Pages
- Home
- Mystery Series
- Bizarro, Fantasy & SF
- QUILTBAG...all genres
- Kindle Originals...all genres
- Politics & Social Issues
- Thrillers & True Crime
- Young Adult Books
- Poetry, Classics, Essays, Non-Fiction
- Science, Dinosaurs & Environmental Issues
- Literary Fiction & Short Story Collections
- Sookie Stackhouse/Southern Vampire Books & True Blood
- Books About Books, Authors & Biblioholism
Saturday, February 21, 2026
BERNIE FOR BURLINGTON: The Rise of the People's Politician, not great not bad
BERNIE FOR BURLINGTON: The Rise of the People's Politician
DAN CHIASSON
Alfred A. Knopf (non-affiliate Bookshop.org link)
$14.99 ebook, available now
Rating: a scant 4* of five
The Publisher Says: The story of Bernie Sanders's quixotic but inexorable rise is told by a son of Burlington on a broad and vivid canvas, depicting the shaping of a people's politics, as he tracks a political signal that traveled from the hard-luck neighborhoods, general stores, traditional businesses, and county fairs to the Town Meetings and the ballot boxes of the last century, predicting much of what has happened to our nation writ large since then.
This utterly captivating symphonic story of city, a visionary, and the way our politics changed forever is told through the very specific people of Burlington, beginning with Dan Chiasson's own mall-punk friends of the 1980 in a video that would go viral decades later in 2020, they engaged with the itinerant carpenter turned socialist mayoral candidate, and there in that food court, the seeds of everything that was Bernie were sown. Dan, uniquely placed to bring a deep insider's perspective, knew all the the conservative French-Canadian Catholics whose great grandparents had worked in the mills (his own); the puppeteers and hippies and NYC transplants looking for land and "authenticity" in Vermont; the developers involved in the era's Robert Moses urban-renewal schemes; the corrupt old-school Dems at their table in the local dive; and even Ben and Jerry who became Ben and Jerry's right there in town. They all made up the mosh pit of the Burlington that Bernie captivated, running on the slogan "Burlington is not for sale," to become the modern era’s first socialist mayor, intimate with his constituents across workers, cops, lefties, and the little old ladies who organized their streets; he also boasted a foreign policy, a sudden national profile, and a bullhorn to speak to Ronald Reagan.
In the tradition of J. Anthony Lukas's Common Ground and the documentary films of Frederick Wiseman, this epic of American city life delves into the gossip—and the exhilaration—around Bernie's unlikely rise, as we watch an American place transformed one diner coffee, one neighborhood door-knock at a time.
Full of Sanders himself, reflecting and raging, hitting his themes, forging alliances with all comers, this is a mesmerizing portrait of a politician, a place, and a movement that would change America.
I RECEIVED A DRC FROM THE PUBLISHER VIA NETGALLEY. THANK YOU.
My Review: Poet and academic Chiasson came of age under Mayor Bernie Sanders' Socialist administration in Burlington, Vermont. It's no surprise that he decided to write Senator Sanders' political biography.
The Bernie Bros were never a thing. The likeliest explanation for the chimera was state-sponsored misinformation campaigns led by an authoritarian polity that supports the current administration taking socially divisive cyberaction to help the 2016 campaign waged by the current president succeed. As is the norm in the US, the main supporters of progressivism are young women and people of color. It's a relief in one way...those trolls were obnoxious...and very sad in another, because so much hate and rage has been sown in young white men so successfully for so long it's hard to see a path back from the ugliness for them.
This story is about one of the few remaining Sixties radicals who stayed true to his vision and who made it a point to live out those principles loudly and publicly. A terrific opposition leader, in other words...but not a person of Presidential timber any more than the current occupant of the White House is. (Albeit I'd take Bernie in that office every damn day over felonious yam.)
I wasn't raised in Burlington, saw none of Bernie's achievements, and was not engaged by the nostalgic-bordering-on-elegiac tone of the read. I'm glad to have a blunt, mouthy, principled person in the Senate, and wish Bernie a long, useful life. I don't think anything in this book altered my overall positive opinion of him, I don't find the book a must-read, but am very glad it's out there. Someday we'll need a reminder there *were* idealists in US politics. As it is now, this feels more like a finger wagged in my face for not getting on board with Bernie. Offered the choice between voting for Harris or Sanders, I'd still vote for Harris.
Friday, February 20, 2026
NEW ORLEANS: A Concise History of an Exceptional City, lovely-looking introduction to unique place
NEW ORLEANS: A Concise History of an Exceptional City
CHARLES D. CHAMBERLAIN
LSU Press (non-affiliate Bookshop.org link)
$19.95 ebook, available now
Rating: 4.5* of five
The Publisher Says: Intended for general readers, Charles D. Chamberlain’s New Orleans: A Concise History of an Exceptional City offers a broad, reliable overview of the city’s history. Although many excellent books are available that focus on specific eras in the Crescent City, this book is the first fully inclusive scholarly history that is engaging and easy to follow.
In addition to a general historical narrative, each chapter provides a list of relevant historical sites and a carefully selected recipe to make the city’s history come to life through site visits and culinary pursuits. Chamberlain encourages readers to experience the spirit of New Orleans first-hand by exploring its landscape and interacting with its cuisine.
New Orleans: A Concise History of an Exceptional City is a trusty reference for tour guides and a valuable, interactive resource for general readers interested in the fascinating history of one of America’s most unique cities.
I RECEIVED A DRC FROM THE PUBLISHER VIA EDELWEISS+. THANK YOU.
My Review: New Orleans, like New York City, is an alien body inside the US as a whole. Places like LA and Miami are, at heart, very American in spite of being significantly non-white in population. New Orleans does not *feel* American. It's been that way ever since the US incorporated it into the expanding empire in 1815. (There was a battle there, if you don't remember from history class.)
This overview of its history after colonization is thorough, within its limits as a popular text not a scholarly deep dive. If I was heading for the Big Easy for the first time this is exactly the book I would want to read. I was particularly impressed with the author's culinary additions to the history...recipes and food history in with political and other cultural stuff is exactly the kind of information I'd look for in a place new to me. It's especially relevant to any discussion of New Orleans. It's a good tour of the city, too, as the Table of Contents shows:
It's always good to look at the map before getting into the territory, so both pages are here. There are also illustrations throughout the book to highlight what's being discussed:
A central truth of New Orleans is shown in the last illustration, the map. Your compass has little relevance in this place. The directions are Uptown, Downtown, Lakeside, and Riverside, not north south east west. It reflects the real geography of the place; it's also a reinforcing factor in New Orleans' unique, counterintuitive culture.
I recommend this book in either ebook or paperback because it reads as well and has logical formatting in either edition. I recommend it to armchair travelers most especially; as heartily to trip-planners; and to the mildly curious, borrow a paperback from your library. Well worth your time and treasure regardless of format.
THE TESLA FILES: A Whistleblower, a Leak, a Fight for Truth: The Inside Story of Musk's Empire, what it says on the tin
THE TESLA FILES: A Whistleblower, a Leak, a Fight for Truth: The Inside Story of Musk's Empire
SÖNKE IWERSEN & MICHAEL VERFÜRDEN
Steerforth Press (non-affiliate Bookshop.org link)
$17.99 ebook, available now
Rating: 4.5* of five
The Publisher Says: A whistleblower.
A 100BG-leak of confidential internal documents.
This is the story of the fight to expose the truth of Tesla.
Elon Musk is one of the wealthiest people in the world. Tesla made him a 300-times billionaire. Starlink turned him into a force in global conflicts. X became his personal megaphone, stoking political turmoil at the touch of a button. With SpaceX, he aims to conquer the stars.
But a whistleblower, a 100GB-leak of confidential Tesla documents and two investigative journalists reveal the frightening truth behind the façade: an unusually high number of workplace accidents in Musk’s factories, dangerous errors in Tesla's autopilot software, a culture of fear and deception, and countless broken promises.
Investigative journalists Sönke Iwersen and Michael Verfürden take readers behind the shiny surface of Tesla. Through their chilling analysis of internal Tesla data and court documents set alongside the astonishing first-hand accounts of employees, customers and their bereaved families, The Tesla Files reveals a corporation in crisis. At its heart a billionaire who truly believes the world is his for the taking.
The definitive exposé of the world’s most powerful businessman and the rise and fall of his empire.
I RECEIVED A DRC FROM THE PUBLISHER VIA EDELWEISS+. THANK YOU.
My Review: Systemic indifference to the privacy, the rights, really the importance of anyone not themselves is a hallmark of organizations connected to Muskolini. We saw that in the brazen theft of explicit and monetizable government data on taxpayers, for a start, by DOGE...never a Federal department, never authorized to do anything by the only legitimate authority, Congress, to act on behalf of the Federal government...that somehow has never been talked up by our media watchdogs in the US. Funny how Penguin Random House published this book in the UK but not the US, where a really small indie publisher brought it out; odd that a pair of German investigative journalists did this reporting, not anyone from a major US paper; and most interesting there's no translator credited anywhere in the book.
I'm sure the authors are sterling of character but I beg leave to presume they're not fluent enough in English to produce prose that does not raise my "say what now?" eyebrow. Deference to a famous, nay infamous lawsuit-filer with a serious need to control his public image? It can't be proven by me.
The facts as presented in this book are...let's stop at poor optics. It is definitely an exposé. I am inclined, on my own behalf, to agree with the bald statement the whistleblower is quoted as making in the book: "Elon Musk is evil." This being a matter of opinion it surprised me the authors left it in...until I read about Tesla's obscenely negligent handling of customer data, which you must agree to sign over to them when you buy one of their cars.
Twitter-destroyin', Starlink-abusin', money-hoardin' immigrant that he is, he's part of the culture we're living in, and it is my sincere hope that he, along with the Epstein-files-dwelling serial sexual abusers in his socioeconomic class, will be served justice before long.
A boy can dream.
TWO LEFT FEET, gay Premier League football...soccer in the US...version of the trendy gay romance series we all love
TWO LEFT FEET
KALLIE EMBLIDGE
Dell Books (non-affiliate Bookshop.org link)
$11.99 ebook, available now
Rating: 3.5* of five
The Publisher Says: A Premier League football star must defend his roster spot—and his heart—when a threateningly talented and handsome midfielder joins his team in this utterly charming debut romance, a profound love letter to the world’s most popular sport.
Oliver Harris is football royalty in London. Ordinarily the star of the Camden Roses is calm, cool, and collected, keeping his club relevant with his prowess in the midfield and mighty left foot. But this season, the threats There’s Camden’s management to contend with—complete with a new, prickly Dutch coach, eager for better results—and a mid-season injury, which sidelines him when his team needs him most. When a recruit is called up to fill in, Oliver fears he’ll be replaced. If he can mentor this younger talent, then they might just have a chance at winning, together.
After a string of lackluster performances in his native Spain, Leonardo Davis-Villanueva is looking for one last shot at the club he always dreamed of, where he once played in the youth academy. Oliver immediately finds confident, eager Leo irritating. He can barely go through the motions, let alone coach him, without outright hostility. When he comes to admire Leo’s skill and warms to his humor and energy, though, he begins to see Leo as a friend—and then, to his mounting horror, as something more.
Leo craves Oliver’s attention and partnership; Oliver can’t afford to fall in love with his teammate. He’s always kept a tight lid on his sexuality in a league that’s never had a player come out. As the season heats up, a lot more than football hangs in the balance. Can Oliver—and Leo—win when it counts most?
I RECEIVED A DRC FROM THE PUBLISHER VIA NETGALLEY. THANK YOU.
My Review: Oliver, our MC, is a shitty guy: self-obsessed, entirely focused on what's happened *to* him in his life; he's basically a straight man. Except he really wants sex with other guys. Like lots of straight victimvictimvictim men I've known, he thinks he ought to be able to do what he wants to who he wants and be left alone about it. There I agree with him, within consensual boundaries. He's got thhe social awareness to stay on the DL in the Premier League. It's as homophobic a culture as the NHL of Heated Rivalry (in)fame.
So meeting Leo, a hottie with skills equal to his own before his playing career temporarily ended in injury, and slowly, reluctantly falling in love with him follows the grumpy/sunshine, enemies-to-lovers trope nexus. Leo is boundlessly enthusiastic, willing to get in the big fat middle of anything because he's sure it will come out right. As Oliver moves from injured mentor to teammate and partner in an amazing player collaboration with Leo, he realizes he's never been so happy, the team's come out of their scoring slump, and if this beautiful amazing man will have him he wants to be the partner he deserves.
All at once we're in the press-conference-having, coming-out-to-mom part of the story. After the first third-plus of having to put up with his B.S. of pity-poor-me he's healed by Luuuv. Then...finis.
This is a debut novel or I'd have the marshmallow fork out and the logs a-flamin'. I'm going with three stars for what feels like the usual rookie error of not giving the reader intimacy building between the men...even the sex scenes were, well, infrequent and lacking urgency...and an extra half-star for realizing there's a gap in the market that can be filled with a bit of effort. I'd like to see this further honed, fined down into a dart to pierce my wall of ignorance about football; the author doesn't demonstrate a lot of knowledge I can't glean from Wikipedia. I'd call it a competent job of work that could, if seriously expanded on, become a series I'd read.
At the very least it would need to give me more connection and interconnection between the guys, even if it does slow-burn as slowly as this story does; less inner-gaze tediousness..nothing gets resolved until everything gets resolved all at once!...and more of the men exploring their borning connection.
Not for football addicts.
Labels:
#LoveIsLove,
#PrideMonth,
#QUILTBAG,
coming out,
debut novel,
Dell Books,
gay awakening,
gay love story,
gay sex,
HFN ending,
Kallie Emblidge,
M/M Romance,
queer sexuality,
sports romance
Thursday, February 19, 2026
THE LUCKY RED ENVELOPE: A lift-the-flap Lunar New Year Celebration, welcome to the Year of the Fire Horse
THE LUCKY RED ENVELOPE: A lift-the-flap Lunar New Year Celebration
VIKKI ZHANG
Wide Eyed Editions (non-affiliate Bookshop.org link)
$22.99 hardcover, available now
Rating: 5* of five
The Publisher Says: *Winner of the Society of Illustrators' 66th Annual Gold Medal*
Get ready for Lunar New Year, following a little girl and her family as they get ready for and celebrate the Lunar New Year festival.
With non-fiction information about the significance of certain rituals, but told through the excited eyes of a child, this is a book to return to year after year in the run up to the biggest festival in the Chinese calendar.
Each of the 12 spreads will feature 12 lift flaps, 144 in total.
Spreads include:
- See the little girl decorate the house with lucky red decorations
- Tidy the house to welcome in the new year
- Watch a special firework display
- Discover which animal year it will be
- Make festive dumplings with Nainai (grandma)
- Read a story about the zodiac with Yeye (grandpa)
- Watch a lion and dragon dance in the town square
- Make offerings to her ancestors
- And on the very last spread, have a traditional family reunion new year on the eve of Lunar new year and exchange lucky red envelopes.
I RECEIVED A DRC FROM THE PUBLISHER VIA EDELWEISS+. THANK YOU.
My Review: Absolutely beautiful book! Stunning artwork making the cultural relevance of this ancient seasonal festival the US is finally learning deserves holiday attention.
Which is, of course, very upsetting to high-control people. I will not be surprised if there are opponents to this topic who are quietly working against its addition to library ourchases. Of course, interactive juvenile books don't last all that long...it's far better given as a gift to a lap-reader's lap-owner for an adult mediated experience.
Look at the way it's made:
The production values on this make me slack-jawed at the cover price. This is a complex printing and stamping job! It looks intuitive to me, which means someone designed it very carefully to work as a teaching tool.
What the story in these lovely pages does is illuminate this annual festival's cultural roots, its family-bond reinforcing uses, and its rituals in context.
Family focus is clear throughout the narrative. It's not didactic in its presentation, but sweetly organic as it unfolds the activities and actions the observances include. As a lap-reader's experience is likely to focus on acquiring this kind of information, I'd venture to guess the interactive bits will put it over the attention hump to becoming a favorite.
The Year of the Fire Horse started yesterday, 17 February 2026. It's the first one in sixty years; it has some very interesting connotations in East Asian cultures. I've linked an explainer in The Guardian for you to start learning the significance of the animal-year zodiac and its complementary elements that create each year's unique qualities. Even if you don't believe in zodiacs, the topic is a fascinating one to explore.
Aside from being culturally expanding, it is a beautiful and well-designed object to possess. I recommend it without reservation.
SKYLARK, Author Paula McLain's dual-timelines historical Paris novel
SKYLARK
PAULA McLAIN
Atria Books (non-affiliate Bookshop.org link)
$14.99 ebook, available now
Rating: 3* of five
The Publisher Says: The New York Times bestselling author of The Paris Wife weaves a mesmerizing tale of Paris above and below—where a woman’s quest for artistic freedom in 1664 intertwines with a doctor’s dangerous mission during the German occupation in the 1940s, revealing a story of courage and resistance that transcends time.
1664: Alouette Voland is the daughter of a master dyer at the famed Gobelin Tapestry Works, who secretly dreams of escaping her circumstances and creating her own masterpiece. When her father is unjustly imprisoned, Alouette's efforts to save him lead to her own confinement in the notorious Salpêtrière asylum, where thousands of women are held captive and cruelly treated. But within its grim walls, she discovers a small group of brave allies, and the possibility of a life bigger than she ever imagined.
1939: Kristof Larson is a medical student beginning his psychiatric residency in Paris, whose neighbors on the Rue de Gobelins are a Jewish family who have fled Poland. When Nazi forces descend on the city, Kristof becomes their only hope for survival, even as his work as a doctor is jeopardized.
A spellbinding and transportive look at a side of Paris known to very few—the underground city that is a mirror reflection of the glories above—Paula McLain’s unforgettable new novel chronicles two parallel journeys of defiance and rescue that connect in ways both surprising and deeply moving.
I RECEIVED A DRC FROM THE PUBLISHER VIA NETGALLEY. THANK YOU.
My Review: Tunnels, underground/out of sight communication, hidden pathways...thematically this is the heart of Author McLain's story. The literal, factual tunnels under Paris start us out on the careful and hazardous reality of being a woman or, later, that other despised minority a Jew...yes, women were a social minority, rendered voiceless and affectless the way minorities always are...so we're going underground to follow them as they fight to survive without being Seen and still being effective actors in society. Spoiler alert: It doesn't go well.
There ya go. That's the story. It took almost five hundred pages of pretty sentences to get there.
They are pretty sentences but honestly, taken out of context they're pretty much meaningless. Describing a sculpture made by a side character, "... a lark with wings unfurled, fashioned from pale limestone with such delicate precision that it seems almost alive," is lovely...but its entire reason for being described is in fact its meaning and that's a gestalt. This is not a criticism of the writing, it's a statement of why I'm not quoting a lot more pretty sentences.
In my opinion reading this really interesting story-idea could have been a lot more fun had the author been less pretty and more concise in her writing. It's a fine way to spend a weekend in the company of two people marginalized for being...unpopular because they're Other...but I don't know that I felt adequately entertained to justify the length of time it all took to come together.
Wednesday, February 18, 2026
BIANCA'S CURE, fictional reconsideration of a fascinating woman of Renaissance Florence
BIANCA'S CURE
GIGI BERARDI
She Writes Press (non-affiliate Bookshop.org link)
$12.99 ebook, available now
Rating: 4* of five
The Publisher Says: For fans of Lessons in Chemistry, a based-in-fact novel imagining young Renaissance noblewoman Bianca Capello’s experiences as she pursues a cure for malaria in the Medicis’ Florence.
Florence, 1563. Forbidden from practicing her herbal cures in Venice, the young noblewoman Bianca Capello flees to Florence, where the ruling Medici family practices alchemy. There, she wins herself an invitation to their palace, and, as it turns out, a path to the duke regent Francesco’s bed.
The impassioned bond between Francesco de Medici and Bianca is at the core of this fact-driven dive into medicine, politics, love, and ultimately death in Renaissance Florence. Malaria killed many of the Medicis, but traces of the poison arsenic were recently found in Francesco’s remains. Even more sinister: Bianca’s remains have never been found. To this day, what happened to Bianca and Francesco remains one of the greatest mysteries surrounding Renaissance Italy’s legendary Medicis.
Bianca’s Cure probes what might have been as Bianca’s quest for a malaria cure—in palaces, gardens, sick rooms, and whorehouses—collides with Francesco’s intensifying illness. Her main tool is the herb artemisia—medicine still used today. A woman who dared to practice science well ahead of her time, Bianca fights off self-doubt until she believes herself invincible. But is she? When only she stands between Francesco and death, her skill may save him or doom them both.
I RECEIVED A DRC FROM THE PUBLISHER VIA NETGALLEY. THANK YOU.
My Review: The impact of culture on a woman's choices about the course her life should take is hard to overstate. Author Berardi pushes that effort to its maximum degree by centering Bianca Cappello, facyually the Grand Duchess consort of Tuscany; and here shown as an early scientist pursuing a cure for malaria.
These things sit oddly together. I'm interested all the more because they're in such immediate, and irresolvable, tension: did Bianca Cappello correctlt identify artemisia as a substance that can bring the scourge of malaria, a killer of huge numbers of humans since the genus Anopheles began spreading it before History began, under control? The trajectory of Bianca's amazing story, from poverty to the arms, heart, and home of the Medici Grand Duke of Tuscany, would be astounding enough. Adding onto it the story of her quest for artemisinin as a malaria treatment adds poignacy to the manner of her, and her husband's, deaths. There is doubt as to the cause of death...malaria or poisoning? Either is likely. Both are possible. Very little poison is needed to send off someone dramatically weakened by the ravages of malaria.
It's a solid, involving set-up for an Italian Renaissance tale of love, of ambition, and of an extraordinarily gifted woman's determination to chart her own course. It is inspiring to read that story set in any time period. I'm glad that it crossed my path. I'm not going to tell you Biance succeeded...her death within a day of her Medici husband's exposes the forces that will array against a woman who tries to become more than her sex has predetermined her upper limit to be. That both she and her husband might have died of poisoning, though without a body to test for arsenic we can never know for sure about her, and her husband had both arsenic and malaria in his body upon modern testing.
The story told here is clearly the result of much learning about the manners, the mores, and the culture we're introduced to. I'm glad the author's note was there at the end to outline the liberties a novelist must take with the facts to build a story that works. I strongly support the message that Author Berardi sends about women needing to involve themselves in the pursuit of knowledge. I liked how clear-sighted Bianca was presented to be. Her goals were, like the men in Renaissance-set fiction, shown to be not only worthy but to be her main focus. I don't think that's at all anachronistic; rather I suspect it's underreported due to filters in place that say woman = mother/wife, not woman = ambitious, intelligent actor on the world stage.
Of course the act of taking any action means making enemies. Bianca's dead first husband's family loathe her and use her as spitefully as they're able; her second husband the Duke has a wife when they meet, who quite understandably hates Bianca for becoming his mistress and bearing him a (bastard) son before she manages a legitimate heir; then when the wife dies and the Grand Duke marries her, Bianca's most spiteful enemy comes to light. Her husband's brother, the Cardinal, despises this "adventuress" who has seduced his brother. He resists her son's legitimation, he tries to prove she's a witch for messing about with herbs, and as he survives her and her husband (most suspicious, that!) he refuses to countenance her burial in the Medici family crypt. This effectively denies us the opportunity to test her bodily remains for traces of poison and, later, for the malarial parasites found in her husband.
It's hard not to see this as more than just a slight on an intimate enemy.
As a novel, the story has wonderful bones. As a story told, it focuses its reader's attention on actions as opposed to emotions. I think that choice keeps us reading away but in the end lets us gloss over a bit the really unplumbed depths of a mother's feelings for her son, and concern for his fate; a loving wife's deeper worries for her husband's fate not only her own struggle to cure him of malaria; in short, the underpinnings of why she does what she does. It's what prevents me from offering the fifth star this story, on its base merits, could easily have earned.
As it is, an enthusiastic four stars for feminist readers an those historical-fiction gobblers who like seeing a new angle on a familiar setting.
SADEQA JOHNSON'S PAGE: KEEPER OF LOST CHILDREN; THE HOUSE OF EVE
KEEPER OF LOST CHILDREN
SADEQA JOHNSON
37 Ink/Simon & Schuster (non-affiliate Bookshop.org link)
$14.99 ebook, available now
Rating: 4.25* of five
The Publisher Says: In this new novel from the New York Times bestselling author of The House of Eve, one American woman’s vision in post WWII Germany will tie together three people in an unexpected way.
Lost in the streets and smoldering rubble of Occupied Germany, Ethel Gathers, the proud wife of an American soldier spots a gaggle of mixed-race children following a nun. Desperate to conceive her own family, she feels compelled to follow them to learn their story.
Ozzie Philips volunteers for the army in 1948, eager to break barriers for Black soldiers. Despite his best efforts, he finds the racism he encountered at home in Philadelphia has followed him overseas. He finds solace in the arms of Jelka, a German woman struggling with the lack of resources and even joy in her destroyed country.
In 1965, Sophia Clark discovers she’s been given an opportunity to integrate a prestigious boarding school in Maryland and leave behind her spiteful parents and the grueling demands. In a chance meeting with a fellow classmate, she discovers a secret that upends her world.
Toggling between the lives of these three individuals, Keeper of Lost Children explores how one woman’s vision will change the course of countless lives, and demonstrates that love in its myriad of forms—familial, parental, and forbidden, even love of self—can be transcendent.
I RECEIVED A DRC FROM THE PUBLISHER VIA NETGALLEY. THANK YOU.
My Review: On a kernel of fact, Author Sadeqa coaxes a mighty oak of a story about the power of determination and the motivation of compassion. Three characters are entwined in a narrative of prejudice endured, triumphally defeated by love, and made into the beautiful thing that is selfhood.
Ethel Gathers has the most nominitively determinative name ever. I understand why Author Sadeqa chose it in place of the rather blander name of the woman who started the Brown Baby Plan, Mabel Grammer. Of course I, a white child of privilege, did not ever hear of this marvelous plan or its tutelary spirit. Being both about Black folks and established by a woman, that information is not startling. I have never been so heartened by the factual roots of a story! It entwines Ozzie, a "colored" man in the post-WWII US Army who merits and desires a promotion into the Intelligence service only to be stymied because, what else, racism shuts doors nominally opened by executive order; Ethel, as her time in 1951 Germany as an Army wife introduces her to the issue central to the story; and Sophia, a biracial teen in 1965 when we meet her.
No points for sussing out the interconnections among them all.
It's not an advanced storytelling technique that draws on into this read, it's the human connection, the fellowship of people who know anger, feel frustration and loss and sadness, and revel in goodness and rightness triumphing. Our older PoV characters proceed into the future while Sophia is mostly looking into her own past as she works to escape her truly awful upbringing. All three threads come together at a powerfully symbolic and racially charged moment in the 1960s.
It's not coyness that leaves me with lamentably vague language there. As you read along you'll see the interconnections forming. I'm not going to reveal them because they're a very big part of the finale of the story, giving it a lot of its oomph. I hate when reviewers do that but...trust me, you want to take this ride innocent of these facts.
++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
THE HOUSE OF EVE
SADEQA JOHNSON
37 Ink/Simon & Schuster (non-affiliate Bookshop.org link)
$13.99 ebook, available now
Rating: 3.75* of five
The Publisher Says: 1950s Philadelphia: fifteen-year-old Ruby Pearsall is on track to becoming the first in her family to attend college. But a taboo love affair threatens to pull her back down into the poverty and desperation that has been passed on to her like a birthright.
Eleanor Quarles arrives in Washington, DC, with ambition and secrets. When she meets the handsome William Pride at Howard University, they fall madly in love. But William hails from one of DC’s elite wealthy Black families, and his parents don’t let just anyone into their fold. Eleanor hopes that a baby will make her finally feel at home in William’s family and grant her the life she’s been searching for. But having a baby—and fitting in—is easier said than done.
With their stories colliding in the most unexpected of ways, Ruby and Eleanor will both make decisions that shape the trajectory of their lives.
I RECEIVED A DRC FROM THE PUBLISHER VIA NETGALLEY. THANK YOU.
My Review: Playing the mother card does not earn a story my esteem. The Cult of Mother is, oddly, not the focus of Author Sadeqa's stories...it's about how women, in relation to motherhood, are required to make hard decisions and come to terms with how fathers create mothers but mothers do not create fathers. Many factors haunt Author Sadeqa's mothers in this story of how becoming pregnant is not always, or in all ways, a happy moment for a woman. Leaving aside the permanence of motherhood, the social milieu a child is brought into is almost more important than the love, or lack of it, a mother feels for that child.
In exploring these complexities in a 1950s racist US Author Sadeqa brings struggles and battles to light that can not help but move the reader. It is a sentimental story, it will cause you to well up with tears (or you're a sociopath), it does its romantic-fiction job with verve and gusto. It is not a prose megalith to be held up in future literary seminars, and is not meant to be, but it is effective at its chosen task. It entertains, it informs about the deep emotional ties humans form...willingly or not...to those they might or might not admire.
It's a good read for a dull weekend that will give you a solid satisfying ending for its story.
Monday, February 16, 2026
LAND OF MY FATHERS, West African historical fiction
LAND OF MY FATHERS
VAMBA SHERIF
HopeRoad Publishing
$22.95 hardcover, available now
Rating: 4.5* of five
The Publisher Says: The proud Republic of Liberia was founded in the 19th century with the triumphant return of the freed slaves from America to Africa.
Once back 'home', however, these Americo-Liberians had to integrate with the resident tribes—who did not want or welcome them. Against a background of French and British colonialists busily carving up Mother Africa, while local tribes were still unashamedly trading in slaves . . . the vulnerable newcomers felt trapped and out of place.
Land of My Fathers plunges us into this world. But in the midst of turmoil, there is friendship. Edward Richard, a man born into slavery and a preacher by profession, is convinced that the future of Liberia lies in bringing peace amongst the tribes. His mission takes him to the far north, where he meets an extraordinary man, Halay. Edward's new and dearest friend is ready to sacrifice his own life to protect his country; for the Liberians believe that with Halay's death, no war will ever threaten their land. A century later, this belief is crushed when war engulfs the land, bearing away with it the descendants of both Edward and Halay. The story of Halay is the untold story of Liberia. What he did would come to stand as symbol of man's ability to defy the odds, to face the inevitable head on.
Where men should have stood shoulder to shoulder, they turned on each other instead.
I RECEIVED AN ARC FROM THE PUBLISHER. THANK YOU.
My Review: Human beings are vile. They are irredeemable. Sweeping statements, condemnatory and accusatory, all-inclusive, and deeply heartfelt. Want to know why? Read this novel about Liberia's history.
I'd wager big money against most people in the US being able to find Liberia on a map, or identify its flag correctly. This one:
...clearly modeled after the US flag, meant to align the new nation with the US principles of equality and freedom. Well...in a curious way it did. The native inhabitants of the country now called Liberia weren't in any great hurry to welcome these dark-skinned colonizers.
To tell his story as a story, not a sermon, Author Vamba Sherif uses a multigenerational structure tracking the developments of Liberian history. It's pretty much all new to me. I was interested in all the details salted through the story. I was always glad to return to the read. I'm deaccessioning my lovely hardcover but I can't say enough about the beautiful design and quality execution of the hardcover.
The story being told is of the same level of craft. It was deeply involving, it presented the disasters of human history in humane terms, giving the reader people to invest in and then giving those people the fates suffered by many millions like them.
I can't say I feel uplifted by this tale of venality, of carefully fanned hatreds overtaking the weakest of human emotions: Kindness.
I recommend the read to all who need a primer on the West African historical disaster that is Liberia.
EVIL GENIUS: A Novel, look into some meanings of "genius" before leaping to conclusions
EVIL GENIUS: A Novel
CLAIRE OSHETSKY
Ecco
$14.99 ebook, preorder now for delivery on 17 February 2026
Rating: 5* of five
The Publisher Says: An exuberant novel about a young woman’s quest to carve her own path—even if she needs to step over a few dead bodies along the way
It’s 1974 and San Francisco is full of mystery and menace. Nineteen-year-old Celia Dent keeps telling herself how lucky she is to be married to Drew, a man who says he loves her. But Celia’s contentment with her little life is shattered when a woman she knows is murdered in a love tryst gone awry. What would that be like, Celia wonders, to die—or kill—for love? What would it be like to live each moment passionately and with full knowledge that each breath is bringing her closer to her final breath?
Before Celia knows it her musings about love-and-death happenings are bleeding into daily life. She’s practicing her marksmanship at a local gun range. She's searching for a love tryst of her very own. She's thinking about how good it would feel to bury something sharp inside her domineering husband’s ear. It’s all pretend, though, until the night comes when Celia finally goes too far, and she and Drew are set on a deadly collision course.
Exhilarating, surreal, and bitingly clever, Evil Genius is a comic noir about obsession and desire—and what happens when a sweetly seditious young woman dares to imagine a better life for herself.
Claire Oshetsky is also the author of the novels Poor Deer and Chouette, which was longlisted for the PEN/Faulkner Award.
I RECEIVED A DRC FROM THE AUTHOR. THANK YOU.
My Review: I'm an Oshetsky fan. Chouette and Poor Deer (review links above) were excellent reads for a lover of storytelling that blends noir and surreal and pieces of stream-of-consciousness. I'm here for the women who, for varying reasons not least including men being obliviously privileged and uniformly clueless, don't get their feet under themselves. Identities are always under construction, never more so than when the identity is most rigidly brandished at the world. Those like "my Drew" as our PoV character, Celia, thinks of her controlling husband, are fragile masks that must constantly be reinforced...at Celia's expense in this case. It's not an uncommon trait, this...I was the raw material from which my mother's controlling abuse drew her rigidity, masked her awfulness from outsiders.
In this tale of obsession, cruelty, and how we create ourselves in response to outside pressures meeting a core of resistance, and how very much pressure that can require. Celia does not seem aware of how deep her well of rage is. Celia, under "my Drew" as lord and master, touches that rage at last...she has the example of her quite spectacularly murdered co-worker to create urgency in her feelings about "my Drew." It is a spiral up, from touching the rage and the hatred in her to dreamimg of murdering him with a nail file to the ear to taking a ride home from an attractive stranger on her commuter train to buying a weapon to taking the initiative to set up a meeting with a man she's never met but deals with on the phone a lot. It's clear the cork's popped on a lifetime of swallowed emotional abuse and neglect and victimization.
And she's only nineteen.
What keeps me Oshetskying every time I can is Celia and her half-siblings who are all Author Claire's brain children. I find new ways to enjoy off-the-beam points of view with each story she writes. Here's Celia in progress: "What Drew didn’t know is that I couldn’t be shamed that way. Not any longer...I would never again let myself be shamed by my body, or its functions, or its urges." Brava, kid! You're only nineteen and light-years ahead of most people's final destinations. It's of a piece with Celia's object of fetishization, the Barbie doll. It requires no huge leap to see how a bizarre doll...collection...stands in for the need to discover safety, and how little actual use it is. How little it takes, a few ounces of plastic molded into a distorted human shape, to buy a sham safety from the very real storms around her, these golems of industrial feminization in their legions pacifying the susceptible intentional victims with their infinite manipulability (plasticity in its original sense.).
Author Claire doesn't say this. That would be rude. Author Claire might be rowdy but she is not rude. Her ability to slit the character envelope with a rapier of witty, unsentimental observation while releasing the evil genius inside Celia to perform the real function of protection is *chef's kiss*. I've seen a few reviews that interpret the title in a more comic-book way, resembling a supervillain; I suppose that's inevitable as this is what most people are familiar with. It is, however, not at all what the story delivers, whereas I see the genius loci in every shred of this story's fabric. Follow the link above after reading Evil Genius to see if you find similar echoes.
It's a rare thing for me to say: I wish I could forget this story entirely so I could read it for the first time all over again. I want to re-meet Doggo. And Celia. (Not Sock Man, though.)
Sunday, February 15, 2026
DETOUR: A Novel, first in a proposed series, ends on a cliffhanger
DETOUR: A Novel (Detour #1)
JEFF RAKE and ROB HART
Random House Worlds (non-affiliate Bookshop.org link)
$13.99 ebook, available now
Rating: 3.5* of five
The Publisher Says: A space shuttle flight crew discovers that the Earth they’ve returned to is not the home they left behind in the first book of this emotional, mind-bending thriller series from the creator of the hit Netflix show Manifest and the bestselling author of The Warehouse.
Ryan Crane wasn’t looking for trouble—just a cup of coffee. But when this cop spots a gunman emerging from an unmarked van, he leaps into action and unknowingly saves John Ward, a billionaire with presidential aspirations, from an assassination attempt.
As thanks for Ryan’s quick thinking, Ward offers him the chance of a lifetime: to join a group of lucky civilians chosen to accompany three veteran astronauts on the first manned mission to Saturn’s moon Titan.
A devoted family man, Ryan is reluctant to leave on this two-year expedition, yet with the encouragement of his loving wife—and an exorbitant paycheck guaranteeing lifetime care for their disabled son—he crews up and ventures into a new frontier.
But as the ship is circling Titan, it is rocked by an unexplained series of explosions. The crew works together to get back on course, and they return to Earth as heroes.
When the fanfare dies down, Ryan and his fellow astronauts notice that things are different. Some changes are good, such as lavish upgrades to their homes, but others are more disconcerting. Before the group can connect, mysterious figures start tailing them, and their communications are scrambled.
Separated and suspicious, the crew must uncover the truth and decide how far they’re willing to go to return to their normal lives. Just when their space adventure seemingly ends, it shockingly begins.
I RECEIVED A DRC FROM THE PUBLISHER VIA NETGALLEY. THANK YOU.
My Review: I'd never heard of the Netflix show Manifest before I picked up this DRC. I'd never heard of the imprint that publishes it, either, and I'm old enough that imprints matter to me. I track them and their subject-matter focuses so I can ask for DRCs I'm happy to read and review. Surprise! There's an entire LitRPG-inspired publishing world, that now subsumes to old movie novelizations and TV-show expansions. This had escaped my attention until now because I've never played these games. I got hooked on Dark Shadows novels and Doctor Who novels back in the day, but found most Star Trek novels pretty hit-or-miss, and gave up on them. So this rediscovery was pleasant because now I've watched Manifest and really like it. I hasten to add that this novel is reminiscent of the TV show's premise but is not directly related to the show you can see on Netflix.
This story started out with a cool-to-me hook: six random people are lightly trained after being plucked from richly deserved obscurity to travel to Saturn's moon Titan. Terrible, tragic explosions on their craft occur; they're brought safely back to Earth but them isolated from each other very stringently, instructed not to attempt to contact each other or to discuss their experiences.
From here we're in the PoV of the six people separately as they experience...oddness, off-kilter alterations in what their memories of Earth tell them should be present in the world around them. It is unsettling to them. The...can't call them changes, that implies violated continuity, can't call them alterations because that implies known agency...discontinuities in their realty versus their memories of reality are strange, undirected by a moral compass, some make things better some worse yet the people are left with a sense that they're suffering from Capgras Syndrome. I suppose you're already assuming the characters ignore, and circumvent, the orders to stay out of contact with their fellow survivors of the trip. Of course this is the case.
The *real* story here is in the returnees' efforts to provide each other with support, you aren't crazy the world is-level support. It's not a space-sci fi story at all; it's a Sliders-meets-Sliding Doors narrative of roads not taken. This ties in to the many-worlds interpretation of quantum mechanics, and the Hindu, and later Buddhist, concept of Indra's net. This is more fun for me as a reader but might very well cause some disappointment for others. Understanding going in that space travel and hard sci-fi are honored more in their absence as igniting events than bases for the continuing action will help you decide if this is the read for you.
As each character has unique struggles to adapt to their individual changed circumstances they're all, as a unit, required to look at the common underlying altered reality of the world they collectively remember. It's this facet of their experience that most recalls the earlier media franchises I reference in tge paragraph above. It creates among these six people, so randomly assorted and so very different in personality, training, and character, a found family with the most powerful ties imaginable. Their shared bedrock assumptions have been whisked out from under them.
It's in this that the authors choose to emphasize the shared nature of their trauma, and its developing coping mechanisms. The six PoVs are not dealt with chapter-by-chapter, which could easily lead to dilution and confusion among the characters, but with chapters that entertain similar attempts to cope by varying constellations of people. There are chat threads, emails, news articles, and other such media insertions into various parts of the narrative. This is a narrative technique as old as Tristram Shandy yet we still act as though this is somehow new and fresh and surprising. It worked beautifully in Stand on Zanzibar nearly sixty years ago. It still works now. Its worldbuilding is useful; the technique of said worldbuilding functions as commentary on both message and medium.
I was happy enough with the characters' varying arcs in this series-starting volume as they reached obviously temporary resolution points in some way. The story overall, of the gestalt formed by our six folks, ends on a cliffhanger. I'm now going to explain why, despite enjoying the read, I'm only giving it three and a half stars. Nowhere is it said that this is the first in a series of stories because publishers know how much many readers hate starting series that are not completed. Ask George RR Martin and Patrick Rothfuss why that might be the case; consult with Adam Christopher's novel publisher as to why amputating series before they conclude might result in blowback. (I want more Ray Electromatic stories!) So instead of learning the right lesson from this and publicly committing to the entire series in advance, greed rules and there's a tiny little detail omitted from the sales bunf in the hopes you will get hooked and buy them all as they come out. This is scummy.
I also detest cliffhangers because there is never a narrative reason for them. Ever. It's purely marketing. So, three and a half stars for those dickhead marketing-driven moves draining a lot of my pleasure in reading this iteration of a story whose bones I very much enjoy seeing fleshed out.
CURIOUS MEN: Lost in the Congo, memoir without closure is more interesting!
CURIOUS MEN: Lost in the Congo
BOB KUNZINGER
Madville Publishing LLC (non-affiliate Bookshop.org link)
$21.95 paperback, available now
Rating: 4.5* of five
The Publisher Says: An experienced adventurer partners with an innocent nineteen-year-old to plan a journey on the most dangerous river in the world.
What starts as one man's dream ends up as another man's nightmare. It was a time when pushing our limits knew no boundaries and being nineteen had no restrictions.
I RECEIVED A DRC FROM THE PUBLISHER VIA EDELWEISS+. THANK YOU.
My Review: Nightmares are, after all, dreams by definition.
When Bob, the author and Joe, the traveler, are dreaming up then planning this extreme journey...testing boundaries in that absurd male way, finding limits by crossing them seldom ends happily...they're consciously planning a story. Its plot is set in their minds, the story-logic will unfold as they intend because stories can be controlled.
Anyone who's ever written any fiction will now be laughing hollowly, their chest devoid of air or the ability to draw it in. They believe the world will obey the rules says the inner terrified parent who knows with bitter certainty that is not the case. Their plans leave room for that, the young ones blithely assure themselves and others. And my inner parent says "you can't plan for the unforseeable" while sweating anxiously, absolutely certain tragedy impends.
And befalls.
This novelistic memoir is the survivor's attempt to discover closure in disaster's aftermath. Bob Kunzinger now needs to make this all make sense, when it does not. He does not fall into the trap of excusing himself, or dismissing his vanished friend's responsibility for undertaking this journey. It's an old man's look back at the event that can not do other than bend his own survivor's life into a weird shape. It feels like therapy on the page, starting with several fantasies of how it should have or might have unfolded differently.
No one now an adult hasn't done that same memory dance. "If only..." is a poison when used indiscriminately, a medicine to poultice hurts if used to direct healing onto a survivor's guilt. I'm not Author Kunzinger, I don't know which this story is for him. For me it was the kind of read I look for in a memoir. It presents no fancy-work of "closure." It is, instead, the account of the testosterone-poisoned late (or arrested, in Joe's case) adolescent exceptionalism of male hubris.
Thinking one can plan for, control, the randomness of the world is the source of much grief. Ask Joe's parents. Testing boundaries and exceeding limits is a function of being a person in growth mode. Failure to cross some of these safely and successfully is called "growth." In coping with the aftermath of the fatal failure of Joe to solo-canoe down the Congo, Bob utterly and irrevocably changes the course of his life. No one, not Bob and certainly not the reader, can say what might have been would've been better or preferable or even possible...was this outcome inevitable, merely inescapable for any one of a myriad of reasons, or an unhappy accident?
Yes. Only without the conditional "or."
That's the source of my high rating for this compact, unresolved story, told by a man whose entire life was altered by his participation in a crazy dream of fame for a feat of endurance accomplished. Only when it wasn't accomplished someone was dead, and Bob Kunzinger has had to live on with his own participation in the fatal event unresolved in the absence of a body, a certainty of that death. In many ways it is more painful not to know how, what, when; imagination fills in the gaps as luridly as possible. Author Kunzinger's written multiple stories in his life after Joe vanished. I'd be amazed if any of them end the way this one does, open-ended and unresolved. It's bad storytelling to leave the ending unresolved.
Life couldn't give a fig about storytelling's rules. Author Kunzinger tells this open-ended story with compassion for the young men who did this stunningly stupid thing without excusing them, or exonerating himself, or blaming Joe or any of the other mental gymnastics I'm morally certain he went through over the years since Joe vanished. It's a really adult reckoning with an adolescent's questionable choices. I found it involving, and infuriating about them then, as well as compassionate for the over-sixty man who can never exonerate the youth who was complicit in this, expiate the harm his actions set in motion, or expunge the act itself from Life's unredactable records.
Saturday, February 14, 2026
IS THIS A CRY FOR HELP?, Emily Austin had me crying "Uncle"
IS THIS A CRY FOR HELP?
EMILY R. AUSTIN
Atria Books (non-affiliate Bookshop.org link)
$14.99 ebook, available now
Rating: 4* of five by the skin of its teeth
The Publisher Says: Emily Austin, the bestselling “queen of darkly quirky, endearingly flawed heroines” (Sarah Haywood, author of The Cactus), returns with a luminous new novel following a librarian who comes back to work after a mental breakdown only to confront book-banning crusaders in an empowering story of grief, love, and the power of libraries.
Darcy’s life turned out better than she could have ever imagined. She is a librarian at the local branch, while her wife Joy runs a book binding service. Between the two of them, there is no more room on their shelves with their ample book collections, various knickknacks and bobbles, and dried bouquets. Rounding out their ideal life is two cats and a sun-soaked house by the lake.
But when Darcy receives the news that her ex-boyfriend, Ben, has passed away, she spirals into a pit of guilt and regret, resulting in a mental breakdown and medical leave from the library. When she returns to work, she is met by unrest in her community, and protests surrounding intellectual freedom, resulting in a call for book bans and a second look at the branch’s upcoming DEI programs.
Through the support of her community, colleagues, and the personal growth that results from examining her previous relationships, Darcy comes into her own agency and the truest version of herself. Is This a Cry for Help? not only offers a moving portrait of queer life after coming of age but also powerfully explores questions about sexuality, community, and the importance of libraries.
I RECEIVED A DRC FROM THE PUBLISHER VIA NETGALLEY. THANK YOU.
My Review: Grief is a hugely powerful, astoundingly complex, and very misunderstood emotional state. It is often portrayed as something one "gets over" it "moves on" from, but it isn't. It's your bass thrum throughout life when the loss you're grieving is deep enough; otherwise mourning, the act of displaying grief, will poultice the poison out effectively.
Darcy is living in a new world defined by grief. It blindsides her, happily married as she is to the Dickensianly yclept Joy. The grief that blindsided her is for Ben, the last man in her romantic life, at his early and unexpected death. It's the end of some part of her that never developed, that she wasn't pining after; as I've got cause to know from my own life that does not matter a bit to the emotional core. When you've once been in love you are always somewhere in your being connected. Plus she really hurt Ben as she was leaving him. Add to this Darcy's many pulls and demands as an involved, community-building librarian involved in a PR debacle. She had an emotional collapse—been there, Darcy—as a straw too many got loaded on her people-pleasing back.
As soon as she returns to work, Author Austin piles on some very relatable First-Amendment challenges for Darcy to manage: a library patron accesses porn on the library's computers. This is part of the protected access all citizens share, it was done within an appropriately restricted area, and yet other patrons complaining leads to lunatic, high-control (ie fascist) nutjobs mounting a campaign to shut down, censor, restrict lots more than just online porn viewing.
Here's where I got a bit...done...with the story. I'm down with the community-building librarian facing off against those in the community who want to control others' behavior. I'm delighted by a lesbian coping with her unhappy sense of having unnecessarily hurt a man in the process of self-discovery. I'm thrilled by Darcy being in a loving, supportive partnership that enables her to interrogate her compulsion to please everyone to her own detriment (as women are trained to do. But all at the same time? Yes, I'm aware that Life does not have handy-dandy pause buttons on the events that one's required to deal with. Fiction does have that function. It's detrimental to a story's legibility as an emotional journey to lard in more and more and more in only three-hundred-ish pages. There a reason Jean-Cristophe and Middlemarch and War and Peace took skatey-eight skabillion pages to tell their stories. Readers need time to consolidate their emotional responses into their factual learning of plot events.
More breathing room, please. And get rid of Kyle the c-a-t.
I'm not sorry I read the story, but I wouldn't read it again despite my warm, approving glow at the ending.
THE LUMINOUS FAIRIES and MOTHRA, best Valentines Day read I can imagine
THE LUMINOUS FAIRIES and MOTHRA
SHIN'ICHIRŌ NAKAMURA,TAKEHIKO FUKUNAGA,YOSHIE HOTTA (tr. Jeffrey Angles)
University of Minnesota Press (non-affiliate Bookshop.org link)
$19.95 paperback, available now
Rating: 4.5* of five
The Publisher Says: The original story that hatched Mothra, one of the most beloved monsters in the “kaijuverse”—available in English for the first time
Mystical and benevolent, the colossal lepidopteran Mothra has been one of the most beloved kaiju since 1961, when The Luminous Fairies and Mothra was originally published in Japanese. Commissioned by Tōhō Studios from three of Japan’s most prominent postwar literary writers (Shin’ichirō Nakamura, Takehiko Fukunaga, and Yoshie Hotta), the novella formed the basis for the now-classic monster film Mothra, with a protagonist second only to Godzilla in number of film appearances by a kaiju. Finally available in its first official English translation, The Luminous Fairies and Mothra will captivate ardent, longtime fans of the films as well as newcomers.
Written just months after the largest political demonstrations Japan had ever seen, The Luminous Fairies and Mothra reflects the rebellious spirit of the time. In this original story, explorers visit a South Pacific island and capture a group of fairies, inciting the fury of the goddess Mothra, who sets out for Japan on a mission of rescue and revenge. Expressing a powerful social stance about Japan’s need to chart its own foreign policy during the Cold War, the novella’s political message was ultimately toned down in the Tōhō Studios film. Through this translation, Anglophone audiences will discover Mothra as a figure of protest fiction intricately reflecting the complex geopolitical situation in early 1960s Japan.
The Luminous Fairies and Mothra is translated into lively prose by Jeffrey Angles, who also wrote an extensive afterword about the novella’s cultural context, the unusual story of its composition, and the development of the 1961 film. Following Angles’s best-selling translation of the original Godzilla novellas, this new work will once again delight kaiju fans everywhere.
I RECEIVED A DRC FROM THE PUBLISHER VIA NETGALLEY. THANK YOU.
My Review: You remember Mothra. Saturday afternoon after the teens woke up, the monster movies went on as we all stared hungrily at the weirdness onscreen (I was always most interested in the Japanese cars, natch). It was a window into a world whose anxieties never messed with my head (unlike In Cold Blood, Bonnie and Clyde, and their realistic like), but were riveting to my story-starved brain.
This translation is the first time I've ever encountered the stories that brought Mothra to our screens. I don't know that I was ever aware these stories existed as source materials for the film franchise before now. The three authors of this...novella? story cycle?...focus on the stranger who arrives on Mothra's island and what he learns of the culture, the man he tells his story to after he returns to Japan, and finally the geopolitical implications of the island between Japan and a stand-in for the USA. Like Godzilla the story is thinly disguised anti-US messaging intended to inform the ongoing debates in Japan about how much good it will really do to subjugate their political will to the worldwide hegemon. I chose that word for the US position because it sounds as ancient as Mothra's existence, yet like Mothra, is of very recent coinage and was coined in service of another imperial power.
A kid's-eye view was, "cool! Monsters blowin' shit up!" In the stories a much more thoughtful and nuanced argument is presented...the "fairies" are colonized, infantilized people of little individual agency, whose one hope of survival is collective action and a version of the violence inflicted on them. It is in reading Author/Translator Angles' essay around the text that I saw the kaiju phenomenon as the protest literature it is clearly and possibly for the first time...at least with any clarity it was the first time. It's very saddening to me that Mothra's source document was so invisible to my culturally developing self. Had I been in possession of the texts I might've cut ages out of my emotional maturation.
Seeing clearly what makes other cultures upset enough to create protest art around is extremely valuable. Even if you never walked into the TV room when one of these films was on I hope you'll look into the fascinating subject of where Mothra fits into Japan's literary culture just after their catastrophic defeat in WWII and the subsequent social and economic transformations enforced by the US victors. It was ongoing as the idea for this new mythology was being created. It's also the reason, we learn in the translator's essay, there is almost no evocative description of the world. It was to be left to the filmmaker to do the worldbuilding with as little hampering as possible.
What a delight to encounter this story familiar from childhood as an old man, and not only enjoy it again but enjoy it more now than I did then. Thank you, Jeffrey Angles. Thank you, University of Minnesota Press, for this and for everything else Minneapolis is giving the entire country in this winter of our discontent.
Friday, February 13, 2026
MOTHER OF CAPITAL: How Rent Gave Birth to Modernity, necessary reading
MOTHER OF CAPITAL: How Rent Gave Birth to Modernity
MATTHEW COSTA
Pluto Press (non-affiliate Bookshop.org link)
$31.00 ebook, available now
Rating: 4.5* of five, because of the learning curve involved
The Publisher Says: Rent, or unearned income, is a pervasive concept in contemporary economics. Economists of all stripes see today’s global economy as riddled with harmful rents, but most deny these are intrinsic to capitalism, and insist they can be eliminated with the right policies. It begs the question, why is rent theory so critical of the present but so optimistic about the future?
In Mother of Capital, Matthew Costa delves into the intellectual and social history of rent to solve this puzzle. Centring rent as the engine of capitalism’s historical emergence in medieval Europe, he offers a groundbreaking, systematic history of rent and rent theory. The book also traces the history of resistance to rent from below, and unearths a neglected body of critical rent theory.
Weaving complex strands of social and intellectual history into a vivid, lively, and original explanation of how the society we live in came to be, Costa makes a bold intervention into contemporary debates about the origins and future of capitalism, the nature of social change, and of history itself.
Matthew Costa is an Australian political economist. He has been a sessional lecturer and honorary associate in the Department of Political Economy at the University of Sydney. He is currently a Director at New South Wales Treasury, and was previously an economic policy advisor in Australia’s Department of the Prime Minister and Cabinet.
I RECEIVED A DRC FROM THE PUBLISHER VIA EDELWEISS+. THANK YOU.
My Review: If you're willing to put in the work, this is a good way to understand how capitalism got organized around the concept of extraction. Author Costa is an academic. It shows. You'll need your dictionary handy. The concepts he's explaining in these sophisticated words are, once you've familiarized yourself with the vocabulary, strikingly simple to assimilate. The end result of the read is to make available to the reader a different, probably new, angle of viewing and interpreting the modern world.
Ideological principles that go unchallenged in spite of their deleterious effects on humanity appear in stark relief when this angle of viewing is assumed. It is an angle I encourage you to investigate for yourself...don't trust me, or anyone else, to give you from On High the One True Vision of the world. Acquire a bit of knowledge from a lot of sources. This source is one whose angle of view you won't find in the huge mass of economic-discussion sources in the mainstream. Once you get your head around the light this book sheds on the system we all live within, you will understand why.
It's worth making the effort. It *is* an effort. I encourage you to fight the innerer Schweinehund, get off your mental pillow, and learn something new as painlessly as is possible. The value of the perspective this book offers you on the world as it is can't be overstated.
THE FINAL PROBLEM, "Sherlock" and "The Woman" go head-to-head
THE FINAL PROBLEM
ARTURO PÉREZ-REVERTE (tr. Frances Riddle)
Mulholland Books (non-affiliate Bookshop.org link)
$29.00 hardcover, available now
Rating: 4* of five
The Publisher Says: In this locked-room mystery set in 1960, a washed-up actor puts his on-camera detective skills to the test when a suspicious death shatters the quiet peace for a group of strangers staying at an isolated Greek island resort. Perfect for fans of Knives Out, Benjamin Stevenson, and Anthony Horowitz.
June, 1960. Rough weather at sea leaves a group of strangers stranded on the idyllic Greek island of Utakos, all guests of the only local hotel. Nothing could prepare them for what happens next: Edith Mander, a quiet British tourist, is found dead inside a beach cabana. What appears at first glance to be a clear suicide reveals possible signs of foul play to Ormond Basil, an out-of-work but still well-known actor who in his glory days portrayed the most celebrated detective of all time. Accustomed to seeing him display Sherlock Holmes' amazing powers of deduction on the big screen, the other guests believe that the actor is the best equipped to uncover the truth.
But when a second body is discovered, there is not a doubt in Basil's mind: a murderer walks among them. What's more, the killer is staging each crime as a performance, leaving complex clues that bear an eerie resemblance to those found in the pages of Conan Doyle stories. This is a criminal who knows every trick in the book and is playing a deadly literary game. As the storm rages, Basil must become the genius detective he has only pretended to be.
This clever, whip-smart, locked-room mystery from internationally bestselling author Arturo Pérez-Reverte is a love letter to golden-age detective novels. The Final Problem delights in exploring the tension between an investigator and his suspects, as well as a writer and his reader, delivering a revelatory twist that will shock even the sharpest of mystery fans.
I RECEIVED A DRC FROM THE PUBLISHER VIA NETGALLEY. THANK YOU.
My Review: There is an old-fashioned expression for the story at the heart of this book: "hoist with his own petard." It's meant to convey the sense that there are unfortunate consequences to making yourself the object of your own expertise.Imagine being famous for playing Sherlock Holmes, then investigating a real crime.
Despite being long past the fame. Despite having no training. It's feeding his need for the adrenaline rush of fame, it's reinforcing his bruised ego's sense that he couldn't have been *just* a guy playing a part, speaking lines scripted for him and looking fabulous on camera. He's an actor, sure, but he found that character inside himself. All of this, the mash-up of knowing self-analysis and willing self-delusion, is where this locked-room mystery shines. I knew from the moment "Ormond" (legally and distinctively different from another famous actor or two who played Sherlock Holmes as a career) was introduced that he would be conducting an investigation. It seemed to me his dithering about doing it, in circumstances that could plausibly be used to justify the act in fiction (though in fact nothing like this would result in anything like what happens here), went on too long; what I didn't care for about that was the long, whiny self-evaluation it elicited.
What happens after we get going is a fun locked-room mystery like Dame Agatha so enjoyed creating (many times I thought of Ten Little Indians to give it the period-appropriate title). I'm glad that I wasn't coming to the read expecting more than an entertaining read. After our overlong dithering came our period-appropriate-name dropping, a fourth wall break or twenty, many call outs to literary lights of yesterday and today, and some fairly heavy-handed moralizing during The Big Reveal, all conspired to extinguish the fifth star. Even chunks of the fourth. The truth is the verve and the bravado of the performance of writing was enough to sweeten me back up to a full four stars.
It's not profound. It's nit brilliant. It's good fun, it's got tons of cleverness as its foundations, it's told in stylish sentences. By glory, that is enough...a gracious plenty...in the world of 2026.
Subscribe to:
Comments (Atom)





























