UNTAMED COAST, historical mystery set in Alaska

UNTAMED COAST
KEVIN C. MORRIS
Ballantine Books (non-affiliate Bookshop.org link)
$13.99 ebook, available now

Rating: 4* of five

The Publisher Says: A late-night mayday call drives a grieving man to embark on an unexpected journey along the wild Alaskan coast, unraveling a decades-old mystery of stolen gold, missing women, and murder in this atmospheric and propulsive debut novel.

After the loss of his wife, Marconi Franco is content drifting alone on his boat through the isolated waters of Southeast Alaska with no real destination in mind. But when a mysterious distress signal cuts through the static on his radio one sleepless night, Marco feels an overwhelming pull to help the woman whose plea he heard—a pull he can't explain or ignore.

His search for the missing woman draws him to Radioville, an abandoned 1930s communication outpost now decaying on an uninhabited island off the coast of Alaska. There, Marco begins uncovering fragments of a story long a Depression-era theft, a shattered marriage, and a disturbing pattern of disappearances. As he sifts through the past, his own grief starts to mirror the tragedies that echo across decades, and his search draws the attention of someone determined to keep the truth buried.

Told across three evocative timelines—a radio operator in 1938 collecting more than just telegrams, a young woman in the 1980s fighting to survive her abusive husband, and Marco in the present day searching for a voice in the static—Untamed Coast is a story of fierce determination, missed signals, loneliness and connection, and the unseen ripples that reverberate across generations, standing the test of time and the tides.

I RECEIVED A DRC FROM THE PUBLISHER VIA NETGALLEY. THANK YOU.

My Review: "Marconi Franco" is one of the most nominative-determinist monikers I've run across in fiction. I think Author Morris took a big swing with it, making Marconi the center of the 2017 timeline, and could've whiffed on it very badly...and didn't. That's skill, sure, but even more luck as he's a debut author. I can readily see ten ways he could've fumbled such a "joke" but Marco never becomes a one-liner in a narrative that splits among grieving Marco who misses his late wife Michelle; Anya from 1982, struggling to survive marital abuse in a remote, isolated life fishing with her husbeast; and in 1938, there's gold-struck Joe Baxter in Radioville, a communication outpost who helps isolated prospectors stay alive while scheming how to get rich.

Yes, it's the radio that connects them all. As that oddness in the spacetime continuum plays out, though, Author Morris evokes immersively the bleak, spare beauty of maritime Southern Alaska, allowing readers to really *get* what it is that binds these characters to the life they've each chosen in harsh, unstable conditions.

The mystery of what connects the lives of each character is well-handled. It's always a danger to think in "supernatural" terms, and never moreso than when characters exist in separate timelines. In maritime Southern Alaska, there are a lot of details to survival in a really complicated dance of detailed actions, dangerous situations that have changed very very little in a long time, and thus things in concrete reality that have commonality among Marco, Anya, and Joe. I wouldn't call this a thriller, though there are moments throughout the stories that do indeed cause intense responses; I'd say it's a suspense novel because even in the not-thrilling moments, there are deeply drawn scenes of uneasy peace that feels unlike rest, there are oddball, off-kilter moments that point your attention irresistible *there* and away from *here*...lots of thought went into how to keep your reading finger turning pages.

If no one gives this book to Alan Ritchson's first-look company (he must have one, Reacher's such a success) to develop into a limited series for Prime, it will be a shame. He'd *slay* as Marco. Or Joe, if he prefers. (Not Anya, though.)

August 2026's Burgoine and Pearl-Rule reviews

Author 'Nathan Burgoine posted this simple, direct method of not getting paralyzed by the prospect of having to write reviews. The Three-Sentence Review is, as he notes, very helpful and also simple to achieve. I get completely unmanned at the idea of saying something trenchant about each book I read, when there often just isn't that much to say...now I can use this structure to say what I think is the most important idea I took away from the read and not try to dig for more.

Think about using it yourselves!

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The Women in White by Sarah Pekkanen

Rating: 2.5* of five

The Publisher Says: The next thriller from #1 bestselling author Sarah Pekkanen combines a decades-old mystery with spine-tingling paranormal elements in this twisty novel of the seen and unseen.

Extrasensory perception.
The Gift.
A Sixth Sense.
Or something else…

In 1964, four remarkable young women at a prestigious university became the subjects of parapsychology experiments by a visionary scientist. On the cusp of a historic breakthrough, the women mysteriously vanished and the program was erased from history.

Decades later, Riley Bell, newly divorced and desperate for a fresh start, accepts a caretaker job for an elderly widow named Betty. Riley steps into a home that is frozen in another era—no microwave, television, or cell phones, and Betty has never heard of the internet.

Why has Betty lived in such profound isolation for so many years, and why does she need Riley now? As the story unfolds across two timelines—Betty’s 1960s era of 5 o’clock martinis and high-stakes experiments, and Riley’s quest to uncover the truth about the missing women—old secrets rise to the surface. And the only way to survive is to confront the mystery that has lingered for sixty years.

I RECEIVED A DRC FROM THE PUBLISHER VIA NETGALLEY. THANK YOU.

My Review: It's not you, book, it's me...I am allergic to storylines about parapsychology now. I had no idea this would happen; I've enjoyed stories in this vein fairly recently. I'm really disappointed.

So my rating is only for me, I need to remind muself not to ask for ESP/parapsychology tales anymore ::sad trombone::


St. Martin's Press (non-affiliate Bookshop.org link) will gladly accept $14.99 from you to get the ebook onto your Kindle. I say do it, though without fervor.

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Dislocations by Sylvia Molloy (tr. Jennifer Croft)

Rating: 3.5* of five

The Publisher Says: How do you keep a friendship intact, when Alzheimer's has stolen the common ground of language, memory, and experience, that unites you?

In brief, sharply drawn moments, Sylvia Molloy’s Dislocations records the gradual loss of a beloved friend, M.L., a disappearance in ways expected (forgotten names, forgotten moments) and painfully surprising (the reversion to a formal, proper Spanish from their previous shared vernacular). There are occasions of wonder, too—M.L. can no longer find the words to say she is dizzy, but can translate that message from Spanish to English, when it's passed along by a friend.

This loss holds Molloy’s sense of herself too—the person she is in relation to M.L. fades as her friend’s memory does. But the writer remains: 'I’m not writing to patch up holes and make people (or myself) think that there’s nothing to see here, but rather to bear witness to unintelligibilities and breaches and silences. That is my continuity, that of the scribe.' In 2007, at New York University, she created the MFA in Creative Writing in Spanish, which was the first programme of its kind in the United States.

I RECEIVED A DRC FROM THE PUBLISHER VIA EDELWEISS+. THANK YOU.

My Review: In under 100pp, the terrifying journey that is dementia is not possible to plumb...only to evoke. It's a quick hit of a terrible drug whose side effects are agonizing.

I did not feel I was particularly drawn in as a short story can do; nor was I afforded insight; nor was I entertained; it was fine sentence-by-sentence writing and image-making but not storytelling.

Charco Press (non-affiliate Bookshop.org link) wants $15.95 for an ebook. Ask the library to get one.

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This is Amiko, Do You Copy? by Natsuko Imamura (tr. Hitomi Yoshio)

Rating: 3.5* of five

The Publisher Says: Other people don’t seem to understand Amiko. Whether eating curry rice with her hands at school or peeking through the sliding doors at her mother’s calligraphy class, her curious, exuberant nature mostly meets with confusion.

When her stepmother falls into a depression and her brother begins spending all his time with a motorcycle gang, Amiko is left increasingly alone to navigate a world where she doesn’t quite fit.

Subtle, tender and moving, This is Amiko shows us life through the eyes of a unique, irrepressible, neurodivergent young character.

I RECEIVED A DRC FROM THE PUBLISHER VIA EDELWEISS+. THANK YOU.

My Review: Very interesting look at Japanese culture through the eyes of a young, naïve girl who is also neurodivergent. It is very much her book, in the manner of the French récit; but I know so little about Japanese culture that much flew above my head.

I can't tell if that is my problem really perceiving Amiko's affect on others, or if it is her naïveté that presents the obstacles to her success communicating with others.

Pushkin Press (non-affiliate Bookshop.org link) needs $11.99 for you to legally access the ebook. An afternoon's involving if slight reading so do it if you're in that mood.

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January by Sara Gallardo (tr. Frances Riddle, and Maureen Shaughnessy)

Rating: 3.5* of five

The Publisher Says: A revelatory, pioneering masterpiece about the life, rape, and abortion of a 16-year-old Argentine farmworker—now in English for the very first time

With echoes of Edith Wharton’s Summer, this radical feminist novel broke the silence around abortion to reshape the way women’s bodies and rights were perceived in 20th-century Argentina.

Perfect for readers of Tove Ditlevsen, Annie Ernaux’s Happening, and Claudia Piñeiro’s Elana Knows.

In the sweltering Argentine pampas, all things bow to Nefer. Reeds nod when she digs her heels into her horse, unripe peaches snap and fall as she gallops past. Sickly-sweet air bends, churns in Nefer’s throat.

Nefer measures the distance between her body and the table, and feels something filling her up, turning against her. Her belly swells.

Desperate, Nefer visits a local medicine woman who is known to perform abortions but Nefer becomes too afraid to explain why she is truly there.

She attends confession at church but cannot confide in the priest. During a fierce argument with her mother, she finally blurts out her secret.

A radical feminist text, January was the first Argentine novel to represent rape from the survivor’s perspective and to explore the life-threatening risks pregnancy posed, in a society where abortion was both outlawed and taboo.

With a narcotic musicality and voice scorched through with honesty, Gallardo hangs before us an experience that has been lived and ignored a thousand times over. Nefer closes her eyes. We careen to her and we see.

I RECEIVED A DRC FROM THE PUBLISHER VIA EDELWEISS+. THANK YOU.

My Review: I quibble with "has been lived and ignored a thousand times over" and would put "billion" in that place. I have not read the Spanish version; I can say the English one might be more...flattened out, unmusical...to me as a man who has a pretty simple idea of how to fix rape: Teach your fucking son to keep it in his pants. "No" means no, "stop" means stop. Do it anyway and we lock you in a room with her family and a baseball bat, whatever's left of you raping bastard after five minutes we arrest or bury as appropriate. No further questions.

Abortion is healthcare, healthcare is a human right.

Archipelago (non-affiliate Bookshop.org link) charges $13.99 for an ebook.

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Black Box: The Memoir That Sparked Japan’s #MeToo Movement by Shiori Ito (tr. Allison Markin Powell)

Rating: 5* of five

The Publisher Says: The internationally recognized sexual assault memoir that revolutionized a feminist movement around rape, stigma, and silence in Japan.

In 2015, an aspiring young journalist named Shiori Ito charged prominent reporter Noriyuki Yamaguchi with rape. After meeting up for drinks and networking, Ito remembers regaining consciousness in a hotel room whilst being assaulted. But when she went to the police, Ito was told that her case was a "black box"—untouchable and unprosecutable.

Upon publication in 2017, Ito’s searing account foregrounded the #MeToo movement in Japan and became the center of an urgent cultural and legal shift around recognizing sexual assault and gender-based violence. As international outlets covered every step of her story—even documenting it in the BBC film Japan’s Secret Shame—this book launched a societal reckoning. At the end of 2019, Ito won a civil case against Yamaguchi.

With careful and quiet fury, Black Box recounts a broken system of repression and violence—but it also heralds the beginning of a new solidarity movement seeking a more equitable path toward justice.

I RECEIVED A DRC FROM THE PUBLISHER VIA EDELWEISS+. THANK YOU.

My Review: Rape is a disgusting criminal act of bodily and psychological violation; it is the world's most common crime; it's also, for its frequency of occurrence, the least prosecuted because no one wants to believe the victim.

No one believed my mother was raping me, so I relate, Ms. Ito; but your courage while rage-fueled was ultimately what changed the game in Japan. I hope your example continues to inspire victims of rape to come forward in their legions to seek, and receive, justice.

Feminist Press (non-affiliate Bookshop.org link) wants a pretty hefty $17.95 for any edition. Be prepared for graphic, horrifying words evoking graphic, horrifying acts.

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Variations on the Body by María Ospina Pizano (tr. Heather Cleary)

Rating: 3.75* of five

The Publisher Says: A constellation of short stories illustrate the intersecting lives of women on various peripheries of society in and around Bogotá, Colombia.

In six subtly connected stories, Variations on the Body explores the obsessions, desires, and idiosyncrasies of women and girls from different strata of Colombian society. A former FARC guerilla fighter adjusts to urban life and faces the new violence of an editor co-opting her experiences. A woman adrift in the city she left as a child looks for someone to care for, even if it has to be by force, while another documents a flea infestation with a catalog of the marks on her flesh. A little girl copes with her anxiety about the adult world by exacting revenge on her nanny, who she thinks belongs to her.

Combining humor, heartbreak, and unexpected violence, Ospina constructs a keen reflection on the body as a simultaneous vehicle of connection and alienation in vibrant, gleaming prose.

I RECEIVED A DRC FROM THE PUBLISHER VIA VIA EDELWEISS+. THANK YOU.

My Review: Six stories in ~127pp that came across like weirdly semi-autonomous chapters in a surreal novel, not quite different enough to be full stories but instead feeling to me as though Author Ospina is re-writing the same idea from different angles.

"When she reached that age of abstract yearnings that concentrate in and cloud the body, not long after she moved to the United States with her parents, Aurora used to scrape the bottom of her yogurt cup in desperation, ashamed of her desire for so much more when it was clear there was nothing left, sensing that her distress meant something else, something wretched and essential she couldn't put into words." It's finely wrought but seemingly undifferentiated from the others. I hope we see more, and more developed, other ideas soon.

Coffee House Press (non-affiliate Bookshop.org link) asks for $16.95 for any edition. Need a short read to get into in fits and starts? It's perfect for you.

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So We Look to the Sky: A Novel by Misumi Kubo (tr. Polly Barton)

Rating: 3.5* of five

The Publisher Says: This shocking, boisterous novel was a runaway bestseller and award winner in Japan

Searingly honest and sexually explicit, So We Look to the Sky is a novel told in five linked stories that begin with an affair between a student, Takumi, and a woman ten years his senior. Their scandalous liaison, which the woman's husband makes public by posting a secretly taped video online, frames all of the stories, each exploring different aspects of the passages of life and the hardships ordinary people face.

A teenager experimenting with sex and then, perhaps, experiencing love and loss; a young, anime-obsessed wife bullied by her mother-in-law to produce the child she and her husband cannot conceive; a high school girl, spurned by Takumi, realizing that being cute and fertile is all others expect of her; Takumi's best friend, who lives in the projects and is left alone to support and care for his voracious, senile grandmother; and Takumi's mother, a divorced single parent and midwife, who guides women bringing new life into this world and must rescue her son, crushed by the twin blows of public humiliation and loss, from giving up on his own.

Narrating each story in the distinctive voice of its protagonist, Misumi Kubo weaves themes including sex, love, the female body, gossip, and the bullying that leaves young people feeling burdened and helpless into a profoundly original novel that stays with you for its affirmation of the raw, unstoppable force of life.

I RECEIVED A DRC FROM THE PUBLISHER VIA EDELWEISS+. THANK YOU.

My Review: I feel a bit dimwitted because I did not get how these stories cohered into a novel at all. Braided stories don't usually flummox me like this; the framing device did not relate to the other stories enough for my old queer's brain to follow its story logic.

However heterosexual I'm not, I did get involved in the events herein and recommend the read to straight people.

Arcade (non-affiliate Bookshop.org link) ants what I find a pretty steep $17.95 for the ebook.

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Migratory Birds (Undelivered Lectures series) by Mariana Oliver (tr. Julia Sanches)

Rating: 3.5* of five

The Publisher Says: A sensitive, stunning debut on movement, migration, and loss, in the vein of Valeria Luiselli’s Sidewalks.

In her prize-winning debut, Mexican essayist Mariana Oliver trains her gaze on migration in its many forms, moving between real cities and other more inaccessible territories: language, memory, pain, desire, and the body. With an abiding curiosity and poetic ease, Oliver leads us through the underground city of Cappadocia, explores the vicissitudes of a Berlin marked by historical fracture, recalls a shocking childhood exodus, and recreates the intimacy of the spaces we inhabit. Blending criticism, reportage, and a travel writing all her own, Oliver presents a brilliant collection of essays that asks us what it means to leave the familiar behind and make the unfamiliar our own.

I RECEIVED A DRC FROM THE PUBLISHER VIA VIA EDELWEISS+. THANK YOU.

My Review:

"A place at once empty and full, Cappadocia inspires bewilderment. Which is why it is useless to try and take in the landscape with only your eyes. Trees are few and far between and sunlight pours mercilessly onto your skin, drenching it." –and–
A man pilots a yellow ultralight across the sky. His name, Bill, Bill, Bill, is the last thing he hears before his feet take wing. All liftoffs are the same, he thinks, a ritual by which we become birds. As the body rises, the mind blots out all sounds and refashions them one by one, as if they existed in isolation. First heartbeat, then breath, then saliva moistening the throat; then the whoosh of air as the ultralight’s wings break it into a white trail.

Prose like this is...fine. In small doses. I hit my maximum dose before the book was over.


Transit Books (non-affiliate Bookshop.org link) charges you $14.99 for the ebook. I might not be thrilled with it, you might be; at least it's not wasted money.

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In Bad Company (Sandhamn Murders #9) by Viveca Sten (tr. Marlaine Delargy)

Rating: 2.5* of five

The Publisher Says: Sandhamn Island’s archipelago is a beautiful place to visit. For a mother on the run, it’s the only place to hide in a novel of escalating suspense by Viveca Sten, bestselling author of Still Waters.

Building a case against Andreis Kovač is a risky strategy for prosecutor Nora Linde. A violent key player in Stockholm’s drug trade and untouchable when it comes to financial crimes, he has the best defense money can buy. To topple Andreis’s empire, Nora’s working a different angle. It’s personal. Nora’s critical witness is Andreis’s wife, Mina—if she’ll testify.

Mina has suffered her husband’s rage too long. It’s nearly cost her her life. Still carrying the traumas of the Bosnian War, Andreis can be triggered like an explosive. He must be taken down. And as the trial looms, Mina and her infant son must disappear. The police have found her a safe place to hide on Runmarö Island in Sandhamn’s archipelago. But there’s no shelter from a man as powerful and merciless as Andreis. Especially when he’s being crossed.

His campaign of terror has just begun. He’s prepared to crush anyone who stands in his way: Mina, Nora, and everyone they know and love. Andreis is coming for them. This time, Nora is on the defense.

I RECEIVED A DRC FROM THE PUBLISHER VIA NETGALLEY. THANK YOU.

My Review: It's time I left the series behind. I was not involved in this one at all, and after finishing it felt no relief, no regret, nothing at all.

It could be comparison bias after The Camino, it could be Bosnian-War criminal fatigue, it could be I'm just tired of Nora...but poke me with a fork, I'm done.

Amazon Crossing (non-affiliate Bookshop.org link) requests and requires $14.95 for a paperback.

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This space is dedicated to Nancy Pearl's Rule of 50, or "the Pearl Rule" as I've always called it. After realizing five times in December 2021 alone that I'd already Pearl-Ruled a book I picked up on a whim, I realized how close my Half-heimer's is getting to the full-on article. Hence my decision to track my Pearls!

As she says:

People frequently ask me how many pages they should give a book before they give up on it. In response to that question, I came up with my “rule of fifty,” which is based on the shortness of time and the immensity of the world of books. If you’re fifty years of age or younger, give a book fifty pages before you decide to commit to reading it or give it up. If you’re over fifty, which is when time gets even shorter, subtract your age from 100—the result is the number of pages you should read before making your decision to stay with it or quit.

So this space will be each month's listing of Pearl-Ruled books. Earlier Pearl-Rule posts will be linked below the current month's crop.

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An Ordinary Violence: A Novel (58%) by Adriana Chartrand

Rating: 2.5* of five

The Publisher Says: Terrible things happen side by side with the ordinary.

Dawn hasn't spoken to her brother, Cody, since he was sent to prison for a violent crime seven years ago. But when Dawn's seemingly perfect life in the big city implodes, she is forced to return to her childhood home and the prairie city that still holds so much pain for her and her fractured family. Cody is released from prison with a mysterious new friend by his side, and Dawn must follow increasingly sinister leads to uncover their nefarious plans to access a dangerous supernatural network.

As the lines between right and wrong blur and dissolve, Dawn reckons with trauma and violence, loss and reclamation in an unsettling world where spirit realms entwine with the living—and where it is humans who carry out the truly monstrous acts.

I RECEIVED A DRC FROM THE PUBLISHER VIA EDELWEISS+. THANK YOU.

My Review: "Maybe that's why Violet talks to her, why she can feel a buzzing sometimes, an insistent mechanical whine from somewhere distant that, if she listened hard enough, might turn ou to be the sound of her name, hissing through a hundred thousand alien throats."
I made it all the way to that line before my experiment with #Summerween blew up. Maybe I need actual fall, leaf-changing pumpkin-carving fall, short-day clock-turning fall, to put me in the mood for spooky shenanigans.

Or maybe this just isn't great and I'm done.

Spiderline/House of Anansi Press (non-affiliate Bookshop.org link) asks $18.99 for a paperback.

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Accidental Genius: An Oral History of The Room (32%) edited by Andrew J. Rausch

Rating: 2* of five

The Publisher Says: Accidental Genius features intimate and laugh-out-loud commentary from The Room cast and crew, including interviews from its star Greg Sestero.

What a story indeed! A rollicking recollection of experiences from the legendary “so bad it's good” film. This comprehensively chronicled book offers a fascinating glimpse into the cultural phenomenon that brings together die-hard fans and newcomers alike.

Everything you could have possibly wondered about The Room all in one book!

Take a look at Tommy Wiseau's infamous 2003 release through the eyes of the people who made it. Get the low-down on bizarre audition calls, film set antics, and accounts from the very first fans who experienced The Room at its earliest screenings. Also including interviews focusing on the aftermath of the movie: Sestero’s The Disaster Artist, where are they now, and its lasting legacy.

Here you will get a glimpse of how it all began, why it remains popular, and just what audiences still get out of this unusual film that people love to hate.

I RECEIVED A DRC FROM THE PUBLISHER VIA EDELWEISS+. THANK YOU.

My Review: I thought these were essays on the OTHER bad movie, from 2015, but that one's just called Room. The 2003 excrescence these snippets are about was too ghastly to watch so I really didn't...I heckled and jeered. That was kinda fun, I guess, but not enough to read about the reeking shitpile I've tried to forget seeing.

CLASH Books (non-affiliate Bookshop.org link)
has the effrontery to ask you to PAY for this! $18.95 no less...any edition...I'd laugh if I wasn't so pissed off at being pissed on by that Wiseau...person.

THE LIPETSK CONSPIRACY: The True Origins of Hitler's Luftwaffe (Tom Munro Aviation and Espionage Series #4), interwar Bonding

THE LIPETSK CONSPIRACY: The True Origins of Hitler's Luftwaffe (Tom Munro Aviation and Espionage Series #4)
WILLIAM FERNIE
Fernie Publishing Ltd (non-affiliate Amazon link)
$5.99 Kindle edition, available now

Rating: 4* of five

The Publisher Says: Before the Luftwaffe terrorised Europe, it was forged in secrecy.

In the uneasy peace before WWII, Captain Tom Munro is flying for Deutsche Luft Hansa when he uncovers a clandestine military airfield hidden deep within Soviet Russia.

Coerced into supporting Germany's secret rearmament programme, he risks his life flying experimental aircraft and developing new, untested operational techniques all prohibited under the Treaty of Versailles. This test flying provides a unique opportunity to gather military intelligence of immense value to the British Secret Intelligence Service.

But Tom knows that he will not be allowed to survive with this vital intelligence and must attempt the impossible: escape with Germany's secrets before he disappears forever.

An interwar aviation/espionage thriller for readers of David Downing, Philip Kerr and Robert Harris.

I RECEIVED A DRC FROM THE PUBLISHER VIA NETGALLEY. THANK YOU.

My Review: Tom Munro is a very enjoyable PoV to follow as this based-on-facts thriller of Nazi Germany's preparations for war in the air. The prior three volumes in the series deal with the Great War, the Treaty of Versailles era, and now the period that enables the rise of the Nazi state.

It's a period I'm very interested in, and one that saw gigantic advances inn aeronautical engineering, materials science, and other sciences that are useful in wartime. As always it's the horrors of slaughter that drive change, and the economy's growth, and the terrible Othering of people in no way wrong, bad, or evil as the scum at the top try to justify the war "They" want by manufacturing enemies within and without.

What makes Tom fun to follow is mostly his test-pilot nous. It's fun for me to read about the planes realy being tested, really being studied in this pre-Depression time that has so much hope for a peaceful future that recedes and recedes while Tom and his ilk try to keep it alive. Yet here he is flying violation-of-treaty equipment to a secret base! One in Russia, no less...more serious skulduggery...and consequences for Tom in terms of using spycraft for...good?

Come for the history, stay for the gearhead talk, which you'll need to be getting along with that to be in the full story. I was captivated, you might not be, so be aware the jargon is plentiful and needed to make sense of the Lipetsk Russian airfield subplot. There are many politicosocial developments but they almost all incorporate technology and discussion of same.

There is yearning for his lost, belovèd fellow spy Alice, which is getting a bit wearing if I'm honest. Oh well. One must have a woman in a thriller, she motivates the main man. *sigh*

A complex and very very sensitive matter, Germany's resurgent ambitions and rebounding desire to lead the technological world, and the worries of her very recent opponents all buried in piles of dead people from that stupid war. And an ending to this story that's exactly right. All designed to give this old man reader the happy.

Be ready for the complexities on multiple fronts and it might do the same trick for you.

THE CAMINO, Anglophone debut of Dutch-language suspense star

THE CAMINO
ANYA NIEWIERRA (tr.Eileen Stevens)
Simon & Schuster (non-affiliate Bookshop.org link)
$14.99 ebook, available now

Rating: 4.5- of five

The Publisher Says: From the Netherlands’s most popular crime writer, a literary thriller following a woman who walks the Camino de Santiago, searching for answers about her husband’s death.

Forty-four-year-old chocolatier Lotte Bonnet has been living happily in South Limburg for years with her husband Emil, a former refugee from Bosnia. But when Emil unexpectedly dies by suicide while walking the Camino de Santiago, or Way of Saint James, Lotte is devastated.

Shocked and confused, Lotte resolves to follow Emil’s exact path on the Camino one year later, hoping for answers, or at least insights into what could have compelled him to take his own life. While walking the arduous trail through central France, passing idyllic villages and meeting fellow pilgrims, Lotte’s thoughts are also elsewhere, in Sarajevo, as she learns the terrors of a war and shocking secrets about her husband’s identity.

Inspired by the natural beauty that surrounds her, forming new friendships, and possibly a romantic connection on the Camino, Lotte is distracted as the trail grows more treacherous, and as it becomes clear someone is following her, someone who does not want her to know the truth.

Fans of Louise Penny’s Inspector Armand Gamache will be delighted by Lotte’s easy charm and enthralled by the revelations on her journey. Anya Niewierra’s blockbuster mystery The Camino has taken Europe by storm and is finally available in English for the first time.

I RECEIVED A DRC FROM THE PUBLISHER VIA NETGALLEY. THANK YOU.

My Review: I was dazzled.

It wasn't always *comfortable* reading but it was always to-the-point, even when it felt like it might not be. Every detail does indeed serve a purpose. There are dreadful deeds done in the past from the framework of the novel, that are definitely not for the fainthearted. I *strongly* discourage readers whose tolerance doe not extend to child harm not to read this book at all.

I'm not at all clear that the story's a thriller by my own lights. I'd call it an historical mystery/suspense novel that examines recent European history from a grieving woman's perspective; Lotte's decision to go on the Santiago de Compostela pilgrimage as a means of discovering her late husband Emil's secrets felt...forced...until I sank into the full implications of pilgrimage.

Her discoveries about her husband of a quarter century are, well, intense and not at all expected. It's a truth in any intimate relationship that there are unspoken things; mostly unspoken because they're not really important.

Not this time.

The Spoiler Stasi being among the nastiest of hazards on the internet, I won't detail the discoveries she makes; the CWs will be enough to warn the sensitive. I began my read aware of a few details so I was prepared, but I reiterate for clarity that you must heed the CWs.

The issues that arise as Lotte retraces the Way of St, James in the present are treated in a way that was very suspenseful...I worried for her safety from the time she decided to undertake her parallel pilgrimage, since Emil's suicide was at best suspicious. The bad stuff that happens is very well designed, in that it makes the stakes of her rash decision that much more obvious as each instance of near-miss violence more obviously targeted.

The why that we eventually learn for these events is fully explanatory. It changes the game for Lotte and for the reader as we learn why Emil's secrets and his lies are revealed to Lotte, and why that revelation is so deeply disturbing to the unseen others on her trail following his trail.

If the CWs make you nervous, read the book, because the resolution/revelations are well worth it. If they leave you deeply upset merely reading the words, do not touch the book at all.

It proved to me that Author Niewierra deserves her European fame as a creator of suspenseful stories.

THE TAKEN GIRLS, Glenn Cooper thriller in his classic mode

THE TAKEN GIRLS
GLENN COOPER
Lascaux Media (non-affiliate Bookshop.org link)
$17.99 paperback, available now

Rating: 3.75* of five

The Publisher Says: From Glenn Cooper, the internationally bestselling author of the Cal Donovan thrillers, comes a gripping thriller of kidnapping, conspiracy, and what powerful men will do to hold on to what they have.

Two little girls vanish from a villa on the Calabrian coast—Victoria, five, and Elizabeth, eight, sisters, the granddaughters of an American billionaire. It looks at first like a kidnapping for ransom.

But no demand ever comes. No ransom means no one wanted money—they wanted the girls.

Years pass. Their grandmother's hair goes white. And then, on an ordinary afternoon, the girls come home. Victoria is still five. Elizabeth is still eight. The same faces, the same small hands—not a day older than the night they disappeared, and dying of something no child should carry.

Everyone wants a story that lets them sleep. The Vatican opens a quiet file on a miracle. The tabloids sell something stranger. But one man keeps pulling the thread everyone wants left alone—until it leads to an old Spanish estate, and to what the powerful will do to hold on to what they have.

Victoria and Elizabeth were not the first children taken. And they are still collecting.

I RECEIVED A DRC FROM THE PUBLISHER VIA NETGALLEY. THANK YOU.

My Review: It's never aliens. Or god. Never.

Just like the only monsters are people. For something to be SUPERnatural, we'd need to know everything that could ever happen naturally. A glance at the news will tell you we do not know everything that could happen naturally. So reading his very complex puzzle-box of a story was an exercise in seeing if the author could get me to the end without making me feel I'd been treated like a mushroom. (Kept in the dark and fed a lot of shit.)

I've read several of the author's religious-themed stories before, and found them like this one: Pleasantly diverting. I do wish he'd stop writing female characters, or take a sensitivity course...they're ciphers or stereotypes.

The patriarch who hires our omnicompetent investigator grated on my nerves. Marcus, said investigator, doesn't put a foot wrong that does not, in the end, result in the solution being moved forward. It's a bit annoying, but in line with most books in this chase-thriller genre. By the midpoint of the story there was a clutter of problems that were either going to get solved or niggle at me as unfinished business; nothing got left behind but it made the ending a breathless rush. That's fine for me but y'all who prefer endings that peel back layers will not enjoy it because it will feel rushed. I myownself would say it's calculatedly fast-paced, but that'a a poTAYto poTAHto argument I've found is not worth anyone's time getting into.

It was a read that engaged me but gave me no one to root for because the people were believably shitty. It's a good distraction that will never play games with your trust, people you don't like don't suddenly turn out to be sweetness and light playing a role (a trope I abhor) or suddenly doing other about-faces. The story resolves in line with its parameters only not quite so simply as one is led to expect. Nice work on that, Glenn Cooper!

R.V. RAMAN'S PAGE: Harith Athreya series 1 & 2...GRAVE INTENTIONS, and A WILL TO KILL

A WILL TO KILL (Harith Athreya #1)
R.V. RAMAN
Pushkin Vertigo (non-affiliate Bookshop.org link)
$2.99 ebook, available now

Rating: 3.5* of five

The Publisher Says: MIST, MOUNTAINS, MURDER.

Ageing millionaire Bhaskar Fernandez has invited his relatives to the remote, and possibly haunted, Greybrooke Manor, high up in the misty Nilgiris.

He knows his guests expect to gain from his death, so he writes two conflicting wills. Which one of them comes into force will depend on how he dies.

Fernandez also invites Harith Athreya, a seasoned investigator, to watch what unfolds.

When a landslide leaves the estate temporarily isolated, and a body is discovered, Athreya finds that death is not the only thing that the mist conceals. . .

I RECEIVED A DRC FROM THE PUBLISHER VIA EDELWEISS+. THANK YOU.

My Review: First in a new series of private-investigator mysteries set in India. This Golden-Age style story about a murder yet to occur and fully expected by its purported victim that then morphs into a locked-room mystery is investigated by a Poirot-level famous private investigator. Or so we're told...I'm as always just a bit annoyed that I'm vouchsafed no evidence of this assertion, but that complaint is not one bit new or unusual.

I was set to love the read from the get-go because I read these reissues this summer. It's set in cool, misty mountains, and I about sobbed with jealousy as I compared that to the supersummer outside. *sigh* As I encountered more and more characters, beginning to wonder about a dramatis personae being notably absent. Such a simple thing to add, I mused, and so very helpful. It also struck me that the characters were more or less in the highwayman school: stand and deliver their piece of the narrative. That's a lot of time spent outside the narrative stagecoach waiting to get moving again.

A body is discovered. It means we're all in the stagecoach again, moving at a slightly bouncy, uncushioned pace. It becomes a locked-room mystery as we're moving along; no change of bouncing rocking pace as we clunk shins and bonk shoulders with characters who *are* going to say their piece, despite earlier attitudinal tics. It could have something to do with the sausage-fest we're having here, everyone is male and don't they just show it. A second body is discovered and there is more stand-and-deliver set-piece delivery. A big problem for me is no one who's died is at all, in any way, undeserving of their murder.

It's like a lesser Poirot story meant to convey the eerieness of The Pale Horseman. It works as a story well enough because we know where we're going. It's a bit less effective if the reader's not already on board with the Golden-Age conventions because then the solution, and its delivery by Athreya, ties everything to objects we're aware exist but not filled in on particulars about. It makes the solution a bit less impactful, more like the delivery of a sermon that we and everyone else, simply accept is true and so must be correct.

Points for period appropriateness, then, fewer for fair-play mystery solution, and please dear goddesses give me a damn list of who's who at the beginning. As a series starter I'm most definitely glad I've got all four in their reissue; I don't think I'd've picked up the second one (see below) if it had come out a year or more later.

The ebook is on sale, so definitely go get one!

+++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++


GRAVE INTENTIONS (Harith Athreya #2)
R.V. RAMAN
Pushkin Vertigo (non-affiliate Bookshop.org link)
$13.99 ebook, available now

Rating: 4* of five

The Publisher Says: Death, a cursed archaeological dig, and a beloved detective feature in this cozy stand-alone mystery set in contemporary India.

SECRETS

Seasoned detective Harith Athreya is back, this time to investigate suspicious incidences on a riverside dig in the heart of remote Bundelkhand.

SUPERSTITION

In this place, rich in myth and history, the legend goes that anyone who sets foot on nearby island Naaz Tapu would be cursed forever.

SLAUGHTER

When an archaeologist defies local folklore, the fallout is swift and deadly. Is the death a result of the ancient curse, or is it a more down-to-earth case of murder? Athreya needs to unravel the truth from legend before the curse strikes again….

I RECEIVED A DRC FROM THE PUBLISHER VIA EDELWEISS+. THANK YOU.

My Review: Archaeology! Possible supernatural stuff! A Dramatis Personae! Yes, yes, yes to all of these as good omens, and ways to get my repeat business.

On to the story.

Book two sets itself the task of telling us binaries exist for a reason, there is nothing we do not want to be expressed in a well-matched faceoff between, eg, two young women who are chilly career driven professional/warm, inclusive, family-loving opposites. Athreya is on a holiday with the latter, a nibling of his, and the former is the director of a "cursed" archaeological dig where a local wise guy seems to be stealing artifacts the dig is uncovering. A local legend of lovers kept apart by centuries old political feuding placing the area under a curse offers a modern murderer cover is the first thought a mystery fan would have; but who wants the specific person dead and why? What is the dig site looking for? Do local customs only matter if the people flouting them are white/colonizer people?

Again requested to solve a crime yet to take place, Athreya immediately zooms in on the artifact thefts but...well...are they thefts or rescues of cultural patrimony? Who decides this? What difference does it make, if the end result is the object ends up far far away leaving nothing in its place? Knowledge of the past that will never be accessible to the cultural descendants is no more complete a theft than a profitably sold antiquity....

In the quest to solve the mysteries via fair play, Author Raman snuck a valuable clue past me...in plain sight! Well done, sir. I enjoyed the Murder in Mesopotamia meets The White Tiger vibes. It felt more cohesive and less speechifyin' in tone than A Will to Kill (above) did. The read passed with admirable velocity, the Dramatis Personae made a big difference to my sense of the read as under my control, and Athreya's enough more familiar to me this time around that I felt prepared from the off to invest in his resolution.

A career spent making corporate presentations and mentoring young entrepreneurs has taught Author Raman to stay nimble, to choose a principle at the center of the story he wants to tell then to be sure his story relates to that principle all the way through. That serves him well in this second Athreya mystery/thriller.

FRUIT FLY, appropriation is appropriation, and it's always wrong

FRUIT FLY
JOSH SILVER
Crooked Lane Books (non-affiliate Bookshop.org link)
$14.99 ebook, available now

The Independent Press Top 40 Bestsellers: Fiction For the week ending September 2, 2026

Rating: 4.25* of five

The Publisher Says: Go gay. Go sad. Go dark.
A washed-up author will stop at nothing to claw her way back to relevancy—even if it means appropriating a young gay man’s tragic story.

Mallory Maddox is buried under seven years of writer’s block. With her status as a literary sensation fizzling, she’ll do anything she can to resurrect her career. Inspiration needs to strike—and fast.

Enter Leo. He’s a struggling addict sleeping under bridges and trading sex for survival. He’s vulnerable. He’s enigmatic. He’s exactly what Mallory has been looking for.

Mallory needs Leo if she wants another bestseller. The world needs Leo’s story right now, and Mallory believes she deserves to tell it. Really, it’s her story—she’s the one who wrote it, after all.

But as secrets threaten to unravel more than just her career, Mallory must decide how far she will go to pen the perfect story.

A razor-sharp satirical thriller, Fruit Fly will appeal to fans of R. F. Kuang’s Yellowface and Yomi Adegoke’s The List.

I RECEIVED A DRC FROM THE PUBLISHER VIA NETGALLEY. THANK YOU.

My Review: Mallory appropriates a person's life story because she needs a bestseller. His story is plangently told for sympathy tears because he's been used hard and thrown aside by an uncaring world, left to rot under bridges without housing and unable to access needed treatment for his addictions. Mallory extracts Leo's story by telling lies and faking an identity aimed at piquing Leo's interest in targeting the fake for exploitation, trading sex for cash along the way. Then the really ugly fake begins...her impersonation of a therapist who will help Leo.

Because Mallory needs a bestselling novel idea that she can turn around quickly.

It's hard to overstate the ick that gave me as I read it in the synopsis, except to say it only gets worse as the story itself unfolds. I do mean "unfolds" as the stories of Mallory and Leo are multilayered and coming to light in slow steps, complementing each others' past traumas and shared senses of betrayal.

The language of therapy can hide as easily as it can reveal; the way one uses the techniques involved in therapy do not in and of themselves lead directly to miraculous healing. In these characters' case, neither separately and never the two together are using anything to do more than temporarily and incredibly facilely cope with genuine, terrible traumas. Neither is introspective by nature. You can't fuck for a living and be doing a whole lot of drugs to get it done and still feel on top of your emotional damage; and any writer who can't overcome writers' block by looking inward to see *why* instead of outward to see *what* as a reflex action is deeply, deeply damaged and needs lots of help.

The pair are entangled in a complicated system of interlocking denial told in their own separate voices...always wise to let the perp and the victim have equal access to the reader's attention. It's a loud response to the terrible A Little Life, shifting its ripping and tearing of emotions into bleeding gobbets into clumsy and careless slicing at cancerous infected flesh. It hasn't helped but it is the action that, with guidance, will help as opposed to the lethal wrongness of that other story.

What happens, though, is that the finger-wagging title...y'all know what a fruit fly is in gay circles, right?...and the darkly judgmental tone of her engagement with Leo wears on one's nerves as it drips out in unceasing small, acidic drops. These are not kind people to themselves or others so the novel's length works against it. Yes, I know more details of how terrible each of them is, but really? Do I genuinely need to know this much?

I was also informed the story had thriller elements but I'm not sure what they were. I can get behind a mystery definition of the read because it's a mystery to me why Mallory's husband is still alive and has his balls attached (he's pushing for a kid, so they gotta be there). It's also a mystery why Leo thought he was using Mallory as she strip-mined his life for usable raw materials in several guises; that's a shocking absence of street savvy for someone who makes a living turning tricks.

I found a certain wry amusement in reading the stories because I felt in on the joke, but that was tempered by the very clear and unsparing depictions of abuse and violence and self-harming ideation. It's done plainly, in adequate metaphorical lighting that enables we-the-reader to see the actions and activities without questioning "is that what I think it is?" Yep. It is. The authorial tone is quite unemphatically reporting what is really occurring. That's a virtue, it deprives the pearl-clutchers of their favorite line of criticism: sensationalized overblown etc etc.

It just goes on that little bit too long to be my personal ideal read. Maybe it'll be yours.

WISDOM CORNER, second Virgil Wounded Horse thriller

WISDOM CORNER
DAVID HESKA WANBLI WEIDEN
Ecco (non-affiliate Bookshop.org link)
$14.99 ebook, available now

Rating: 4.25* of five

The Publisher Says: From the award-winning author of Winter Counts comes a new thriller about life—and death—on the Rosebud Indian Reservation.

Virgil Wounded Horse is desperately trying to escape his past as a hired vigilante on the Rosebud Indian Reservation. But when a legendary figure from the reservation is murdered, he’s forced to return to the job. Making matters more complicated, threats are coming from the Pine Ridge 705—a street gang from a neighboring reservation who want to expand their reach into Rosebud—and Mitch Gagnon, a shady politician who will stop at nothing to gain more power.

With a heated tribal council election looming, as well as new revelations regarding past injustices at the local Native boarding school, the stakes grow even higher. Will Virgil find the justice he’s seeking before it’s too late?

I RECEIVED A DRC FROM THE PUBLISHER VIA NETGALLEY. THANK YOU.

My Review: Coming to terms with harms and wrongs you've done, even when you thought you were right to do them, is a tough passage of adulthood. It's necessary to face up, and if necessary 'fess up, in order to move past your own guilt and self-trauma. Of course, that leaves all the nightmares of trauma caused from without...but starting within is always sound policy and strategy.

Picking up where Winter Counts left off is this story of Virgil Wounded Horse doing his damnedest to keep his homeplace from succumbing to the depredations of the worst, most amoral forces from without and those within who care little for humane results and lots for power and the money that flows along side it. Virgil knows from the inside the seductive nature of power, enforcing criminals' will isn't a lot different from enforcing The Law℠ in its particulars only in its motivations (hopefully its results too). Challenging Virgil's sense of rightness is the death by murder of Jerome Iron Shell. Beloved by many for his warmth and wisdom and stock of lore, whatever led someone to kill him makes Virgil angry as well as woriied for his inamorata Marie Little Bear. Her deepening involvement in politics on Rosebud Reservation is clearly not safe sonve politics is almost certainly what got Jerome killed...how to make your former-gang-enforcer boyfried edgy and worried for you was never easier for Marie. She's the one whose request for him to staighten up, work the sunny side of the street, thus not add to her hurdles getting into government to start cleaning up generations of greed and indifference, has Virgil in knots. To her credit, Marie Little Bear is very much on the side of Justice and Fairness so as Virgil discovers corruption and greed, Marie stands shoulder-to-shoulder damn the consequences.

I really like the couple dynamic between Virgil and Marie. As the vileness and ugliness that Jerome was aware of, and trying to get acknowledged, intertwines with the appalling greed that land development supports and rewards, Virgil...and Marie...learn even the lowest acts they know happen now aren't a patch on those committed in the not-distant past. It serves to make them both, together and individually, more determined to be forces for improvement and restoration.

The series is definitely one I recommend to y'all who're needing more than polite white ladies looking into polite little family deaths. Cozies are like pineapple: tasty, tangy, but not healthy when they're the only thing on the dessert menu. Switch it up with a trip to South Dakota.

THE BREAK-UP RETREAT, latest from Sweden's bright star doesn't twinkle as bright

THE BREAK-UP RETREAT
CAMILLA STEN (translator not credited)
Minotaur Books (non-affiliate Bookshop.org link)
$14.99 ebook, available now

Rating: 3.5* of five

The Publisher Says: An undercover journalist goes to expose an exclusive psychological wellness clinic where women go to recover from heartbreak, with dire consequences, in this creepy thriller from The Bachelorette Party author Camilla Sten.

Welcome to Himlafall Clinic, where we use revolutionary therapy techniques to heal you from heartbreak. Whether you are going through a devastating breakup, or can’t seem to stop picking the wrong partners, we are here to help you change your life, once and for all…

Isobel Anderssen has heard rumors. Nestled deep in the Swedish woods, there is a retreat. Primarily aimed at helping women who have gone through devastating break-ups, the Himlafall Clinic is meant to heal your mind and help you move on.

Sometimes people are never heard from again.

Armed with a fake story and a contraband phone to record interviews, Isobel is ready to expose Himlafall’s founder and get closure for the families of missing loved ones. But when she gets there, nothing goes to plan. Her contact is missing. The founder, Dr. Martina Hastings, knows how to get under Isobel’s skin in ways she didn’t anticipate. And all the while, the ghosts of the missing haunt her at every turn. It is clear something is going wrong and Himlafall, and Isobel must uncover the truth, before she disappears once and for all.

I RECEIVED A DRC FROM THE PUBLISHER VIA NETGALLEY. THANK YOU.

My Review: This reads uncomfortably like the transcripts of some brainwashing sessions, brutal and demeaning and very destructive. It's written in Camilla Sten's voice, but in this uncredited translation, reads more like it's not-quite-Sten enough to be all her own work. The Bachelorette Party I reviewed in June 2025 had a similar effect on me. It's not *bad* but it's not like her earlier books in that it never sparkles, its cast feels...cast from a mold, but never painted, lacquered and polished, buffed up.

It struck me as odd that Author Sten would choose to have Isobel make herself so incredibly obvious as an interloper. In 2026, you need to expend a great deal of thought on how someone even *could* assume a fake identity. Surveillance capitalism demands to know who you are, even (especially) the very wealthy who could afford this emotional Abu Ghraib for brokenhearted rich ladies (and at no time did any of the men...all men 0.o...feel worthy of more than a sneak-eaten grocery-store pastry as mourning). If Author Sten did that here, I did not see it. I was quite surprised that someone who could make me really feel how prosopagnosia affects one's life in The Resting Place that wasn't up to her earlier storytelling standard. Isobel's daft actions would've been glaringly obvious to anyone with a reasonably observant eye and a modicum of common sense, and her vaunted Plan was basically "wing it based on vibes."

Disappointing...this is a premise that the earlier Sten would've embroidered a Bayeux Tapestry of story over, yet what I got was a sampler.

Come home, Alexandra Fleming and Camilla Sten! Y'all were the dynamic duo. Whatever's gone wrong fix it and make more magic.

Please.

KILLER VIBES, the authorial and series debut novel set in "Keep Austin Weird" Austin...not Alex Jones Austin

KILLER VIBES (Peter Key Mystery Series #1)
JACK FRIDAY
Minotaur Books (non-affiliate Bookshop.org link)
$14.99 ebook, available now

Rating: 4* of five

The Publisher Says: Meet Peter Key: self-proclaimed “laziest private investigator in Texas” (it’s harder than it looks), full-time bisexual, dedicated stoner, and the surprised recipient of a windfall inheritance from an uncle he barely knew. Peter’s life was a mess before he became the owner of a dilapidated house in one of the most desirable neighborhoods in Austin, but now he has a mountain of debt to deal with—and pushy realtors popping up on every corner to convince him to sell the land while the market is hot.

But Peter doesn’t like to be pushed around. And when he discovers a bag full of cash and a suggestion that his uncle's death might not have been an accident, he starts asking questions. When they said “Keep Austin Weird,” they weren’t joking. Just about everyone Peter meets seems to have a hidden agenda, and he soon finds himself pulled into a lethal game where not everybody plays by the rules. Fortunately for Peter, he’s never been a rule follower anyway.

Sexy, suspenseful, and packed with Austin’s quirks, Killer Vibes is the start of an iconic new series with a singular, unforgettable cast of characters.

I RECEIVED A DRC FROM THE PUBLISHER VIA NETGALLEY. THANK YOU.

My Review: I lived in late 1960s, 1970s, and very early 1980s Austin. I've got a lot of nostalgia for that world. "Keep Austin Weird" is a resonant slogan to me. So I'm primed to be this story's booster by happy association.

There is always an ugly side to any place humans congregate. Austin produced vile scum Alex Jones the Sandy Hook liar, who is my direct peer, being only two years younger than me and a product of the same public schools I went to. Every sunny meadow has shadows, great and small, or you wouldn't see any depth at all.

Peter Key, connoisseur of life's finer things (sex, drugs, skiving off anything that looks like work), has pushed his boundaries with those who toil that he may chillax. He's a slacker in the mothership of slacker culture; but he is, when we meet him, a slacker with a housing and eating problem.

His deus coming ex machina is Uncle Forrest, a barely-remembered relative with a house (mortgaged) that Peter can go live in; and whose death is...hinky. How did a retired daredevil racer lose control of his car badly enough to go over a cliff and die from the injuries he sustained? Why, in his seriously past due mortgaged house, is there a bag of cash? Where's the money from? What was his gambler/adrenaline junkie uncle up to? Did it get him murdered? Peter's aunt's hired a PI to investigate, but with a serious stake in the solution (who doesn't want a home?), Peter takes the PI's offer to keep going only if he'll help help with the investgation seriously.

Practical people who care about Peter are all encouraging him to cash in on his real-estate windfall, as housing in Austin is insanely expensive. Peter decides he wants a home, rolls up his joint sleeves, and begins looking around at the people badgering him for stuff Uncle Forrest "owed" them. It's a classic origin story. It's billed as #1 in a series. It's got modern energy, in that our man-bunned hero is both slacker and hedonist enough to be bi in that casual way younger men often are in my own experience. The pacing is good, the thriller elements are well deployed, the most important element of a series...the hero's ability to command our emotional investment in him...is finely crafted.

I stopped at four stars not for any prose flaw or characterization lack, but for a structural quibble: WHY ARE YOU BREAKING THE SCENES SO OFTEN?! There's no reason, and certainly no excuse, for this choppy execution when there is literally no change of time, of PoV, of subject, between them! I'd lop off another star if I hadn't enjoyed Peter's disastrously bad judgment all coming out okay for...Reasons. I really hope, Author Friday, you won't succumb to the temptation to prevent Peter from growing, from making *new* mistakes in a field he's still learning how to work but which he clearly has a solid aptitude for.

That said, I'm sat for book two.

KILLING BABY HITLER, time-travel/alt-hist fantasy of Changing History...derailed by the Butterfly Effect

KILLING BABY HITLER
MICHAEL TOMASKY
O/R Books (non-affiliate Bookshop.org link)
$9.99 ebook, available now

Rating: 4* of five

The Publisher Says: In the year 2141, the planet is ruled by billionaires, democracy is a relic, the environment is collapsing, and Illinois is home to thirty-foot alligators.

When a ragtag team of scientists discovers the secret to time travel, they set their sights on history’s most infamous villain: baby Adolf Hitler. The mission doesn’t go quite as planned.

Because rewriting history is never simple. Instead of preventing the rise of fascism, they trigger a bizarre new timeline in which Hitler grows up in America, editing one of the country’s most hateful newspapers, and history warps in strange and unsettling ways. What begins as a darkly funny scheme to fix the past spirals into a mind-bending journey across centuries, as the time travelers confront unintended consequences, shifting timelines, and a future that may be even worse than the one they left behind.

Part sci-fi thriller, part biting satire, Killing Baby Hitler is Michael Tomasky’s first work of fiction—a wildly original novel that skewers power, questions the logic of hindsight, and reminds us that the present may be the hardest time of all to change. Bold, provocative, and disturbingly plausible, it’s a time-travel tale like no other.

I RECEIVED A DRC FROM THE PUBLISHER VIA EDELWEISS+. THANK YOU.

My Review: I like my silly sci-fi delivered with humor, so I'm your boy for this story's topic and style. I'm also a fan of time-travel (purest of fantasies) and alternate history (I dunno if we'll ever science our way into certainty that other timelines are real, but I think they can't NOT be), so bring your killing Hitler story unto mine eyes.

O/R is a leftist purveyor of tendentious reads mostly non-fiction; I approve of this, so seeing this novel become available I downloaded it immediately. I'm a fan of the wish-fulfillment inherent in stories of changing history, though the pop-culture "butterfly effect" is pretty inaccurate to the real subset of chaos theory. Doesn't mean I don't love to read about it. I was really hoping to love this read, too.

I enjoyed and liked it. I'd've loved it if it'd kept on with the initial tone. It's honest, abrasive, truthful about human nature; it's holding up our faults as people to us in this low-real life stakes fictional tale. It's always safe to look at existential crisis in the mirror of practical impossibility. To be able say humanity does not come off unscathed is pretty much my minimum standard for this kind of srory. Happy to say scathing is done. Pulling the punch at the end...well...I get it, I really do, and I can't tell you I thought the ending was incongruous, or tacked on to the story it was finishing off. It fit fine.

I wasn't expecting the tonal shift, so it popped me in the mouth for a minute. I don't think others who're less pessimistic, or permaybehaps don't see things through my Darkling eye. Without reservation a recommended read for summer in particular among the "if only" fantasists seeking to refashion the world. A well-paced story that makes its points without sacrificing the exuberant fun of reinvention, no matter how implausible.

Truths are told, honest self-appraisal encouraged, and a vote of confidence I don't entirely agree with is offered to send the entertainment reader away happy.

LEV A.C. ROSEN'S PAGE: THE DISASTER GAY DETECTIVE AGENCY & EVANDER MILLS P.I. SERIES #1, #4

THE DISASTER GAY DETECTIVE AGENCY
LEV A.C. ROSEN
Poisoned Pen Press (non-affiliate Bookshop.org link)
$9.99 ebook, available now

Rating: 4.25* of five

The Publisher Says: From award—winning, critically acclaimed crime writer Lev Rosen comes a punchy, hilarious mystery—thriller. Meet the disaster gays: They're messy. They're queer. And they're about to solve a murder… Or die trying.

Brandon is a hopeless romantic. So when a handsome stranger named Jon checks in at the hotel he works at and invites Brandon to his room, Brandon ignores the advice of his crew—a group of loveable and messy queer twenty—somethings—and accepts. What follows is a tale as old as time: they hook up, Jon promises to text, Brandon falls in love, and Jon ghosts. Case closed—or is it?

When Jon checks out early, leaving behind a bag of belongings and his cellphone, Brandon takes the phone and sets out to find him, thinking that this must at last be his Cinderella story.

But he gets more than he bargained for when he witnesses a murder—and sees Jon fleeing the scene.

Determined (and not in over their heads whatsoever), Brandon, Ollie, Nicole, and Ian decide to solve the mystery of the murder and uncover Jon's true identity…they just have to figure it out before a target falls on their own backs.

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My Review: Those heady first friendships, the ones you really learn how to adult by forming and inhabiting...they're deep and they're still important to older you because you are formed by them for better and worse.

Here we are among Brandon, Ollie, Nicole, and Ian as they navigate the first changes in the structures that supported them. It's usually a significant other arriving or one departing. Most of us have been through that.

Few of us have had a potential love discovered in what looks like a guilty act at what certainly is a murder scene, like Brandon.

What ensues is the scoobygroup all pitching in to resolve Brandon's maybeboyfriend's involvement (if any) in the murder he was seen running away from the scene of. Naturally this means they need to solve the murder. A lot like Dame Agatha's Five Little Pigs we're treated to the scoobygroup's individual PoVs on the investigation and on the unfolding issue of who it is Brandon's found himself to fall for. I think the technique is one that works or fails on your readerly taste for the writing style. Author Lev uses a solidly comedic register throughout the story, giving the different scoobygoupers reasonably distinctive voices and just enough difference in what they see to keep me focused.

I don't want to tell you there's a rom-com vibe to the proceedings because that suggests the group will be all matched up by the end of the story. It's not like that, though the bantering suggests it will be in the formula of rom-com. I was partly glad that it didn't end up in the predictable couplings. It certainly would've been...forced...unless they found partners outside the scoobygroup.

All said, I was pretty convinced this was really a screenplay made novel-like because Author Lev's a well-established force at Poisoned Pen Press. It was almost obtrusive how filmable, how designed for visual scenes, this story is. I'm not saying that as a knock, I found myself reading happily along with the movie playing in my mental Grauman's Egyptian Theater in 70mm CinemaScope. It was a hoot!

I can't quite attach a full fifth star. I felt the reality, the full gravity, of the events the scoobygroup uncovered really sat uneasily with the narrative technique. Still, four and a quarter stars for the chaotic energy of the story, the sheer verve of the cast for their different roles and discoveries as the truth and the facts begin to converge...it was immersive to me, will feel like the spin cycle of your washing machine for others.

I expect we'll see more from the Disaster Gays. I'll be there.

++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++

LAVENDER HOUSE (Evander Mills #1)
LEV A.C. ROSEN
Forge Books (non-affiliate Bookshop.org link)
$11.99 ebook, available now

Rating: 4.5* of five

The Publisher Says: A delicious story from a new voice in suspense, Lev AC Rosen's Lavender House is Knives Out with a queer historical twist.

Lavender House, 1952: the family seat of recently deceased matriarch Irene Lamontaine, head of the famous Lamontaine soap empire. Irene’s recipes for her signature scents are a well guarded secret—but it's not the only one behind these gates. This estate offers a unique freedom, where none of the residents or staff hide who they are. But to keep their secret, they've needed to keep others out. And now they're worried they're keeping a murderer in.

Irene’s widow hires Evander Mills to uncover the truth behind her mysterious death. Andy, recently fired from the San Francisco police after being caught in a raid on a gay bar, is happy to accept—his calendar is wide open. And his secret is the kind of secret the Lamontaines understand.

Andy had never imagined a world like Lavender House. He's seduced by the safety and freedom found behind its gates, where a queer family lives honestly and openly. But that honesty doesn't extend to everything, and he quickly finds himself a pawn in a family game of old money, subterfuge, and jealousy—and Irene’s death is only the beginning.

When your existence is a crime, everything you do is criminal, and the gates of Lavender House can’t lock out the real world forever. Running a soap empire can be a dirty business.

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My Review: First in a new series of gay-led private-eye mysteries. Set in 1952 San Francisco, borning and burgeoning gay Mecca on the cusp of the Lavender Scare that was the less-famous shadow of McCarthyism and the Second Red Scare, the story concerns a murder within the quiet confines of rich queers. Queerness has always been more or less tolerated among the wealthy...Peter Thiel and Sam Altman aren't being shouted about on the screamy white guys channel, faggots though they are...whereas guys like our sleuth have to live with police harassment and the possibility of ghastly consequences for one's life if outed.

As is always the case in a mystery series, I recommend starting here at book one to get the foundational ethos of the sleuth...in this case Evander Mills, called Andy, a private investigator whose specialty will become among the queer community he once helped to oppress. These are taxpayers who cannot expect helpful, effective action on their problems from the police. Andy becomes a discreet and effective investigator. This time his talents are required by the wealthy and privileged, who *still* can't reliably command the services of police without facing ugliness. Andy's never been in that world before. He's dazzled by it...he's coming to terms with how people like he once was have perpetuated a cruelty they've inflicted as much as received.

Andy's learning how much his skills are needed among those who he honed them against. The emotional heart of the novel is his coming to terms with his own awful past, his awful actions, and what he can do as an adult (emotionally speaking) to help people who can't expect it if they're honest and truthful about themselves.

It's a story I thoroughly enjoyed, told in a voice I resonated well with, about people who belonged to a generation I had family among. I'll pursue the series with the zeal of a vice cop.

++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++

MIRAGE CITY (Evander Mills #4)
LEV A.C. ROSEN
Minotaur Books (non-affiliate Bookshop.org link)
$14.99 ebook, available now

Rating: 4.5* of five

The Publisher Says: Lev AC Rosen delivers a new and captivating 1950s mystery in this dazzling, award-winning series

Private Investigator Evander “Andy” Mills’ next case takes him out of his comfort zone in San Francisco—and much to his dismay, back home to Los Angeles. After a secretive queer rights organization called the Mattachine Society enlists Andy to find some missing members, he must dodge not only motorcycle gangs and mysterious forces, but his own mother, too.

Avoiding her proves to be a challenge when the case leads Andy to the psychological clinic she works at. Worlds collide, buried secrets are dug up, and Andy realizes he’s going to have to burn it all down this time if he wants to pull off a rescue. With secret societies, drugs, and doctors swirling around him, time is running out for Andy to locate the missing and get them to safety. And for him to make it back to San Francisco in one piece.

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My Review: In the time of the Lavender Scare, there was an equal and opposite reaction from the Mattachine Society among mostly gay men and the Daughters of Bilitis among lesbians. These brave souls were fighting for recognition that is now under threat...queers are just plain ol' people, entitled by their basic common humanity to equal access to civilization's resources. Laws are applied unequally in most of the world but aggressively so among queer folk. These early rights-seekers were incredibly brave, very effective, and thus targeted.

Enter Andy Mills to a missing persons case among these pioneering souls. Investigating the possible crime(s) Andy discovers things most extraordinarily awful happening to queer people simply because they were guilty of being Other. It was a time where moral panic among high-control lunatics was at fever pitch. At this same moment the Comics Code Authority was established along the lines of the Hays Code for the movies to forestall the government imposing censorship. This also neatly sidestepped the remedy of suing the government for unconstitutional infringement of free-speech rights, ensuring the abusive restrictions on representing queer people positively could continue.

Andy's case takes him deep into the consequences of this system's probably intended consequences. It was tough to read at times. It was worse to live, as is always the case in rougher-edged fiction. Shifting Andy's field of action, however reluctant he was to do so, to LA from San Francisco, allowed me to see him wrong-footed, still determined, and ultimately successful in resolving the case. How, I won't say because the Spoiler Stasi always lurk in readiness to shout their unhappiness at your disobedience to their iron whims.

It's book four in a series I've only read book one of, yet I got the development of Andy's character that's continued on the trajectory set in the first book. It would've been an even richer experience had I read two and three, but I'll get back to them soon enough. This series combines gay history's dark corners and one man's coming into his queerness more and more in an effective mélange of meddlesome meanness combatively counteracted.

I MAKE MY OWN FUN, a title you'll look at differently after the read

I MAKE MY OWN FUN
HANNAH BEER
House of Anansi Press (non-affiliate Bookshop.org link)
$19.99 paperback, available now

Rating: 4.5* of five

The Publisher Says: An unhinged romp through fame, obsession, and fandom

Everyone knows Marina, the A-list movie star. But very few know Marina, the absolute monster.

Years at the top have proved that whatever Marina wants, she gets. But when she meets bartender Anna, Marina discovers something that can't be Anna's affection. As Anna remains unmoved, Marina's advances become more desperate, and her obsession more dangerous.

The price of fame is heavy—and someone will have to pay for it …

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My Review: Mmmkay...so...see it's like this. There is not one shred of realism in this weirdness. Marina has five Oscars and she got them when not yet thirty.

Five. OSCARS.

Park them carpin' natterin' nabobs of emotional negativity in the punchbowl, y'all. Go with it. So Marina's in London for...something, I forgot what, doing her "Miss Relatable Superstar oh I'm just plain folks" shtik that sells out theaters, bored with the fact it keeps working, but nothing gonna change her runnin' the con, because a superstar girl's gotta feed the hordes of hangers-on. Marina goes out, worn out after another day of faking sincerity in search of booze and babes (the hot PR-inspired boyfriend is with his little sidequest lad—everybody's bi). (Oh, Marina? She likes girls too.)

And there SHE is: Anna the food-service worker, starstruck and ripe for the plucking. Marina plucks, well tries to anyway. Anna is...not impressed.

This cannot be allowed. You just know the whole world, from the folks Marina catfishes on various dating apps to the fellow A-lister "friends" she's secretly fed to the internet wolves for shits and giggles, has always fallen right into or back into her orbit at the merest crook of a pinky from Marina. Anna, though, declines the part she's been cast to play.

I hope you saw Tár. Marina's the Hollywood version of her, very very sure she is worth all the trouble and pain she causes all around her because she is A Star. There is more than a little of the Fatal Attraction thing goin' on with the way Anna keeps ducking out and trying to get away, which Marina's sure is just playing hard to get. Not so much Marina...Anna sees your real face and wants no part of looking into the abyss of selfishness and self-regard you represent. You're running out of time, passing the line of 30 aka career death, and Anna is failing to hide your desperation and trappedness from you...how dare she?! You *deserve* Anna's utter devotion! You're YOU!

Bitter, angry celebrity-obsessed woman caught in what she knows inside is the beginning of the end refuses to examine her actual reality to see what she wants to try next. Told in a headlong, obsessive rush, maybe even too much of one, Author Beer's debut novel is a howl of outrage that the /marinas of the world get as far as they do, that what the Marinas of the world do to others is only partial repayment and charged to the wrong account for what's done to them. The ending, honestly rushed and abrupt, works because there are unreliable narrators like Christie's Dr. Sheppard, and then there are the Marinas. This ending, abrupt as it is, makes the sheer awfulness of Marina fluoresce. It's so so sad, and so so appropriate, and just truly satisfying for what it subtextually points to.

There is not one soul in this book I felt like I wanted to rescue, teach sense to, or even get to know better. I know it's a novel but it truthfully made me look askance at everyone involved in the celebrity-influencer world again.

Summer sudsy thriller fun! I say feed your inner cynic a story to keep it from gluing you to the next season of The Traitors.

THE TUXEDO SOCIETY: A Novel, excellent fifteen years ago, moderately fun now

THE TUXEDO SOCIETY: A Novel
PAUL RUDNICK
Atria Books (non-affiliate Bookshop.org link)
$14.99 ebook, available now

Rating: 3.75* of five

The Publisher Says: If Guy Ritchie directed an episode of Queer Eye, it might look something like this hilarious and action-packed spy thriller by Paul Rudnick, acclaimed screenwriter and author of Farrell Covington and the Limits of Style, that blends espionage and social commentary, with an elite, gay secret society.

They are fierce patriots. They are licensed to kill. And they are really, really gay. Welcome to democracy’s secret weapon, the Tuxedo Society.

When Andrew Birnbaum, a struggling actor making ends meet by working in a candle shop, gets invited to have dinner with the exclusive Tuxedo Society by his best friend, Brock, his life takes an unexpected turn. What seems like a group of wealthy socialites gathering for gossip and cocktails quickly spirals into a world of espionage, danger, and hilarity.

Andrew soon meets Reggie O’Malley, a Navy SEAL with a penchant for black tie, who recruits Andrew to join the society’s covert mission to protect national security. Armed with gadgets like an inflatable life raft backpack, a yoga mat that doubles as an assault rifle, and, of course, an AMEX Black Card, Andrew quickly finds himself tackling spies, thwarting assassinations, and facing a host of unexpected threats in settings from the White House to the Vatican to the Summer Olympic Games.

The stakes escalate when Andrew and his comrades are sent on a jet-setting mission to uncover the truth about an ancient artifact. Along the way, they clash with oligarchs, crooked senators, and a smarmy televangelist with sinister plans for world domination.

Packed with Paul Rudnick’s signature wit, The Tuxedo Society is a wild ride through decadence, danger, and unexpected heroism, as Andrew discovers that saving the world might just be the role he’s been waiting for.

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My Review: Take all the silliness of a Bond flick and sprinkle fairy-dust on it, detomate a glitter bomb in a 1979 bath house, pipe in Bette Midler and Streisand and Cher interspersed with Romanovsky and Phillips, and...for the five of you still reading...and here's you a read. The trappings of the twenty-first century feel like they're set dressing. Like, this cisqueer white man cabal of queens sounds like Mrs. Parker and the Vicious Circle. Pastiche of the ways and words of the Good Old Days, fun for a while but...wears thin.

I'm the target audience for this book. I liked it. I really laughed, in pleasure, at the jokes. It gave me the happy nostalgia of knowing someone out there still remembers my heyday.

But it's twenty-fuckin'-twenty-six, y'all. Plug your hearing aid into the charger. Suicide bombers are fiendishly hard to track down using modern data analysis...gaydar shit-sure got no chance. I think we're past this kind of spying being used for humor because we're past this kind of spying being usable in real-world settings, which is always the fun of an espionage novel. It's not realistic or the CIA/NSA/MI{numeral} folk would be on the publisher, the writer, and the writer's mama with every resource they possess; but we-the-reader need to feel it *could* be and that it *could* happen like this.

But there are some lines that truly glitter like well-cut diamonds. Can't quote them because no really good examples don't also spoil stuff, annd if you don't live in fear of the Spoiler Stasi, you haven't been nastygrammed by any of 'em yet. Spoiled things.

Still a fun read, but one I'll send you to the library to check out, not your Bookshop.org cart.