat myself...Rabbit's a nepo baby with some time-travel failures behind him including a search for the maguffin in this book, the menorah stolen by Rome from the Jews. It's a real white-whale tale, and not just for Rabbit.

Helen, his antagonist, is also hot for this (solid-gold) candelabra of god's. She's not at all as well-developed as Rabbit is, and frankly I hope they drop her in any future iterations of the book...I didn't like Clive Ronan either (IYKYK). Their reasons aren't explored. I don't think they matter. After all, it's made of gold so greed's more than enough. Here's probably a good place to note that the world as we know it is part of a multiverse. In this splinter (note resemblance to title), there's legal-but-restricted time travel. In others, there's none whether legal or not. You see how immense this storyverse is? Imagine for a moment the things a writer can do in this sandbox!

Earlier versions of this idea have mostly centered around the Time Patrol (Poul Anderson) or The Paratime Police (H. Beam Piper) tasked with preventing anyone from causing time loops or retrocausal gubbins or generally being dickish to our hominin ancestors. (I think it's telling that intertemporal stories about Homo sapiens interacting with any earlier species, or even earlier time in history, all contain some fraud or slavery elements.)

Here the only thing remotely criminal is, arguably, the richest benefiting from Rabbit and his ilk going into the past to retrieve things that're lost to history by idiotic violence, sheer human stupidity, or Earth's natural processes (eg, earthquakes or fires). I'm not squeamish enough about this to give the book a black mark. I *am* squeamish about young, hot Helen being Rabbit's nemesis and Doctor PJ being his girlfriend, because absolutely nothing can be left un-romance-ified and of course that means heterosexual. Ugh. There went a half-star. (Though, to be fair, there are hints that Rabbit himself might be, um, heteroflexible.)

The other half-star disappeared because, though I liked the richly detailed world of 536 Constantinople a lot, I'd've liked more people instead of labels talking. It feels more like infidumping when I have no idea who "the customs official" or any of the other so-yclept faceless ones are. Still, four stars is the absolute minimum a book with this ending could possibly receive. Even moreso because, if this isn't a series-starter, I'll eat my hat for breakfast without ketchup.

I'll be right here waiting for more Rabbit. Without a ketchup bottle.

ENEMY FEMINISMS: TERFs, Policewomen, and Girlbosses Against Liberation, challenging and emotionally difficult read...necessary, too

ENEMY FEMINISMS: TERFs, Policewomen, and Girlbosses Against Liberation
SOPHIE LEWIS
Haymarket Books
$9.99 ebook, available now

Rating: 4* of five

The Publisher Says: From the author of Abolish the Family, a provocative compendium of the feminisms we love to dismiss and making the case for the bold, liberatory feminist politics we’ll need to stand against fascism, nationalism, femmephobia, and cisness.

In recent years, “white feminism” and girlboss feminism have taken a justified beating. We know that leaning in won’t make our jobs any more tolerable and that white women have proven to be, at best, unreliable allies. But in a time of rising fascism, ceaseless attacks on reproductive justice, and violent transphobia, we need to reckon with what Western feminism has wrought if we have any hope of building the feminist world we need.

Sophie Lewis offers an unflinching tour of enemy feminisms, from 19th century imperial feminists and police officers to 20th century KKK feminists and pornophobes to today’s anti-abortion and TERF feminists. Enemy feminisms exist. Feminism is not an inherent political good. Only when we acknowledge that can we finally reckon with the ways these feminisms have pushed us toward counterproductive and even violent ends. And only then can we finally engage in feminist strategizing that is truly antifascist.

At once a left transfeminist battlecry against cisness, a decolonial takedown of nationalist womanhoods, and a sex-radical retort to femmephobia in all its guises, Enemy Feminisms is above all a fierce, brilliant love letter to feminism.

I RECEIVED A DRC FROM THE PUBLISHER VIA EDELWEISS+. THANK YOU.

My Review: Oh dear. Another excellent, necessary message to everyone in the US lost to a wide audience. I'm in the choir and I still felt hectored, lectured at, and blamed personally by the author's tone.

I did not enjoy the experience.

I can't fault Author Lewis's collection of facts or her citations. Capitalist feminism is indeed a huge existential threat to women's rights. I'd say, however, that the Cult of Mother needed a much, much more savage pounding than capitalism receives. Apparently not one of the author's targets, though, in spite of being so ready to condemn the woman-controlling bodily autonomy denial of abortion restriction.

I question how effective the chapter against "girl-boss" glamorization really is. It's gendered, but is this not a case where celebrating the still-rare sight of women in control of their economic future, and the economy in general, not worth it? I don't think this is the threat to female equality it's presented as, but it's certainly made me consider the issue in a new light. Which, come down to it, is the great strength of this book and books like it, as well as the reason I give it four stars.

So it's style, not substance, that I find unwelcoming and unpleasant. That does not mean I didn't take a lot of positive information, and a hefty amount of psychic homework, away from the read. I found her challenging the hidden enemy in us all bracing and grounds for a lot of self-reflection. Ironic given my whinging about her tone, I know, but in a review for readers I'm not aiming for critical standards of an essay but information, and I hope a shove to get it and read it, for the laity.

ULTRAMARINE, translated novella that punches way above its weight in impact

ULTRAMARINE
MARIETTE NAVARRO (tr. Eve Hill-Agnus)
Deep Vellum
$17.95 all editions, available now

Rating: 4.5* of five

The Publisher Says: A female captain in a male-dominated field, the unnamed narrator of Ultramarine has secured her success through strict adherence to protocol; she now manages a crew of twenty men and helms her own vessel. Uncharacteristically, one day, she allows her crew to cut the engines and swim in the deep open water. Returning from this moment of leisure, the crew of mariners no longer totals twenty men: now, they are twenty-one.

Sparse and psychological, Ultramarine grips the reader in a tussle with reality, its rhythmic language mimicking the rocking of the boat. As instruments fail, weather reports contradict the senses, and the ship’s navigation mechanisms break down, Navarro “lulls her readers into accepting the unacceptable” (Asymptote) through deft, lyrical prose and pared-down dialogue. In Eve Hill-Agnus's poetic translation, Mariette Navarro emerges as an exciting, mature voice in French literature.

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My Review: Men led by a woman...really, that right there is subversive enough for one book, isn't it...get an unexpected, uncharacteristic concession to play from Authority. This is odd, but it's nothing compared to what's on the way in this novella.

I'm calling it psychological horror, not suspense, because the point isn't to solve some riddle before A Bad Thing happens; it's about what unsettling things happening around, and to, you as a group, can elicit from the members of the group. I've labeled it "magical realism" as well because the odd things that happen aren't explained, aren't the point, and are very much not of this consensus reality.

The title is a real pleasure. "Ultramarin" in French means the shade of blue, as well as the French colonial possessions that the ship's heading out over the bright blue tropical sea to. It's the role of a cargo ship to serve capitalism's need to get people things to buy. In her sudden subversion of the great Goddess Capitalism's need for Things to arrive so Commerce may eventuate, what is the captain thinking? The market is not being centered in her actions! The men are, wisely, unsettled and even unnerved despite their request for the halt being honored. They have their swim in the blueness of the sea, turning slightly blue with the heat-leaching nature of oceans.

Then, as is usual when unsanctioned fun is had, the price comes due...the extra crewman who just...appears, the end of some perfectly calm weather that enabled their swim, the unraveling of their social order as they contend with the mounting pressures...there is a serious amonut of unease traveling among all the ship's company. In a very odd way they become a "company" in the non-commercial sense only when they are guilty of not serving the company they're employed by; and the captain, a true seafarer in her very bones, for the first time feels herself of the ship's company as the weirdness unfolds.

Fantastical, unsettling, and very very beautiful. Subversively reminds the characters and the reader that. as powerful a religion as Capitalism may be, it is less than nothing set against the power of the sea.

I recommend this very short read to all y'all. It would've gotten the full five had we not, in under 150pp, still had too many points of view and not all of them resolved.

THE LATINA ANTI-DIET: A Dietitian's Guide to Authentic Health that Celebrates Culture and Full-Flavor Living, good, supportive guide to eating

THE LATINA ANTI-DIET: A Dietitian's Guide to Authentic Health that Celebrates Culture and Full-Flavor Living
DALINA SOTO
Ballantine Books
$14.99 ebook, available now

Rating: 5* of five

The Publisher Says: Break away from diet culture while still honoring your body and incorporating cultural foods in this fresh, expansive guide from the registered dietitian and creator of Your Latina Nutritionist.

Diet culture is facing a reckoning, and intuitive eating has been leading the charge. The movement has taken the internet by storm, encouraging us to stop dieting and make food choices that feel good for our bodies rather than follow influencers and their shakes.

But intuitive eating is missing a key ingredient: culture. Like many movements, intuitive eating has become co-opted by a select few—placing the focus on “mainstream” food while discounting cultural cuisines. But how can we gain a healthy attitude towards food when our foods—our arroz, habichuelas, and plátanos—are left out of the conversation?

Dalina Soto is here to add them back to our plates.

As a registered dietitian, Soto understands the pros and cons of intuitive eating. As a first-generation Dominican American, she’s also seen firsthand how this movement has only catered to a certain demographic. With her easy-to-follow CHULA method, Soto teaches us how to:

Challenge negative thoughts

Honor our bodies and health

Understand our needs

Listen to our hunger

Acknowledge our emotions

She gives us tools to confront diet culture and the whitewashing of food so we can go back to eating what we love while managing our health.

Engaging and incisive, The Latina Anti-Diet is for everyone who’s been told to lay off the tortillas and swap their white rice for brown. Soto shows us that food is so much more than calories; it’s about celebrating our culture and living a life full of flavor.

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My Review: Food, fat, and flavor start with the same letter for a reason. I'm deeply anti-diet. This book crystalizes my objections to the diet industry's be-afraid-of-your-food message, its relentless focus on women and the concomitant relentless bombardment of negativity about appearance, or more stealthily but with the same objective, relentless "health" messaging that is anything but healthy.

The author is a social-media Force. She's got followers in droves...legions...and she's been giving this very practical method to get yourself into a healthy, sustainable pattern of eating the food you enjoy for a while now. I hadn't heard of her because I'm not all that interested in diets except to belittle and insult the anti-food goblins that perpetrate and perpetuate the anti-food messaging that damages so many people.

What else can I say? If you think you need a diet book, you really need this book. Skip the "one weird trick" fads, spend your time and your treasure here. Author Soto is Cicero to the Br'er Rabbits that abound in this space. She spends a deal of her page-count telling stories about those who've used her method...CHULA, explained above...to mend their fractured relationship to food. There's a lot of informative and explanatory text, so it's not just a paper version of an infomercial; the aim was to recreate her social-media presence's warm, approachable presentation of self. I found it effective, and agreeable, where I expected to feel it was kinda cringe.

*I*, a certifiable curmudgeon with a long-standing hatred of the dietmongers, am rating this book 5 stars and recommending it to people who think they need to diet. Push a pin in that idea until you've read this book.

THE HYMN TO DIONYSUS, Natasha Pulley does the Greek thang...very well, too

THE HYMN TO DIONYSUS
NATASHA PULLEY
Bloomsbury USA
$9.99 ebook, available now

Rating: 4.5* of five

The Publisher Says: A timely and timeless reimagining of the story of Dionysus, Greek God of ecstasy and madness, revelry and ruin, for readers of The Song of Achilles and Elektra.

Raised in a Greek legion, Phaidros has been taught to fight for the homeland he’s never seen and to follow his commander’s orders at all costs. But when he rescues a baby from a fire at Thebes’s palace, his commander’s orders cease to make sense: Phaidros is forced to abandon the blue-eyed boy at a temple, and to keep the baby’s existence a secret.

Years later, after a strange encounter that led to the death of his battalion, Phaidros has become a training master for young soldiers. He struggles with panic attacks and flashbacks, and he is not the only one: all around him, his fellow veterans are losing their minds.

Phaidros’s risk of madness is not his only problem: his life has become entangled with Thebes’s young crown prince, who wishes to escape the marriage his mother, the Queen, has chosen for him. When the prince vanishes, Phaidros is drawn into the search for him—a search that leads him to a blue-eyed witch named Dionysus, whose guidance is as wise as the events that surround him are strange. In Dionysus’s company, Phaidros witnesses sudden outbursts of riots and unrest, and everywhere Dionysus goes, rumors follow about a new god, one sired by Zeus but lost in a fire.

In The Hymn to Dionysus, bestselling author Natasha Pulley transports us to an ancient empire on the edge of ruin to tell an utterly captivating story about a man needing a god to remind him how to be a human.

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My Review: Phaidros saves an infant god, fights in an unjust war, gets PTSD from it, and...in later years...gives his skills thus acquired to saving his home city of Thebes (the one in Greece, not the one the Egyptians now call Luxor) and calls in his massive debt from Dionysus the god to...address things.

Now go buy one. Seriously...you've heard the good bits. It's Natasha Pulley's latest book (notably and annoyingly not the apparently-written sequel to The Half-Life of Valery K.)! What more do you need to know?

Plot? Already told you. Action? Read the blurb!

Fine. Spoiled brats. This is not a myth retelling. It's the story of two men a generation apart who truly fall in love, after the whole "he's so dreamy phase ends, and embark on that scariest of things to do, a mature relationship. One's a badly fucked up veteran, the other's...um...maybe divine, certainly an old soul. It bears a solid resemblance to Phaedrus, in that it is a solid and thorough examination of love in its guises, morality, and the intersection of emotion and morality that is Greek spirituality's idea of reincarnation. (Their word for it freaks people in the US right out, so I'm skipping it.) Phaidros is not partcularly like the historical Phaedrus, an Athenian aristocrat who did naughty things against the Mysteries...y'all don't much care, I get it, so the important part of using his name for our Theban hero is his name: It means "Shining" or "Brightening" as in to shine light on or brighten a room.

Greek names are so cool. They MEAN stuff. Like Plato..."flatface" or, as the Mexicans I knew in childhood used the same idea, "Chato." No big arching nose on you, sir, so you must be lower class! Yet that put-down is the most famous name in Greek philosophy. And Phaidros! Well, no one loves the one who rips the wizard's curtain down, do they? Dionysus the...god? demigod?...beautiful wild creature does, because he is also a force of opposing chaos. Nature is all shadows and shades and spectra. Dionysus is the perfect foil to light-shining Phaidros.

As a reimagining of Bacchae by Euripides, it's a loose one. It's also, tonally, a bit off. Why do these men speak to each other as modern middle-class Brits? The spark that illuminated Glorious Exploits as it used Dublin-Irish English for ancient Syracusan Greek came from its sly, side-eye commentary on the role of Ireland-v-England as replicated in the colonial war waged by Athens on Syracuse. The characters in this book do not have any comment to make on Thebes by their use of British vernacular, at least not one I can suss out. (That was deliberate.) So off came that half-star.

Still and all, as a fantastical meditation on Love, love, and their intersection points with morality, responsibility, and the eternal human desire to connect to others, I liked the story a lot. Pulley's trademark men-who-love subplot is again, and expectedly, rendered with all the grace a writer can bring, and deepened by the careful and unobtrusive use of the reincarnation-like connective tissue.

I hope, though, that this will remain her foray into Classical mundane-meets-magical worlds. It's better left in The Watchmaker of Filigree Street stories. This iteration is just that indefinable bit...off.

LUMINOUS, excellent, assured debut near-future SF set in reunified Korea

LUMINOUS
SILVIA PARK
Simon & Schuster (non-affiliate Amazon link)
$14.99 ebook, available now

Rating: 4.5* of five

The Publisher Says: A highly anticipated, sweeping debut set in a unified Korea that tells the story of three estranged siblings—two human, one robot—as they collide against the backdrop of a murder investigation to settle old scores and make sense of their shattered childhood, perfect for fans of Klara and the Sun and We Are All Completely Beside Ourselves.

In a reunified Korea of the future, robots have been integrated into society as surrogates, servants, children, and even lovers. Though boundaries between bionic and organic frequently blur, these robots are decidedly second-class citizens. Jun and Morgan, two siblings estranged for many years, are haunted by the memory of their lost brother, Yoyo, who was warm, sensitive, and very nearly human.

Jun, a war veteran turned detective of the lowly Robot Crimes Unit in Seoul, becomes consumed by an investigation that reconnects him with his sister Morgan, now a prominent robot designer working for a top firm, who is, embarrassingly, dating one of her creations in secret.

On the other side of Seoul in a junkyard filled with abandoned robots, eleven-year-old Ruijie sifts through scraps looking for robotic parts that might support her failing body. When she discovers a robot boy named Yoyo among the piles of trash, an unlikely bond is formed since Yoyo is so lifelike, he’s unlike anything she’s seen before.

While Morgan prepares to launch the most advanced robot-boy of her career, Jun’s investigation sparks a journey through the underbelly of Seoul, unearthing deeper mysteries about the history of their country and their family. The three siblings must find their way back to each other to reckon with their pasts and the future ahead of them in this poignant and remarkable exploration of what it really means to be human.

I RECEIVED A DRC FROM THE PUBLISHER VIA NETGALLEY. THANK YOU.

My Review: The world of Luminous is one that *will* come to pass. A lot of it has its early precursors in today's headlines. We've got Roombas scooting around sucking our rugs, we're fighting culture wars over trans folk, there are astonishing advancements in mobility devices, AGI is causing collywobbles across many cultural divides...none of what leads us into Jun, Ruijie, and most of all Yoyo's world is in any way remotely classifiable as more that a few tech refinements away. Absent, of course, the deliberate enshittification of the present-day culture and political consensus.

This is the storyverse the book works within, the one that arises from the success of today's trends and travails. Limitations put in place to soothe human fears, but not enough to stifle the march of profits...I mean progress...and the remaking of our daily lives to suit realities arising from technology's boons. There are always costs when there are boons. One cost of so many of us living past infancy is feeding (most of) us; one cost of women being educated is there are fewer of us at all. That last is scaring the tech Aynholes of the world as it means fewer slaves to do the stuff they don't want to, and buy the stuff they dream up. It really is an existential fight for them. The answer in this book is to create robots powered by AGI to do most stuff people can't do or don't fancy doing. Make the "fake" humans into more perfect versions of regular men and women, so you can sell more; but then that gets complicated because who will knowingly accept the second-best real human?

So the problem of slavery is shoved down the food chain. Robots have only the agency we give them. Problem solved, happy/limited scope slaves by the factoryload.

Nothing is ever that easy.

Author Park offers us a very well-made look at this not-distant reality's possible fracture lines. I'll paraphrase "Haraway’s Cyborg Manifesto" by saying we take pleasure in creating boundaries, but seldom feel the weight of responsibility in creating them where we do. Does anyone in the culture we have now really think about the treatment of human beings they do not, for whatever absurd reason, like as the setting pf a moral or ethical boundary? It very much is, but unlike a world with AGI robots in it, there's much more of a push to treat these created humans "fairly" even when the details of that simply do not rise to the best we're capable of. Now put it onto a machine-v-human conflict....

Everything is up for redefinition in this world. That means humans are massively cruel, unfair, and unkind to those they fear. (It's not like this has ever not been true.) When the edge cases like Jun and Siejie, part machine or machine-dependent as they are, are part of the new moral calculus...?

We'd do well to start these mental gymnastics now. The time to do the thinking is before you need the answers. Luminous is a painless way to get the outlines of a fight we're going to have into your head. Plus I really enjoyed its family-saga roots as expanded here. The way we grieve our losses and estrangements is not dependent solely...primarily?...on biology. Happen I agree with Author Park on this. I'm giving it a half star off perfect because Yoyo and Ruijie's connection, and all the implications of this kind of blended family, were far and away the most interesting parts. I was less interested in the reunified-Korea setting so for my taste there was way more about that than I wanted to read.

2024 NEBULA FINALISTS: COUNTESS, lesbian Count of Monte Cristo revenge story set in space!

COUNTESS
SUZAN PALUMBO
ECW Press (non-affiliate Amazon link)
$4.99 ebook, available now. Well worth it!

FINALIST for the 2024 Nebula Award! Winner announced at the 2025 Nebula Conference, 5 through 8 June 2025.

Rating: 3.5* of five

The Publisher Says: A queer, Caribbean, anti-colonial sci-fi novella, inspired by the Count of Monte Cristo, in which a betrayed captain seeks revenge on the interplanetary empire that subjugated her people for generations.

Virika Sameroo lives in colonized space under the Æerbot Empire, much like her ancestors before her in the British West Indies. After years of working hard to rise through the ranks of the empire’s merchant marine, she’s finally become first lieutenant on an interstellar cargo vessel.

When her captain dies under suspicious circumstances, Virika is arrested for murder and charged with treason despite her lifelong loyalty to the empire. Her conviction and subsequent imprisonment set her on a path to justice, determined to take down the evil empire that wronged her, all while the fate of her people hangs in the balance.

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My Review: I wouldn't call it a "romp" but it was a lot of fun to read a lesbian space opera/revenge fantasy with a very prominent anti-colonial slant that does not slacken its pace for a moment. The long, lingering sadomasochistic bit about The Count of Monte Cristo's imprisonment is entirely absent; these things are causally linked. Very enjoyable, Caribbean-inflected setting was probably my very favorite difference from most all the other SFF I've read.

Revolutionary fun! Strongly recommended for young firebrand lesbians! Old white people like me might feel a bit attacked...we are...but, well, is that really a surprise?

Originally published in my September 2024 round-up..